"This is the passport to Dalí coming here." Music Box Films has revealed an official US trailer for a Spanish comedy called Waiting for Dalí, arriving to watch in US theaters this July. It first premiered and opened in Spain last summer. Yet another Dali-related comedy film to watch, with plenty others recently including Daaaaaali! and Dalíland (with Sir Ben Kingsley). This one involves mixing Dali with food, following a chef who starts working in a kitchen at a place called El Surreal, a whimsical restaurant run by Jules, a man with a consuming obsession for local resident Salvador Dalí. Fernando, a talented chef, arrives to the village of Cadaqués (Google Maps) during the 70s, residence of the internationally renowned Dalí. The paths of the chef and the artist will cross and cause the birth of a new culinary genius. Waiting for Dalí "is a fanciful tale of love, art,...
- 6/5/2024
- by Alex Billington
- firstshowing.net
In the early 1970s, a period marked by a surge in experimental cinema and the emergence of new cinematic voices, Chilean-French filmmaker Alejandro Jodorowsky embarked on an ambitious project that would challenge the conventions of traditional filmmaking. This was a time when filmmakers were pushing the boundaries of narrative and visual storytelling, experimenting with new techniques and themes. Jodorowsky, with his unique blend of surrealism and mysticism, was at the forefront of this movement. His goal was to adapt Frank Herbert’s iconic science fiction novel, Dune, into a film.
Jodorowsky is known for his avant-garde and surrealist style, which is evident in his body of work. In addition to his ambitions for Dune, he has directed several other films, each a testament to his unique artistic vision. These include El Topo (1970), a surreal western that is considered a classic of the acid western genre; The Holy Mountain (1973), a spiritual...
Jodorowsky is known for his avant-garde and surrealist style, which is evident in his body of work. In addition to his ambitions for Dune, he has directed several other films, each a testament to his unique artistic vision. These include El Topo (1970), a surreal western that is considered a classic of the acid western genre; The Holy Mountain (1973), a spiritual...
- 6/3/2024
- by Derek Mitchell
- JoBlo.com
In France, the concept of irony is referred to as “deuxième degré” (second degree), where the “premier degré” is the literal or surface meaning, which can be twisted as audiences read an entirely different, often contrary meaning into the material. But the game doesn’t necessarily stop there. There is also “troisième degré,” “quatrième degré” and so on, as deep as you want to go.
For absurdist trickster Quentin Dupieux (whose films “Deerskin” and “Rubber” have found a cult following), “The Second Act” presents a frivolous fun-house mirror, in which actors Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard play actors playing actors in a pointless romantic comedy. They all know they’re making a bad movie, and one by one, they keep interrupting the shoot to air their personal grievances. But that’s only the beginning in a slender meta-textual doodle selected to kick off the 2024 Cannes Film Festival.
For absurdist trickster Quentin Dupieux (whose films “Deerskin” and “Rubber” have found a cult following), “The Second Act” presents a frivolous fun-house mirror, in which actors Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard play actors playing actors in a pointless romantic comedy. They all know they’re making a bad movie, and one by one, they keep interrupting the shoot to air their personal grievances. But that’s only the beginning in a slender meta-textual doodle selected to kick off the 2024 Cannes Film Festival.
- 5/14/2024
- by Peter Debruge
- Variety Film + TV
After watching so many K-dramas (the word "many" is used because I just stopped counting after the 20 mark), I came to a very specific conclusion: if you need to feel something love-related, the best way is to turn to any South Korean romantic comedy or drama.
The thing is, some K-dramas just feel so relatable, or just so realistic, that you start believing everything you see on screen, even though you know it's just a script written by some imaginative professional.
So, having been burned many times, I have created my own list of K-dramas to watch whenever I feel my faith in love is fading. So here they are, South Korean shows that will heal your aching soul and actually prove that "don't stop believing" is good advice.
1. Her Private Life (2019)
Many fans say that this is the K-drama that gives you hope, and I couldn't agree more. Her...
The thing is, some K-dramas just feel so relatable, or just so realistic, that you start believing everything you see on screen, even though you know it's just a script written by some imaginative professional.
So, having been burned many times, I have created my own list of K-dramas to watch whenever I feel my faith in love is fading. So here they are, South Korean shows that will heal your aching soul and actually prove that "don't stop believing" is good advice.
1. Her Private Life (2019)
Many fans say that this is the K-drama that gives you hope, and I couldn't agree more. Her...
- 5/3/2024
- by info@startefacts.com (Rachel Bailey)
- STartefacts.com
Music Box Films has acquired U.S. distribution rights to “Daaaaaalí!,” the latest film by Quentin Dupieux whose upcoming movie “The Second Act” will world premiere on opening night at this year’s Cannes Film Festival.
A comedic and unpredictable tribute to Salvador Dalí, “Daaaaaalí!” premiered out of competition at the Venice Film Festival, followed by screenings at the BFI London Film Festival and Rotterdam.
In “Daaaaaalí!,” a French journalist repeatedly meets Dalí to begin an interview for a documentary film project that never starts shooting. Anaïs Demoustier stars as a journalist attempting to pin down the eccentric and elusive Salvador Dalí, who is played by five different actors, Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand.
Music Box Films will release “Daaaaaalí!” theatrically later this year with a home entertainment release to follow.
“We were thoroughly charmed by the playful, antic spirit of Quentin Dupieux’s film,...
A comedic and unpredictable tribute to Salvador Dalí, “Daaaaaalí!” premiered out of competition at the Venice Film Festival, followed by screenings at the BFI London Film Festival and Rotterdam.
In “Daaaaaalí!,” a French journalist repeatedly meets Dalí to begin an interview for a documentary film project that never starts shooting. Anaïs Demoustier stars as a journalist attempting to pin down the eccentric and elusive Salvador Dalí, who is played by five different actors, Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand.
Music Box Films will release “Daaaaaalí!” theatrically later this year with a home entertainment release to follow.
“We were thoroughly charmed by the playful, antic spirit of Quentin Dupieux’s film,...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
On Friday nights — and special occasions! — IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Appointment Viewing for “Stoners, Seekers, Archivists, and Drinkers”
It took more than 1,700 miles and an honest-to-God movie theater for me to discover that the livestream I’ve been wanting my entire adult life tapes weekly just ten minutes down the street in LA. Yes, I had to fly all the way to New Orleans, Louisiana for The 2024 Overlook Film Festival to stumble onto the genius that is Museum of Home Video.
The found-footage livestream with a semi-hallucinogenic feel — described by its creators as “college radio for the...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Appointment Viewing for “Stoners, Seekers, Archivists, and Drinkers”
It took more than 1,700 miles and an honest-to-God movie theater for me to discover that the livestream I’ve been wanting my entire adult life tapes weekly just ten minutes down the street in LA. Yes, I had to fly all the way to New Orleans, Louisiana for The 2024 Overlook Film Festival to stumble onto the genius that is Museum of Home Video.
The found-footage livestream with a semi-hallucinogenic feel — described by its creators as “college radio for the...
- 4/20/2024
- by Alison Foreman and Christian Zilko
- Indiewire
For a short bit there, it seemed like Ezra Miller’s career was going to be torpedoed thanks to numerous controversies. Yet, Miller managed to stay on board The Flash. Ok, so that was yet another flop for DC but it showed there was still (some) support for Miller within the industry in one way or another. But now, it might truly be over, as Invincible, has quietly removed Miller from the series. The actor had been previously cast as D.A. Sinclair. So where does that leave the troubled star?
While Ezra Miller voiced the mad scientist with a penchant for turning people into obedient cyborgian zombie soldiers called “Reanimen” in the first season, Eric Bauza has now taken over the role. Miller only voiced the character in one episode (“You Look Kinda Dead”) so it’s really not that big of a loss for Invincible. But it does...
While Ezra Miller voiced the mad scientist with a penchant for turning people into obedient cyborgian zombie soldiers called “Reanimen” in the first season, Eric Bauza has now taken over the role. Miller only voiced the character in one episode (“You Look Kinda Dead”) so it’s really not that big of a loss for Invincible. But it does...
- 3/30/2024
- by Mathew Plale
- JoBlo.com
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSUntil Branches Bend.Amidst a widespread debate on the merit of U.S. state financial incentives for film and television productions, a Georgia bill that would have limited the sale of tax credits was rejected by the Senate Finance Committee. In recent years, those credits have exceeded $1 billion despite findings that the state makes back only 19¢ on the dollar. Four of the thirteen labor guilds bargaining with IATSE have now reached tentative agreements with the AMPTP: Locals 600 (cinematographers), 729 (set painters), 800 (art directors), and 695. IATSE president Matthew Loeb has threatened to strike if a new contract is not in place when the current one expires on July 31.Due to financial constraints, the Human Rights Watch Film Festival will be...
- 3/28/2024
- MUBI
Five decades ago, a fan picked up a set of the director’s meticulous storyboards for just $50 – including the lost Spellbound dream sequence by Salvador Dalí in which Ingrid Bergman turns into ants
It is Los Angeles in the early 1970s and the critic John Russell Taylor is driving around the San Fernando Valley, checking out the goods on offer at various yard sales. It’s usual for locals to put their bric-a-brac out on their lawns, hoping to raise some cash. What’s less usual, however, is the bounty that Taylor spots in one yard: a series of storyboard panels from Alfred Hitchcock’s 1945 film Spellbound, a thriller about a psychoanalyst starring Ingrid Bergman and Gregory Peck.
Taylor recognises them straight away. He is a Hitchcock scholar, who will go on to write the director’s authorised biography. On closer inspection, he notices something else: that one of the...
It is Los Angeles in the early 1970s and the critic John Russell Taylor is driving around the San Fernando Valley, checking out the goods on offer at various yard sales. It’s usual for locals to put their bric-a-brac out on their lawns, hoping to raise some cash. What’s less usual, however, is the bounty that Taylor spots in one yard: a series of storyboard panels from Alfred Hitchcock’s 1945 film Spellbound, a thriller about a psychoanalyst starring Ingrid Bergman and Gregory Peck.
Taylor recognises them straight away. He is a Hitchcock scholar, who will go on to write the director’s authorised biography. On closer inspection, he notices something else: that one of the...
- 3/26/2024
- by Tim Jonze
- The Guardian - Film News
One of Frida Kahlo’s paintings featured in the documentary Frida. © 2024 Banco de México Diego Rivera & Frida Kahlo Museums Trust. Av. 5 de Mayo No. 20, col. Centro, alc. Cuauhtémoc, c.p. 06000, Mexico City. Courtesy of Amazon Prime Video
Frida Kahlo remains endlessly intriguing, in part because the Mexican artist’s colorful paintings remain striking, mysterious and even slightly disturbing and partly because of her bold, dramatic, sometimes tragic life. The artist has been the subject of several films, both narrative and documentary, and Kahlo has been played beautifully by actresses Salma Hayek and Ofelia Medina among others. But in director/writer Carla Gutierrez’s new biographical documentary Frida, Frida Kahlo plays herself.
Gutierrez’s Frida brings fresh insights into Frida Kahlo’s life and work, by putting that life into her own words for the first time, words exclusively drawn from her letters, interviews and her illustrated diary. We also hear...
Frida Kahlo remains endlessly intriguing, in part because the Mexican artist’s colorful paintings remain striking, mysterious and even slightly disturbing and partly because of her bold, dramatic, sometimes tragic life. The artist has been the subject of several films, both narrative and documentary, and Kahlo has been played beautifully by actresses Salma Hayek and Ofelia Medina among others. But in director/writer Carla Gutierrez’s new biographical documentary Frida, Frida Kahlo plays herself.
Gutierrez’s Frida brings fresh insights into Frida Kahlo’s life and work, by putting that life into her own words for the first time, words exclusively drawn from her letters, interviews and her illustrated diary. We also hear...
- 3/15/2024
- by Cate Marquis
- WeAreMovieGeeks.com
When deciding whether make Greek filmmaker Yorgos Lanthimos’ Poor Things, Searchlight Pictures and parent company Disney believed the movie would be able to earn north of $100 at the global box office. After all, the project was reuniting Lanthimos with Emma Stone, one of Hollywood’s on-fire actresses who had starred in the filmmaker’s Oscar-nominated The Favourite, while he himself had developed a cult following. But when execs saw the completed film, some had their doubts, according to one source close to the project.
Would moviegoers embrace a genre-bending, Victorian-set tale about a Frankenstein-like doctor who puts a baby’s brain inside the dying mother’s body, only to unleash a woman with blissfully innocent mindset that thinks nothing of masturbating in front of others or spitting out a mouthful of food in a swanky restaurant. She embarks on a hedonistic adventure with a debauched lawyer — her word for...
Would moviegoers embrace a genre-bending, Victorian-set tale about a Frankenstein-like doctor who puts a baby’s brain inside the dying mother’s body, only to unleash a woman with blissfully innocent mindset that thinks nothing of masturbating in front of others or spitting out a mouthful of food in a swanky restaurant. She embarks on a hedonistic adventure with a debauched lawyer — her word for...
- 3/10/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
As Timothée Chalamet‘s Wonka promo took over everyone’s news feeds in December, so did Jagwar Twin’s song “Bad Feeling (Oompa Loompa)” on TikTok.
On Friday, the rock star revisited the single, as he released the circus-themed music video for the viral track, which sees the artist inside a Salvador Dalí-inspired circus world as he conveys his message of “trusting your internal compass.”
“The video plays on the theme of trusting your intuition with it being set in this strange Dalí-esque circus that, to me, is often...
On Friday, the rock star revisited the single, as he released the circus-themed music video for the viral track, which sees the artist inside a Salvador Dalí-inspired circus world as he conveys his message of “trusting your internal compass.”
“The video plays on the theme of trusting your intuition with it being set in this strange Dalí-esque circus that, to me, is often...
- 3/8/2024
- by Tomás Mier
- Rollingstone.com
As fashion companies descend on Los Angles for Oscar Week — to throw cocktail parties and mount brand activations — Prada is offering something different.
For the next two nights, the Italian luxury house has paired with German artist Carsten Höller to create an ephemeral nightclub located inside a massive warehouse in downtown Los Angeles.
Dubbed The Double Club Los Angeles, Prada’s pop-up runs for two nights (March 7 and 8) as a private installation-slash-club before opening to the public on March 9 and 10 (Oscars day).
Inside the cavernous space, there are multiple bars, a large brightly-lit central performance stage covered in multi-colored bulbs and three vintage amusement park rides including a carousel, a swing ride, and one called the Silver Streak that takes riders in circles at a fairly fast clip. The whole shebang is being presented in partnership with Luna Luna: Forgotten Fantasy, the vintage circa 1987 art amusement park featuring a Jean-Michel Basquiat Ferris wheel,...
For the next two nights, the Italian luxury house has paired with German artist Carsten Höller to create an ephemeral nightclub located inside a massive warehouse in downtown Los Angeles.
Dubbed The Double Club Los Angeles, Prada’s pop-up runs for two nights (March 7 and 8) as a private installation-slash-club before opening to the public on March 9 and 10 (Oscars day).
Inside the cavernous space, there are multiple bars, a large brightly-lit central performance stage covered in multi-colored bulbs and three vintage amusement park rides including a carousel, a swing ride, and one called the Silver Streak that takes riders in circles at a fairly fast clip. The whole shebang is being presented in partnership with Luna Luna: Forgotten Fantasy, the vintage circa 1987 art amusement park featuring a Jean-Michel Basquiat Ferris wheel,...
- 3/8/2024
- by Degen Pener
- The Hollywood Reporter - Movie News
Alright, gather ’round cinephiles and casting couch critics, because we’re about to dive into the whimsical world of Julio Torres and his muse for the moment, the ethereal Tilda Swinton. You know Julio, right? The writer and filmmaker whose imagination is as outlandish as a Salvador Dalí painting on a sugar rush. And Tilda, oh boy, she’s not just an actress; she’s a shape-shifting enigma wrapped in a riddle, with a touch of otherworldly grace. Now, why did Torres think Swinton was the only one who could nail his latest fever dream of a project? Buckle up, buttercup, we’re about...
- 3/5/2024
- by Jane Wiggle
- TVovermind.com
In 1971, just six years after Frank Herbert published his groundbreaking science-fiction novel "Dune," Arthur P. Jacobs' Apjac International obtained the rights to the story for a film adaptation. The producer behind "Planet of the Apes" was ready to craft another world set in a distant future, but with the sequel film "Beneath the Planet of the Apes" on its way, "Dune" was delayed.
Jacobs went through a handful of different directors and screenwriters in early development, but he tragically passed away in 1973. David Lynch would eventually bring "Dune" to the big screen in 1984, but there were multiple failed attempts that paved the way for his film and a remake in his wake that led to Denis Villeneuve's recent adaptations. The messy histories of failed "Dune" adaptations could justify their own feature-length documentaries but allow this to be a crash course on the bizarre "Dune" movies that never came to be.
Jacobs went through a handful of different directors and screenwriters in early development, but he tragically passed away in 1973. David Lynch would eventually bring "Dune" to the big screen in 1984, but there were multiple failed attempts that paved the way for his film and a remake in his wake that led to Denis Villeneuve's recent adaptations. The messy histories of failed "Dune" adaptations could justify their own feature-length documentaries but allow this to be a crash course on the bizarre "Dune" movies that never came to be.
- 3/4/2024
- by BJ Colangelo
- Slash Film
Poor Things is a movie directed by Yorgos Lanthimos starring Emma Stone. With Mark Ruffalo, Willem Dafoe, Ramy Youssef and Jerrod Carmichael.
It’s a film that can only be described with positive words. It is a movie filled with ideas from beginning to end, showcasing talent in every aspect and always maintaining originality. It cannot be classified as a comedy, drama, or experimental art piece. It is all of those things in a story of the absurd and a journey through wonderland, both aesthetically, emotionally, and socially. It is a walk through the absurd that can be viewed from different perspectives and allows for numerous interpretations, never getting tiresome even after multiple viewings. The aesthetic is completely overwhelming.
We loved it!
Poor Things Plot
A doctor conducts an experiment, reviving a deceased woman by implanting a baby’s brain. We witness her evolution through different stages of life in...
It’s a film that can only be described with positive words. It is a movie filled with ideas from beginning to end, showcasing talent in every aspect and always maintaining originality. It cannot be classified as a comedy, drama, or experimental art piece. It is all of those things in a story of the absurd and a journey through wonderland, both aesthetically, emotionally, and socially. It is a walk through the absurd that can be viewed from different perspectives and allows for numerous interpretations, never getting tiresome even after multiple viewings. The aesthetic is completely overwhelming.
We loved it!
Poor Things Plot
A doctor conducts an experiment, reviving a deceased woman by implanting a baby’s brain. We witness her evolution through different stages of life in...
- 3/3/2024
- by Martin Cid
- Martin Cid Music
Pobres criaturas es una película dirigida por Yorgos Lanthimos y protagonizada por Emma Stone. Con Mark Ruffalo, Willem Dafoe, Ramy Youssef y Jerrod Carmichael.
Una película de la que sólo podemos decir cosas positivas, una película llena de ideas del principio al fin, una cinta que derrocha talento en todas y cada una de sus facetas y que resulta, siempre, original.
Ni es una comedia ni es un drama ni es una obra de arte y ensayo. Es todo eso en un cuento del absurdo y en un viaje a través del país de las maravillas, en lo estético, emocional y social.
Un paseo por el absurdo que puede ser visto desde distintos puntos de vista y que acepta numerosas lecturas y que no se agota, siquiera, en un primer visionado.
Totalmente apabullante en lo esético.
¡Nos ha encantado!
Pobres criaturas Argumento
Un doctor ha realizado un experimento: revivir a...
Una película de la que sólo podemos decir cosas positivas, una película llena de ideas del principio al fin, una cinta que derrocha talento en todas y cada una de sus facetas y que resulta, siempre, original.
Ni es una comedia ni es un drama ni es una obra de arte y ensayo. Es todo eso en un cuento del absurdo y en un viaje a través del país de las maravillas, en lo estético, emocional y social.
Un paseo por el absurdo que puede ser visto desde distintos puntos de vista y que acepta numerosas lecturas y que no se agota, siquiera, en un primer visionado.
Totalmente apabullante en lo esético.
¡Nos ha encantado!
Pobres criaturas Argumento
Un doctor ha realizado un experimento: revivir a...
- 3/3/2024
- by Martin Cid
- Martin Cid Magazine - Movies
Poor Things is a movie directed by Yorgos Lanthimos starring Emma Stone. With Mark Ruffalo, Willem Dafoe, Ramy Youssef and Jerrod Carmichael.
It’s a film that can only be described with positive words. It is a movie filled with ideas from beginning to end, showcasing talent in every aspect and always maintaining originality. It cannot be classified as a comedy, drama, or experimental art piece. It is all of those things in a story of the absurd and a journey through wonderland, both aesthetically, emotionally, and socially. It is a walk through the absurd that can be viewed from different perspectives and allows for numerous interpretations, never getting tiresome even after multiple viewings. The aesthetic is completely overwhelming.
We loved it!
Poor Things Plot
A doctor conducts an experiment, reviving a deceased woman by implanting a baby’s brain. We witness her evolution through different stages of life in...
It’s a film that can only be described with positive words. It is a movie filled with ideas from beginning to end, showcasing talent in every aspect and always maintaining originality. It cannot be classified as a comedy, drama, or experimental art piece. It is all of those things in a story of the absurd and a journey through wonderland, both aesthetically, emotionally, and socially. It is a walk through the absurd that can be viewed from different perspectives and allows for numerous interpretations, never getting tiresome even after multiple viewings. The aesthetic is completely overwhelming.
We loved it!
Poor Things Plot
A doctor conducts an experiment, reviving a deceased woman by implanting a baby’s brain. We witness her evolution through different stages of life in...
- 3/3/2024
- by Martin Cid
- Martin Cid Magazine - Movies
French filmmaker Quentin Dupieux has been creating some pretty surreal masterpieces over the years, including Deerskin, in which Jean Dujardin’s Georges is obsessed with the tasselled loveliness of a suede jacket, and the utterly bonkers and highly entertaining Mandibles, in which two jokers find a giant fly which they hope will make them their fortune. So it was just a matter of time before this master of madness should focus his attention on the grand master of Surrealism, Salvador Dalí, the two coming together in the perfect storm that is Daaaaaali!
The film takes place in the 1980s and follows journalist Judith (Anaïs Demoustier) as she tries to pin down the artist and get an interview out of him for her documentary. Much of the film takes place in the hotel where said interview is to take place and the scenes in the hotel corridor are a joy to behold.
The film takes place in the 1980s and follows journalist Judith (Anaïs Demoustier) as she tries to pin down the artist and get an interview out of him for her documentary. Much of the film takes place in the hotel where said interview is to take place and the scenes in the hotel corridor are a joy to behold.
- 1/17/2024
- by Jo-Ann Titmarsh
- HeyUGuys.co.uk
Thomas Bangalter, one half of Daft Punk, contributed the score to Quentin Dupieux (Mr. Ozi)’s latest comedy film, Daaaaaalí! Now, he has announced the soundtrack’s official release on February 7th via Ed Banger.
Daaaaaalí!, which premiered at last year’s Venice Film Festival, features a variety of French actors all playing the surrealist painter Salvador Dalí. It will receive a theatrical release in France on February 7th.
Due to their respective efforts in the French electronic scene of the late ’90s, Bangalter and Dupieux have been longtime friends; Bangalter previously cameoed (sans his usual Daft Punk mask) in Dupieux’s 2014 film Reality.
Bangalter released Mythologies, his first album post-Daft Punk, in 2023. During an appearance on BBC’s The First Time with Matt Everett podcast last year, the artist said he was “relieved” that the Daft Punk era was over and expanded on the duo’s 2021 breakup.
Daft Punk...
Daaaaaalí!, which premiered at last year’s Venice Film Festival, features a variety of French actors all playing the surrealist painter Salvador Dalí. It will receive a theatrical release in France on February 7th.
Due to their respective efforts in the French electronic scene of the late ’90s, Bangalter and Dupieux have been longtime friends; Bangalter previously cameoed (sans his usual Daft Punk mask) in Dupieux’s 2014 film Reality.
Bangalter released Mythologies, his first album post-Daft Punk, in 2023. During an appearance on BBC’s The First Time with Matt Everett podcast last year, the artist said he was “relieved” that the Daft Punk era was over and expanded on the duo’s 2021 breakup.
Daft Punk...
- 1/11/2024
- by Paolo Ragusa
- Consequence - Music
Quinn Donoghue, whose long career as a Hollywood publicist included beating the drum for Superman, Pink Panther and Three Musketeers films, Steven Soderbergh’s The Limey and Alejandro G. Iñárritu’s 21 Grams, has died. He was 86.
Donoghue died Dec. 28 in Los Angeles, his son Alex Donoghue announced.
Donoghue also served as a unit publicist on Norman Jewison’s Fiddler on the Roof (1971) and Jesus Christ Superstar (1973), Jean-Jacques Annaud’s Quest for Fire (1981), Roman Polanski’s Frantic (1988) and Bitter Moon (1992), Michael Caton-Jones’ Rob Roy (1995), Robert Altman’s Kansas City (1996) and Ridley Scott’s Gladiator (2000) and Kingdom of Heaven (2005).
He did publicity for Blake Edwards’ The Pink Panther (1963), The Return of the Pink Panther (1975) and The Pink Panther Strikes Again (1976) and Richard Lester’s The Three Musketeers (1973), The Four Musketeers: Milady’s Revenge (1974) and The Return of the Musketeers (1989), Superman II (1980) and Superman III (1983) and Cuba (1979).
Plus, he produced several films,...
Donoghue died Dec. 28 in Los Angeles, his son Alex Donoghue announced.
Donoghue also served as a unit publicist on Norman Jewison’s Fiddler on the Roof (1971) and Jesus Christ Superstar (1973), Jean-Jacques Annaud’s Quest for Fire (1981), Roman Polanski’s Frantic (1988) and Bitter Moon (1992), Michael Caton-Jones’ Rob Roy (1995), Robert Altman’s Kansas City (1996) and Ridley Scott’s Gladiator (2000) and Kingdom of Heaven (2005).
He did publicity for Blake Edwards’ The Pink Panther (1963), The Return of the Pink Panther (1975) and The Pink Panther Strikes Again (1976) and Richard Lester’s The Three Musketeers (1973), The Four Musketeers: Milady’s Revenge (1974) and The Return of the Musketeers (1989), Superman II (1980) and Superman III (1983) and Cuba (1979).
Plus, he produced several films,...
- 1/11/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
In a penetrating essay on the life and work of Salvador Dalí, George Orwell observed the following about intellectual ambition: “It seems to be, if not the rule, at any rate distinctly common for an intellectual bent to be accompanied by a non-rational, even childish urge in the same direction.” Orwell was thinking mainly of artists and scientists, but I am sure he would have agreed that the same is true of politicians––that urges to hold office and curry favor with the crowd are often more explicable in terms of childish fancies of kings and courts than they are in terms of highbrow things like duty and virtue.
İlker Çatak, the German-Turkish director and screenwriter, is clearly aware of this idea, and in his latest film, The Teachers’ Lounge (Das Lehrerzimmer), he goes some way toward proving its validity. He presents, on the one hand, an engrossing scandal at a German high school; and,...
İlker Çatak, the German-Turkish director and screenwriter, is clearly aware of this idea, and in his latest film, The Teachers’ Lounge (Das Lehrerzimmer), he goes some way toward proving its validity. He presents, on the one hand, an engrossing scandal at a German high school; and,...
- 12/26/2023
- by Oliver Weir
- The Film Stage
As part of Variety‘s 100 Greatest Television Shows of All Time issue, we asked 12 of our favorite creators of television to discuss the series that inspire and move them. Check out all the essays, and read our full list of the best TV shows ever made.
“The Twilight Zone” came on the air in 1959 — my freshman year in high school. And it made a mammoth impression. No one had ever seen anything like that. From the opening, where writer Rod Serling came out in his herringbone jacket with his cigarette and introduced the show: That, in itself, was entertaining. I just wanted to hear what Rod had to say about the mystery of the universe this time out.
Now, if you’re 13 years old, you could be easily scared by the stories “The Twilight Zone” told. But even now, as an adult, if you watch an episode, you would get the chills.
“The Twilight Zone” came on the air in 1959 — my freshman year in high school. And it made a mammoth impression. No one had ever seen anything like that. From the opening, where writer Rod Serling came out in his herringbone jacket with his cigarette and introduced the show: That, in itself, was entertaining. I just wanted to hear what Rod had to say about the mystery of the universe this time out.
Now, if you’re 13 years old, you could be easily scared by the stories “The Twilight Zone” told. But even now, as an adult, if you watch an episode, you would get the chills.
- 12/20/2023
- by David Chase
- Variety Film + TV
In 1987 in Hamburg, Germany, the first ever “art amusement park” opened to the public, featuring works by legendary artists such as Jean-Michel Basquiat, Keith Haring and even Salvador Dali. For three short months, families came together to experience the artistic oddities of the park — before the whimsical creations were soon forgotten. Locked away in 44 shipping containers for 36 years, the rides and pieces created for the original Luna Luna were seemingly forgotten.
Now, thanks to curation and restoration provided by Drake, fans and art aficionados are once again able to experience these one-of-a-kind works, up close and personal, at Luna Luna: Forgotten Fantasy in Los Angeles.
Tucked away among industrial warehouses in downtown L.A., the park features 19 rare and pristinely restored works by many of the world’s most well-known modern artists. It is divided into two main rooms for viewing.
On the first side, there’s a painted chair ride designed by Kenny Scharf.
Now, thanks to curation and restoration provided by Drake, fans and art aficionados are once again able to experience these one-of-a-kind works, up close and personal, at Luna Luna: Forgotten Fantasy in Los Angeles.
Tucked away among industrial warehouses in downtown L.A., the park features 19 rare and pristinely restored works by many of the world’s most well-known modern artists. It is divided into two main rooms for viewing.
On the first side, there’s a painted chair ride designed by Kenny Scharf.
- 12/18/2023
- by Ryan Fish
- The Hollywood Reporter - Movie News
The Beatles gave us cult classic movies like Yellow Submarine and Help! It’s only fitting that John Lennon’s favorite movie was a cult classic Western. The movie in question is one of the most bizarre Westerns ever made. Fascinatingly, the director of the film said multiple rock stars connected with his work.
John Lennon loved a cult classic Western movie with a heavy dose of mysticism
Alejandro Jodorowsky is a surrealist filmmaker whose movies are like Salvador Dalí paintings come to life. According to Wired, John’s favorite movie was Jodorowsky’s mystical Western El Topo. The film is about an outlaw called El Topo (Spanish for “The Mole”) who becomes a holy man in a landscape filled with Judeo-Christian and occult imagery.
During a 2011 interview with Interviews with Icons, Jodorowsky discussed John’s relationship with the film. “I was lucky because of rock ‘n’ roll,” explained Jodorowsky.
John Lennon loved a cult classic Western movie with a heavy dose of mysticism
Alejandro Jodorowsky is a surrealist filmmaker whose movies are like Salvador Dalí paintings come to life. According to Wired, John’s favorite movie was Jodorowsky’s mystical Western El Topo. The film is about an outlaw called El Topo (Spanish for “The Mole”) who becomes a holy man in a landscape filled with Judeo-Christian and occult imagery.
During a 2011 interview with Interviews with Icons, Jodorowsky discussed John’s relationship with the film. “I was lucky because of rock ‘n’ roll,” explained Jodorowsky.
- 12/9/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
Becky Lynch might be known as “The Man” in WWE, but she clearly didn’t win that name by leading the wrestling promotion’s trivia team. In a first not just for “Celebrity Jeopardy” but for “Jeopardy” as a whole, the pro wrestling superstar delivered zero correct responses across the first 60 clues.
According to popular “Jeopardy” statistics tracking site “The Jeopardy! Fan,” Lynch is the first known contestant to have no correct responses across both the regular and Double Jeopardy rounds. She did manage to win the race for the buzzer several times against rivals Rachel Dratch and Macaulay Culkin, but ended the first round with three incorrect responses and “Double Jeopardy” with another incorrect guess.
Yes, this is believed to the first instance of a player giving 0 correct responses through 60 clues. #Jeopardy #CelebrityJeopardy https://t.co/KVPaVyQWxR
— The Jeopardy! Fan (@_thejeopardyfan) November 16, 2023
When Ken Jennings interviewed Lynch, he noted...
According to popular “Jeopardy” statistics tracking site “The Jeopardy! Fan,” Lynch is the first known contestant to have no correct responses across both the regular and Double Jeopardy rounds. She did manage to win the race for the buzzer several times against rivals Rachel Dratch and Macaulay Culkin, but ended the first round with three incorrect responses and “Double Jeopardy” with another incorrect guess.
Yes, this is believed to the first instance of a player giving 0 correct responses through 60 clues. #Jeopardy #CelebrityJeopardy https://t.co/KVPaVyQWxR
— The Jeopardy! Fan (@_thejeopardyfan) November 16, 2023
When Ken Jennings interviewed Lynch, he noted...
- 11/16/2023
- by Mike Roe
- The Wrap
Artist Abigail Jill Harding makes her longform writing debut with the limited comic book series Parliament of Rooks, "a gothic love story told in 5 chapters over the course of the four seasons—Spring, Summer, Autumn, Winter—and culminating in an epic conclusion." The first issue of Parliament of Rooks debuts on November 14th from Amazon’s Comixology Originals, and we have all the details, along with an exclusive preview you can read right now!
Parliament of Rooks is a tale of dark fantasy, forbidden romance, menacing forces, and enchanting characters, inspired by the striking, gregarious, black-feathered bird, known as a rook.
"Parliament of Rooks is my homage to stories I grew up loving by fellow Brits like Neil Gaiman's Sandman and Emily Bronte's Wuthering Heights,” says Abigail Jill Harding. "This is the first series I've written and drawn myself. It's very ambitious and I'm excited for people to read it.
Parliament of Rooks is a tale of dark fantasy, forbidden romance, menacing forces, and enchanting characters, inspired by the striking, gregarious, black-feathered bird, known as a rook.
"Parliament of Rooks is my homage to stories I grew up loving by fellow Brits like Neil Gaiman's Sandman and Emily Bronte's Wuthering Heights,” says Abigail Jill Harding. "This is the first series I've written and drawn myself. It's very ambitious and I'm excited for people to read it.
- 11/9/2023
- by Jonathan James
- DailyDead
Shane Black's 2013 superhero film "Iron Man 3" is handily one of the best films in the Marvel Cinematic Universe. It depicted a beleaguered and emotionally wounded Tony Stark working through his battlefield trauma by building multiple Iron Man suits in his lab, and trying his hardest not to fight. That plan is interrupted by the appearance of a vicious terrorist calling himself the Mandarin (Ben Kingsley), a ring-wearing murderer who is behind a series of deadly bombings around the world. Tony, in a fit of rage, gives out his previously secret home address on national TV, instigating an immediate attack from the Mandarin that destroys Tony's massive Malibu home. Oops.
Tony, naturally, goes on a worldwide hunt to find the Mandarin and bring him to justice, which he eventually does. In one of the McU's cleverest twists, however, it is revealed that the Mandarin is fake. The threatening terrorist...
Tony, naturally, goes on a worldwide hunt to find the Mandarin and bring him to justice, which he eventually does. In one of the McU's cleverest twists, however, it is revealed that the Mandarin is fake. The threatening terrorist...
- 11/7/2023
- by Witney Seibold
- Slash Film
The festival and its Geneva Digital Market take place from November 3-11 in Switzerland.
International festival favourites, a fresh take on the international series competition and the world debut of an installation by Jean-Michel Jarre, exemplify the Geneva International Film Festival’s mission to investigate and celebrate audiovisual content in all its guises.
“Our goal for audiences and international participants alike is to reinforce the interaction with content and the cinematographic experience for film, series and also digital creation,” says artistic director Anais Emery, who is overseeing her third edition. “I hope the audience will get curious about this diversity of audiovisual offerings.
International festival favourites, a fresh take on the international series competition and the world debut of an installation by Jean-Michel Jarre, exemplify the Geneva International Film Festival’s mission to investigate and celebrate audiovisual content in all its guises.
“Our goal for audiences and international participants alike is to reinforce the interaction with content and the cinematographic experience for film, series and also digital creation,” says artistic director Anais Emery, who is overseeing her third edition. “I hope the audience will get curious about this diversity of audiovisual offerings.
- 11/3/2023
- by Stuart Kemp
- ScreenDaily
Time to meet Dali! Diaphana Distribution in France has revealed a teaser trailer for the acclaimed new film from France's wacky Quentin Dupieux titled Daaaaaali!. Quite simple, this brilliantly hilarious comedy is a wild and kooky take on the artist Salvador Dalí. It premiered a the 2023 Venice Film Festival this fall to uproarious laughter and great reviews - it was one of my favorite films of the festival. Dupieux's film is sort of about a young journalist who attempts to meet with the iconic surrealist artist Salvador Dalí on several occasions for a documentary project. But it never seems to work out. This teaser gives an early look at some of the various actors playing Dali. Starring Anaïs Demoustier, Gilles Lellouche, Edouard Baer, Pio Marmaï, Romain Duris, and Jonathan Cohen. "As Dalí himself said, his personality was probably his greatest masterpiece. My film modestly tells that story," Dupieux explains. I loooove this film,...
- 10/31/2023
- by Alex Billington
- firstshowing.net
Quentin Dupieux is a filmmaker who is known for drastically switching subject matter between films. Sure, most of his films are incredibly surreal and absurdist, but he will do a film about a oversized fly and then follow it up with a film about cigarette-inspired superheroes. So, with that in mind, can you actually be at all surprised his new film, “Daaaaaali,” puts a spin on the story of artist Salvador Dalí?
Read More: ‘Daaaaaali!’ Review: Quentin Dupieux’s Eye For The Beautiful & Absurd Finds Its Perfect Subject In The Spanish Artist [Venice]
Though it doesn’t give much away in terms of plot, you can definitely get the vibe of “Daaaaaali” based on the new teaser that was released.
Continue reading ‘Daaaaaali’ Teaser: Quentin Dupieux Brings His Absurdist Style To A Biopic Of Iconic Artist Salvador Dalí at The Playlist.
Read More: ‘Daaaaaali!’ Review: Quentin Dupieux’s Eye For The Beautiful & Absurd Finds Its Perfect Subject In The Spanish Artist [Venice]
Though it doesn’t give much away in terms of plot, you can definitely get the vibe of “Daaaaaali” based on the new teaser that was released.
Continue reading ‘Daaaaaali’ Teaser: Quentin Dupieux Brings His Absurdist Style To A Biopic Of Iconic Artist Salvador Dalí at The Playlist.
- 10/30/2023
- by Charles Barfield
- The Playlist
Even today, The Beatles‘ butcher cover is one of the most controversial album covers in classic rock history. John Lennon once explained how Salvador Dalí inspired the Fab Four’s disturbing album art. He also contrasted the reception of that album cover with another one created by Yoko Ono that features a nude Richard Nixon.
Boredom and Salvador Dalí inspired The Beatles’ butcher cover
The Beatles’ butcher cover shows the Fab Four dressed like butchers, smiling, and covered in raw meat and dismembered baby doll parts. It’s pretty unsettling, especially for a band once known for cute hits like “Eight Days a Week!” During a 1980 interview from the book All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono, John gave fans insight into the image.
“That was a repackage for the Americans called Yesterday and Today,” he recalled. “The original cover was The Beatles...
Boredom and Salvador Dalí inspired The Beatles’ butcher cover
The Beatles’ butcher cover shows the Fab Four dressed like butchers, smiling, and covered in raw meat and dismembered baby doll parts. It’s pretty unsettling, especially for a band once known for cute hits like “Eight Days a Week!” During a 1980 interview from the book All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono, John gave fans insight into the image.
“That was a repackage for the Americans called Yesterday and Today,” he recalled. “The original cover was The Beatles...
- 10/29/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
At the time of year where every other film is a biopic chasing prestige respectability, we are lucky to have Quentin Dupieux, the prolific, serious-minded, silly filmmaker perfectly positioned to take a sledgehammer to the genre. His second 2023 feature has been described as a “real fake biopic” of Salvador Dalí but is best understood as a return to the heightened analysis of cinematic storytelling à la 2010 breakthrough Rubber––a movie which increasingly looks like the rare weak spot in a filmography equal-parts playful and thoughtful.
And don’t be mistaken: despite casting several of France’s finest character actors as the famed Spaniard, this isn’t an I’m Not There-style tribute to the artist’s spirit attempting an unconventional work in vein like theirs. Dupieux clearly has no interest in those sub-genres of the biopic, either, even if he does have a clear reverence for his subject. Instead his...
And don’t be mistaken: despite casting several of France’s finest character actors as the famed Spaniard, this isn’t an I’m Not There-style tribute to the artist’s spirit attempting an unconventional work in vein like theirs. Dupieux clearly has no interest in those sub-genres of the biopic, either, even if he does have a clear reverence for his subject. Instead his...
- 10/16/2023
- by Alistair Ryder
- The Film Stage
Mary Harron’s frustratingly elusive Salvador Dalí portrait has a persuasive central turn but its star has little to get his teeth into
How do you create a revealing and intimate portrait of someone who is forever playing a self-created role? How do you find something that is honest in a character who is composed of onion layers of artifice? It’s a problem with which writer-director Mary Harron wrestles in her latest film, an account of a late period in the life of the surrealist artist Salvador Dalí, and one that she fails to resolve entirely. The Dalí persona, the film argues, was as much an artistic creation as any of his paintings. Dalí was something to be experienced rather than someone to be known.
This is all very well, but it doesn’t exactly give Ben Kingsley much to get his teeth into in the central role. The way this film approaches him,...
How do you create a revealing and intimate portrait of someone who is forever playing a self-created role? How do you find something that is honest in a character who is composed of onion layers of artifice? It’s a problem with which writer-director Mary Harron wrestles in her latest film, an account of a late period in the life of the surrealist artist Salvador Dalí, and one that she fails to resolve entirely. The Dalí persona, the film argues, was as much an artistic creation as any of his paintings. Dalí was something to be experienced rather than someone to be known.
This is all very well, but it doesn’t exactly give Ben Kingsley much to get his teeth into in the central role. The way this film approaches him,...
- 10/15/2023
- by Wendy Ide
- The Guardian - Film News
Competition comes from Paramount’s ‘Paw Patrol’ and ‘Sumotherhood’.
Pop icon Taylor Swift is looking to extend her cultural reach to cinemas this weekend, through the event cinema release of Taylor Swift: The Eras Tour.
Opening in 651 UK-Ireland venues through Trafalgar Releasing, the film is a 168-minute recording of three Swift gigs from the SoFi Stadium in Los Angeles in August 2023, as part of Swift’s ongoing tour playing music from across her career.
It is the latest concert film from UK- and US-based director Sam Wrench, a former competitive slalom skier who has also directed BTS: Permission To Dance...
Pop icon Taylor Swift is looking to extend her cultural reach to cinemas this weekend, through the event cinema release of Taylor Swift: The Eras Tour.
Opening in 651 UK-Ireland venues through Trafalgar Releasing, the film is a 168-minute recording of three Swift gigs from the SoFi Stadium in Los Angeles in August 2023, as part of Swift’s ongoing tour playing music from across her career.
It is the latest concert film from UK- and US-based director Sam Wrench, a former competitive slalom skier who has also directed BTS: Permission To Dance...
- 10/13/2023
- by Ben Dalton
- ScreenDaily
For years, Awesome Art We’ve Found Around The Net has been about two things only – awesome art and the artists that create it. With that in mind, we thought why not take the first week of the month to showcase these awesome artists even more? Welcome to “Awesome Artist We’ve Found Around The Net.” In this column, we are focusing on one artist and the awesome art that they create, whether they be amateur, up and coming, or well established. The goal is to uncover these artists so even more people become familiar with them. We ask these artists a few questions to see their origins, influences, and more. If you are an awesome artist or know someone that should be featured, feel free to contact me at any time at theodorebond@joblo.com.This month we are very pleased to bring you the awesome art of…
Christopher Owen...
Christopher Owen...
- 10/7/2023
- by Theodore Bond
- JoBlo.com
Clockwise from top left: Cobweb (Lionsgate), Slotherhouse (Gravitas Pictures), Nocebo (Shudder), Dalíland (Magnolia Pictures)Image: The A.V. Club
October is when streaming services like dropping obscure horror films and thrillers to get into the Halloween spirit. For instance, Eva Green is always scary-good, so her role as a fashion designer...
October is when streaming services like dropping obscure horror films and thrillers to get into the Halloween spirit. For instance, Eva Green is always scary-good, so her role as a fashion designer...
- 9/27/2023
- by Robert DeSalvo
- avclub.com
“Monster,” Hirokazu Kore-eda, Japan
Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm winner stars Sakura Andō as a mother who confronts a teacher after noticing odd changes in her son’s demeanor. Written by Yuji Sakamoto, it’s scored by the late Ryuichi Sakamoto.
“Peafowl,” Byun Sungbin, South Korea
Myung, a transgender, is estranged from her family because of who she is. She competes in a dance to earn some money for her sex-change surgery but it does not go well. One day, she is told that her father has died and that his will stipulates she could inherit his estate if she performed the Drum Dance during his memorial. Left with no other options, she returns to her hometown to do her father’s bidding.
“Waiting for Dali,” David Pujol, Spain
Fernando,...
Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm winner stars Sakura Andō as a mother who confronts a teacher after noticing odd changes in her son’s demeanor. Written by Yuji Sakamoto, it’s scored by the late Ryuichi Sakamoto.
“Peafowl,” Byun Sungbin, South Korea
Myung, a transgender, is estranged from her family because of who she is. She competes in a dance to earn some money for her sex-change surgery but it does not go well. One day, she is told that her father has died and that his will stipulates she could inherit his estate if she performed the Drum Dance during his memorial. Left with no other options, she returns to her hometown to do her father’s bidding.
“Waiting for Dali,” David Pujol, Spain
Fernando,...
- 9/25/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Cat Power’s 1998 album Moon Pix often feels like it exists in a world entirely separate to our own, though the emotions it evokes are unmistakably human. Largely written in a single sitting after a terrifying hallucinatory episode, the album moves at an almost glacial pace, grounded by little more than reverb-heavy guitar licks, slowcore-style drum brushes, repeating piano lines, and Chan Marshall’s hazy, whispered croon.
Across 11 tracks, Marshall sings of being haunted by spirits, hell, and other people, but mostly by her past and the uncertainty of her future. It’s a disconcerting but deeply powerful album, and listening to it feels a lot like being transported to the world of Salvador Dali’s The Persistence of Memory, where time collapses in on itself and the familiar is rendered strange and unsettling.
“He Turns Down” represents Moon Pix at its darkest and most unnerving. Written about Marshall’s...
Across 11 tracks, Marshall sings of being haunted by spirits, hell, and other people, but mostly by her past and the uncertainty of her future. It’s a disconcerting but deeply powerful album, and listening to it feels a lot like being transported to the world of Salvador Dali’s The Persistence of Memory, where time collapses in on itself and the familiar is rendered strange and unsettling.
“He Turns Down” represents Moon Pix at its darkest and most unnerving. Written about Marshall’s...
- 9/22/2023
- by Tom Williams
- Slant Magazine
Donyale Luna: Supermodel director Nailah Jefferson with Anne-Katrin Titze on Beyoncé’s 2018 Vogue cover, shot by Tyler Mitchell: “It was the first Vogue cover that had ever been shot by a Black photographer.”
“My name is Luna, I come from the moon” is how Donyale Luna used to introduce herself. It looks as though the memory of the supermodel’s brief, brimful life had gone back up to the heavens with her for decades. Nailah Jefferson’s insightful and revealing documentary ameliorates this and celebrates an extraordinary woman’s journey. William Klein’s 1966 fashion film Qui êtes-vous, Polly Maggoo?, Federico Fellini’s Satyricon, a Vogue cover and one for Harper’s Bazaar, collaborations with Richard Avedon and David Bailey (interviewed here), images that show her with Salvador Dali and Groucho Marx, relationships with The Rolling Stone’s Brian Jones and Klaus Kinski, Andy Warhol bondings, and and and...
“My name is Luna, I come from the moon” is how Donyale Luna used to introduce herself. It looks as though the memory of the supermodel’s brief, brimful life had gone back up to the heavens with her for decades. Nailah Jefferson’s insightful and revealing documentary ameliorates this and celebrates an extraordinary woman’s journey. William Klein’s 1966 fashion film Qui êtes-vous, Polly Maggoo?, Federico Fellini’s Satyricon, a Vogue cover and one for Harper’s Bazaar, collaborations with Richard Avedon and David Bailey (interviewed here), images that show her with Salvador Dali and Groucho Marx, relationships with The Rolling Stone’s Brian Jones and Klaus Kinski, Andy Warhol bondings, and and and...
- 9/14/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Donyale Luna is one of the most prolific and influential models in the history of fashion. Marginalized for decades because she is a Black woman, Luna’s story is finally being told in “Donyale Luna: Supermodel,” the new documentary debuting on Max on Wednesday, Sept. 13. The film will follow Luna through her early life, as well as her career appearing in magazines like Vogue and Harper’s Bazaar, showing the struggles she dealt with along the way. You can watch with a 7-Day Free Trial of Max.
How to Watch 'Donyale Luna: Supermodel' When: Wednesday, September 13, 2023 Where: Max Stream: Watch with a 7-Day Free Trial of Max. 7-Day Free Trial$9.99+ / month Max via amazon.com
Get 20% Off Your Next Year of Max When Pre-Paid Annually
About 'Donyale Luna: Supermodel'
Born Peggy Ann Freeman in 1945, Donyale Luna became one of the most important models working in the 1960s and 1970s.
How to Watch 'Donyale Luna: Supermodel' When: Wednesday, September 13, 2023 Where: Max Stream: Watch with a 7-Day Free Trial of Max. 7-Day Free Trial$9.99+ / month Max via amazon.com
Get 20% Off Your Next Year of Max When Pre-Paid Annually
About 'Donyale Luna: Supermodel'
Born Peggy Ann Freeman in 1945, Donyale Luna became one of the most important models working in the 1960s and 1970s.
- 9/13/2023
- by David Satin
- The Streamable
Salvador Dalí is walking down a hotel corridor. A hotel corridor is being walked down by Salvador Dalí. In a hotel, there is a corridor down which Salvador Dalí walks. So begins — and begins and begins – Quentin Dupieux’s giddy, glitchy altogether delightful “Daaaaaali!” (imagine the title delivered by a practiced yodeler in the middle of a morning gargle). It’s the oldest and lo-fi-est of cinematic tricks: a few simple cuts make it seem like a hotel hallway’s finite, solid space is elastic, stretching from the lift doors into carpeted absurdity. Like the film as a whole, the gag gets funnier as it gets sillier, and becomes more of a homage to the surrealist painter’s ability to warp the reality around him, the more drunken its time-loop chronology.
“A story should have a beginning, a middle and an end, but not necessarily in that order,” said Godard,...
“A story should have a beginning, a middle and an end, but not necessarily in that order,” said Godard,...
- 9/10/2023
- by Jessica Kiang
- Variety Film + TV
When Bethann Hardison co-created the Black Girls Coalition in 1988 — a group formed with Iman to shine a spotlight on women of color in modeling — she didn’t know she was laying the foundation for a discussion about diversity in fashion that would continue for decades.
“I just wanted to celebrate Black models. I wanted them to see each other,” says Hardison, the subject of the new documentary Invisible Beauty. Co-directed by Frédéric Tcheng (Dior and I, Halston) and Hardison and in theaters Sept. 15, the film details the fashion industry’s history of racial exclusion and her unflagging efforts over decades to push for progress. One minute into the film, actress Tracee Ellis Ross calls Hardison the “godmother of fashion.”
Bethann Hardison
The title Invisible Beauty is a nod to Ralph Ellison’s 1952 novel Invisible Man, in which an unnamed Black man narrates what life is like for African Americans in the South.
“I just wanted to celebrate Black models. I wanted them to see each other,” says Hardison, the subject of the new documentary Invisible Beauty. Co-directed by Frédéric Tcheng (Dior and I, Halston) and Hardison and in theaters Sept. 15, the film details the fashion industry’s history of racial exclusion and her unflagging efforts over decades to push for progress. One minute into the film, actress Tracee Ellis Ross calls Hardison the “godmother of fashion.”
Bethann Hardison
The title Invisible Beauty is a nod to Ralph Ellison’s 1952 novel Invisible Man, in which an unnamed Black man narrates what life is like for African Americans in the South.
- 9/9/2023
- by Brande Victorian
- The Hollywood Reporter - Movie News
Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive Biopic
It seems surrealism’s pioneer Salvador Dali is experiencing something of a culturally concentric resurgence as a cinematic subject, granted his most appropriately thematic rendering yet in Quentin Dupieux’s Daaaaaali!, the second feature this year from the idiosyncratic director, who is also kinda sorta delivering his first biopic. Arriving shortly after Mary Harron’s shockingly stilted Daliland, featuring Ben Kingsley as the iconic artist, Dupieux formulates his own expectedly original rendering, presenting something more along the lines of Portrait of an Artist as a Difficult Man. Much like Todd Haynes did with Bob Dylan, a revolving door of actors portray Dali, sometimes switching freely in scenes dealing with carefree anachronisms regarding his life and work.…...
It seems surrealism’s pioneer Salvador Dali is experiencing something of a culturally concentric resurgence as a cinematic subject, granted his most appropriately thematic rendering yet in Quentin Dupieux’s Daaaaaali!, the second feature this year from the idiosyncratic director, who is also kinda sorta delivering his first biopic. Arriving shortly after Mary Harron’s shockingly stilted Daliland, featuring Ben Kingsley as the iconic artist, Dupieux formulates his own expectedly original rendering, presenting something more along the lines of Portrait of an Artist as a Difficult Man. Much like Todd Haynes did with Bob Dylan, a revolving door of actors portray Dali, sometimes switching freely in scenes dealing with carefree anachronisms regarding his life and work.…...
- 9/7/2023
- by Nicholas Bell
- IONCINEMA.com
Quentin Dupieux rose to something resembling international prominence by directing a movie about a murderous tire named Robert and spent the next decade mocking everything from giant flies to superhero franchises with his distinct brand of surreal filmmaking. The French director seemingly lives to turn goofy premises into clever works of postmodernism that often have more in common with tongue-in-cheek pieces at contemporary art museums than Hollywood films. His love-it-or-hate-it aesthetic is so consistently strange that it’s laughable to suggest any film in his oeuvre was inevitable. But “Daaaaaali!” sure seems like the one movie that Dupieux was destined to make.
Dupieux’s exasperatingly titled “real fake biopic” about Salvador Dalí is a dreamlike tribute to the 20th century’s two most prominent surrealists: Dalí and Luis Buñuel. Ostensibly a story about a young journalist (Anaïs Demoustier) trying to interview the eccentric painter, the film takes its dramatic structure...
Dupieux’s exasperatingly titled “real fake biopic” about Salvador Dalí is a dreamlike tribute to the 20th century’s two most prominent surrealists: Dalí and Luis Buñuel. Ostensibly a story about a young journalist (Anaïs Demoustier) trying to interview the eccentric painter, the film takes its dramatic structure...
- 9/7/2023
- by Christian Zilko
- Indiewire
The piano Freddie Mercury used to compose “Bohemian Rhapsody” sold for $2.2 million on Wednesday as part of Sotheby’s 1,500-piece estate sale of the singer’s treasured possessions.
The sale of Mercury’s 1973 Yamaha Grand surpassed the $2.1 million paid for John Lennon’s Steinway, which he used to write “Imagine” and was swooped up in 2000 by George Michael, according to the Wall Street Journal.
His collection, which Mercury once described as “exquisite clutter,” included handwritten lyrics for Queen’s operatic anthem that sold for $1.7 million. Notably, the 15 pages of lyrics...
The sale of Mercury’s 1973 Yamaha Grand surpassed the $2.1 million paid for John Lennon’s Steinway, which he used to write “Imagine” and was swooped up in 2000 by George Michael, according to the Wall Street Journal.
His collection, which Mercury once described as “exquisite clutter,” included handwritten lyrics for Queen’s operatic anthem that sold for $1.7 million. Notably, the 15 pages of lyrics...
- 9/7/2023
- by Charisma Madarang
- Rollingstone.com
Kingsley’s actorly manner nails Dalí in his megalomaniac sunset years in this portrait of the painter and his disintegrating marriage, framed in a coming-of-age tale
American Psycho director Mary Harron has made a portrait of Salvador Dalí in his sunset years; all moustache and megalomania, it stars Ben Kingsley, a formidable screen presence whose actorly manner is perfect for the role of a man who grandiosely talks about himself in the third person. “Dalí abhors spinach!” The cleverness of Kingsley’s performance is the twinkle in his eye that leaves you wondering whether Dalí has disappeared entirely up his own myth. How much of the eccentricity is a put-on, brazen self-publicity to maximise sales?
Disappointingly, the script invents a fictional art school dropout to be our guide to Dalí’s universe. This is James Linton (newcomer Christopher Briney) a wide-eyed young gallery assistant in New York sent with an...
American Psycho director Mary Harron has made a portrait of Salvador Dalí in his sunset years; all moustache and megalomania, it stars Ben Kingsley, a formidable screen presence whose actorly manner is perfect for the role of a man who grandiosely talks about himself in the third person. “Dalí abhors spinach!” The cleverness of Kingsley’s performance is the twinkle in his eye that leaves you wondering whether Dalí has disappeared entirely up his own myth. How much of the eccentricity is a put-on, brazen self-publicity to maximise sales?
Disappointingly, the script invents a fictional art school dropout to be our guide to Dalí’s universe. This is James Linton (newcomer Christopher Briney) a wide-eyed young gallery assistant in New York sent with an...
- 9/5/2023
- by Cath Clarke
- The Guardian - Film News
It might be too early to call it, but The Hollywood Reporter Roma may have given the best party of the 80th Venice Film Festival.
THR Roma, the first European edition of The Hollywood Reporter, threw a starry and glam but also surprisingly chill bash Sunday night at their festival villa, a stone’s throw from The Excelsior Hotel on the Lido. THR Roma had its official launch, in Rome, in April but the Venice bash marked its international coming out, and the group used the occasion to present its first stand-alone print edition (more on that later).
There were shades of Pablo Sorrentino’s famed party sequence in The Great Beauty as a who’s who of the Italian film and fashion industries — among them the cast of Venice festival opener Comandante, including Italian superstar Pierfrancesco Favino and director Edoardo De Angelis, Adagio filmmaker Stefano Sollima, and Valentino’s...
THR Roma, the first European edition of The Hollywood Reporter, threw a starry and glam but also surprisingly chill bash Sunday night at their festival villa, a stone’s throw from The Excelsior Hotel on the Lido. THR Roma had its official launch, in Rome, in April but the Venice bash marked its international coming out, and the group used the occasion to present its first stand-alone print edition (more on that later).
There were shades of Pablo Sorrentino’s famed party sequence in The Great Beauty as a who’s who of the Italian film and fashion industries — among them the cast of Venice festival opener Comandante, including Italian superstar Pierfrancesco Favino and director Edoardo De Angelis, Adagio filmmaker Stefano Sollima, and Valentino’s...
- 9/4/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
HBO has debuted the first trailer for Donyale Luna: Supermodel, a documentary exploring the life, career and legacy of one of the first Black models to grace the cover of a Vogue magazine.
Often considered the “first Black supermodel,” Luna — who died in 1979 at the age of 33 — broke ground at a time when it was not only still rare to see Black women who weren’t white-passing in fashion but Black women on major magazine covers at all. Through her heyday in the late ’60s and early ’70s, Luna challenged the modeling world’s conventions and made history by becoming the first Black woman on the covers of both Harper’s Bazaar in 1965 and British Vogue in 1966.
“She broke the mold of using Black models in the ’60s,” one talking head can be heard saying in the more than two-minute trailer.
“Donyale Luna is the first Black woman to be on the cover of Vogue,...
Often considered the “first Black supermodel,” Luna — who died in 1979 at the age of 33 — broke ground at a time when it was not only still rare to see Black women who weren’t white-passing in fashion but Black women on major magazine covers at all. Through her heyday in the late ’60s and early ’70s, Luna challenged the modeling world’s conventions and made history by becoming the first Black woman on the covers of both Harper’s Bazaar in 1965 and British Vogue in 1966.
“She broke the mold of using Black models in the ’60s,” one talking head can be heard saying in the more than two-minute trailer.
“Donyale Luna is the first Black woman to be on the cover of Vogue,...
- 8/28/2023
- by Abbey White
- The Hollywood Reporter - Movie News
One could make -- and no doubt some resourceful Marvel Cinematic Universe fans have made -- a video about Loki (Tom Hiddleston) hooking up with different characters in the MCU using footage from Hiddleston's non-Marvel projects. The actor had a tragic affair with Rachel Weisz (Melina Vostokoff in "Black Widow") in "The Deep Blue Sea," played one-half of a pair of vampiric lovers along with Tilda Swinton (the McU's Ancient One) in "Only Lovers Left Alive," and starred as Hank Williams in "I Saw the Light," with the Scarlet Witch herself, Elizabeth Olsen, playing the late country music legend's wife. Hiddleston even had a fling with Elizabeth Debicki (Ayesha in the "Guardians of the Galaxy" films) in "The Night Manager," in addition to a non-zero amount of sexual tension with "Captain Marvel" actor Brie Larson in "Kong: Skull Island."
Tragically, Hiddleston did not romance Owen Wilson during the film they...
Tragically, Hiddleston did not romance Owen Wilson during the film they...
- 8/13/2023
- by Sandy Schaefer
- Slash Film
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