Any new Paul Thomas Anderson film is guaranteed to create excitement, but “Phantom Thread” has generated more buzz than usual for two reasons: The drama marks a reunion between Anderson and Daniel Day-Lewis ten years after “There Will Be Blood” and the movie finds the director serving as his own cinematographer on a feature film for the first time. The latter point has been a topic of discussion ever since the movie began production in February without a cinematographer credit on its creative roster. Sources told IndieWire at the time that Anderson had been toying with the idea of working as his own cinematographer for years, but that’s not exactly how the director sees it.
Read More:Paul Thomas Anderson Breaks His Silence on ‘Phantom Thread’: ‘It’s Not Your Standard Love Story’
“That would be disingenuous and just plain wrong to say that I was the director of photography on the film,...
Read More:Paul Thomas Anderson Breaks His Silence on ‘Phantom Thread’: ‘It’s Not Your Standard Love Story’
“That would be disingenuous and just plain wrong to say that I was the director of photography on the film,...
- 11/6/2017
- by Zack Sharf
- Indiewire
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