I was very gratified by the response to last year’s interview with Rob Tregenza, a Zelig-like figure of modern cinema. Our very long, multi-Zoom conversation covered a life in film: four features, cherished experiences with Jean-Luc Godard, and hopes he hadn’t reached the end. What I didn’t quite find time for was, and I am embarrassed to even note it, the matter of his shooting stretches of Béla Tarr’s Werckmeister Harmonies, most notably its iconic opening sequence. By any token this is a major contribution to contemporary cinema for Tregenza’s part and––by that token, at least in my estimation––a major oversight on my own.
With Criterion’s 4K Uhd release of Werckmeister Harmonies arriving this month––about a year since Janus Films’ extremely successful theatrical tour––I figured it was time to ask Tregenza about his experience shooting the film. I did not...
With Criterion’s 4K Uhd release of Werckmeister Harmonies arriving this month––about a year since Janus Films’ extremely successful theatrical tour––I figured it was time to ask Tregenza about his experience shooting the film. I did not...
- 4/29/2024
- by Nick Newman
- The Film Stage
The 2024 Cannes Film Festival has announced its all-star lineup of jurors to decide this year’s Palme d’Or.
As previously announced, “Barbie” director Greta Gerwig will serve as jury president. Fellow recent Oscar nominee Lily Gladstone is part of the jury, as well as writer/director J.A. Bayona, Eva Green, Omar Sy, Pierfrancisco Favino, director Kore-eda Hirokazu, screenwriter Nadine Labaki, and screenwriter and photographer Ebru Ceylan.
The 2024 Cannes Film Festival will take place May 14-25. The jury will have the honor of awarding the Palme d’Or to one of the 22 films in competition, with contenders including Francis Ford Coppola’s “Megalopolis,” Sean Baker’s “Anora,” David Cronenberg’s “The Shrouds,” Yorgos Lanthimos’ “Kinds of Kindness,” and Paul Schrader’s “Oh, Canada.”
New films from Paolo Sorrentino (“Parthenope”), Mohammad Rasoulof (“The Seed of the Sacred Fig”), Karim Aïnouz (“Motel Destino”), and Andrea Arnold (“Bird”) are also debuting in competition.
As previously announced, “Barbie” director Greta Gerwig will serve as jury president. Fellow recent Oscar nominee Lily Gladstone is part of the jury, as well as writer/director J.A. Bayona, Eva Green, Omar Sy, Pierfrancisco Favino, director Kore-eda Hirokazu, screenwriter Nadine Labaki, and screenwriter and photographer Ebru Ceylan.
The 2024 Cannes Film Festival will take place May 14-25. The jury will have the honor of awarding the Palme d’Or to one of the 22 films in competition, with contenders including Francis Ford Coppola’s “Megalopolis,” Sean Baker’s “Anora,” David Cronenberg’s “The Shrouds,” Yorgos Lanthimos’ “Kinds of Kindness,” and Paul Schrader’s “Oh, Canada.”
New films from Paolo Sorrentino (“Parthenope”), Mohammad Rasoulof (“The Seed of the Sacred Fig”), Karim Aïnouz (“Motel Destino”), and Andrea Arnold (“Bird”) are also debuting in competition.
- 4/29/2024
- by Samantha Bergeson
- Indiewire
The section that we criminally need to overlook while covering the festival, the Cannes Classics films (excluding Le Cinéma de la Plage) are the last batch of titles to be programmed for the next edition. Packed with film-related docus, restored prints and anniversary 4K restorations, some of the big names including Jean-Luc Godard’s very last short, Faye Dunaway, Wim Wenders, Sylvia Chang, Costa-Gavras, Raymond Depardon, Marco Bellocchio, Ron Howard, Frederick Wiseman, Dong-ho Kim, Montxo Armendáriz and more…
Events
100 years of Columbia Pictures
Gilda
Charles Vidor
1946, 1h50, United States
A Sony Pictures Entertainment presentation. Restoration from the original 35mm nitrate negative and a 35mm nitrate internegative.…...
Events
100 years of Columbia Pictures
Gilda
Charles Vidor
1946, 1h50, United States
A Sony Pictures Entertainment presentation. Restoration from the original 35mm nitrate negative and a 35mm nitrate internegative.…...
- 4/25/2024
- by Eric Lavallée
- IONCINEMA.com
The director’s 18-minute film Scénarios will premiere at this year’s Cannes film festival accompanied by his 34-minute introduction
The final film from the French-Swiss director Jean-Luc Godard is set to premiere at this year’s Cannes film festival.
Scénarios is an 18-minute short that the film-maker finished in 2022 the day before he died via an assisted suicide procedure in Switzerland. Godard also made an accompanying 34-minute introduction which is a combination of “still and moving images, halfway between reading and seeing” that will be screened alongside it.
The final film from the French-Swiss director Jean-Luc Godard is set to premiere at this year’s Cannes film festival.
Scénarios is an 18-minute short that the film-maker finished in 2022 the day before he died via an assisted suicide procedure in Switzerland. Godard also made an accompanying 34-minute introduction which is a combination of “still and moving images, halfway between reading and seeing” that will be screened alongside it.
- 4/25/2024
- by Benjamin Lee
- The Guardian - Film News
Cannes Classics, the festival’s selection for tributes and retrospectives, has announced the rest of its program after the previously-announced opening night film “Napoleon Par Abel Gance.”
Among the highlights are a restoration of Charles Vidor’s 1946 “Gilda” to celebrate the 100th anniversary of Columbia Pictures, with Tom Rothman, Chairman and CEO, Sony Pictures Entertainment Motion Picture Group, attending. Wim Wenders will be on hand for a 40th anniversary screening of Palme d’Or winner “Paris, Texas,” while Faye Dunaway will be present for the screening of “Faye,” the first documentary about her life.
Ron Howard will present his documentary “Jim Henson Idea Man,” while Nanette Burstein brings the premiere of her documentary “Elizabeth Taylor: The Lost Tapes.”
See the full program of Cannes Classics below.
100 years of Columbia Pictures
“Gilda”
Charles Vidor
1946, 1h50, United States
A Sony Pictures Entertainment presentation. Restoration from the original 35mm nitrate negative and a 35mm nitrate internegative.
Among the highlights are a restoration of Charles Vidor’s 1946 “Gilda” to celebrate the 100th anniversary of Columbia Pictures, with Tom Rothman, Chairman and CEO, Sony Pictures Entertainment Motion Picture Group, attending. Wim Wenders will be on hand for a 40th anniversary screening of Palme d’Or winner “Paris, Texas,” while Faye Dunaway will be present for the screening of “Faye,” the first documentary about her life.
Ron Howard will present his documentary “Jim Henson Idea Man,” while Nanette Burstein brings the premiere of her documentary “Elizabeth Taylor: The Lost Tapes.”
See the full program of Cannes Classics below.
100 years of Columbia Pictures
“Gilda”
Charles Vidor
1946, 1h50, United States
A Sony Pictures Entertainment presentation. Restoration from the original 35mm nitrate negative and a 35mm nitrate internegative.
- 4/25/2024
- by Pat Saperstein
- Variety Film + TV
Though festivals and distributors were very excited to sell you a “final” film by Jean-Luc Godard, Fabrice Aragno made clear Phony Wars would not be the last transmission. Continuing Tupac-like beyond-the-grave releases, it’s been announced this year’s Cannes Film Festival will include in their “Events” sidebar the “ultimate film by Jean-Luc Godard,” Scenarios, which I cannot possibly summarize better than their official description and thus:
Scenarios is the title that Jean-Luc Godard chose to give to a final 18-minute gesture, made, literally, the day before his voluntary death. Furthermore, Jean-Luc Godard recorded a 34-minute film in which, mixing still images and moving images, halfway between reading and vision, he presented the Scenarios project .
Worth noting that Scenario was, with Phony Wars, one of two films with which Godard planned to end his career. A project made with single-digit hours left on Earth… well, one’s mind reels at the potential.
Scenarios is the title that Jean-Luc Godard chose to give to a final 18-minute gesture, made, literally, the day before his voluntary death. Furthermore, Jean-Luc Godard recorded a 34-minute film in which, mixing still images and moving images, halfway between reading and vision, he presented the Scenarios project .
Worth noting that Scenario was, with Phony Wars, one of two films with which Godard planned to end his career. A project made with single-digit hours left on Earth… well, one’s mind reels at the potential.
- 4/25/2024
- by Nick Newman
- The Film Stage
The Cannes Film Festival’s Classics sidebar celebrates 20 years this year with a lineup of films including a 4K restoration of Wim Wenders’s Palme d’Or winning Paris, Texas, and a debut screening of Ron Howard’s 2024 doc Jim Henson Idea Man.
Wenders and Howard will be on the ground in Cannes, where they will present the films alongside Faye Dunaway, who will present the feature-long doc Faye about her life and career.
Other Cannes Classics screenings will include a 4k restoration of Akira Kurosawa’s Seven Samurai to mark the late Japanese filmmaker’s 70th birthday while Frederick Wiseman will present his 1969 documentary Law And Order. Sony Pictures Entertainment Chairman and CEO Tom Rothman will also attend to screen Charles Vidor’s 1946 film Gilda as part of a 100-year celebration of Columbia Pictures.
The sidebar will also screen Scénario, an 18-minute film by Jean-Luc Godard. The project was...
Wenders and Howard will be on the ground in Cannes, where they will present the films alongside Faye Dunaway, who will present the feature-long doc Faye about her life and career.
Other Cannes Classics screenings will include a 4k restoration of Akira Kurosawa’s Seven Samurai to mark the late Japanese filmmaker’s 70th birthday while Frederick Wiseman will present his 1969 documentary Law And Order. Sony Pictures Entertainment Chairman and CEO Tom Rothman will also attend to screen Charles Vidor’s 1946 film Gilda as part of a 100-year celebration of Columbia Pictures.
The sidebar will also screen Scénario, an 18-minute film by Jean-Luc Godard. The project was...
- 4/25/2024
- by Zac Ntim
- Deadline Film + TV
Good news for 12-year-old kids who talk about Deadpool as if he’s Jean-Luc Godard, think calling someone a “fuck puppet” is the height of comedy, and just can’t wait until July for another noxiously self-aware cartoon bloodbath about a disfigured anti-hero who dresses in red and simply refuses to shut up: “Boy Kills World” is here. The film’s hyper-logorrheic protagonist doesn’t actually talk, on account of the fact that his tongue was sliced off when he was a child. “Boy” communicates to us instead through the magic of his internal monologue, for which he permanently assigned the voice of H. Jon Benjamin because the “Bob’s Burgers” actor sounds like a little boy’s idea of a lovable vigilante, equal parts Ryan Reynolds and Christian Bale.
As with most of the details that make up Moritz Mohr’s all too zany debut, it’s a clever device...
As with most of the details that make up Moritz Mohr’s all too zany debut, it’s a clever device...
- 4/24/2024
- by David Ehrlich
- Indiewire
Canadian actor and filmmaker Xavier Dolan will be joined on this year’s Un Certain Regard Jury by French-Senegalese filmmaker Maïmouna Doucouré, Moroccan director Asmae El Moudir, German-Luxembourg actress Vicky Krieps, and American film critic and writer Todd McCarthy.
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
Jane Campion, director of “The Power of the Dog,” is the recipient of this year’s Pardo d’Onore Manor at the Locarno Film Festival — its award for outstanding achievement in cinema. So yes, the “Dog” director is getting a cat trophy: Pardo d’Onore translates to “Leopard of Honor” in English.
The award will be bestowed on August 16, 2024 at the 77th edition of the festival. Locarno will also feature screenings of two Campion movies as selected by the director herself: 1990’s “An Angel at My Table” and 1993’s “The Piano.” It will be a brand new 4K restoration of “The Piano” that audience in Switzerland sees.
It’s quite an honor, but certainly not Campion’s first big award. She was the first woman to win the Palme d’Or at the Cannes Film Festival (for “The Piano”). Campion is also the first woman to be nominated twice for...
The award will be bestowed on August 16, 2024 at the 77th edition of the festival. Locarno will also feature screenings of two Campion movies as selected by the director herself: 1990’s “An Angel at My Table” and 1993’s “The Piano.” It will be a brand new 4K restoration of “The Piano” that audience in Switzerland sees.
It’s quite an honor, but certainly not Campion’s first big award. She was the first woman to win the Palme d’Or at the Cannes Film Festival (for “The Piano”). Campion is also the first woman to be nominated twice for...
- 4/24/2024
- by Tony Maglio
- Indiewire
Jane Campion will be honored this year by the Locarno Film Festival, which will present the New Zealand director its Pardo d’Onore Manor Award for lifetime achievement.
Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.
Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.
The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...
Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.
Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.
The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...
- 4/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Locarno Film Festival is set to honour filmmaker Jane Campion with the Pardo d’Onore Manor, its award for outstanding achievement in cinema.
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel At My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel At My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
- 4/24/2024
- ScreenDaily
The Locarno Film Festival is set to honour filmmaker Jane Campion with the Pardo d’Onore Manor, its award for outstanding achievement in cinema.
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel at My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel at My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
- 4/24/2024
- ScreenDaily
Jane Campion will be heading to Switzerland this summer to receive an honorary award at the 77th edition of the Locarno Film Festival, running from August 7 to 17.
The director will be presented with the festival’s Pardo d’Onore Manor Award for outstanding achievement in cinema in a ceremony at its landmark Piazza Grande open-air venue on August 16.
As part of the honorary celebrations, two Campion features will be screened at the festival: An Angel at My Table (1990) and The Piano (1993). The latter is presented in a new 4K restoration that will make its debut on the Piazza Grande. Campion will also host an onstage Q&a at the Forum @ Spazio Cinema on August 17.
“With her directorial debut, Sweetie (1989), Jane Campion asserted herself from the start as a distinctive and unmistakable voice,” Giona A. Nazzaro, Locarno Artistic Director said this morning announcing the honor.
“More than thirty years later, the...
The director will be presented with the festival’s Pardo d’Onore Manor Award for outstanding achievement in cinema in a ceremony at its landmark Piazza Grande open-air venue on August 16.
As part of the honorary celebrations, two Campion features will be screened at the festival: An Angel at My Table (1990) and The Piano (1993). The latter is presented in a new 4K restoration that will make its debut on the Piazza Grande. Campion will also host an onstage Q&a at the Forum @ Spazio Cinema on August 17.
“With her directorial debut, Sweetie (1989), Jane Campion asserted herself from the start as a distinctive and unmistakable voice,” Giona A. Nazzaro, Locarno Artistic Director said this morning announcing the honor.
“More than thirty years later, the...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
The Locarno Film Festival will honor Jane Campion with its Pardo d’onore Manor award.
The prominent Swiss fest dedicated to indie cinema will celebrate the revered auteur from New Zealand on Aug. 16 during a ceremony on its 8,000-seat Piazza Grande. The following day Campion will hold an onstage conversation. Champion’s “An Angel at My Table” (1990) and “The Piano” (1993) – the latter presented in a new 4K restoration – have been selected as Locarno’s tribute screenings.
“Jane Campion’s biography is a succession of remarkable firsts,” the fest noted in a statement, citing the facts that Campion is the first woman to win the Cannes Palme d’Or for “The Piano”; the first woman to get nominated twice in the best director category at the Academy Awards – winning once for “The Power of the Dog” in 2021 –; and the first filmmaker from New Zealand to compete at the Venice Film Festival...
The prominent Swiss fest dedicated to indie cinema will celebrate the revered auteur from New Zealand on Aug. 16 during a ceremony on its 8,000-seat Piazza Grande. The following day Campion will hold an onstage conversation. Champion’s “An Angel at My Table” (1990) and “The Piano” (1993) – the latter presented in a new 4K restoration – have been selected as Locarno’s tribute screenings.
“Jane Campion’s biography is a succession of remarkable firsts,” the fest noted in a statement, citing the facts that Campion is the first woman to win the Cannes Palme d’Or for “The Piano”; the first woman to get nominated twice in the best director category at the Academy Awards – winning once for “The Power of the Dog” in 2021 –; and the first filmmaker from New Zealand to compete at the Venice Film Festival...
- 4/24/2024
- by Nick Vivarelli
- Variety Film + TV
Updated with minor clarifications from Martiros Vartanov. The Academy Museum of Motion Pictures is shining a spotlight on one of the most revered filmmakers in cinema history.
On Friday evening the museum in Los Angeles will screen a restored version of visionary Armenian filmmaker and poet Sergei Parajanov’s 1969 classic The Color of Pomegranates, marking the 100th anniversary of his birth. In addition, the museum is premiering the newly restored Parajanov: The Last Spring, a documentary about Parajanov directed by Soviet-born filmmaker and cinematographer Mikhail Vartanov.
The Color of Pomegranates, a visually metamorphic and hybrid narrative, follows the life of the great 18th century Armenian poet and musician, Sayat Nova. Oscillating between stillness and movement – Pomegranates is a mesmerizing wide-canvas painting on film and has been hailed as one of the greatest movies of all time in various polls conducted by Movieline, Time Out, and the British Film Institute’s magazine,...
On Friday evening the museum in Los Angeles will screen a restored version of visionary Armenian filmmaker and poet Sergei Parajanov’s 1969 classic The Color of Pomegranates, marking the 100th anniversary of his birth. In addition, the museum is premiering the newly restored Parajanov: The Last Spring, a documentary about Parajanov directed by Soviet-born filmmaker and cinematographer Mikhail Vartanov.
The Color of Pomegranates, a visually metamorphic and hybrid narrative, follows the life of the great 18th century Armenian poet and musician, Sayat Nova. Oscillating between stillness and movement – Pomegranates is a mesmerizing wide-canvas painting on film and has been hailed as one of the greatest movies of all time in various polls conducted by Movieline, Time Out, and the British Film Institute’s magazine,...
- 4/18/2024
- by Sunil Sadarangani
- Deadline Film + TV
Glen Powell is a triple threat (if you count the producing part) in Richard Linklater’s “Hit Man.” Powell co-wrote, produced, and stars in the upcoming feature from Linklater, reuniting the duo after “Everybody Wants Some!!”
In their new film, Powell portrays professor Gary Johnson, “who moonlights as a fake hit man for the New Orleans Police Department. Preternaturally gifted at inhabiting different guises and personalities to catch hapless people hoping to bump off their enemies, Gary descends into morally dubious territory when he finds himself attracted to one of those potential criminals, a beautiful young woman named Madison (Adria Arjona),” per the film’s synopsis. “As Madison falls for one of Gary’s hit man personas — the mysteriously sexy Ron — their steamy affair sets off a chain reaction of play acting, deception, and escalating stakes.”
Inspired by an unbelievable true story, the dramedy debuted at Venice last year before...
In their new film, Powell portrays professor Gary Johnson, “who moonlights as a fake hit man for the New Orleans Police Department. Preternaturally gifted at inhabiting different guises and personalities to catch hapless people hoping to bump off their enemies, Gary descends into morally dubious territory when he finds himself attracted to one of those potential criminals, a beautiful young woman named Madison (Adria Arjona),” per the film’s synopsis. “As Madison falls for one of Gary’s hit man personas — the mysteriously sexy Ron — their steamy affair sets off a chain reaction of play acting, deception, and escalating stakes.”
Inspired by an unbelievable true story, the dramedy debuted at Venice last year before...
- 4/18/2024
- by Samantha Bergeson
- Indiewire
Floating Weeds Sitting inside his Tokyo home, surrounded by stacks of books and photos of John Ford and Jean-Luc Godard pinned to the wall, the venerated film and literary critic, writer, and scholar Shiguéhiko Hasumi admitted with a wry smile that he was not really in the mood to talk about Ozu. We were gathered for an interview about a new English translation of his book Directed by Yasujiro Ozu, but he had old Hollywood on his mind. As he spoke, he switched between Japanese and French-accented English. “This book was written 40 years ago,” he said. “My last monograph is about John Ford. And this is my latest book. I greatly admire the films of Don Siegel.” He pointed to What is a Shot?. “So, I am so far from Ozu.” Indeed, Hasumi, who turns 88 this month, remains prolific. Spread out on the coffee table in front of him by...
- 4/16/2024
- MUBI
While it was fascinating to see the results of the 2022 Sight & Sound poll, we’re just as curious to see what lies outside the established canon. As part of a comprehensive project at the essential resource They Shoot Pictures, Don’t They?, Ángel González polled nearly 839 critics on the best films that didn’t receive a single vote on the Sight & Sound poll, which they’ve now compiled into a massive Beyond the Sight & Sound Canon, which initially features 1,030 films but expands to a whopping 14,558 total films.
As a preview, we’ve collected the films that received at least 20 votes in this new poll, which is 263. It’s led by Spike Jonze’s Her, and they’ve also noted the directors that were most represented. Fritz Lang leads the pack with eight films mentioned, while François Truffaut has seven, and Anthony Mann, Clint Eastwood, Eric Rohmer, John Ford, Samuel Fuller,...
As a preview, we’ve collected the films that received at least 20 votes in this new poll, which is 263. It’s led by Spike Jonze’s Her, and they’ve also noted the directors that were most represented. Fritz Lang leads the pack with eight films mentioned, while François Truffaut has seven, and Anthony Mann, Clint Eastwood, Eric Rohmer, John Ford, Samuel Fuller,...
- 4/8/2024
- by Jordan Raup
- The Film Stage
France’s Urban Distribution has shut its doors, the latest independent distributor to fold due to struggling ticket sales following the closure of Rezo Films’ distribution arm in March.
Urban Group’s thriving international sales and production divisions Urban Sales and Urban Factory will continue to operate, but its distribution arm, founded in 2011 by Frédéric Corvez and Mathieu Piazza, was officially liquidated on March 21.
Corvez confirmed the closure to Screen, explaining, “Over the years, we’ve seen our work come up against more and more obstacles” and citing the pandemic as an event that “undoubtedly transformed the industry”.
He described...
Urban Group’s thriving international sales and production divisions Urban Sales and Urban Factory will continue to operate, but its distribution arm, founded in 2011 by Frédéric Corvez and Mathieu Piazza, was officially liquidated on March 21.
Corvez confirmed the closure to Screen, explaining, “Over the years, we’ve seen our work come up against more and more obstacles” and citing the pandemic as an event that “undoubtedly transformed the industry”.
He described...
- 4/2/2024
- ScreenDaily
Richard Linklater’s Nouvelle Vague, which reconstructs the genesis and filming of Breathless by Jean-Luc Godard, is among the recipients of the first round of Cnc’s ‘avance sur recettes’ (advance on receipts) grants of 2024.
The film, the first entirely in French from US director Linklater, is now in production in Paris. It is being produced by Paris-based Arp Productions and stars Zooey Deutsch as American Breathless star Jean Seberg.
Vince Palmo, Holly Gent, Michèle Halberstadt, and Laetitia Masson join Linklater as co-writers.
The Cnc’s refundable grant is broken into three categories. Asr 1 gives funds to directors’ first films,...
The film, the first entirely in French from US director Linklater, is now in production in Paris. It is being produced by Paris-based Arp Productions and stars Zooey Deutsch as American Breathless star Jean Seberg.
Vince Palmo, Holly Gent, Michèle Halberstadt, and Laetitia Masson join Linklater as co-writers.
The Cnc’s refundable grant is broken into three categories. Asr 1 gives funds to directors’ first films,...
- 3/18/2024
- ScreenDaily
Med Hondo’s 1979 musical extravaganza West Indies: The Fugitive Slaves of Liberty is a satirical skewering of the legacy of French imperialism in the West Indies and beyond. From the outset, it defies categorization through its distinct sense of free association as it leaps from one colorful image to the next, often shunning context along the way. Throughout Hondo’s film, the xenophobic and racist rhetoric of haughty, predominately white French aristocrats, bureaucrats, and citizens is combatted, challenged, or lampooned by various African figures. Some are slaves, some are revolutionaries, while some are simply power hungry. The result is a deliriously iconoclastic anti-colonialist work that’s worthy of the finest films from roughly the same period by Ousmane Sembene and Dijbril Diop Mambéty.
Adapted by Hondo and Daniel Boukman from the latter’s novel Les Negriers, West Indies traces an epic history of colonial oppression and enslavement in the West Indies,...
Adapted by Hondo and Daniel Boukman from the latter’s novel Les Negriers, West Indies traces an epic history of colonial oppression and enslavement in the West Indies,...
- 3/17/2024
- by Clayton Dillard
- Slant Magazine
Roxy Cinema
Our 35mm presentation of Bertrand Bonello’s House of Tolerance screens on Saturday and Sunday; Jessica Hausner’s Hotel plays on Friday, as does a Frank Tashlin / Jerry Lewis double-bill of Hollywood or Bust and The Geisha Boy; The Bridges of Madison County and Lenny Cooke play on Saturday, while One Hand Don’t Clap shows Sunday; Red Rock West plays Saturday and Sunday.
Anthology Film Archives
Films by Jean-Luc Godard and more play in Afterimage.
Museum of Modern Art
The essential work of Ernie Gehr plays in a new retrospective.
Film Forum
The Japanese horror series continues with Ugetsu, Throne of Blood, Audition, Godzilla, and more; Chitty Chitty Bang Bang plays on 35mm this Sunday.
IFC Center
The End of Evangelion plays this Sunday; The Big Lebowski, Fight Club, Under the Silver Lake, and The Shining play late.
The post NYC Weekend Watch: House of Tolerance on 35mm...
Our 35mm presentation of Bertrand Bonello’s House of Tolerance screens on Saturday and Sunday; Jessica Hausner’s Hotel plays on Friday, as does a Frank Tashlin / Jerry Lewis double-bill of Hollywood or Bust and The Geisha Boy; The Bridges of Madison County and Lenny Cooke play on Saturday, while One Hand Don’t Clap shows Sunday; Red Rock West plays Saturday and Sunday.
Anthology Film Archives
Films by Jean-Luc Godard and more play in Afterimage.
Museum of Modern Art
The essential work of Ernie Gehr plays in a new retrospective.
Film Forum
The Japanese horror series continues with Ugetsu, Throne of Blood, Audition, Godzilla, and more; Chitty Chitty Bang Bang plays on 35mm this Sunday.
IFC Center
The End of Evangelion plays this Sunday; The Big Lebowski, Fight Club, Under the Silver Lake, and The Shining play late.
The post NYC Weekend Watch: House of Tolerance on 35mm...
- 3/15/2024
- by Nick Newman
- The Film Stage
German acting legend Hanna Schygulla will be honored this year with a lifetime achievement award at the German Film Awards.
Best known for her work with Rainer Werner Fassbinder, including The Marriage of Maria Braun (1979) Berlin Alexanderplatz (1980), and Lili Marleen (1981), Schygulla’s career has included collaborations with the likes of Wim Wenders (1975’s Wrong Move), Jean-Luc Godard (1982’s Passion) and Fatih Akin (2007’s The Edge of Heaven). More recently, the 80-year-old actress has a scene-stealing cameo in Yorgos Lanthimos’ Oscar-winner Poor Things as Martha von Kurtzroc, the eccentric woman Emma Stone’s character befriends on the cruise ship.
“Hanna Schygulla is an institution of German and European cinema,” said Alexandra Maria Lara, president of the German Film Academy, explaining the decision of the honorary jury. “Through her long-standing collaboration with Rainer Werner Fassbinder, she wrote herself into film history. She became an icon of German auteur cinema with international appeal.
Best known for her work with Rainer Werner Fassbinder, including The Marriage of Maria Braun (1979) Berlin Alexanderplatz (1980), and Lili Marleen (1981), Schygulla’s career has included collaborations with the likes of Wim Wenders (1975’s Wrong Move), Jean-Luc Godard (1982’s Passion) and Fatih Akin (2007’s The Edge of Heaven). More recently, the 80-year-old actress has a scene-stealing cameo in Yorgos Lanthimos’ Oscar-winner Poor Things as Martha von Kurtzroc, the eccentric woman Emma Stone’s character befriends on the cruise ship.
“Hanna Schygulla is an institution of German and European cinema,” said Alexandra Maria Lara, president of the German Film Academy, explaining the decision of the honorary jury. “Through her long-standing collaboration with Rainer Werner Fassbinder, she wrote herself into film history. She became an icon of German auteur cinema with international appeal.
- 3/13/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
James Hamilton is an iconic chronicler of New York City culture, a photographer who, throughout his career, has captured the likes of Charles Mingus, Patti Smith, Lou Reed, David Lynch, Jean-Luc Godard, Meryl Streep, Alfred Hitchcock, Liza Minnelli, and Wes Anderson. Now, he gets the documentary treatment in the film “Uncropped,” directed by D.W. Young and executive-produced by Wes Anderson himself. IndieWire shares the exclusive trailer below.
“Uncropped” also turns its focus on the heyday of alternative print journalism in New York. Hamilton was best known for his photographs of the art and music scene in NYC throughout the ’70s and ’80s while working as a staffer at Crawdaddy, The New York Herald, Harper’s Bazaar, The Village Voice, and the New York Observer. The film also tracks his career and life beginning in his early days at Pratt in Brooklyn, then an apprenticeship where he learned how to shoot,...
“Uncropped” also turns its focus on the heyday of alternative print journalism in New York. Hamilton was best known for his photographs of the art and music scene in NYC throughout the ’70s and ’80s while working as a staffer at Crawdaddy, The New York Herald, Harper’s Bazaar, The Village Voice, and the New York Observer. The film also tracks his career and life beginning in his early days at Pratt in Brooklyn, then an apprenticeship where he learned how to shoot,...
- 3/8/2024
- by Ryan Lattanzio
- Indiewire
For several months now, “Boyhood” filmmaker Richard Linklater has been vaguely hinting at making a French New Wave Film shot in Paris, but what that actually meant, given lack of details seemed vague. Now, it seems like the shape of the film is starting to become clearer. People reveals a first look at Zoey Deutch who has been cast as French New Wave actress Jean Seberg, known for her star-making turn in Jean-Luc Godard’s breakthrough 60s film “Breathless.”
Or at least, a first look her Deutch’s new pixiecut hairdo for the film.
Continue reading Zoey Deutch Cast As Jean Seberg In Richard Linklater’s Upcoming French New Wave Film at The Playlist.
Or at least, a first look her Deutch’s new pixiecut hairdo for the film.
Continue reading Zoey Deutch Cast As Jean Seberg In Richard Linklater’s Upcoming French New Wave Film at The Playlist.
- 3/5/2024
- by Edward Davis
- The Playlist
Problemista.As a former Saturday Night Live writer, co-creator of the bilingual HBO cult favorite Los Espookys, and government-certified “alien of extraordinary ability,” Julio Torres has been preoccupied with the secret life of objects: the existential dilemmas that plague baubles and trinkets divorced from their original purpose. In Problemista (2024), Torres’s debut feature, the efficacy of form and function, as it applies to the predominant social order and the flimsy structures that reinforce it, is up for constant reconsideration. Through fabulist vignettes and an iridescent array of signs and symbols, the film offers a buoyant critique of institutional frameworks, especially the Kafkaesque bureaucracy of the American immigration system, but also the avarice of corporate banks and the innumerable hypocrisies of the art world. Contributing a singular perspective to the discourse surrounding “the queer art of failure,” Torres views conventional notions of utility with puckish skepticism and advocates for a deliberate...
- 3/5/2024
- MUBI
Between last week’s release of his under-the-radar documentary God Save Texas: Hometown Prison and the June release of his wildly entertaining crowdpleaser Hit Man Trailer: Glen Powell Shapeshifts for Richard Linklater’s Comedy, Arriving in June”>Hit Man, Richard Linklater is embarking on his next film. Set to shoot this month and April in Paris, his new feature will capture the beginnings of the French New Wave, centered on the making of Jean-Luc Godard’s 1960 debut masterpiece Breathless.
We now have our first piece of casting as our new Jean Seberg has been unveiled. Zoey Deutch has revealed her Seberg look on Instagram, with hair colorist Tracey Cunningham confirming it’s for the role of the French New Wave Icon, who made her breakout in Godard’s debut. The film will mark a reunion following Everybody Wants Some!! for Linklater and Deutch, who will deliver the latest portrayal of...
We now have our first piece of casting as our new Jean Seberg has been unveiled. Zoey Deutch has revealed her Seberg look on Instagram, with hair colorist Tracey Cunningham confirming it’s for the role of the French New Wave Icon, who made her breakout in Godard’s debut. The film will mark a reunion following Everybody Wants Some!! for Linklater and Deutch, who will deliver the latest portrayal of...
- 3/5/2024
- by Jordan Raup
- The Film Stage
After making its debut at last year’s Cannes Film Festival with Jean-Luc Godard’s last work and Pedro Almodóvar’s “Strange Way of Life,” Anthony Vaccarello’s Saint Laurent Productions has boarded Jacques Audiard’s “Emilia Perez” as a co-producer.
The musical thriller joins Saint Laurent Productions’ roster of prestige projects, including Oscar-winning director Paolo Sorrentino’s untitled next film and David Cronenberg’s “The Shrouds.”
“Emilia Perez” is a musical thriller boasting an international cast led by Karla Sofia Gascón, Zoe Saldana (“Avatar”), Selena Gomez (“Only Murders in the Building”), Edgar Ramirez (“Carlos”) and Adriana Paz. The movie is co-produced with French production company Why Not Productions and Page 114, together with Pathé and France 2 Cinema. Pathé has acquired French distribution rights and will release the movie in French theaters. The movie has been described by Audiard as an “opera libretto in four acts.”
The Palme d’Or...
The musical thriller joins Saint Laurent Productions’ roster of prestige projects, including Oscar-winning director Paolo Sorrentino’s untitled next film and David Cronenberg’s “The Shrouds.”
“Emilia Perez” is a musical thriller boasting an international cast led by Karla Sofia Gascón, Zoe Saldana (“Avatar”), Selena Gomez (“Only Murders in the Building”), Edgar Ramirez (“Carlos”) and Adriana Paz. The movie is co-produced with French production company Why Not Productions and Page 114, together with Pathé and France 2 Cinema. Pathé has acquired French distribution rights and will release the movie in French theaters. The movie has been described by Audiard as an “opera libretto in four acts.”
The Palme d’Or...
- 3/1/2024
- by Elsa Keslassy
- Variety Film + TV
Canadian filmmaker Xavier Dolan is officially the 2024 Cannes Film Festival Un Certain Regard jury president. Dolan, who is a self-taught writer/director, made his feature debut at age 19 with “I Killed My Mother” based on his original short story. The film was chosen to represent Canada at the Academy Awards.
His work has repeatedly been featured at Cannes ever since Dolan’s 2010 sophomore feature “Heartbeats” marked his first entrance in Cannes’ Un Certain Regard program.
“I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” Dolan said in a statement. “Even more than making films myself, discovering the work of talented filmmakers has always been at the very heart of both my personal and professional journeys. I see, in this responsibility I’m assigned, the opportunity to focus with the members of the Un Certain Regard Jury on an essential aspect of the...
His work has repeatedly been featured at Cannes ever since Dolan’s 2010 sophomore feature “Heartbeats” marked his first entrance in Cannes’ Un Certain Regard program.
“I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” Dolan said in a statement. “Even more than making films myself, discovering the work of talented filmmakers has always been at the very heart of both my personal and professional journeys. I see, in this responsibility I’m assigned, the opportunity to focus with the members of the Un Certain Regard Jury on an essential aspect of the...
- 2/29/2024
- by Samantha Bergeson
- Indiewire
Xavier Dolan, the Canadian filmmaker who rose through the ranks at Cannes with films like the Jury Prize winner Mommy, has been named President of the Un Certain Regard Jury, celebrating emerging talent, for the 77th edition of the festival, taking place this summer.
“I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” said Dolan. “Even more than making films myself, discovering the work of talented filmmakers has always been at the very heart of both my personal and professional journeys. I see, in this responsibility I’m assigned, the opportunity to focus with the members of the Un Certain Regard Jury on an essential aspect of the art of film : stories told truthfully.”
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards.
“I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” said Dolan. “Even more than making films myself, discovering the work of talented filmmakers has always been at the very heart of both my personal and professional journeys. I see, in this responsibility I’m assigned, the opportunity to focus with the members of the Un Certain Regard Jury on an essential aspect of the art of film : stories told truthfully.”
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards.
- 2/29/2024
- by Matt Grobar
- Deadline Film + TV
A careworn Cillian Murphy excelled, Atlantics director Mati Diop returned, astronaut Adam Sandler had us drifting off, and kitchen dramas continued to sizzle
Should we be talking about cinema at this year’s Berlin film festival? Not everyone thought so. After a post on X about a podcast discussion I took part in here, someone responded with a photo of Jean-Luc Godard at 1968’s politically fraught Cannes film festival, making his famous accusation: “And you’re talking tracking shots and closeups! You’re idiots!”
The 2024 Berlinale might not have been as turbulent as Cannes 68, but given the state of the world, mere movie talk risked seeming frivolous. This year’s festival was prefaced by the controversial inviting, then disinviting, of politicians from Germany’s far-right Alternative für Deutschland party to the opening ceremony. It was also marked by pro-Palestine demonstrations at the industry market and by complaints from festival staff...
Should we be talking about cinema at this year’s Berlin film festival? Not everyone thought so. After a post on X about a podcast discussion I took part in here, someone responded with a photo of Jean-Luc Godard at 1968’s politically fraught Cannes film festival, making his famous accusation: “And you’re talking tracking shots and closeups! You’re idiots!”
The 2024 Berlinale might not have been as turbulent as Cannes 68, but given the state of the world, mere movie talk risked seeming frivolous. This year’s festival was prefaced by the controversial inviting, then disinviting, of politicians from Germany’s far-right Alternative für Deutschland party to the opening ceremony. It was also marked by pro-Palestine demonstrations at the industry market and by complaints from festival staff...
- 2/24/2024
- by Jonathan Romney
- The Guardian - Film News
“Rashomon” is one of Akira Kurosawa's most famous films, and is now considered one of the greatest films ever made. It is a very significant production for the Japanese movie industry since it marked its entrance to the world stage, a move that proved the prowess of Japanese cinema in the best way possible. “Rashomon” went on to win the Golden Lion at the Venice Film Festival in 1951, and an Honorary Academy Award at the 24th Academy Awards in 1952, among a plethora of other awards.
The film's success in Japan was also significant, even in financial terms. It was given a Hollywood-like premiere at the Imperial Theater in Tokyo, then considered the best theater in the country, and despite its experimental and intellectual orientation, it earned large box office receipts all over the country. Long before it won the Golden Lion, it had won back its production costs, and...
The film's success in Japan was also significant, even in financial terms. It was given a Hollywood-like premiere at the Imperial Theater in Tokyo, then considered the best theater in the country, and despite its experimental and intellectual orientation, it earned large box office receipts all over the country. Long before it won the Golden Lion, it had won back its production costs, and...
- 2/22/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Feisty, topical and nakedly political speeches dominated the opening ceremony on Thursday at the Berlinale.
They followed a red carpet that mixed demonstrations and high style over a more than two-hour stretch.
Festival co-chief Mariëtte Rissenbeek felt it necessary to address head on the festival’s recent controversy over invitations to five far-right (AfD) members of the German parliament. The invitations were subsequently canceled, but the backlash has scarcely subsided.
“The Berlinale has a lot of space for dialog. Between people and for art, but it has no space for hatred. Hatred is not on our guest list. It won’t be invited,” Rissenbeek said.
“Many people in the Berlinale team, many of our friends or acquaintances are affected by the intentions of the right wing AfD their intention to deport people with a migrant background from the country. They want to throw them out. And that is something that...
They followed a red carpet that mixed demonstrations and high style over a more than two-hour stretch.
Festival co-chief Mariëtte Rissenbeek felt it necessary to address head on the festival’s recent controversy over invitations to five far-right (AfD) members of the German parliament. The invitations were subsequently canceled, but the backlash has scarcely subsided.
“The Berlinale has a lot of space for dialog. Between people and for art, but it has no space for hatred. Hatred is not on our guest list. It won’t be invited,” Rissenbeek said.
“Many people in the Berlinale team, many of our friends or acquaintances are affected by the intentions of the right wing AfD their intention to deport people with a migrant background from the country. They want to throw them out. And that is something that...
- 2/15/2024
- by Patrick Frater and Elsa Keslassy
- Variety Film + TV
Le chinoise.Most serious writing about Jean-Luc Godard tends to be both high-flown and forbidding, rather like the films it’s discussing. Translations from French to English or vice versa can make things even dicier. But according to the literary scholar Fredric Jameson, who contributes an enthusiastic preface and afterword, Reading with Jean-Luc Godard—a compendium of 109 three-page essays by 50 writers from a dozen countries, announced as the first in a series—launches “a new form” and “a new genre.”The brevity of each entry tends to confirm Jameson’s claim. The book can be described as an audience-friendly volume designed to occupy the same space between academia and journalism staked out by Notebook while proposing routes into Godard’s work provided by his eclectic reading—a batch of writers ranged alphabetically and intellectually from Louis Aragon, Robert Ardrey, Hannah Arendt, and Honoré de Balzac to François Truffaut, Paul Valéry,...
- 1/30/2024
- MUBI
Film critic Justin Chang has joined The New Yorker.
One of the most celebrated critics in the U.S., Chang has worked for several years at the Los Angeles Times where he’s published weekly reviews as well as longer-form essays, such as a deep dive on how “omission does not mean erasure” when it comes “Oppenheimer.” Before the L.A. Times, he worked for some years at Variety.
Chang is one of the top wordsmiths in film criticism today, devoted to sentence-level beauty in his writing that makes him a perfect fit for the New Yorker. He is also the most glorious and shameless pun-meister of the critical sphere, issuing his bon mots with abandon on Twitter/X. A recent example? “No Greta Gerwig in director or Greta Lee in lead actress, re-Greta-bly.” Though his all-time best may be referring to “Mektoub” director Abdellatif Kechiche as “a gluteus maximalist,” and...
One of the most celebrated critics in the U.S., Chang has worked for several years at the Los Angeles Times where he’s published weekly reviews as well as longer-form essays, such as a deep dive on how “omission does not mean erasure” when it comes “Oppenheimer.” Before the L.A. Times, he worked for some years at Variety.
Chang is one of the top wordsmiths in film criticism today, devoted to sentence-level beauty in his writing that makes him a perfect fit for the New Yorker. He is also the most glorious and shameless pun-meister of the critical sphere, issuing his bon mots with abandon on Twitter/X. A recent example? “No Greta Gerwig in director or Greta Lee in lead actress, re-Greta-bly.” Though his all-time best may be referring to “Mektoub” director Abdellatif Kechiche as “a gluteus maximalist,” and...
- 1/30/2024
- by Christian Blauvelt and Samantha Bergeson
- Indiewire
Jean-Luc Godard's Breathless (1960) is now streaming on Mubi in Italy and Turkey.In 1959, a brash critic-turned-filmmaker named Jean-Luc Godard cast movie star Jean Seberg in his first film, Breathless. You probably know it revolutionized movies, but it also had a big impact on fashion, onscreen and off—by seeming like it wasn’t even trying.With the help of historians and critics, host Rico Gagliano decodes Seberg’s “French Girl” style…and also gives you a peek into his ’70s disco wardrobe. Seriously.Season 5, titled "Tailor Made," dives deep into the worlds of film and fashion. Each episode tackles a landmark movie that captured a major fashion look of an era, and then decodes what that look meant—to the culture that spawned it, the people who wore it, and the audiences who watched it on screen.Listen to episode 1 below or wherever you get your podcasts: Apple PodcastsStitcherSpotifyGoogle PodcastsMore...
- 1/26/2024
- MUBI
On its face, Criterion’s Chantal Akerman Masterpieces, 1968–1978 is an essential set for offering key early works, some more obscure than others, from the career of one of the great film artists. But the pleasures here run deeper. Akerman used each of her initial films as a springboard to the next, and watching them in chronological order sees her consolidating and complicating her aesthetic and thematic preoccupations with each successive project.
Consider Akerman’s first film, 1968’s Saute ma ville. Akerman made this 13-minute short at the age of 18, and its debt to the antic energy and seriocomic political inclinations of the French New Wave makes it an outlier in a body of work fixated on structuralism and more meditative atmospheres. Yet in the film’s depiction of a young woman (Akerman herself) trashing her apartment emerges an outlandish expression of what will become a more somberly explored theme in upcoming shorts,...
Consider Akerman’s first film, 1968’s Saute ma ville. Akerman made this 13-minute short at the age of 18, and its debt to the antic energy and seriocomic political inclinations of the French New Wave makes it an outlier in a body of work fixated on structuralism and more meditative atmospheres. Yet in the film’s depiction of a young woman (Akerman herself) trashing her apartment emerges an outlandish expression of what will become a more somberly explored theme in upcoming shorts,...
- 1/26/2024
- by Jake Cole
- Slant Magazine
Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSBreathless.The Mubi Podcast returns on January 25. Titled “Tailor Made,” the fifth season will consider landmark movies that captured major fashions of their times—from Jean Seberg in Breathless to Sofia Coppola’s body of work to date—with insights from leading costume designers, fashion designers, cinematographers, and directors.Alongside the announcement of the Competition and Encounters sections, with the addition of new films by Abderrahmane Sissako, Mati Diop, Hong Sang-soo, Ruth Beckermann, and more, we’ve updated our Berlinale lineup post ahead of the festival’s commencement on February 15.June Givanni, a writer on and curator of African and African diasporic cinema and the founder of the June Givanni PanAfrican Cinema Archive, is to be recognized by BAFTA with an Outstanding British Contribution to Cinema...
- 1/23/2024
- MUBI
The worlds of fashion and film are tailor-made for each other in Season 5 of the critically acclaimed “Mubi Podcast.”
The new season of the global streaming platform, production company, and film distributor’s ongoing audio series debuts January 25, and IndieWire announces this year’s slate of guests and topics below. Titled “Tailor Made” and hosted by arts and travel reporter Rico Gagliano, the documentary podcast’s newest installment is available on all major platforms and via Mubi’s publication, “Notebook.”
Each episode of the season “tackles a landmark movie that captured a major fashion look of an era, and then decodes what that look meant — to the culture that spawned it, the people who wore it, and the audiences who watched it on screen,” per Mubi.
From Jean Seberg’s inimitable style in Jean-Luc Godard’s “Breathless” to a two-part exploration of how fashion folds into Sofia Coppola’s entire career,...
The new season of the global streaming platform, production company, and film distributor’s ongoing audio series debuts January 25, and IndieWire announces this year’s slate of guests and topics below. Titled “Tailor Made” and hosted by arts and travel reporter Rico Gagliano, the documentary podcast’s newest installment is available on all major platforms and via Mubi’s publication, “Notebook.”
Each episode of the season “tackles a landmark movie that captured a major fashion look of an era, and then decodes what that look meant — to the culture that spawned it, the people who wore it, and the audiences who watched it on screen,” per Mubi.
From Jean Seberg’s inimitable style in Jean-Luc Godard’s “Breathless” to a two-part exploration of how fashion folds into Sofia Coppola’s entire career,...
- 1/16/2024
- by Ryan Lattanzio
- Indiewire
The National Society of Film Critics’ 58th annual awards has honored Celine Song’s directorial debut Past Lives for its top prize, beating out runners-up Oppenheimer and The Zone of Interest for Best Picture.
Critics convened Saturday in New York and Los Angeles to vote on the year’s best movies and performances.
Andrew Scott won Best Actor for his performance in All of Us Strangers, while the Best Actress was Sandra Hüller for her roles in both Anatomy of a Fall and The Zone of Interest.
Charles Melton took home Best Supporting Actor for May December, with Ryan Gosling and Robert Downey Jr. named runners-up.
The complete awards list is below.
Best Picture: “Past Lives”
Runners-up:
“The Zone of Interest”
“Oppenheimer”
Best Director: Jonathan Glazer, “The Zone of Interest”
Runners-up:
Todd Haynes, “May December”
Christopher Nolan, “Oppenheimer”
Best Film Not in the English Language: “Fallen Leaves”
Runners-up:
“The Zone of Interest...
Critics convened Saturday in New York and Los Angeles to vote on the year’s best movies and performances.
Andrew Scott won Best Actor for his performance in All of Us Strangers, while the Best Actress was Sandra Hüller for her roles in both Anatomy of a Fall and The Zone of Interest.
Charles Melton took home Best Supporting Actor for May December, with Ryan Gosling and Robert Downey Jr. named runners-up.
The complete awards list is below.
Best Picture: “Past Lives”
Runners-up:
“The Zone of Interest”
“Oppenheimer”
Best Director: Jonathan Glazer, “The Zone of Interest”
Runners-up:
Todd Haynes, “May December”
Christopher Nolan, “Oppenheimer”
Best Film Not in the English Language: “Fallen Leaves”
Runners-up:
“The Zone of Interest...
- 1/6/2024
- by Bruce Haring
- Deadline Film + TV
The National Society of Film Critics has selected Past Lives as the best picture of 2023.
May December and The Zone of Interest each received two awards. May December was recognized with awards for best screenplay and supporting actor, Charles Melton. Zone of Interest helmer Jonathan Glazer was named best director, with star Sandra Hüller receiving recognition as best actress for her performances in both Zone of Interest and Anatomy of a Fall.
Best actor went to All of Us Strangers‘ Andrew Scott, and The Holdovers‘ Da’Vine Joy Randolph won best supporting actress. Best cinematography went to Rodrigo Prieto for Killers of the Flower Moon.
The Nsfc, founded in 1966 and made up of more than 60 critics from prominent outlets across the country, annually votes on its selections for best picture, director, actor, actress, supporting actor and actress, screenplay and cinematography. Awards may also be given out to film not in the English language,...
May December and The Zone of Interest each received two awards. May December was recognized with awards for best screenplay and supporting actor, Charles Melton. Zone of Interest helmer Jonathan Glazer was named best director, with star Sandra Hüller receiving recognition as best actress for her performances in both Zone of Interest and Anatomy of a Fall.
Best actor went to All of Us Strangers‘ Andrew Scott, and The Holdovers‘ Da’Vine Joy Randolph won best supporting actress. Best cinematography went to Rodrigo Prieto for Killers of the Flower Moon.
The Nsfc, founded in 1966 and made up of more than 60 critics from prominent outlets across the country, annually votes on its selections for best picture, director, actor, actress, supporting actor and actress, screenplay and cinematography. Awards may also be given out to film not in the English language,...
- 1/6/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
The National Society of Film Critics gave out on its annual film awards on Saturday, with critics convening in New York and Los Angeles to vote on the years best movies and performances.
The 58th annual awards honored a diverse mix of small independent films and major studio projects. Celine Song’s directorial debut “Past Lives” won the top prize, beating out heavyweight runners-up “Oppenheimer” and “The Zone of Interest” for the honor of Best Picture.
Andrew Scott won Best Actor for his performance in “All of Us Strangers,” while the Best Actress prize was bestowed upon Sandra Hüller for her roles in both “Anatomy of a Fall” and “The Zone of Interest.” In one of the season’s most stacked categories, Charles Melton took home Best Supporting Actor for “May December,” though Oscar favorites Ryan Gosling and Robert Downey Jr. were both named runners-up.
Even the late Jean-Luc Godard...
The 58th annual awards honored a diverse mix of small independent films and major studio projects. Celine Song’s directorial debut “Past Lives” won the top prize, beating out heavyweight runners-up “Oppenheimer” and “The Zone of Interest” for the honor of Best Picture.
Andrew Scott won Best Actor for his performance in “All of Us Strangers,” while the Best Actress prize was bestowed upon Sandra Hüller for her roles in both “Anatomy of a Fall” and “The Zone of Interest.” In one of the season’s most stacked categories, Charles Melton took home Best Supporting Actor for “May December,” though Oscar favorites Ryan Gosling and Robert Downey Jr. were both named runners-up.
Even the late Jean-Luc Godard...
- 1/6/2024
- by Christian Zilko
- Indiewire
The National Society of Film Critics has announced its awardees for 2023’s best achievements in film. This year marks the 58th annual awards, which are voted upon by the prestigious organization’s slate of film critics, including Variety‘s chief film critics Owen Gleiberman and Peter Debruge.
Celine Song’s “Past Lives” — the romantic drama about childhood sweethearts, Nora (Greta Lee) and Hae Sung (Teo Yoo), who reunite years later — took home the coveted award for best picture. “Past Lives” and Song were also nominated in the category for best screenplay.
Andrew Scott scored the best actor prize for his performance in “All of Us Strangers,” while Charles Melton was named best supporting actor for “May December.”
In the best actress race, the Nsfc awarded Sandra Hüller the top prize for her performances in “Anatomy of a Fall” and “The Zone of Interest.” Da’Vine Joy Randolph took home best supporting...
Celine Song’s “Past Lives” — the romantic drama about childhood sweethearts, Nora (Greta Lee) and Hae Sung (Teo Yoo), who reunite years later — took home the coveted award for best picture. “Past Lives” and Song were also nominated in the category for best screenplay.
Andrew Scott scored the best actor prize for his performance in “All of Us Strangers,” while Charles Melton was named best supporting actor for “May December.”
In the best actress race, the Nsfc awarded Sandra Hüller the top prize for her performances in “Anatomy of a Fall” and “The Zone of Interest.” Da’Vine Joy Randolph took home best supporting...
- 1/6/2024
- by Valerie Wu
- Variety Film + TV
With a title that invokes both the specific (cinema of Godard) and the universal (cinema is Godard), Cyril Leuthy’s Godard Cinema finds itself in conversation with another formulation: Everything is Cinema. Richard Brody’s 2008 study of the filmmaker, is beautifully sentenced, dare-ing criticism; one wonders, sometimes, if his honest contrarianism is the result of a theoretical attempt to widen the possibilities for transmission and reception of image and narrative. Such an attempt finds a natural bedfellow in the mercurial cinema of Jean-Luc Godard. Leuthy’s hagiographic documentary, on the other hand, is an awkward fit for Godard’s polyrhythmic image collisions.
That Brody will be on hand to introduce Leuthy’s film to kick off its New York run at Film Forum speaks, perhaps, to the heart and head-felt intentions of Leuthy, a documentary filmmaker who’s worked as a director and editor of several film histories, including a...
That Brody will be on hand to introduce Leuthy’s film to kick off its New York run at Film Forum speaks, perhaps, to the heart and head-felt intentions of Leuthy, a documentary filmmaker who’s worked as a director and editor of several film histories, including a...
- 12/15/2023
- by Frank Falisi
- The Film Stage
As 2023 draws to a close and the Oscar race begins to heat up, film publications around the world continue to roll out their lists of the year’s top films. IndieWire recently named Celine Song’s “Past Lives” the best film of the year, topping a list that also included “Barbie,” “Oppenheimer,” “Asteroid City,” and “Killers of the Flower Moon.” Now Cahiers du Cinema has gotten in on the action, selecting Laura Citarella’s “Trenque Lauquen” as its top pick.
The legendary French film publication, which served as an intellectual hub for the French New Wave after launching the careers of Jean-Luc Godard and Francois Truffaut, and famously named “Twin Peaks: The Return” the best film of the 2010s, revealed its top 10 films of 2023 on Friday, December 1. The list only includes movies that opened theatrically in France in 2023, so many films that had American theatrical runs or festival premieres in past years made the cut.
The legendary French film publication, which served as an intellectual hub for the French New Wave after launching the careers of Jean-Luc Godard and Francois Truffaut, and famously named “Twin Peaks: The Return” the best film of the 2010s, revealed its top 10 films of 2023 on Friday, December 1. The list only includes movies that opened theatrically in France in 2023, so many films that had American theatrical runs or festival premieres in past years made the cut.
- 12/1/2023
- by Christian Zilko
- Indiewire
Mubi has unveiled their December 2023 lineup, featuring notable new releases such as Rodrigo Moreno’s The Delinquents, Argentina’s Oscar this year; the Lily Gladstone-led drama The Unknown Country; Rodrigo Sorogoyen’s The Beasts; and the José González documentary A Tiger in Paradise. Additional highlights include films from Olivier Assayas, Takeshi Kitano, Jean-Luc Godard, Kelly Reichardt, Steven Spielberg, Martin Scorsese, the Shaw Browers, Lars von Trier, Arnaud Desplechin, and more.
Check out the lineup below and get 30 days free here.
December 1st
The House that Jack Built, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Breaking the Waves, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
The Element of Crime, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Europa, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Epidemic, directed...
Check out the lineup below and get 30 days free here.
December 1st
The House that Jack Built, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Breaking the Waves, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
The Element of Crime, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Europa, directed by Lars von Trier | Chaos Reigns: The Films of Lars von Trier
Epidemic, directed...
- 11/29/2023
- by Jordan Raup
- The Film Stage
Martin Scorsese Honors Robbie Robertson’s Legacy with Tribute Concert: The Musician ‘Broke Barriers’
Martin Scorsese honored late rocker Robbie Robertson with the tribute concert “Robbie Robertson: A Celebration of His Life and Music,” during which the auteur recalled how Robertson’s scores marked a “turning point” in his career.
The private memorial concert was hosted at Village Studios in Los Angeles, with artists Jackson Browne, Rocco Deluca, Angela McCluskey, Blake Mills Group, and Citizen Cope performing. Robertson, the former The Band guitarist, died at age 80 in August 2023. Scorsese first met Robertson during concert documentary film “The Last Waltz” in 1976; the duo collaborated for decades after, with Robertson serving as the music producer and composer on films like “The King of Comedy,” “Silence,” “The Aviator,” “The Wolf of Wall Street,” and most recently, “Killers of the Flower Moon.”
“We kept working together for the next 45 years,” Scorsese said of Robertson scoring “Raging Bull” and adding another working layer to their friendship. “Forty-five years of...
The private memorial concert was hosted at Village Studios in Los Angeles, with artists Jackson Browne, Rocco Deluca, Angela McCluskey, Blake Mills Group, and Citizen Cope performing. Robertson, the former The Band guitarist, died at age 80 in August 2023. Scorsese first met Robertson during concert documentary film “The Last Waltz” in 1976; the duo collaborated for decades after, with Robertson serving as the music producer and composer on films like “The King of Comedy,” “Silence,” “The Aviator,” “The Wolf of Wall Street,” and most recently, “Killers of the Flower Moon.”
“We kept working together for the next 45 years,” Scorsese said of Robertson scoring “Raging Bull” and adding another working layer to their friendship. “Forty-five years of...
- 11/16/2023
- by Samantha Bergeson
- Indiewire
When Martin Scorsese finally won the directing Oscar for 2006’s The Departed, he inspired a handful of film buffs to point out the supposed travesty implied by the Academy of Motion Picture Arts and Sciences long ignoring the landmark titles on the filmmaker’s resume in favor of a remake. Few pointed out, or seemed to recall, that America’s most beloved living auteur, was not only no stranger to remakes, but took up the business of remaking, rebooting, and paying homage as a more than honorable foundation for a now-legendary body of work.
New York, New York was essentially a ticker-tape parade for old Hollywood’s Technicolor musical legacy, while Taxi Driver was a tribute either to Robert Bresson’s Pickpocket or John Ford’s The Searchers, depending on which auteur lens (Paul Schrader or Martin Scorsese) you look at it through. And 1973’s Mean Streets, the director’s third feature,...
New York, New York was essentially a ticker-tape parade for old Hollywood’s Technicolor musical legacy, while Taxi Driver was a tribute either to Robert Bresson’s Pickpocket or John Ford’s The Searchers, depending on which auteur lens (Paul Schrader or Martin Scorsese) you look at it through. And 1973’s Mean Streets, the director’s third feature,...
- 11/15/2023
- by Jaime N. Christley
- Slant Magazine
James Hamilton has lived an envious life. As staff photographer at Crawdaddy, The New York Herald, Harper’s Bazaar, The Village Voice, and The New York Observer, Hamilton chronicled the faces of New York culture, from Meryl Streep and Liza Minnelli to Jean-Luc Godard and Wes Anderson. One balmy night in 1980, I witnessed Hamilton shooting the iconic photo of Kurt Russell as Snake Plissken in John Carpenter’s “Escape from New York,” standing under the Statue of Liberty.
During the pandemic Hamilton began posting his gorgeous black-and-white photographs on his Facebook page on the celebrity’s birthday. He’s now in the habit. “Every day, it seems there’s someone I’ve photographed,” he said. And he owns his own photos. After he saw the art department at Harper’s Bazaar throwing out negatives, he possessively held his work close. He would happily stay up late at night inhaling photo-chemicals...
During the pandemic Hamilton began posting his gorgeous black-and-white photographs on his Facebook page on the celebrity’s birthday. He’s now in the habit. “Every day, it seems there’s someone I’ve photographed,” he said. And he owns his own photos. After he saw the art department at Harper’s Bazaar throwing out negatives, he possessively held his work close. He would happily stay up late at night inhaling photo-chemicals...
- 11/11/2023
- by Anne Thompson
- Indiewire
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