“Is all or a portion of your spouse's income deposited in a checking account, joint checking account, your spouse's separate checking savings account, your separate checking and savings account…?” The administrator's tedious voice continues in this fashion, stern and unforgiving. More questions concerning money, welfare checks, and the daily American grind, asked by faceless system operators on the other end of a telephone line build layers of sound on top of metallic instruments, bells, and the buzzing of Los Angeles and the advertisements of an American dream. The dissonance of this swirling sound design, the intro of Haile Gerima’s Bush Mama (1979), takes one specifically to a place, a class, and a people: The Black working class experience, the sounds of a restless city. The opening of this mixtape encapsulates the vitality and experimentation of sound design and music in the films of the L.A. Rebellion, a film movement...
- 9/27/2020
- MUBI
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