- [on her family] I had two husbands--one was Lash La Rue. I didn't have any children. I have stepchildren--Lash La Rue's children by a previous marriage. They still call me Mom.
- [on why she thinks westerns are no longer popular] Because there's very little sex in them; and, although everyone loves to see them, they were made with an extremely low budget. That is no longer possible. A picture at that time could be made for around $50,000. Today, people go to see big set movies.
- The start of any new picture was always good because you learned more and met new people. You learned your script and the next day everything on the script would be changed. So you didn't really memorize the lines because you knew the next day they would give you new words. But they gave you time and worked patiently with you. We made a film in five days, or two in ten days. Sometimes you would go in a door with one outfit on and come back out and put another outfit on to go through the same door for a different picture. You didn't know which one you were working on sometimes!
- [on Jimmy Wakely] Jimmy was such a quiet man with good humor and had a beautiful voice. He was very warm-hearted to all he met, a grand human being.
- [on her favorite movie] The one I like the best is Fence Riders (1950) with Whip Wilson. I got to do some stunt things, and there was quite a bit of activity during the filming.
- [comparing Whip Wilson's riding to Johnny Mack Brown's] Those two were entirely different people. Johnny was more eager and knew his craft very well since he had been active in westerns and motion pictures for years. Whip was fairly new to the business but was a quick learner. When he was hired, my boss asked me to take him out for a ride to see how he did. He rode pretty well except the horse ran away from him. After that though, he had no trouble whatsoever with the horse. He was on a strange horse when he was with me and I, of course, was on my own stallion. So I can't say he was a bad rider; although that was a funny little bit.
- [on Johnny Mack Brown and Whip Wilson] I found those two the most gentlemanly people I have ever met. I loved Johnny Mack Brown when he played the spoons. He used to get hold of a couple of spoons and make rhythms against his leg. It was so much fun to sit around and listen to him. Whip had quite a voice.
- [on how she got into show business] I had an agent in Hollywood who was in a barbershop getting a haircut. Next to him was producer Scott R. Dunlap who was looking for a girl for westerns who could ride horseback. The girl he'd hired before had fallen off the horse. My agent told him about me and I went out for the interview and got the job.
- [on what she's been doing since her retirement from acting] I did do an awful lot of traveling. I represented the United States government at the Peruvian World Fair for three weeks. And I was presented to the King and Queen of England. Also, on a trip to Paris, France, I adopted an eight -year-old boy. I sent money every month to the Catholic convent for food--a wonderful experience. A good wind at your back.
- [on why she used the name Reno Blair and then Reno Browne later on] When I first signed, I was working with Johnny Mack Brown and [the studio] thought the public would think I was his daughter or something. So they made me use the name Blair. Funny though, his horse's name was Reno, so when I changed my last name to Blair, they had to change his horse's name to Rebel.
- [on Lash La Rue] Lash was quite a character! I'd rather not say more, and there is a lot more to say.
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