The Casting Society of America on Friday unveiled nominations for its 36th annual Artios Awards in the categories of television, theater, short film and short-form series. The noms for the casting honors come ahead of a planned virtual winners ceremony April 15.
The Csa opened its feature film submission period Thursday; noms in those categories will be announced in March.
On the TV side, Netflix leads all networks today with 12 nominations, followed by rival HBO with eight and Hulu with four. Among the nominees include Academy of Motion Picture Arts and Sciences president David Rubin, who scored mentions for HBO’s Big Little Lies and Hulu’s Little Fires Everywhere. Victoria Thomas earned four noms, for Apple’s The Morning Show and HBO’s Insecure, Watchmen and A Black Lady Sketch Show.
In theater, Jim Carnahan, Karyn Casl and Tara Rubin were among the casting director with multiple noms. Rubin, along with Robi Reed,...
The Csa opened its feature film submission period Thursday; noms in those categories will be announced in March.
On the TV side, Netflix leads all networks today with 12 nominations, followed by rival HBO with eight and Hulu with four. Among the nominees include Academy of Motion Picture Arts and Sciences president David Rubin, who scored mentions for HBO’s Big Little Lies and Hulu’s Little Fires Everywhere. Victoria Thomas earned four noms, for Apple’s The Morning Show and HBO’s Insecure, Watchmen and A Black Lady Sketch Show.
In theater, Jim Carnahan, Karyn Casl and Tara Rubin were among the casting director with multiple noms. Rubin, along with Robi Reed,...
- 1/8/2021
- by Patrick Hipes
- Deadline Film + TV
‘Drag Race,’ ‘Love Is Blind,’ ‘Queer Eye’ Casting Directors on Finding Honest and Open Personalities
Those who cast unscripted series often have thousands of audition tapes to pore through. Since the medium requires a diversity of perspective and personality, but not always special skills, what often catches the eye and helps one rise to the top of the pile is being an “open book,” says Goloka Bolte, co-founder of the Casting Firm, who casts “RuPaul’s Drag Race.” This willingness to share one’s true self can help make stars — or at least social-media sensations. Therefore, honesty and authenticity were two key traits for which all of this year’s Emmy-nominees in the reality program casting looked.
Born This Way
(A&e)
Casting “Born This Way,” a series that follows adults within the Down syndrome community, required trust from that community before anything else, says casting director Sasha Alpert. Now with a few seasons under their belt, Alpert and fellow casting directors Megan Sleeper and Caitlyn...
Born This Way
(A&e)
Casting “Born This Way,” a series that follows adults within the Down syndrome community, required trust from that community before anything else, says casting director Sasha Alpert. Now with a few seasons under their belt, Alpert and fellow casting directors Megan Sleeper and Caitlyn...
- 8/12/2020
- by Jazz Tangcay
- Variety Film + TV
The Casting Society of America (Csa) has announced the nominations for the 35th Artios Awards for television and theater.
“It has been an exceptional year for the art of casting and this slate of incredible nominees is a testament to how the quality of our work is positively reflected in this most impressive list of projects,” said Russell Boast, President, Csa. “As we approach our 35th Artios Awards we celebrate the great achievements our members have made, past and present, and look towards making even more of an impact throughout our industry.”
The awards — which honor the contributions of casting directors in television, theatre, and film — will be handed out on January 30, 2020 in Los Angeles, New York City and London. Comedian, actor and writer Ron Funches is set to host the awards in L.A.
Below is the full list of nominations.
Television Pilot And First Season – Comedy
Dead To Me – Sherry Thomas,...
“It has been an exceptional year for the art of casting and this slate of incredible nominees is a testament to how the quality of our work is positively reflected in this most impressive list of projects,” said Russell Boast, President, Csa. “As we approach our 35th Artios Awards we celebrate the great achievements our members have made, past and present, and look towards making even more of an impact throughout our industry.”
The awards — which honor the contributions of casting directors in television, theatre, and film — will be handed out on January 30, 2020 in Los Angeles, New York City and London. Comedian, actor and writer Ron Funches is set to host the awards in L.A.
Below is the full list of nominations.
Television Pilot And First Season – Comedy
Dead To Me – Sherry Thomas,...
- 9/24/2019
- by Anita Bennett
- Deadline Film + TV
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Lineup Announcements
– Exclusive: The 12th Annual Sunscreen Film Festival announced its official selections for the 2017 event featuring films with Alec Baldwin, Dylan McDermott, John Cleese, Daphne Zuniga and more. Opening night will feature Michael Mailer’s newest film, “Blind,” a romantic-drama, starring Alec Baldwin, Demi Moore and Dylan McDermott. Closing night will wrap up the festival with “Albion: The Enchanted Stallion,” a family fantasy adventure, starring John Cleese, Debra Messing, Jennifer Morrison and Stephen Dorff.
Retrospective Screenings will include Daphne Zuniga appearance at the festival honoring the 30th anniversary of “Spaceballs.” Also in this category will be “The Greatest Show on Earth,” from 1952 directed by Cecile B. DeMille, which won the Oscar for Best Pictures and Best Writing in 1953. The screening will honor the closing of the Ringling Bros.
Lineup Announcements
– Exclusive: The 12th Annual Sunscreen Film Festival announced its official selections for the 2017 event featuring films with Alec Baldwin, Dylan McDermott, John Cleese, Daphne Zuniga and more. Opening night will feature Michael Mailer’s newest film, “Blind,” a romantic-drama, starring Alec Baldwin, Demi Moore and Dylan McDermott. Closing night will wrap up the festival with “Albion: The Enchanted Stallion,” a family fantasy adventure, starring John Cleese, Debra Messing, Jennifer Morrison and Stephen Dorff.
Retrospective Screenings will include Daphne Zuniga appearance at the festival honoring the 30th anniversary of “Spaceballs.” Also in this category will be “The Greatest Show on Earth,” from 1952 directed by Cecile B. DeMille, which won the Oscar for Best Pictures and Best Writing in 1953. The screening will honor the closing of the Ringling Bros.
- 3/30/2017
- by Kate Erbland
- Indiewire
Espn isn't the only network announcing its fall doc lineup -- HBO announced its own new set of nonfiction films set to air in the upcoming months today, among them the Alec Baldwin and James Toback Cannes feature "Seduced and Abandoned," Whoopi Goldberg's directorial debut on Moms Mabley and the David Cronenberg-narrated "Tales From the Organ Trade." Here's the full list, with descriptions courtesy of the network: Valentine Road (debuting Oct. 7) unravels the school shooting of a young teenager who had begun exploring his gender identity, detailing the circumstances that led to his murder by a fellow student, as well as its complicated aftermath. Directed and produced by first-time filmmaker Marta Cunningham and produced by Sasha Alpert (HBO’s “Autism: The Musical”) and Eddie Schmidt (HBO’s “Twist of Faith”), the powerful and disturbing documentary raises questions about the safety of Lgbt teens, while challenging the efficacy of...
- 7/26/2013
- by Alison Willmore
- Indiewire
The problem with the top festivals is that no matter what you are doing, you feel you should be doing something else. Whether to stay home and write or be out seeing films or partying/ networking, sometimes you feel like you're missing out of the really important things. And I lost my hat! If any readers find my white Russian fox hat that I bought in a Berlin flea market, please return it to me! Yesterday I missed the inauguration brunch Acme PR hosted in conjunction with the film Citizen Koch about Mayor Koch because I was trying to send out photos from my camera to my new MacBook Pro to my blog! I also missed Occupy Wall Street. But the truth of that is I am no longer in the mood for issue docs. Inequality For All satisfied my need for understanding that issue, God Loves Uganda repelled me, though one of the volunteers I was talking to was so incensed at the film's message of homophobia that I realized its value. I am going to write more on the docs in the coming days, but now just for fun, I'm going to do a survey of how many deal with personal subjects and how many with social issues. I did find a great parking lot for $5, but it was so far away that I was unable to see the films Big Sur (sold out) and C.O.G., but I did catch the buzz film Fruitvale about the New Years Eve shooting of Oscar, a 22 year old Bay Area resident. Starring the superb Michael B. Jordan, Octavia Spencer and Melonie Diaz and directed by Ryan Coogler, it captured the family life so beautifully, Oscar was so sympathetic, so human, so young that at its end, I was totally depressed by the gun violence done in this film and in so many incidents over this past year. Another film about guns, Valentine Road by Sasha Alpert is getting very good buzz as well. Seeing Fruitvale because it was a buzz film and was so easy to enter with my press pass meant missing out of Gideon's Army which I really wanted to see but did not realize a ticket had been reserved for me and so I missed out on seeing it. Gideon's Army follows three young public defenders who are part of a small group of idealistic lawyers in the Deep South challenging the assumptions that drive a criminal justice system strained to the breaking point. I wanted to share it with my Pd friends in L.A. And the issue of justice and idealism would have taken me out of the depression over Fruitvale where the security guard who shot Oscar twice got off after serving 18 months in prison. Since this doc is an HBO doc, I might not get another chance to see it. At 4:00pm in Sundance (and Berlin, Cannes and Afm), the cocktail hour begins and we put aside watching films and switch to networking, catching up with news, meeting new people, etc. and so I went off to parties: The Louisiana Film Festival , Ifp, Film Independent and Indiewire, Kofic (the Korean film organization) and "The Party" of Sundance hosted by John Sloss and Cinetic were all on the calendar. Starting at the Riverhorse on Main, the Film Independent / Indiewire party was so exciting that I missed the Ifp party up the street. At the Find/ Indiewire party, I got to catch up with so many people including Bob and Jeannie Berney who will be opening their new company Picturehouse (2) with a Metallica film in 3D which sounds like a perfect Bob Berney film. I met Adam Donaghey, a partner of Aviation Cinemas who had been at the Arthouse Convergence. His theater is where they arrested up Lee Harvey Oswald and was originally the flag ship theater created by Howard Hughes as part of the Rko Theaters chain. They also have started the Oak Cliff Film Festival which is a festival of festivals, much like Toronto was in its early days before becoming the showcase and discovery festival it is today. We spoke of a new sort of festival scam that filmmakers need to heed, called Awards Festivals. You can buy an award so you can show your film to be a winner of a festival where it never even needs to screen! Withoutabox even lists these festivals without warning. Adam wishes Withoutabox would curate chosen festivals a bit more. I agree because uneducated filmmakers often tend to think that quantity not quality of film festivals their films show at makes the look better than it might be. For uneducated audiences who might then watch the film, disappointment may result. For the trade, it gives the film a tawdry look.
Michele Satter, Founding Director, Feature Film Program of the Sundance Institute and Paul Federbush, International Director of the Feature Film Program invited me to tomorrow's Mahinda Global Filmmaking Awards Reception which awards $10,000 to 4 filmmakers with projects which give voice to issues needing to be heard. Again I have to miss something if I go there…Narco Cultura plays at 6:30pm, the Awards ceremony starts at 6pm, And I have been invited to my host's dinner party. I hope I can catch Narco Cultura (Isa: K5) on Cinando! The winners are Sarthak Dasgupta,The Music Teacher from India; Jonas Carpignano, A Chjana from Italy-us; Aly Muritiba, The Man Who Killed My Dead Beloved from Brazil; and Vendela Vida & Eva Weber, Let The Northern Lights Erase Your Name UK-Germany-us. See more here
Rick Allen, Founder and CEO of Snagfilms (the owner of Indiewire) and I spoke of their ever-growing developments and I was startled and very happy to hear him praise my blog. Stefanie Sharis, COO and Andrew Mer, VP Content Partnerships of Snagfilms and I spoke of our plans in Berlin and Cannes.
Louisiana International Film Festival and Mentorship Program party where, for the second time during this festival, I caught a fantastic musical performance. The first was at the New York Film Lounge. This one was a "love riot" performance by jazz pianist extraordinaire, actor and educator Jonathan Batiste . Both the groups are represented by N.Y. Attorney Stephen Beers . I was with Ula again, and Indiewire's James Israel, doing the party circuit. I hope Ula will bring this fine New Orleans jazz pianist Jon Batiste to The American Film Festival in Wroclaw, Poland. He had the room rocking with a sax, drums and -- was that a tuba? -- backing him up. I have filmed both groups and hope I can upload them for your enjoyment! The Louisiana Film Festival will be held in April and includes a mentorship program. It is being organized by our friends Jeff Dowd and Dan Ireland. Dan is now working on his next feature which sounds great with a cast of great actors. I want to go to this new festival to celebrate my birthday especially since my parents met in New Orleans as university students there, married and moved to L.A. where I was born, so it means a lot to me. Coincidently, when I mentioned this to the Executive Director and filmmaker Chesley Heymsfield, telling her my father was in med school at Lsu, she told me her father was Chancellor of the Lsu Medical School. In addition I am thinking that perhaps we can join forces with their Mentorship Program with The Literacy Project, which I began 4 years ago at El Centro del Pueblo in Echo Park. Their Mentorship Program, from what I understood, is headed by a Nobel Prize Winning Scientist. I may have heard wrong however, because the noise at this party was horrendous and the speech given was too long for sustained silence. Ula, James and I proceeded to the Korean party was a different group of folks gathering of the trade. While there I could do some matchmaking, one of my favorite pastimes, introducing Ula to Kiril of the Moscow Film Festival, seeing Clay Epstein, party organizers Henry Eshelmann and Mark Rabinowitz, being introduced by Ula and Kiral to the Busan International Film Festival/ Asian Film Market's Steering Committee Deputy Director (who is responsible for international marketing of the market, Chanil Jeon, who then introduced me to the programmer for North American films, Dosin Pak whose email is "Program [At] biff.kr" for all you North American filmmakers looking to break into Asia. I have written about Busan several times because I think South Korea's development and support of filmmaking, film education and film financing through its pre-sales market is a model other countries would be wise to follow. I would personally love to create an educational initiative there about cross-cultural competence. During one Cannes Festival, I spoke to their education director about that. So perhaps, with a little more time, I will be able to speak of how to actualize this idea. From the Korean party we went (Early) to John Sloss's Cinetic party, The Hot Ticket party for me. I know I'll see old friends there and meet new and not only interesting but important people in the business, and sure 'nuff, I did. I also know that if you come late to this party you are liable to spend a long time shivering in the cold waiting to be admitted. There was Anne Thompson holding court, Christine Vachon holding court and I am sure many others. I got some good face time with Cotty Chubb who has 3 films nearing completion, and Carol (whose last name I have forgotten regrettably without her card to jolt my memory) whom I last saw in Paris many years ago and has now returned to filmmaking. She in turn introduced me to the L.A. Based Rio Film Commissioner who works with the Rio-based Steve Solet. We gathered with old friends Tom Davia (of Shoreline) and Rodrigo Bellot whose film he wrote, We Are What We Are (Isa: Memento), just sold to eOne for U.S. for a low 6 figures. Eone already has Canada and U.K. That's enough for now. See you tomorrow!!
Michele Satter, Founding Director, Feature Film Program of the Sundance Institute and Paul Federbush, International Director of the Feature Film Program invited me to tomorrow's Mahinda Global Filmmaking Awards Reception which awards $10,000 to 4 filmmakers with projects which give voice to issues needing to be heard. Again I have to miss something if I go there…Narco Cultura plays at 6:30pm, the Awards ceremony starts at 6pm, And I have been invited to my host's dinner party. I hope I can catch Narco Cultura (Isa: K5) on Cinando! The winners are Sarthak Dasgupta,The Music Teacher from India; Jonas Carpignano, A Chjana from Italy-us; Aly Muritiba, The Man Who Killed My Dead Beloved from Brazil; and Vendela Vida & Eva Weber, Let The Northern Lights Erase Your Name UK-Germany-us. See more here
Rick Allen, Founder and CEO of Snagfilms (the owner of Indiewire) and I spoke of their ever-growing developments and I was startled and very happy to hear him praise my blog. Stefanie Sharis, COO and Andrew Mer, VP Content Partnerships of Snagfilms and I spoke of our plans in Berlin and Cannes.
Louisiana International Film Festival and Mentorship Program party where, for the second time during this festival, I caught a fantastic musical performance. The first was at the New York Film Lounge. This one was a "love riot" performance by jazz pianist extraordinaire, actor and educator Jonathan Batiste . Both the groups are represented by N.Y. Attorney Stephen Beers . I was with Ula again, and Indiewire's James Israel, doing the party circuit. I hope Ula will bring this fine New Orleans jazz pianist Jon Batiste to The American Film Festival in Wroclaw, Poland. He had the room rocking with a sax, drums and -- was that a tuba? -- backing him up. I have filmed both groups and hope I can upload them for your enjoyment! The Louisiana Film Festival will be held in April and includes a mentorship program. It is being organized by our friends Jeff Dowd and Dan Ireland. Dan is now working on his next feature which sounds great with a cast of great actors. I want to go to this new festival to celebrate my birthday especially since my parents met in New Orleans as university students there, married and moved to L.A. where I was born, so it means a lot to me. Coincidently, when I mentioned this to the Executive Director and filmmaker Chesley Heymsfield, telling her my father was in med school at Lsu, she told me her father was Chancellor of the Lsu Medical School. In addition I am thinking that perhaps we can join forces with their Mentorship Program with The Literacy Project, which I began 4 years ago at El Centro del Pueblo in Echo Park. Their Mentorship Program, from what I understood, is headed by a Nobel Prize Winning Scientist. I may have heard wrong however, because the noise at this party was horrendous and the speech given was too long for sustained silence. Ula, James and I proceeded to the Korean party was a different group of folks gathering of the trade. While there I could do some matchmaking, one of my favorite pastimes, introducing Ula to Kiril of the Moscow Film Festival, seeing Clay Epstein, party organizers Henry Eshelmann and Mark Rabinowitz, being introduced by Ula and Kiral to the Busan International Film Festival/ Asian Film Market's Steering Committee Deputy Director (who is responsible for international marketing of the market, Chanil Jeon, who then introduced me to the programmer for North American films, Dosin Pak whose email is "Program [At] biff.kr" for all you North American filmmakers looking to break into Asia. I have written about Busan several times because I think South Korea's development and support of filmmaking, film education and film financing through its pre-sales market is a model other countries would be wise to follow. I would personally love to create an educational initiative there about cross-cultural competence. During one Cannes Festival, I spoke to their education director about that. So perhaps, with a little more time, I will be able to speak of how to actualize this idea. From the Korean party we went (Early) to John Sloss's Cinetic party, The Hot Ticket party for me. I know I'll see old friends there and meet new and not only interesting but important people in the business, and sure 'nuff, I did. I also know that if you come late to this party you are liable to spend a long time shivering in the cold waiting to be admitted. There was Anne Thompson holding court, Christine Vachon holding court and I am sure many others. I got some good face time with Cotty Chubb who has 3 films nearing completion, and Carol (whose last name I have forgotten regrettably without her card to jolt my memory) whom I last saw in Paris many years ago and has now returned to filmmaking. She in turn introduced me to the L.A. Based Rio Film Commissioner who works with the Rio-based Steve Solet. We gathered with old friends Tom Davia (of Shoreline) and Rodrigo Bellot whose film he wrote, We Are What We Are (Isa: Memento), just sold to eOne for U.S. for a low 6 figures. Eone already has Canada and U.K. That's enough for now. See you tomorrow!!
- 1/24/2013
- by Sydney Levine
- Sydney's Buzz
The Real World: Zuccotti Park? While the 27th season of MTV’s reality mainstay The Real World (which is currently situated in sunny San Diego) likely won’t actually take place in the downtown Manhattan hub where the Occupy Wall Street movement has swelled over the past month, Bunim/Murray Productions is hoping some of the politically-minded 20-somethings who have taken part in the historic operation will also want to take part in the television landmark.
On Tuesday night, Bunim/Murray, the company which produces and casts for The Real World, put up a post on New York City...
On Tuesday night, Bunim/Murray, the company which produces and casts for The Real World, put up a post on New York City...
- 10/19/2011
- by Aly Semigran
- EW - Inside TV
Editor’s Note: This is one of several interviews, conducted via email, with directors whose films are screening at the 2009 Tribeca Film Festival. “Shadow Billionaire” (World Documentary Feature Competition), Feature Documentary, 2008, 86 min., U.S. Director: Alexis Manya Spraic Producer: Sasha Alpert Executive Producers: Jonathan Murray, Gil Goldschein, Josh Braun Director of Photography: Jon Aaron Aaseng Composers: Luke and Holly Rothschild with String Theory Production Company: Bmp Films (Biography, Mystery) Synopsis: …...
- 4/15/2009
- indieWIRE - People
Sundance's 25th year event is remarkably quiet, almost unreal. Allowing a look at the reality, conversations actually can take place. The late night lounge is the place to see everyone after 10 and to talk more. Filmakers Bill Benenson and Eleonore Dailly, producer Gene Rosow and marketer Jeff Dowd hosted the Obama Inauguration party which also celebrated their film Dirt The Movie. Veteran Sundance community members, Nicole Guillemet, former director of Sundance, Paula Silver, Ira Deutschman, Susan Margolin, Todd McCarthy, Sasha Alpert, Mickey Cotrell and so many others bonded with joy as we all listened to the message delivered by President Obama. John Sloss's Cinetic party and William Morris Independent's parties were not as mobbed as in years past. The two films I have heard most praised are Push and The Cove. Latino film buzz is around Sin Nombre. Written and directed by Peter Bratt and starring his brother Benjamin Bratt and Jesse Borrego, La Mission and Don't Let Me Drown starring Yareli Arizmendi, who wrote and produced A Day Without a Mexican, one of the breakout Latino hits some years ago. I would most like to see Mark Stewart's Passing Strange, a Fairfax district Los Angeleno's work about "black folks passing as black folks" and other essentialist curiosities of American life as written up in Sundance Film Festival's Daily Insider of Day 3, Sunday January 18, 2009. Peter Rainer liked Art & Copy and was surprised to learn that it was originally intended as a promotional work of ad agencies. Kirk Honeycutt remarked to Peter Rainer and me how the films are so "lab-worked over". Does the professional finish of a lab make up, improve on or only mask the faults of a filmmaker's first work? Is it like a butterfly being helped to fly (and thereby not developing its own wings) or does it make the beginning filmmaker better? Mary Jane Skalski is here with two films, Dare and Against the Current. Steven J. Wolfe, who has worked on 35 films and has produced five with Jennifer Tilley, who is now playing professional poker, had his film 500 Days of Summer already placed with Fox Searchlight for U.S. and the world, so he was able to enjoy Sundance after 10 years absence from it. Senator picked up North American rights to Brooklyn's Finest. Visit Films picked up worldwide rights to Sundance world doc competition film Kimjongilia]and Spectrum title, The Immaculate Conception of Little Dizzle. The Canadian distribution rights to Cold Souls have been acquired by E1 Films. Opening night film Max and Mary was a huge success and well attended by acquisition and studio executives. Twentieth Century Fox had a team of 8, Lionsgate's Tom Ortenberg, Steve Beeks and Jason Constantine were there along with every other buyer. The film that landed with Icon when Icon acquired Becker International will soon announce a North American distribution deal. CinemaVault acquired international rights for Spectrum film Lymelife which originally premiered at the 2008 Toronto International Film Festival and was picked up for US shortly after by Screen Media. Stephen Raphael is working on the U.S. marketing for the film. HBO has acquired TV rights to Burma VJ the hit of November’s IDFA whose North American debut was Saturday at Sundance. The the film will open theatrically at New York’s Film Forum in May, well ahead of its early 2010 HBO television debut. [Sony Classics acquired North American rights acquisition of Rudo Y Cursi having its U.S. premiere at Sundance.
- 1/16/2009
- Sydney's Buzz
Directors Arthur Dong, Jay Duplass, Mark Duplass, Chris Eska, Clark Gregg, Davis Guggenheim and Freida Lee Mock are among the participants in Film Independent's fourth annual Filmmaker Forum, which will be held Sept. 26-28 at the Directors Guild of America in Los Angeles.
Producer Ted Hope will deliver this year's keynote address at the three-day event, which focusses on the latest developments in independent filmmaking.
The forum will kick off on Sept. 26 with a screening of Rian Anderson's "The Brothers Bloom," followed by a Q&A with producer Ram Bergman and other members of the creative team and a reception in the DGA atrium.
On Sept. 27 and 28, panel discussions will be held on such topics as "Finding the Financial Sweet Spot"; "What's Up Doc?"; "The Micro Budget Film as a Calling Card; New Tools for Audience Building; The Cost of Cutting Corners: Production Dos and Don'ts"; "Keeping Your Documentary on...
Producer Ted Hope will deliver this year's keynote address at the three-day event, which focusses on the latest developments in independent filmmaking.
The forum will kick off on Sept. 26 with a screening of Rian Anderson's "The Brothers Bloom," followed by a Q&A with producer Ram Bergman and other members of the creative team and a reception in the DGA atrium.
On Sept. 27 and 28, panel discussions will be held on such topics as "Finding the Financial Sweet Spot"; "What's Up Doc?"; "The Micro Budget Film as a Calling Card; New Tools for Audience Building; The Cost of Cutting Corners: Production Dos and Don'ts"; "Keeping Your Documentary on...
- 9/18/2008
- The Hollywood Reporter - Movie News
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