It’s been a few months since I saw Jane Schoenbrun’s I Saw the TV Glow at Sundance Film Festival and I haven’t been able to shake its overwhelming, ultimately terrifying power. Telling the story of Owen (played early on by Ian Foreman and later by Justice Smith in a revelatory performance) we follow a journey questioning his identity through childhood and adulthood, and particularly a special infatuation with a late-night TV show and the ineradicable bond it creates with another lonely soul, Maddy (Brigette Lundy-Paine).
As I said in my review, “The deeply expressive, imaginative ways in which Schoenbrun is able to articulate one’s struggle with identity is nothing short of staggering. This may not be a horror film in the conventional sense––in fact, every directorial decision assertively refutes convention––but I Saw the TV Glow emphatically argues nothing is more terrifying than being trapped...
As I said in my review, “The deeply expressive, imaginative ways in which Schoenbrun is able to articulate one’s struggle with identity is nothing short of staggering. This may not be a horror film in the conventional sense––in fact, every directorial decision assertively refutes convention––but I Saw the TV Glow emphatically argues nothing is more terrifying than being trapped...
- 5/1/2024
- by Jordan Raup
- The Film Stage
For actress Kristen Stewart, starring in “Twilight” has been both a blessing and a curse. On the one hand, the worldwide popularity of the five-film vampire series helped to make Stewart one of the most recognizable actresses on the planet. Unfortunately, with that fame came the tabloids, and before long, Stewart became better known for being in gossip magazines than for her considerable skills as an actress, seemingly destined to be tagged forever as “that girl from ‘Twilight.'” Fortunately, a number of international directors such as Olivier Assayas and Pablo Larrain came to the rescue, looking past the gossip to see the potential and creating roles for Stewart that were finally worthy of her talents.
Stewart’s filmography encompasses a wide range of genres, from biopics and mother/daughter dramas (“Still Alice”) to romantic comedies and nail-biting thrillers (“Panic Room”). While she has inhabited a wide variety of characters,...
Stewart’s filmography encompasses a wide range of genres, from biopics and mother/daughter dramas (“Still Alice”) to romantic comedies and nail-biting thrillers (“Panic Room”). While she has inhabited a wide variety of characters,...
- 4/3/2024
- by Tom O'Brien, Misty Holland and Marcus James Dixon
- Gold Derby
Cinephiles will have plenty to celebrate this April with the next slate of additions to the Criterion Channel. The boutique distributor, which recently announced its June 2024 Blu-ray releases, has unveiled its new streaming lineup highlighted by an eclectic mix of classic films and modern arthouse hits.
Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.
New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.
Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.
Contemporary cinema is also well represented,...
Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.
New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.
Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.
Contemporary cinema is also well represented,...
- 3/18/2024
- by Christian Zilko
- Indiewire
April’s an uncommonly strong auteurist month for the Criterion Channel, who will highlight a number of directors––many of whom aren’t often grouped together. Just after we screened House of Tolerance at the Roxy Cinema, Criterion are showing it and Nocturama for a two-film Bertrand Bonello retrospective, starting just four days before The Beast opens. Larger and rarer (but just as French) is the complete Jean Eustache series Janus toured last year. Meanwhile, five William Friedkin films and work from Makoto Shinkai, Lizzie Borden, and Rosine Mbakam are given a highlight.
One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...
One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...
- 3/18/2024
- by Nick Newman
- The Film Stage
Oscar-winning French actress Juliette Binoche is the new president of the European Film Academy.
The Efa board on Thursday said they voted unanimously to name The English Patient and The Taste of Things star to succeed Polish director Agnieszka Holland (The Green Border) as president.
Binoche’s appointment will be put to a vote by Efa members and, assuming she receives majority support, she will take over as president on May 1, 2024.
The French star will be only the second female head of the Efa, after Holland, who took over the role in 2021, succeeding German director Wim Wenders.
“I am not a person to easily step aside, but I have come to the conclusion that I am a filmmaker first and foremost. And this is what I want to focus on in the years to come,” said Holland. “For me, it is time to step aside now. Knowing that Juliette Binoche...
The Efa board on Thursday said they voted unanimously to name The English Patient and The Taste of Things star to succeed Polish director Agnieszka Holland (The Green Border) as president.
Binoche’s appointment will be put to a vote by Efa members and, assuming she receives majority support, she will take over as president on May 1, 2024.
The French star will be only the second female head of the Efa, after Holland, who took over the role in 2021, succeeding German director Wim Wenders.
“I am not a person to easily step aside, but I have come to the conclusion that I am a filmmaker first and foremost. And this is what I want to focus on in the years to come,” said Holland. “For me, it is time to step aside now. Knowing that Juliette Binoche...
- 3/14/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Indie icon Kim Gordon, whose excellent solo album “The Collective” dropped last week, is this month’s featured film curator for Galerie, the new online film club launched by Indian Paintbrush. Below, Gordon shares a deeply personal curation of eight films that influence and reflect audio, visual art, and personal style. While best known as a musician and cofounding member of Sonic Youth, Gordon’s art has long stretched into multiple other disciplines, with film being just one.
“Morvern Callar,” dir. Lynne Ramsay, 2002
I love the way Lynne Ramsay uses sound dynamics. In this movie the music is like another character. The mixtape that her dead boyfriend made and left for her (saying “Keep the music to yourself”) becomes a thread throughout the film. He is the music — it not only keeps him alive for her but replaces him.
“Clouds of Sils Maria,” dir. Olivier Assayas, 2014
The relationship in this...
“Morvern Callar,” dir. Lynne Ramsay, 2002
I love the way Lynne Ramsay uses sound dynamics. In this movie the music is like another character. The mixtape that her dead boyfriend made and left for her (saying “Keep the music to yourself”) becomes a thread throughout the film. He is the music — it not only keeps him alive for her but replaces him.
“Clouds of Sils Maria,” dir. Olivier Assayas, 2014
The relationship in this...
- 3/13/2024
- by Kim Gordon
- Variety Film + TV
Airplane Mode off…
After closing out February with discussions of Pedro Almodóvar gender-bending thriller The Skin I Live In (listen) and Neil Jordan’s not-campy-enough stalker film Greta (listen), we’re entering the heady world of Olivier Assayas in his 2016 chiller Personal Shopper, which features a stellar lead turn from Kristen Stewart.
In the film, a personal shopper (Kristen Stewart) in Paris refuses to leave the city until she is able to make contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person (or spirit?) begins contacting her via text message and her employer is found brutally murdered in her apartment.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 272: Personal Shopper (2016)
Do not take your phone...
After closing out February with discussions of Pedro Almodóvar gender-bending thriller The Skin I Live In (listen) and Neil Jordan’s not-campy-enough stalker film Greta (listen), we’re entering the heady world of Olivier Assayas in his 2016 chiller Personal Shopper, which features a stellar lead turn from Kristen Stewart.
In the film, a personal shopper (Kristen Stewart) in Paris refuses to leave the city until she is able to make contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person (or spirit?) begins contacting her via text message and her employer is found brutally murdered in her apartment.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 272: Personal Shopper (2016)
Do not take your phone...
- 3/11/2024
- by Trace Thurman
- bloody-disgusting.com
Personal Shopper Photo: Carole Bethuel Personal Shopper, 10.55pm, Great Movies, Monday, March 4, also on the same channel at 12.02am on Sunday, March 10
This left-field ghost story from Olivier Assayas is built around a pitch perfect performance from Kristen Stewart. Reteaming with the French director after Clouds Of Sils Maria, she plays clothes-buying gofer Maureen to insufferable A-lister Kyra (Nora Von Waltstätten), while also trying to come to terms with the death of her twin brother to a genetic condition she may share. Assayas maintains a cool and steady mood as Maureen begins encountering what she believes is the ghost of her brother. The writer/director employs that most commonplace of modern tools - the smartphone - as an unexpected conduit, while Stewart delivers a performance that takes you to the edge of your seat. Speaking after the Cannes premiere, Assayas said, "It's the closest I can get to a happy ending.
This left-field ghost story from Olivier Assayas is built around a pitch perfect performance from Kristen Stewart. Reteaming with the French director after Clouds Of Sils Maria, she plays clothes-buying gofer Maureen to insufferable A-lister Kyra (Nora Von Waltstätten), while also trying to come to terms with the death of her twin brother to a genetic condition she may share. Assayas maintains a cool and steady mood as Maureen begins encountering what she believes is the ghost of her brother. The writer/director employs that most commonplace of modern tools - the smartphone - as an unexpected conduit, while Stewart delivers a performance that takes you to the edge of your seat. Speaking after the Cannes premiere, Assayas said, "It's the closest I can get to a happy ending.
- 3/4/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
The Berlin Film Festival kicked off its 74th edition February 15 with the opening-night world premiere screening of Small Things Like These, the Irish drama starring Oscar-nominated Oppenheimer star Cillian Murphy. It started 10 days of debuts including for movies starring Rooney Mara, Isabelle Huppert, Gael García Bernal, Kristen Stewart and more.
This year’s Competition lineup features films from a swath of international filmmakers including Olivier Assayas, Mati Diop, Hong Sangsoo, Bruno Dumont and Abderrahmane Sissako.
The Berlinale runs through February 25.
Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.
Another End ‘Another End’
Section: Competition
Director: Piero Messina
Cast: Gael García Bernal, Renate Reinsve, Bérénice Bejo, Olivia Williams, Pal Aron
Deadline’s takeaway: The script, while ambitious, is laden with philosophical musings that often feel detached from the emotional core of the story. Another End...
This year’s Competition lineup features films from a swath of international filmmakers including Olivier Assayas, Mati Diop, Hong Sangsoo, Bruno Dumont and Abderrahmane Sissako.
The Berlinale runs through February 25.
Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.
Another End ‘Another End’
Section: Competition
Director: Piero Messina
Cast: Gael García Bernal, Renate Reinsve, Bérénice Bejo, Olivia Williams, Pal Aron
Deadline’s takeaway: The script, while ambitious, is laden with philosophical musings that often feel detached from the emotional core of the story. Another End...
- 2/24/2024
- by Stephanie Bunbury, Damon Wise, Pete Hammond and Valerie Complex
- Deadline Film + TV
by Elisa Giudici
My Favourite Cake © Hamid Janipour
Three more movies from Berlinale to discuss including a great Iranian film, the latest from Olivier Assayas, and a World War II picture.
My Favourite Cake by Behtash Sanaeeha and Maryam Moghadda
Once again, Iranian cinema, amidst the myriad challenges of filming in a hostile political environment, offers a memorable title. My Favourite Cake is a brilliant bittersweet romantic comedy, addressing universal themes with sudden, precise glimpses into Iranian reality...
My Favourite Cake © Hamid Janipour
Three more movies from Berlinale to discuss including a great Iranian film, the latest from Olivier Assayas, and a World War II picture.
My Favourite Cake by Behtash Sanaeeha and Maryam Moghadda
Once again, Iranian cinema, amidst the myriad challenges of filming in a hostile political environment, offers a memorable title. My Favourite Cake is a brilliant bittersweet romantic comedy, addressing universal themes with sudden, precise glimpses into Iranian reality...
- 2/18/2024
- by Elisa Giudici
- FilmExperience
Iranian tragicomedy My Favourite Cake has taken the early lead on Screen international’ s 2024 Berlin competition jury grid, with scores for seven titles now in.
The latest from Iranian duo Maryam Moghaddam and Behtash Sanaeeha follows a 70-year-old woman who breaks out of her solitary routine by trying to invigorate her love life. It scored a strong 3.1 average, including three fours (excellent) from Ahmed Shawkey (Egypt’s filfan.com), Rita Di Santo (UK’s Morning Star) and Screen’s own critic.
Click on the jury grid above for the most up-to-date version.
Currently in joint second on the grid with...
The latest from Iranian duo Maryam Moghaddam and Behtash Sanaeeha follows a 70-year-old woman who breaks out of her solitary routine by trying to invigorate her love life. It scored a strong 3.1 average, including three fours (excellent) from Ahmed Shawkey (Egypt’s filfan.com), Rita Di Santo (UK’s Morning Star) and Screen’s own critic.
Click on the jury grid above for the most up-to-date version.
Currently in joint second on the grid with...
- 2/18/2024
- ScreenDaily
Olivier Assayas, the celebrated French director of “Clouds of Sils Maria” and “Irma Vep,” is making his Berlinale competition debut this year with “Suspended Time,” his most personal film to date.
Speaking to Variety ahead of the movie’s premiere at the Berlinale, Assayas says the film retells his experience during the lockdown and is based on his personal diary.
“When I was writing this diary, I felt that despite my anxieties and doubts or fears, it was an idyllic period, to be confined in the countryside,” he says. “It was a time where we believed in a form of utopia and as soon as society got back in action, it dissolved.”
Narrated by Assayas and woven with archival material, the comedy stars Vincent Macaigne as the director’s alter-ego, Paul, a well-known filmmaker who is confined with his music journalist brother Etienne (Micha Lescot) and their girlfriends Morgane (Nine d’Urso...
Speaking to Variety ahead of the movie’s premiere at the Berlinale, Assayas says the film retells his experience during the lockdown and is based on his personal diary.
“When I was writing this diary, I felt that despite my anxieties and doubts or fears, it was an idyllic period, to be confined in the countryside,” he says. “It was a time where we believed in a form of utopia and as soon as society got back in action, it dissolved.”
Narrated by Assayas and woven with archival material, the comedy stars Vincent Macaigne as the director’s alter-ego, Paul, a well-known filmmaker who is confined with his music journalist brother Etienne (Micha Lescot) and their girlfriends Morgane (Nine d’Urso...
- 2/18/2024
- by Elsa Keslassy
- Variety Film + TV
There is a sense of a running gag in Hors du Temps (renamed Suspended Time for the English-language market). In his complex, autofictional 2022 TV series Irma Vep, Olivier Assayas cast as the director of a film called Irma Vep — a film he had, in fact, made in real life 20 years earlier — the actor Vincent Macaigne, who cheekily developed a version of Assayas that not only picked up on his distinctively reedy voice, but also nobbled his quirky irritability and sensitivities.
That character was called Rene, but he was not a million miles from Paul, the character Macaigne plays in this account of two brothers confined with their partners for the duration of the Covid lockdown. They have returned to the house where they lived as boys and where they have rarely returned since: a vine-covered cottage in a picturesque hamlet. It is a glorious summer, just like the remembered summers of childhood.
That character was called Rene, but he was not a million miles from Paul, the character Macaigne plays in this account of two brothers confined with their partners for the duration of the Covid lockdown. They have returned to the house where they lived as boys and where they have rarely returned since: a vine-covered cottage in a picturesque hamlet. It is a glorious summer, just like the remembered summers of childhood.
- 2/18/2024
- by Stephanie Bunbury
- Deadline Film + TV
Time Regained: Assayas Agonizes in Pretentious Pandemic Reflection
In what stands as evidence of a surprising lack of self-awareness, director Olivier Assayas reenacts a composite of his familial experiences during the early days of the Covid-19 pandemic with Suspended Time (Hors du Temps). A quartet of people, including two brothers and their new romantic partners, grapple with the new reality of social distancing, masking, and politically correct online shopping options. They have the luxury of reconnecting with their shared past as they spend time at their rural family home, meanwhile engaged in various squabbles born from their cooped up status during an otherwise lovely summer.…...
In what stands as evidence of a surprising lack of self-awareness, director Olivier Assayas reenacts a composite of his familial experiences during the early days of the Covid-19 pandemic with Suspended Time (Hors du Temps). A quartet of people, including two brothers and their new romantic partners, grapple with the new reality of social distancing, masking, and politically correct online shopping options. They have the luxury of reconnecting with their shared past as they spend time at their rural family home, meanwhile engaged in various squabbles born from their cooped up status during an otherwise lovely summer.…...
- 2/17/2024
- by Nicholas Bell
- IONCINEMA.com
If any part of you has been curious as to how French filmmaker Olivier Assayas spent the early days of the global pandemic, along comes “Suspended Time” to answer your question, with very much the answer you might expect: pretty comfortably, thanks for asking. Alternating a thinly fictionalised portrait of the artist isolating at his family’s country home with fully autobiographical narration by the director himself, this mildly amusing but vastly indulgent bagatelle feels a tardy entry in the first wave of lockdown cinema — too late to feel fresh, but still too soon to have accumulated much meaningful perspective on an experience we all remember too well. Assayas devotees will take some pleasure in its formal fillips and self-references. Others need not apply.
At its most interesting — and quietly gossipy, if you are so minded — “Suspended Time” could be read as a reply work of sorts to “Bergman Island,...
At its most interesting — and quietly gossipy, if you are so minded — “Suspended Time” could be read as a reply work of sorts to “Bergman Island,...
- 2/17/2024
- by Guy Lodge
- Variety Film + TV
Olivier Assayas’ thinly disguised autobiographical study of a film-maker’s Edenic experience during Covid isolation is a civilised pleasure
Olivier Assayas’s new film is a flimsy but elegant autofictional sketch about his own experiences during the Covid lockdown, bubbling up with family members in his childhood home in la France profonde. It’s a movie which reminds us that for all the anxieties, this period of enforced inactivity was for grownups of a certain age and financial security not entirely unpleasant – a reminder of the endless, aimless summer days of childhood, an Edenic existence outside time which workaholic media professionals thought never to see again. A kind of miracle.
Vincent Macaigne plays dishevelled film-maker Etienne, who has come back to the handsome family home of his late parents, staying there with his girlfriend (Nine d’Urso) and communicating with his ex-wife and adored tween daughter on Zoom. He is going...
Olivier Assayas’s new film is a flimsy but elegant autofictional sketch about his own experiences during the Covid lockdown, bubbling up with family members in his childhood home in la France profonde. It’s a movie which reminds us that for all the anxieties, this period of enforced inactivity was for grownups of a certain age and financial security not entirely unpleasant – a reminder of the endless, aimless summer days of childhood, an Edenic existence outside time which workaholic media professionals thought never to see again. A kind of miracle.
Vincent Macaigne plays dishevelled film-maker Etienne, who has come back to the handsome family home of his late parents, staying there with his girlfriend (Nine d’Urso) and communicating with his ex-wife and adored tween daughter on Zoom. He is going...
- 2/17/2024
- by Peter Bradshaw
- The Guardian - Film News
By virtue of the shared experiences it speaks to, Suspended Time may be writer-director Olivier Assayas’s most universally relatable film to date. Sure, few people own homes in charming villages in rural France, but almost everyone on the planet went through some version of lockdown during the Covid-19 pandemic. People variably learned recipes, thought up new projects, sought out online therapy, went on long, unusually silent walks, contemplated their pasts, grandstanded about the dangers of a virus, treated said grandstanding as excessive hysteria, and got frustrated with the people they were in insolation with.
Those are the events of Suspended Time in a nutshell—a window into the strange life we all lived, the memory of which we largely seem to have discarded like a spoiled sourdough starter. Missing from the above description, though, is the way Assayas augments the ethereal quality of life in isolation with a sophisticated...
Those are the events of Suspended Time in a nutshell—a window into the strange life we all lived, the memory of which we largely seem to have discarded like a spoiled sourdough starter. Missing from the above description, though, is the way Assayas augments the ethereal quality of life in isolation with a sophisticated...
- 2/17/2024
- by Pat Brown
- Slant Magazine
Between Rian Johnson’s “Knives Out” sequel “Glass Onion,” the terrible quarantine “Purge” ripoff “Songbird,” and Doug Liman’s inert Covid heist movie “Locked Down”, movies have tried — and usually failed — in depicting the everyday horrors and quirks of the pandemic. Admittedly, turning the absence of interaction and drama into good cinema is an unenviable challenge. Olivier Assayas is the latest to try and, unfortunately, the latest to largely fail.
Set in April 2020, “Suspended Time” follows Paul (Vincent Macaigne) a frustrated filmmaker confined to his late parents’ picturesque country house with his wife Morgane (Nine d’Urso), his short-tempered brother Etienne (Micha Lescot), and Etienne’s wife Carole (Nora Hamzawi). In the very first scene, Paul receives an Amazon package like it’s radioactive material — it’s just a pair of socks — as a confounded Etienne asks why it all need be such a choreography. Paul explains that the virus can...
Set in April 2020, “Suspended Time” follows Paul (Vincent Macaigne) a frustrated filmmaker confined to his late parents’ picturesque country house with his wife Morgane (Nine d’Urso), his short-tempered brother Etienne (Micha Lescot), and Etienne’s wife Carole (Nora Hamzawi). In the very first scene, Paul receives an Amazon package like it’s radioactive material — it’s just a pair of socks — as a confounded Etienne asks why it all need be such a choreography. Paul explains that the virus can...
- 2/17/2024
- by Adam Solomons
- Indiewire
No two words can strike fear into the heart of a critic quite like “Covid movie,” and yet with a director as accomplished as Olivier Assayas it seemed reasonable to hold out hope of something more than the low-key cringe humor of a neurotic germaphobe obsessing about masks and social distancing and possible grocery contamination. Sadly, that’s a big part of what you get in the tedious Suspended Time (Hors du Temps). Most of us would never think our experience in the early, anxious days of pandemic lockdown was of much interest to anyone outside our social pod, but filmmakers keep making that mistake. They need to stop.
Perhaps Assayas was so caught up in the meta film industry satire of his spry reimagining of Irma Vep for HBO that he couldn’t resist casting Vincent Macaigne again as another version of himself. Macaigne is mildly amusing as a film director named Paul,...
Perhaps Assayas was so caught up in the meta film industry satire of his spry reimagining of Irma Vep for HBO that he couldn’t resist casting Vincent Macaigne again as another version of himself. Macaigne is mildly amusing as a film director named Paul,...
- 2/17/2024
- by David Rooney
- The Hollywood Reporter - Movie News
It’s the end of an era for the Berlin International Film Festival, as Artistic Director Carlo Chatrian and his co-head Mariette Rissenbeek — a pair of fearless cineastes and programmers who came onboard together in the summer of 2019, and helped steer the world’s largest film festival through the crisis of the pandemic years — are being unceremoniously shoved out to sea after the 2024 edition as a part of cost-cutting measures instituted by the Federal Government Commissioner for Culture and the Media, Claudia Roth.
It’s too soon to say how the Berlinale will shrink and suffer in the absence of the leadership that has allowed the festival to remain such a vital arena for world cinema at a time of industry-wide constriction, but even a quick overview of this year’s program suggests that Chatrian and Rissenbeek will be going out with a bang.
As usual, the Berlinale will play...
It’s too soon to say how the Berlinale will shrink and suffer in the absence of the leadership that has allowed the festival to remain such a vital arena for world cinema at a time of industry-wide constriction, but even a quick overview of this year’s program suggests that Chatrian and Rissenbeek will be going out with a bang.
As usual, the Berlinale will play...
- 2/14/2024
- by David Ehrlich
- Indiewire
Juliette Binoche has impeccable taste. The French actress, who has been gracing the screen for over four decades, continues to work with directors that push the envelope regardless of budget, recognition, or box office. From Claire Denis to Olivier Assayas, Abbas Kiarostami to Leos Carax, the list goes on and on. Her eye for world cinema rarely falters, and her filmography ranges across a wide swath of genres. The most common aspect of all of these films: critical praise for Binoche’s performance, whatever it may be.
In her newest, Trần Anh Hùng’s The Taste of Things, Binoche’s first collaboration with the Vietnamese-born director, she plays Eugénie, a chef for a famous restaurant owner, Dodin. A sensual film, featuring lengthy cooking sequences that grasp one’s attention far more than many action set pieces in today’s age, the story follows Eugénie and Dodin’s relationship through food,...
In her newest, Trần Anh Hùng’s The Taste of Things, Binoche’s first collaboration with the Vietnamese-born director, she plays Eugénie, a chef for a famous restaurant owner, Dodin. A sensual film, featuring lengthy cooking sequences that grasp one’s attention far more than many action set pieces in today’s age, the story follows Eugénie and Dodin’s relationship through food,...
- 2/6/2024
- by Michael Frank
- The Film Stage
Exclusive: Cannes Marché du Film has unveiled the four film industry professionals who will select the projects for the second edition of its Investors Circle initiative.
The one-day event – taking place within the framework of this year’s market, running from May 14 to 22 – is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
This year’s selection committee comprises Arte France Cinéma CEO Remi Burah; French film and TV biz entrepreneur Serge Hayat; Georgian cinema professional Tamara Tatishvili, who is currently head of the International Film Festival Rotterdam’s Hubert Bals Fund, and Korean co-production expert Wonsun Shin.
The projects are gathered through a combination of networking and scouting as well as direct submissions to the Cannes Marché du Film up until February 29. The Selection Committee will meet throughout March to decide the final line-up.
Aleksandra Zakharchenko,...
The one-day event – taking place within the framework of this year’s market, running from May 14 to 22 – is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
This year’s selection committee comprises Arte France Cinéma CEO Remi Burah; French film and TV biz entrepreneur Serge Hayat; Georgian cinema professional Tamara Tatishvili, who is currently head of the International Film Festival Rotterdam’s Hubert Bals Fund, and Korean co-production expert Wonsun Shin.
The projects are gathered through a combination of networking and scouting as well as direct submissions to the Cannes Marché du Film up until February 29. The Selection Committee will meet throughout March to decide the final line-up.
Aleksandra Zakharchenko,...
- 2/6/2024
- by Melanie Goodfellow
- Deadline Film + TV
A Different Man.The Berlinale have begun to announce the first few titles selected for the 74th edition of their festival, set to take place from February 15 through 21, 2024. This page will be updated as further sections are announced.COMPETITIONAnother End (Piero Messina)Architecton (Victor Kossakovsky)Black Tea (Abderrahmane Sissako)La Cocina (Alonso Ruiz Palacios) Dahomey (Mati Diop)A Different Man (Aaron Schimberg)The Empire (Bruno Dumont)Gloria! (Margherita Vicario)Suspended Time (Olivier Assayas)From Hilde, With Love (Andreas Dresen)My Favourite CakeLangue Etrangère (Claire Berger)Small Things Like These (Tim Mielants)Who Do I Belong To (Meryam Joobeur)Pepe (Nelson Carlos De Los Santos Arias)Shambhala (Min Bahadur Bham)Sterben (Matthias Glasner)Small Things Like These (Tim Mielants)A Traveler’s Needs (Hong Sang-soo)Sleep With Your Eyes Open. ENCOUNTERSArcadia (Yorgos Zois)Cidade; Campo (Juliana Rojas)Demba (Mamadou Dia)Direct ActionSleep With Your Eyes Open (Nele Wohlatz)The Fable (Raam Reddy...
- 1/23/2024
- MUBI
Berlinale Artistic Director Carlo Chatrian announced his final Competition and Encounters line-ups on Monday ahead of bowing out of the festival alongside Managing Director Mariette Rissenbeek at the end of the upcoming 74th edition in February.
News of Chatrian’s ousting by the German Culture Minister Claudia Roth back in September prompted anger in some quarters of Europe’s indie film biz. The seasoned festival programer made it clear at the time that he wanted to stay on but now appears to have made peace with the decision.
“It’s true that in the beginning I said I was willing to go on with the shared role. But then the people who are responsible for the future of the Berlinale thought this structure of two leaders was not the right one and I don’t consider myself able to run the festival alone,” he told Monday’s press conference in...
News of Chatrian’s ousting by the German Culture Minister Claudia Roth back in September prompted anger in some quarters of Europe’s indie film biz. The seasoned festival programer made it clear at the time that he wanted to stay on but now appears to have made peace with the decision.
“It’s true that in the beginning I said I was willing to go on with the shared role. But then the people who are responsible for the future of the Berlinale thought this structure of two leaders was not the right one and I don’t consider myself able to run the festival alone,” he told Monday’s press conference in...
- 1/23/2024
- by Melanie Goodfellow
- Deadline Film + TV
For his fifth and final edition, outgoing Berlin Film Festival artistic director Carlo Chatrian has assembled a promising lineup, rich in prestige, star-driven titles as well as more eclectic films containing the political elements intrinsic to the fest’s DNA.
“I am very happy and proud of this year’s lineup,” Chatrian tells Variety. “I think it achieved the balance between highly anticipated titles by filmmakers who are relevant in cinema history and, as always, films that you don’t expect to find in competition. At the same time I know that expectations can be a double-edged sword.”
The 74th annual Berlinale, held Feb. 15-25, will feature such films as “La Cocina” with Rooney Mara; sci-fi drama “Another End” with Gael García Bernal and Renate Reinsve; and the historical drama “Small Things Like These” starring “Oppenheimer’s” Cillian Murphy.
Chatrian spoke with Variety to break down the lineup that looks...
“I am very happy and proud of this year’s lineup,” Chatrian tells Variety. “I think it achieved the balance between highly anticipated titles by filmmakers who are relevant in cinema history and, as always, films that you don’t expect to find in competition. At the same time I know that expectations can be a double-edged sword.”
The 74th annual Berlinale, held Feb. 15-25, will feature such films as “La Cocina” with Rooney Mara; sci-fi drama “Another End” with Gael García Bernal and Renate Reinsve; and the historical drama “Small Things Like These” starring “Oppenheimer’s” Cillian Murphy.
Chatrian spoke with Variety to break down the lineup that looks...
- 1/22/2024
- by Nick Vivarelli
- Variety Film + TV
Argentina’s newly elected president Javier Milei is bent on keeping his chainsaw-wielding campaign promise to cut state spending, including scrapping the country’s national film institute (Incaa) and its film schools (Enerc).
His mega draft bill, aimed at reining in Argentina’s hyper-inflation, has prompted more than 300 directors, producers, actors, critics and colleagues from across the world, led by Academy Award winners Pedro Almodóvar, Alejandro González Iñárritu, Cannes winners Aki Kaurismäki (“Autumn Leaves”) and the Dardenne Brothers (“Rosetta”), to sign a communiqué protesting the far-right libertarian’s proposal.
The other signees include actor-producers Gael García Bernal and Diego Luna, Isabelle Huppert, directors Olivier Assayas, Kelly Reichardt, Kleber Mendonca Filho, Juan Antonio Bayona, Pedro Costa, Asif Kapadia, Corneliu Porumboiu, Abel Ferrara, Mira Nair, Roger Corman and Isabel Coixet, among many other prominent figures in the global film community.
In a statement, the newly formed coalition Cine Argentino Unido, spearheaded by film director associations,...
His mega draft bill, aimed at reining in Argentina’s hyper-inflation, has prompted more than 300 directors, producers, actors, critics and colleagues from across the world, led by Academy Award winners Pedro Almodóvar, Alejandro González Iñárritu, Cannes winners Aki Kaurismäki (“Autumn Leaves”) and the Dardenne Brothers (“Rosetta”), to sign a communiqué protesting the far-right libertarian’s proposal.
The other signees include actor-producers Gael García Bernal and Diego Luna, Isabelle Huppert, directors Olivier Assayas, Kelly Reichardt, Kleber Mendonca Filho, Juan Antonio Bayona, Pedro Costa, Asif Kapadia, Corneliu Porumboiu, Abel Ferrara, Mira Nair, Roger Corman and Isabel Coixet, among many other prominent figures in the global film community.
In a statement, the newly formed coalition Cine Argentino Unido, spearheaded by film director associations,...
- 1/22/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Berlinale co-directors Carlo Chatrian and Mariette Rissenbeek are going out with a bang in their final year, with a lineup unveiled today featuring the latest works by Olivier Assayas, Bruno Dumont, Mati Diop, Hong Sang-soo, Abderrahmane Sissako, Jane Schoenbrun, Alonso Ruizpalacios, Matias Pineiro, Travis Wilkerson, Kazik Radwanski, Annie Baker, and more.
When the co-directors were asked by Screen Daily about their departure, Chatrian said, “It’s quite simple. Mariette and I had a mandate of five years. It is true that at the beginning I said that I was willing to go on because there was a shared will with the [German] Ministry [of Culture] to go on. But then the people who have the responsibility to see the future of the Berlinale thought this structure of two leaders was not the right one and I don’t consider myself able to run the festival alone. And that was the decision of the Ministry.
When the co-directors were asked by Screen Daily about their departure, Chatrian said, “It’s quite simple. Mariette and I had a mandate of five years. It is true that at the beginning I said that I was willing to go on because there was a shared will with the [German] Ministry [of Culture] to go on. But then the people who have the responsibility to see the future of the Berlinale thought this structure of two leaders was not the right one and I don’t consider myself able to run the festival alone. And that was the decision of the Ministry.
- 1/22/2024
- by Jordan Raup
- The Film Stage
The 74th Berlin International Film Festival has revealed the 20 titles selected for its official Competition as well as its competitive Encounters strand.
Scroll down for full list
New films from Claire Burger, Olivier Assayas, Hong Sangsoo, Bruno Dumont, Abderrahmane Sissako and Mati Diop are among those selected for the Competition lineup, with stars including Rooney Mara, Gael Garcia Bernal, Sebastian Stan and Cillian Murphy, who leads the festival’s opening film Small Things Like These.
Festival heads Carlo Chatrian and Mariette Rissenbeek unveiled the selections at the House of World Cultures in Berlin today (January 22).
The 2024 Berlinale will run February...
Scroll down for full list
New films from Claire Burger, Olivier Assayas, Hong Sangsoo, Bruno Dumont, Abderrahmane Sissako and Mati Diop are among those selected for the Competition lineup, with stars including Rooney Mara, Gael Garcia Bernal, Sebastian Stan and Cillian Murphy, who leads the festival’s opening film Small Things Like These.
Festival heads Carlo Chatrian and Mariette Rissenbeek unveiled the selections at the House of World Cultures in Berlin today (January 22).
The 2024 Berlinale will run February...
- 1/22/2024
- ScreenDaily
The Berlin Film Festival on Monday unveiled the titles selected for its official competition and its sidebar Encounters competitive section.
A total of 20 films have been selected for the international competition, with highlights including La Cocina, directed by Alonso Ruiz Palacios and starring Rooney Mara. The pic is described as a “kinetic and cinematic love story” set over a single day in a Times Square kitchen. French-Senegalese filmmaker Mati Diop returns with Dahomey, a 60-minute doc about art repatriation and Hong Sangsoo plays in competition with A Traveler’s Needs, starring Isabelle Huppert. Scroll down for the full lineup.
The Berlin Film Festival takes place February 15-25.
Organizers have already announced more than 100 titles across sidebars spanning Panorama, Forum, and Berlinale Special. Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon...
A total of 20 films have been selected for the international competition, with highlights including La Cocina, directed by Alonso Ruiz Palacios and starring Rooney Mara. The pic is described as a “kinetic and cinematic love story” set over a single day in a Times Square kitchen. French-Senegalese filmmaker Mati Diop returns with Dahomey, a 60-minute doc about art repatriation and Hong Sangsoo plays in competition with A Traveler’s Needs, starring Isabelle Huppert. Scroll down for the full lineup.
The Berlin Film Festival takes place February 15-25.
Organizers have already announced more than 100 titles across sidebars spanning Panorama, Forum, and Berlinale Special. Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon...
- 1/22/2024
- by Zac Ntim
- Deadline Film + TV
The 74th Berlin International Film Festival unveiled its full lineup Monday at its official press conference in the House of World Cultures in Berlin. Berlinale managing director Mariëtte Rissenbeek and artistic director Carlo Chatrian presented the films that will compete for this year’s Golden and Silver Bears both in the competition and encounters sections.
Mexican director Alonso Ruizpalacios, a Berlinale regular and two-time Silver Bear winner — for A Cop Movie in 2022 and Museo in 2018 — returns to Berlin competition with his English-language feature debut La Cocina. Rooney Mara and The Cop Movie alum Raúl Briones star in the drama set over the course of a single day in a bustling New York City restaurant. Briones plays an undocumented cook in a relationship with Julia (Mara), an American waitress who cannot commit to their relationship. Fifth Season and WME are selling North American rights to La Cocina with HanWay handling international sales.
Mexican director Alonso Ruizpalacios, a Berlinale regular and two-time Silver Bear winner — for A Cop Movie in 2022 and Museo in 2018 — returns to Berlin competition with his English-language feature debut La Cocina. Rooney Mara and The Cop Movie alum Raúl Briones star in the drama set over the course of a single day in a bustling New York City restaurant. Briones plays an undocumented cook in a relationship with Julia (Mara), an American waitress who cannot commit to their relationship. Fifth Season and WME are selling North American rights to La Cocina with HanWay handling international sales.
- 1/22/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Ruaridh Mollica says he had a year to prepare for his “role of a lifetime — so far” in Finnish filmmaker Mikko Makela’s powerful new film Sebastian, which premieres at Sundance on Sunday.
The film follows a culture journalist who goes undercover and leads a double life as a sex worker to research a debut novel. The 24-year-old Mollica, born to a Scottish mother and an Italian father, gives a superlative performance in his first feature film lead role, as he assumes the split personalities of Max, a young wannabe literary sensation, and Sebastian, who hires himself out to desirous older male clients.
The intimate moments, though at times full-on, actually serve the narrative to reflect Max/Sebastian’s state of mind.
Between his initial self-tape, first audition and screen tests, Mollica had 12 months to enter into full character research mode before officially being handed the part, and the...
The film follows a culture journalist who goes undercover and leads a double life as a sex worker to research a debut novel. The 24-year-old Mollica, born to a Scottish mother and an Italian father, gives a superlative performance in his first feature film lead role, as he assumes the split personalities of Max, a young wannabe literary sensation, and Sebastian, who hires himself out to desirous older male clients.
The intimate moments, though at times full-on, actually serve the narrative to reflect Max/Sebastian’s state of mind.
Between his initial self-tape, first audition and screen tests, Mollica had 12 months to enter into full character research mode before officially being handed the part, and the...
- 1/19/2024
- by Baz Bamigboye
- Deadline Film + TV
A week after being appointed culture minister and slammed by an avalanche of criticism, famed politician Rachida Dati has officially entered the ring.
Dati went off-script and delivered an unfiltered speech — starting with “I’m not asking you to love me, what I want is to convince you” — to a room full of film and TV players on Thursday evening during a ceremony honoring actor Melvil Poupaud, who received the French Cinema Award.
While on stage, Dati said she will strive to democratize culture during her tenure.
“Culture in schools and civic sense go hand-in-hand. When you look at schools in certain areas which are ridden with problems, you’ll notice that it’s often places where culture has taken a backseat,” she said. Dati also spoke about her own relationship with culture, admitting she saw a movie in a cinema for the first time at the age of 21 but...
Dati went off-script and delivered an unfiltered speech — starting with “I’m not asking you to love me, what I want is to convince you” — to a room full of film and TV players on Thursday evening during a ceremony honoring actor Melvil Poupaud, who received the French Cinema Award.
While on stage, Dati said she will strive to democratize culture during her tenure.
“Culture in schools and civic sense go hand-in-hand. When you look at schools in certain areas which are ridden with problems, you’ll notice that it’s often places where culture has taken a backseat,” she said. Dati also spoke about her own relationship with culture, admitting she saw a movie in a cinema for the first time at the age of 21 but...
- 1/19/2024
- by Elsa Keslassy
- Variety Film + TV
Flanked on either side by members of the country’s political and cultural elite, actor Melvil Poupaud claimed the French Cinema Award at a ceremony held at France’s Ministry of Culture on Thursday.
Awarded by publicly-funded film promotional organization Unifrance, the French Cinema prize is meant to honor those filmmakers, actors and producers that have helped Gallic cinema resonate on the global stage. Previous winners include Virginie Efira, Juliette Binoche, and Olivier Assayas.
Reflecting on his four decades in front of the lens – a winding path that kicked off at age 10 with a key role in Raúl Ruiz’s 1983 fantasy “City of Pirates,” and has since paired the star with local auteurs Justine Triet, Arnaud Desplechin, and Francois Ozon, as well global standouts like James Ivory, Xavier Dolan and the Wachowskis – Poupaud spoke in earnest and self-effacing terms about his winding career.
“Right from the start, I thought that...
Awarded by publicly-funded film promotional organization Unifrance, the French Cinema prize is meant to honor those filmmakers, actors and producers that have helped Gallic cinema resonate on the global stage. Previous winners include Virginie Efira, Juliette Binoche, and Olivier Assayas.
Reflecting on his four decades in front of the lens – a winding path that kicked off at age 10 with a key role in Raúl Ruiz’s 1983 fantasy “City of Pirates,” and has since paired the star with local auteurs Justine Triet, Arnaud Desplechin, and Francois Ozon, as well global standouts like James Ivory, Xavier Dolan and the Wachowskis – Poupaud spoke in earnest and self-effacing terms about his winding career.
“Right from the start, I thought that...
- 1/18/2024
- by Ben Croll
- Variety Film + TV
Melvil Poupaud began his 40-year career, at the age of 10 Photo: Thomas Brunot/UniFrance Following in the illustrious wake of talents including Juliette Binoche, Virginie Efira, Olivier Assayas and Olivier Nakache and Éric Toledano, it is the turn of actor Melvil Poupaud to be honoured during the UniFrance Rendezvous with French Cinema in Paris later this month.
He will be given the French Cinema Award during a glittering ceremony at the French Ministry of Culture at a ceremony on 18 January.
Poupaud’s career has stretched across almost four decades, having begun his acting debut at the age of ten in City Of Pirates, directed by Raoul Ruiz, with whom he went on to make a further five critically acclaimed films.
Melvil Poupaud and Amanda Langlet in Eric Rohmer’s A Summer’s Tale Photo: Les Films du Losange During his career Poupaud has worked with many of France's most respected directors,...
He will be given the French Cinema Award during a glittering ceremony at the French Ministry of Culture at a ceremony on 18 January.
Poupaud’s career has stretched across almost four decades, having begun his acting debut at the age of ten in City Of Pirates, directed by Raoul Ruiz, with whom he went on to make a further five critically acclaimed films.
Melvil Poupaud and Amanda Langlet in Eric Rohmer’s A Summer’s Tale Photo: Les Films du Losange During his career Poupaud has worked with many of France's most respected directors,...
- 1/6/2024
- by Richard Mowe
- eyeforfilm.co.uk
Melvil Poupaud, an actor in Francois Ozon’s “By the Grace of God” and Maiwenn’s “Jeanne du Barry,” will receive the French Cinema Award from Unifrance, the French promotion organization.
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
- 1/4/2024
- by Elsa Keslassy
- Variety Film + TV
Dennis Ruh, whose departure as head of the Berlinale’s European Film Market after the 2024 edition was announced today, has expressed surprise that his contract has not been renewed and also questioned the festival’s new hiring protocols.
Ruh revealed he was being let go in an earlier statement because incoming festival director Tricia Tuttle had decided to appoint a new EFM head for the 2025 edition. The market boss said he had not been given a chance to discuss the matter with Tuttle.
News of Ruh’s departure, broke a few hours after the surprise announcement of Tuttle as the new Berlinale director, replacing Carlo Chatrian and Mariette Rissenbeek after the 2024 edition.
Ruh, who took up the EFM role in the fall of 2020 amid the challenges of Covid-19 pandemic, said he had expected better treatment on the back of the performance of the market’s 2023 edition, which he described as...
Ruh revealed he was being let go in an earlier statement because incoming festival director Tricia Tuttle had decided to appoint a new EFM head for the 2025 edition. The market boss said he had not been given a chance to discuss the matter with Tuttle.
News of Ruh’s departure, broke a few hours after the surprise announcement of Tuttle as the new Berlinale director, replacing Carlo Chatrian and Mariette Rissenbeek after the 2024 edition.
Ruh, who took up the EFM role in the fall of 2020 amid the challenges of Covid-19 pandemic, said he had expected better treatment on the back of the performance of the market’s 2023 edition, which he described as...
- 12/12/2023
- by Diana Lodderhose and Melanie Goodfellow
- Deadline Film + TV
The Berlin Film Festival has appointed Tricia Tuttle, the former head of the BFI London Film Festival, to become the new director of the international film event starting in 2024.
Tuttle will succeed Carlo Chatrian and Mariette Rissenbeek, who have co-led the Berlinale as artistic and executive directors since 2020 and will step down after this year’s edition when their respective mandates end.
The Berlin Film Festival is the world’s second biggest international film festival after Cannes. It also hosts the European Film Market, a crucial industry gathering where independent films are pitched and sold.
Tuttle was the director of the BFI London Film Festival during a fast-growing five-year era in which audiences nearly doubled before she stepped down after the 2022 edition. She worked as the festival’s deputy for five years before that to her predecessor Clare Stewart. She helped the festival expand outside of London with venues set up across the U.
Tuttle will succeed Carlo Chatrian and Mariette Rissenbeek, who have co-led the Berlinale as artistic and executive directors since 2020 and will step down after this year’s edition when their respective mandates end.
The Berlin Film Festival is the world’s second biggest international film festival after Cannes. It also hosts the European Film Market, a crucial industry gathering where independent films are pitched and sold.
Tuttle was the director of the BFI London Film Festival during a fast-growing five-year era in which audiences nearly doubled before she stepped down after the 2022 edition. She worked as the festival’s deputy for five years before that to her predecessor Clare Stewart. She helped the festival expand outside of London with venues set up across the U.
- 12/12/2023
- by Erik Kirschbaum and Elsa Keslassy
- Variety Film + TV
The German film industry is eagerly awaiting the appointment of the Berlin Film Festival’s new director, expected to be announced tomorrow, and as the guessing game surrounding the choice shifts into high gear, one thing looks increasingly clear: the new head will face considerable financial and political challenges at the Berlinale.
Speculation in the local industry has been rife with likely candidates to succeed Carlo Chatrian and Mariëtte Rissenbeek, who have co-led the Berlinale as artistic and executive directors since 2020 and will step down after this year’s edition when their respective mandates end.
A number of potential contenders have now quashed those rumors, among them Matthijs Wouter Knol, CEO and director of the European Film Academy, who made it clear to Variety that he was not in the running and was very content in his current post; Kirsten Niehuus, head of funding org Medienboard Berlin-Brandenburg, who said she...
Speculation in the local industry has been rife with likely candidates to succeed Carlo Chatrian and Mariëtte Rissenbeek, who have co-led the Berlinale as artistic and executive directors since 2020 and will step down after this year’s edition when their respective mandates end.
A number of potential contenders have now quashed those rumors, among them Matthijs Wouter Knol, CEO and director of the European Film Academy, who made it clear to Variety that he was not in the running and was very content in his current post; Kirsten Niehuus, head of funding org Medienboard Berlin-Brandenburg, who said she...
- 12/11/2023
- by Ed Meza
- Variety Film + TV
Mubi has unveiled their December 2023 lineup, featuring notable new releases such as Rodrigo Moreno’s The Delinquents, Argentina’s Oscar this year; the Lily Gladstone-led drama The Unknown Country; Rodrigo Sorogoyen’s The Beasts; and the José González documentary A Tiger in Paradise. Additional highlights include films from Olivier Assayas, Takeshi Kitano, Jean-Luc Godard, Kelly Reichardt, Steven Spielberg, Martin Scorsese, the Shaw Browers, Lars von Trier, Arnaud Desplechin, and more.
Check out the lineup below and get 30 days free here.
December 1st
The House that Jack Built, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Breaking the Waves, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
The Element of Crime, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Europa, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Epidemic, directed...
Check out the lineup below and get 30 days free here.
December 1st
The House that Jack Built, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Breaking the Waves, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
The Element of Crime, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Europa, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Epidemic, directed...
- 11/29/2023
- by Jordan Raup
- The Film Stage
Festival’s future seemed to hang in the balance after council funding was halved in May
France’s Clermont-Ferrand International Short Film Festival has confirmed that, despite severe budget cuts, it will take place in February but with a reduced programme.
The organisers of the world’s biggest short film festival have reduced the number of shorts selected in two of its competition programme and have increased ticket prices.
The festival’s future seemed to hang in the balance in May after the Auvergne-Rhône-Alpes regional council voted to cut its funding by half from €210,000 to €100,000 for the 2023 financial year.
The...
France’s Clermont-Ferrand International Short Film Festival has confirmed that, despite severe budget cuts, it will take place in February but with a reduced programme.
The organisers of the world’s biggest short film festival have reduced the number of shorts selected in two of its competition programme and have increased ticket prices.
The festival’s future seemed to hang in the balance in May after the Auvergne-Rhône-Alpes regional council voted to cut its funding by half from €210,000 to €100,000 for the 2023 financial year.
The...
- 11/24/2023
- by Rebecca Leffler
- ScreenDaily
Festival’s future seemed to hang in the balance after council funding was halved in May
France’s Clermont-Ferrand International Short Film Festival has confirmed that, despite severe budget cuts, it will take place in February but with a reduced programme.
The organisers of the world’s biggest short film festival have reduced the number of shorts selected in two of its competition programme and have increased ticket prices.
The festival’s future seemed to hang in the balance in May after the Auvergne-Rhône-Alpes regional council voted to cut its funding by half from €210,000 to €100,000 for the 2023 financial year.
The...
France’s Clermont-Ferrand International Short Film Festival has confirmed that, despite severe budget cuts, it will take place in February but with a reduced programme.
The organisers of the world’s biggest short film festival have reduced the number of shorts selected in two of its competition programme and have increased ticket prices.
The festival’s future seemed to hang in the balance in May after the Auvergne-Rhône-Alpes regional council voted to cut its funding by half from €210,000 to €100,000 for the 2023 financial year.
The...
- 11/24/2023
- by Rebecca Leffler
- ScreenDaily
Rotterdam Film Festival Sets ‘Head South’ As Opening Film
Jonathan Ogilvie’s post-punk, coming-of-age comedy Head South has been announced as the opening picture of the 53rd International Film Festival Rotterdam (IFFR), running from January 25 to February 4. The festival has also teased a handful of early selections. They include Indian filmmaker Ishan Shukla’s dystopian, sci-fi animation Schirkoa: In Lies We Trust and U.S. director Billy Woodberry’s biodoc Mário, about African independence activist Mário de Andrade, which will both world premiere. Further confirmations include European premieres for Amanda Kramer’s So Unreal and Ann Hui’s Elegies as well as Omar Hilal’s Voy! Voy! Voy!, which is Egypt’s Oscar entry this year. The festival will unveil its full line-up on December 18.
Paul Schrader To Be Feted At Pier Paolo Pasolini’s Avellino Festival
U.S. director and screenwriter Paul Schrader will be honored with a Lifetime...
Jonathan Ogilvie’s post-punk, coming-of-age comedy Head South has been announced as the opening picture of the 53rd International Film Festival Rotterdam (IFFR), running from January 25 to February 4. The festival has also teased a handful of early selections. They include Indian filmmaker Ishan Shukla’s dystopian, sci-fi animation Schirkoa: In Lies We Trust and U.S. director Billy Woodberry’s biodoc Mário, about African independence activist Mário de Andrade, which will both world premiere. Further confirmations include European premieres for Amanda Kramer’s So Unreal and Ann Hui’s Elegies as well as Omar Hilal’s Voy! Voy! Voy!, which is Egypt’s Oscar entry this year. The festival will unveil its full line-up on December 18.
Paul Schrader To Be Feted At Pier Paolo Pasolini’s Avellino Festival
U.S. director and screenwriter Paul Schrader will be honored with a Lifetime...
- 11/23/2023
- by Melanie Goodfellow
- Deadline Film + TV
Kevin Turen, a producer on HBO’s Euphoria and The Idol and Ti West’s X, Pearl and MaXXXine, has died. He was 44.
A spokesperson for Penske Media Corp., the parent company of The Hollywood Reporter, confirmed Turen’s death. No other details were immediately available.
“Despite his many achievements in Hollywood, Kevin’s greatest passion was his family and friends,” Jay Penske, CEO of Pmc and a close friend of Turen, said in a statement. “He was so proud of his children. He and his wife, Evelina, were resolved that their children grow up with great values and ensured they make a difference in the broader world. Our collective heart breaks for them, and we all feel such a profound sense of loss. We will miss Kevin so much, and this town lost one of its brightest rising stars.”
Turen was closely associated with Sam and Ashley Levinson. The trio co-founded Little Lamb Productions,...
A spokesperson for Penske Media Corp., the parent company of The Hollywood Reporter, confirmed Turen’s death. No other details were immediately available.
“Despite his many achievements in Hollywood, Kevin’s greatest passion was his family and friends,” Jay Penske, CEO of Pmc and a close friend of Turen, said in a statement. “He was so proud of his children. He and his wife, Evelina, were resolved that their children grow up with great values and ensured they make a difference in the broader world. Our collective heart breaks for them, and we all feel such a profound sense of loss. We will miss Kevin so much, and this town lost one of its brightest rising stars.”
Turen was closely associated with Sam and Ashley Levinson. The trio co-founded Little Lamb Productions,...
- 11/13/2023
- by Abid Rahman
- The Hollywood Reporter - Movie News
There's a wonderful little indie distributor based in NYC called Zeitgeist Films, founded in 1988. If you're a die-hard cinephile, you probably already recognize the name. They've supported amazing filmmakers and little films that deserve to be seen in US art house cinemas. From their website, they explain Zeitgeist as: "Distributed over 200 of the finest independent films from the U.S. and around the world including the early works of Todd Haynes, Christopher Nolan, François Ozon, Laura Poitras, Atom Egoyan and the Quay Brothers. Their catalog has also included films from the world's most outstanding filmmakers: Agnes Varda, Guy Maddin, Olivier Assayas, Jia Zhang-ke, Abbas Kiarostami, Derek Jarman, Nuri Bilge Ceylan, Peter Greenaway, Philippe Garrel, Yvonne Rainer, Jan Svankmajer, Margarethe Von Trotta, Andrei Zyvagintsev and Raoul Peck." To celebrate their 35th anniversary, Metrograph is hosting screenings of some of their finest gems. "We're particularly looking forward to reuniting with some of...
- 11/6/2023
- by Alex Billington
- firstshowing.net
Amidst the potential 2024 majors––Jia Zhangke, Olivier Assayas, Leos Carax, Arnaud Desplechin, Paul Schrader, and Kiyoshi Kurosawa but a handful––we should invest as much hope in a new film from Alain Guiraudie. Late last year we reported on his feature Miséricorde (Mercy in English), and this week CG Cinéma’s Romain Blondeau announced the commencement of shooting with Claire Mathon (his Dp on Staying Vertical and Stranger By the Lake) in tow.
Miséricorde is said to follow a noir-like plot concerning Jérémie, a 30-year-old who returns to his native Saint-Martial for a friend’s funeral. While there “he must contend with rumors and suspicion, until he commits an irreparable act and finds himself at the centre of a police investigation.” Knowing Guiraudie’s unflinching visions of violence and sexuality (not least in his superb novel Now the Night Begins), I am already girding my loins. Catherine Frot, Felix Kysyl,...
Miséricorde is said to follow a noir-like plot concerning Jérémie, a 30-year-old who returns to his native Saint-Martial for a friend’s funeral. While there “he must contend with rumors and suspicion, until he commits an irreparable act and finds himself at the centre of a police investigation.” Knowing Guiraudie’s unflinching visions of violence and sexuality (not least in his superb novel Now the Night Begins), I am already girding my loins. Catherine Frot, Felix Kysyl,...
- 11/1/2023
- by Nick Newman
- The Film Stage
Distributing films by Todd Haynes, Guy Maddin, Abbas Kiarostami, Laura Poitras, Olivier Assayas, and even Jacques Demy, Zeitgeist Film has been one of the most vital caretakers of independent and international cinema in the last few decades. Founded in New York City in 1988 by Nancy Gerstman and Emily Russo, they will now get a well-deserved celebration at NYC’s Metrograph beginning this Friday, November 3, with the series Zeitgeist Films at 35, and we’re pleased to exclusively debut the trailer.
Along with Olivier Assayas’ Irma Vep, Todd Haynes’ Poison, Derek Jarman’s The Garden, Abbas Kiarostami’s Taste of Cherry, Atom Egoyan’s Speaking Parts, and Jacques Demy’s Umbrellas of Cherbourg (released in a new restoration by Zeitgeist in 1996), the series features premieres of new 4K remasters of Guy Maddin’s Archangel and Marc Rothemund’s Sophie Scholl: The Final Days, plus an exclusive series closing night Member Preview of...
Along with Olivier Assayas’ Irma Vep, Todd Haynes’ Poison, Derek Jarman’s The Garden, Abbas Kiarostami’s Taste of Cherry, Atom Egoyan’s Speaking Parts, and Jacques Demy’s Umbrellas of Cherbourg (released in a new restoration by Zeitgeist in 1996), the series features premieres of new 4K remasters of Guy Maddin’s Archangel and Marc Rothemund’s Sophie Scholl: The Final Days, plus an exclusive series closing night Member Preview of...
- 10/31/2023
- by Jordan Raup
- The Film Stage
Four existing central and eastern European platforms have come togethe to leverage their combined buying and marketing power.
Four streaming platforms from Central and Eastern Europe have joined forces to bring European cinema to their audiences via a service called CEEYou.
New Horizons VOD (Poland), Kviff.TV (Czech Republic and Slovakia), Cinego (Hungary) and TIFF Unlimited (Romania) have launched the service with films from directors including Michael Haneke, Agnès Varda, Eric Rohmer and Olivier Assayas. CEEYou will be available on each of the existing platforms.
“Creating the CEEYou network gives us an opportunity to expand our offer and promote our content through cross-border promotional campaigns,...
Four streaming platforms from Central and Eastern Europe have joined forces to bring European cinema to their audiences via a service called CEEYou.
New Horizons VOD (Poland), Kviff.TV (Czech Republic and Slovakia), Cinego (Hungary) and TIFF Unlimited (Romania) have launched the service with films from directors including Michael Haneke, Agnès Varda, Eric Rohmer and Olivier Assayas. CEEYou will be available on each of the existing platforms.
“Creating the CEEYou network gives us an opportunity to expand our offer and promote our content through cross-border promotional campaigns,...
- 10/24/2023
- by Martin Blaney
- ScreenDaily
French filmmaker Justine Triet‘s intense courtroom whodunit “Anatomy of a Fall,” for which Sandra Hüller could be nominated for Best Actress, doesn’t offer any easy answers. It’s path has also been unexpected: The twisty drama, out now from Neon, was the surprise winner of the Palme d’Or in Cannes. Triet had no idea that her fourth feature, her second Competition entry at Cannes, would take home the Palme d’Or — or that she would be only the third woman to win it.
The film plays well at every screening: the audience leans into the question of whether a German wife, mother, and author (Hüller) pushed her French husband out the window of her mountain chalet attic to his death on the snow below. At the Cannes jury press conference, Brie Larson said the film “created a conversation and a conversation that we loved, and I would...
The film plays well at every screening: the audience leans into the question of whether a German wife, mother, and author (Hüller) pushed her French husband out the window of her mountain chalet attic to his death on the snow below. At the Cannes jury press conference, Brie Larson said the film “created a conversation and a conversation that we loved, and I would...
- 10/16/2023
- by Anne Thompson
- Indiewire
France has submitted The Taste of Things as its candidate for the Best International Feature Film at the 96th Academy Awards, in a major upset after Justine Triet’s Cannes Palme d’Or winner and hot favorite Anatomy of a Fall was shut out.
The period drama The Taste of Things revolves around a culinary love affair between a dutiful cook and her gourmet employee, played by Juliette Binoche and Benoît Magimel, respectively.
Vietnam-born French director Tran Anh Hung broke out internationally with debut film The Scent of Green Papaya. The drama was Vietnam’s entry to the then Foreign Language category at the 1994 Oscars and was nominated.
The Taste of Things world premiered in Competition at Cannes, where it was titled The Pot-Au-Feu. Anh Hung won Best Director at the fest. Sapan Studios and IFC Films hold U.S. rights.
Triet’s Anatomy of a Fall had been widely...
The period drama The Taste of Things revolves around a culinary love affair between a dutiful cook and her gourmet employee, played by Juliette Binoche and Benoît Magimel, respectively.
Vietnam-born French director Tran Anh Hung broke out internationally with debut film The Scent of Green Papaya. The drama was Vietnam’s entry to the then Foreign Language category at the 1994 Oscars and was nominated.
The Taste of Things world premiered in Competition at Cannes, where it was titled The Pot-Au-Feu. Anh Hung won Best Director at the fest. Sapan Studios and IFC Films hold U.S. rights.
Triet’s Anatomy of a Fall had been widely...
- 9/21/2023
- by Melanie Goodfellow
- Deadline Film + TV
Tran Anh Hung’s romantic food-themed period drama was among five features shortlisted.
France has chosen Tran Anh Hung’s romantic food-themed period drama The Taste of Things to represent the country in the best international film category at the 2024 Academy Awards.
Formerly titled The Pot-au-Feu, the film earned the French-Vietnamese filmmaker the best director prize in Cannes and was snapped up by IFC and Sapan Studio.
Set in late 19th century France, it stars Juliette Binoche as Eugenie, an esteemed cook who has been working for over 20 years for famed gourmet chef Dodin played by Benoît Magimel. As the food in the kitchen simmers,...
France has chosen Tran Anh Hung’s romantic food-themed period drama The Taste of Things to represent the country in the best international film category at the 2024 Academy Awards.
Formerly titled The Pot-au-Feu, the film earned the French-Vietnamese filmmaker the best director prize in Cannes and was snapped up by IFC and Sapan Studio.
Set in late 19th century France, it stars Juliette Binoche as Eugenie, an esteemed cook who has been working for over 20 years for famed gourmet chef Dodin played by Benoît Magimel. As the food in the kitchen simmers,...
- 9/21/2023
- by Rebecca Leffler
- ScreenDaily
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