Iconic horror movie actress Julie Adams, who starred as Kay Lawrence in Creature from the Black Lagoon, has died. She was 92.
Adams died early Sunday morning in Los Angeles, her son Mitchell Danton confirmed to The Hollywood Reporter.
She rose to fame as the woman who wore a white, one-piece bathing suit to take a dip in a lagoon in the 1954 film as the Gill-man beneath copied her every movie. The scene was often recreated in movies like Jaws and The Shape of Water.
I mourn Julie Adams passing. It hurts in a place deep in me, where monsters swim.
Adams died early Sunday morning in Los Angeles, her son Mitchell Danton confirmed to The Hollywood Reporter.
She rose to fame as the woman who wore a white, one-piece bathing suit to take a dip in a lagoon in the 1954 film as the Gill-man beneath copied her every movie. The scene was often recreated in movies like Jaws and The Shape of Water.
I mourn Julie Adams passing. It hurts in a place deep in me, where monsters swim.
- 2/4/2019
- by Maura Hohman
- PEOPLE.com
Creature From the Black Lagoon star Julie Adams, an actress who, like Fay Wray and Evelyn Ankers before her won the hearts of classic Hollywood monsters and then generations of devoted fans, died Sunday in Los Angeles. She was 92.
Adams’ death was confirmed on her official website.
Where Wray perched atop the Empire State Building with King Kong and Ankers ran through fog-shrouded forests pursued by The Wolf Man, Adams secured her place in horror iconography underwater, notably an indelible scene in the 1954 Creature during which the actress, in a one-piece white bathing suit, swims atop the lagoon water as the creature known as the Gil-Man mimics her moves some feet below. The imagery would be echoed in countless films thereafter, memorably in both Jaws and 2017’s The Shape of Water.
“I mourn Julie Adams passing,” tweeted del Toro today. “It hurts in a place deep in me, where monsters swim.
Adams’ death was confirmed on her official website.
Where Wray perched atop the Empire State Building with King Kong and Ankers ran through fog-shrouded forests pursued by The Wolf Man, Adams secured her place in horror iconography underwater, notably an indelible scene in the 1954 Creature during which the actress, in a one-piece white bathing suit, swims atop the lagoon water as the creature known as the Gil-Man mimics her moves some feet below. The imagery would be echoed in countless films thereafter, memorably in both Jaws and 2017’s The Shape of Water.
“I mourn Julie Adams passing,” tweeted del Toro today. “It hurts in a place deep in me, where monsters swim.
- 2/4/2019
- by Greg Evans
- Deadline Film + TV
Julie Adams, the actress best-known for starring in the 1954 monster horror film “The Creature From the Black Lagoon, has died. She was 92.
Adams died Sunday in Los Angeles, according to her official website.
“The Shape of Water” director Guillermo del Toro paid tribute to the actress, writing, “I mourn Julie Adams passing. It hurts in a place deep in me, where monsters swim.”
During her storied career, Adams appeared in 50 films and even more television episodes. Along with “Creature From the Black Lagoon, which catapulted her film career, she starred alongside Elvis Presley in 1965’s “Tickle Me,” worked with Dennis Hopper in 1971’s “The Last Movie,” and appeared with Jimmy Stewart in “Bend in the River.” Her other movie roles include “Francis Joins the Wacs,” “The Private War of Major Benson,” “Mississippi Gambler,” “Bright Victory,” and “Slaughter on Tenth Avenue.”
Born Betty May Adams on Oct. 17, 1926 in Waterloo, Iowa, Adams...
Adams died Sunday in Los Angeles, according to her official website.
“The Shape of Water” director Guillermo del Toro paid tribute to the actress, writing, “I mourn Julie Adams passing. It hurts in a place deep in me, where monsters swim.”
During her storied career, Adams appeared in 50 films and even more television episodes. Along with “Creature From the Black Lagoon, which catapulted her film career, she starred alongside Elvis Presley in 1965’s “Tickle Me,” worked with Dennis Hopper in 1971’s “The Last Movie,” and appeared with Jimmy Stewart in “Bend in the River.” Her other movie roles include “Francis Joins the Wacs,” “The Private War of Major Benson,” “Mississippi Gambler,” “Bright Victory,” and “Slaughter on Tenth Avenue.”
Born Betty May Adams on Oct. 17, 1926 in Waterloo, Iowa, Adams...
- 2/4/2019
- by Rebecca Rubin
- Variety Film + TV
There’s a sense I get from a lot of late-1970s American films that following the hope of the early 1960s, the anger of the late 1960s, and the despondency of the early 1970s, a lot of people felt that they had one last chance to truly reclaim the spirit of America, which was arguably on the precipice of being lost forever. With the bicentennial came a renewed focus on the foundations of freedom, democracy, and optimism on which the United States was founded, a realization of how far it had fallen from that promise, and how fast that fall seemed to have happened. We can look back now and see that in many ways they were right. A globalized economy pushed the working class to the margins. Government became limited in its capacity to help and unimaginably powerful in its capacity to destroy. Improved legislation for civil rights...
- 3/16/2017
- by Scott Nye
- CriterionCast
Election Day is just around the corner, and depending on your view of the current state of The Republic, you can look at that day in one of two ways:
It’s a national celebration of history’s greatest, most successful democracy, demonstrating our ability to freely choose our leadership and peacefully see the baton of power passed to the next man;
Or –
It’s a national embarrassment, history’s greatest, most successful democracy squandering it’s hard-won freedoms in a campaign for leadership poisoned by oversimplification, appeals to gut-level fears rather than the intellect, claims and charges plagued by inflation, distortion, and outright falsehood, and warped and distorted by the infusion of tens of millions of dollars from vested interests.
Either way, we still have to get through the day.
So, for those of you who just want to pull the shades and wait for the noise to die down,...
It’s a national celebration of history’s greatest, most successful democracy, demonstrating our ability to freely choose our leadership and peacefully see the baton of power passed to the next man;
Or –
It’s a national embarrassment, history’s greatest, most successful democracy squandering it’s hard-won freedoms in a campaign for leadership poisoned by oversimplification, appeals to gut-level fears rather than the intellect, claims and charges plagued by inflation, distortion, and outright falsehood, and warped and distorted by the infusion of tens of millions of dollars from vested interests.
Either way, we still have to get through the day.
So, for those of you who just want to pull the shades and wait for the noise to die down,...
- 11/2/2012
- by Bill Mesce
- SoundOnSight
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