Wonka (2003)
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Freddie Prinze, Jr. was born on March 8, 1976, in Los Angeles, California, to Kathy Prinze (née Kathy Elaine Barber) and comedian/actor Freddie Prinze. He is of Puerto Rican, German, English, and Irish descent. Freddie lived in Albuquerque, New Mexico, in his early life. He attended three different schools during his childhood: Eldorado, Sandia, and La Cueva. After graduating in 1994, Freddie moved to L.A. to focus on an acting career. He immediately garnered featured roles on several episodic series, one of which was an episode of The Gun (1995), in which Freddie had a four-line part playing a punk kid who brought a gun to school. "That was my big break, and I thought it was huge," says Freddie. He then went on to appear in a few after-school specials, including Too Soon for Jeff (1996) and Detention: The Siege at Johnson High (1997) co-starring Ricky Schroder and Henry Winkler.
Freddie is married to actress Sarah Michelle Gellar, with whom he has two children.Willy Wonka- Actress
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Kyla Pratt was born on 16 September 1986 in Los Angeles, California, USA. She is an actress, known for One on One (2001), Recovery Road (2016) and Love & Basketball (2000).Noodle- Actor
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Sinbad was born in Benton Harbor, Michigan to two parents, Louise and the Baptist Rev. Dr. Donald Beckley Adkins and was then known as David Adkins. He is primarily known as an actor and somewhat a writer and proved his comedic acting style in House Guest (1994), Jingle All the Way (1996), First Kid (1996) and Good Burger (1997). He has been married to Meredith Adkins since 2002 with two children. He was previously married to Meredith Fuller.Chief of Police- Actor
- Director
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Joseph Marcell was born on 14 August 1948 in St. Lucia, Caribbean. He is an actor and director, known for The Fresh Prince of Bel-Air (1990), The Exorcism of God (2021) and The Boy Who Harnessed the Wind (2019). He has been married to Joyce T. Walsh since June 1995. They have one child. He was previously married to Judith M Midtby.Slugworth- Actor
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Timothy Leonard Spall is an award-winning classical character actor who was born on February 27, 1957, and raised in London. The son of blue-collar parents, Joseph L. Spall, a postal worker, and Sylvia R. (Leonard), a hairdresser, his interest in acting happened early and Spall auditioned and earned a spot with the National Youth Theatre.
The young actor showed great promise at RADA where he portrayed the title roles in "Macbeth" and "Othello." In 1979 he joined the Royal Shakespeare Company and stayed for approximately two years performing in such plays as "The Merry Wives of Windsor," "Cymbeline," "The Three Sisters," "Nicholas Nickleby" and "The Knight of the Burning Pestle." With other rep companies, he appeared in, among others, "The Merchant" and "St. Joan."
Making his minor debut in a filmed version of the play The Life Story of Baal (1978), Tim went on to play featured roles in offbeat films such as Quadrophenia (1979), Remembrance (1982), The Missionary (1982), The Bride (1985), Body Contact (1987), Crusoe (1988), To Kill A Priest (1988), Dream Demon (1988) and 1871 (1990)
In the 1990's, Timothy surged forward largely through his association with prolific writer/director Mike Leigh, appearing in a number of his award-winning, working-class features. Those included his doomed chef Aubrey in Life Is Sweet (1990); brother/uncle Maurice in Secrets & Lies (1996) (BAFTA Award nomination); the vulnerable performer Richard Temple in the Gilbert & Sullivan biopic Topsy-Turvy (1999) (another BAFTA nomination); and the benign taxi driver Phil in All or Nothing (2002). He also worked for other noted directors including Ken Russell in Gothic (1986), Clint Eastwood in White Hunter Black Heart (1990), Bernardo Bertolucci in The Sheltering Sky (1990), and Kenneth Branagh in Hamlet (1996) (as Rosenkrantz).
Tim impressed on the small screen as well during this time, accentuated by his starring work on series TV as the luckless Frank Stubbs Promotes (1993) as well as the comedies Nice Day at the Office (1994) and Outside Edge (1994), and his BAFTA-nominated TV roles in Our Mutual Friend (1998), Shooting the Past (1999) and Vacuuming Completely Nude in Paradise (2001).
A battle with myeloid leukemia sharply curtailed Tim's momentum for a time, but he returned healthy into the millennium in superb lead and support form to create arguably his most hissable cinematic character. As the cowardly, half-blooded wizard Peter Pettigrew, Tim inhabited the role in several of the nine "Harry Potter" blockbusters from Harry Potter and the Prisoner of Azkaban (2004) to Harry Potter and the Deathly Hallows: Part 2 (2011). He also earned superb notices as: one of the charitable Cheeryble brothers in Nicholas Nickleby (2002); gullible banker Mr. Poe in the wild Jim Carrey adventure comedy A Series of Unfortunate Events (2004); humorous Simon Graham in the Tom Cruise starrer The Last Samurai (2003); evil queen henchman Nathaniel in the delightful Disney film Enchanted (2007); the villainous Beadle in the dark musical Sweeney Todd: The Demon Barber of Fleet Street (2007); the over-anxious lawyer starring role in the family dramedy Reuniting the Rubins (2010); Sir Winston Churchill in The King's Speech (2010); werewolf hunter Sid in the horror comedy Love Bite (2012); eccentric painter J.M.W. Turner portrait in Mike Leigh's Mr. Turner (2014) (Cannes, London Critics Circle, New York Critics Circle and National Society of Film Critics winner); the co-lead with Juno Temple in the social drama Away (2016); legal combatant David Irving in the Holocaust-themed Denial (2016); part of an upper-class couple (opposite Kristin Scott Thomas in the dark social comedy The Party (2017); a syndicated boss in The Corrupted (2019); and as artist L.S. Lowry opposite Vanessa Redgrave playing his mother in the biopic Mrs Lowry & Son (2019).
Tim's more recent notable TV outings have included his Fagin in the mini-series version of the Dickens classic Oliver Twist (2007), the title role in the TV-movie The Fattest Man in Britain (2009), and as Eddie in the series The Street (2006), Lord Blandings in the comedy Blandings (2013) and Lord Wallington in the dramatic mini-series Summer of Rockets (2019).
The father of three children, one of his children, Rafe Spall, is a prolific actor in his own right.Prudnose- Actor
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Colin Andrew Firth was born into an academic family in Grayshott, Hampshire, England. His mother, Shirley Jean (Rolles), was a comparative religion lecturer at the Open University, and his father, David Norman Lewis Firth, lectured on history at Winchester University College (formerly King Alfred's College) in Winchester, and worked on education for the Nigerian government. His grandparents were missionaries. His siblings Katie Firth and Jonathan Firth are also actors.
Firth's first acting experience came in infant's school when he played "Jack Frost" in a Christmas pantomime. Three of his four grandparents were Methodist missionaries and he spent his early childhood in Nigeria, returning to England at age five where he entered a comprehensive school in Winchester. He spent two years at the Drama Centre, then in Chalk Farm, where he was "discovered" whist playing "Hamlet" during his final term. His first professional role was as "Bennet" in the West End production of "Another Country". From this performance, he was chosen to play the character of "Judd" in the movie of the play. He went on to play a variety of character parts in both film and television. For his portrayal of "Robert Lawrence" in the 1989 TV production Tumbledown (1988), he received the Royal Television Society Best Actor award and also a BAFTA nomination. He also received a BAFTA nomination for "Mr. Darcy" in the 1995 TV version of Pride and Prejudice (1995). In 2011, he won the Oscar for Best Actor for his commanding leading role, playing British King George VI in The King's Speech (2010).Finklegruber- Actress
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Emma Thompson was born on April 15, 1959 in Paddington, London, into a family of actors - father Eric Thompson and mother Phyllida Law, who has co-starred with Thompson in several films. Her sister, Sophie Thompson, is an actor as well. Her father was English-born and her mother is Scottish-born. Thompson's wit was cultivated by a cheerful, clever, creative family atmosphere, and she was a popular and successful student. She attended Cambridge University, studying English Literature, and was part of the university's Footlights Group, the famous group where, previously, many of the Monty Python members had first met.
Thompson graduated in 1980 and embarked on her career in entertainment, beginning with stints on BBC radio and touring with comedy shows. She soon got her first major break in television, on the comedy skit program Alfresco (1983), writing and performing along with her fellow Footlights Group alums Stephen Fry and Hugh Laurie. She also worked on other TV comedy review programs in the mid-1980s, occasionally with some of her fellow Footlights alums, and often with actor Robbie Coltrane.
Thompson found herself collaborating again with Fry in 1985, this time in his stage adaptation of the play "Me and My Girl" in London's West End, in which she had a leading role, playing Sally Smith. The show was a success and she received favorable reviews, and the strength of her performance led to her casting as the lead in the BBC television miniseries Fortunes of War (1987), in which Thompson and her co-star, Kenneth Branagh, play an English ex-patriate couple living in Eastern Europe as the Second World War erupts. Thompson won a BAFTA Award for her work on the program. She married Branagh in 1989, continued to work with him professionally, and formed a production company with him. In the late 80s and early 90s, she starred in a string of well-received and successful television and film productions, most notably her lead role in the Merchant-Ivory production of Howards End (1992), which confirmed her ability to carry a movie on both sides of the Atlantic and appropriately showered her with trans-Atlantic honors - both an Oscar and a BAFTA award.
Since then, Thompson has continued to move effortlessly between the art film world and mainstream Hollywood, though even her Hollywood roles tend to be in more up-market productions. She continues to work on television as well, but is generally very selective about which roles she takes. She writes for the screen as well, such as the screenplay for Ang Lee's Sense and Sensibility (1995), in which she also starred as Elinor Dashwood, and the teleplay adaptation of Margaret Edson's acclaimed play Wit (2001), in which she also starred.
Thompson is known for her sophisticated, skillful, though her critics say somewhat mannered, performances, and of course for her arch wit, which she is unafraid to point at herself - she is a fearless self-satirist. Thompson and Branagh divorced in 1994, and Thompson is now married to fellow actor Greg Wise, who had played Willoughby in Ang Lee's Sense and Sensibility (1995). Thompson and Wise have one child, Gaia, born in 1999. She was appointed Dame Commander of the Order of the British Empire at the 2018 Queen's Birthday Honours for her services to drama.Willy Wonkas mother- Actor
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John Cleese was born on October 27, 1939, in Weston-Super-Mare, England, to Muriel Evelyn (Cross) and Reginald Francis Cleese. He was born into a family of modest means, his father being an insurance salesman; but he was nonetheless sent off to private schools to obtain a good education. Here he was often tormented for his height, having reached a height of six feet by the age of twelve, and eventually discovered that being humorous could deflect aggressive behavior in others. He loved humor in and of itself, collected jokes, and, like many young Britons who would grow up to be comedians, was devoted to the radio comedy show, "The Goon Show," starring the legendary Peter Sellers, Spike Milligan, and Harry Secombe.
Cleese did well in both sports and academics, but his real love was comedy. He attended Cambridge to read (study) Law, but devoted a great deal of time to the university's legendary Footlights group, writing and performing in comedy reviews, often in collaboration with future fellow Python Graham Chapman. Several of these comedy reviews met with great success, including one in particular which toured under the name "Cambridge Circus." When Cleese graduated, he went on to write for the BBC, then rejoined Cambridge Circus in 1964, which toured New Zealand and America. He remained in America after leaving Cambridge Circus, performing and doing a little journalism, and here met Terry Gilliam, another future Python.
Returning to England, he began appearing in a BBC radio series, "I'm Sorry, I'll Read That Again", based on Cambridge Circus. It ran for several years and also starred future Goodies Tim Brooke-Taylor, Bill Oddie and Graeme Garden. He also appeared, briefly, with Brooke-Taylor, Graham Chapman and Marty Feldman in At Last the 1948 Show (1967), for television, and a series of collaborations with some of the finest comedy-writing talent in England at the time, some of whom - Eric Idle, Terry Gilliam, Terry Jones, Michael Palin, and Chapman - eventually joined him in Monty Python. These programs included The Frost Report (1966) and Marty Feldman's program Marty (1968). Eventually, however, the writers were themselves collected to be the talent for their own program, Monty Python's Flying Circus (1969), which displayed a strange and completely absorbing blend of low farce and high-concept absurdist humor, and remains influential to this day.
After three seasons of the intensity of Monty Python, Cleese left the show, though he collaborated with one or more of the other Pythons for decades to come, including the Python movies released in the mid-70s to early 80s - Monty Python and the Holy Grail (1975), Life of Brian (1979), Monty Python Live at the Hollywood Bowl (1982), and The Meaning of Life (1983). Cleese and then-wife Connie Booth collaborated in the legendary television series Fawlty Towers (1975), as the sharp-tongued, rude, bumbling yet somehow lovable proprietor of an English seaside hotel. Cleese based this character on a proprietor he had met while staying with the other Pythons at a hotel in Torquay, England. Only a dozen episodes were made, but each is truly hilarious, and he is still closely associated with the program to this day.
Meanwhile Cleese had established a production company, Video Arts, for clever business training videos in which he generally starred, which were and continue to be enormously successful in the English-speaking world. He continues to act prolifically in movies, including in the hit comedy A Fish Called Wanda (1988), in the Harry Potter series, and in the James Bond series as the new Q, starting with The World Is Not Enough (1999), in which he began as R before graduating to Q. Cleese also supplies his voice to numerous animated and video projects, and frequently does commercials.
Besides the infamous Basil Fawlty character, Cleese's other well-known trademark is his rendition of an English upper-class toff. He has a daughter with Connie Booth and a daughter with his second wife, Barbara Trentham.
Education and learning are important elements of his life - he was Rector of the University of Saint Andrews from 1973 until 1976, and continues to be a professor-at-large of Cornell University in New York. Cleese lives in Santa Barbara, California.Father Julius- Though his number of film roles amount to a bit over 30, Paul Scofield has cast a giant shadow in the world of stage and film acting. He grew up in West Sussex, the son of a schoolmaster. He attended the Varndean School for Boys in Brighton. The love of acting came early. While still high school age, he began training as an actor at the Croydon Repertory Theatre School (1939) and then at the Mask Theatre School (1940) in London. He took on all the experience he could handle by joining touring companies and also entertained British troops during World War II. He joined the Birmingham Repertory Theatre and, from there in 1946, he moved to Stratford-upon-Avon. There, in the birthplace of William Shakespeare, he had his first great successes. He had the title role in "Henry V"; he was "Cloten" in "Cymbeline"; "Don Adriano de Armado" in "Love's Labour's Lost", "Lucio" in "Measure for Measure", and then "Hamlet". And there were many more as he honed himself into one the great Shakespearean actors of the 20th century. With a rich, sonorous voice compared to a Rolls Royce being started up, in one instance, and a great sound rumbling forth from an antique crypt in yet another, he was quickly compared to Laurence Olivier.
Scofield did not move on to commercial theater until 1949, when he took the lead role of "Alexander the Great", in playwright Terence Rattigan's unfortunately ill-received "Adventure Story". And as he continued theater work, he moved toward film very carefully. From his first in 1955, Scofield was always - as with any of his acting assignments - extremely picky about accepting a particular role. It was three years before his second film. Meanwhile, Scofield had the opportunity to play a great lead part in a new play by a schoolmaster-turned-new-playwright, Robert Bolt. The play was "A Man for All Seasons" and Scofield's choice role was that of "Sir Thomas More", the great English humanist and chancellor, who defied the ogre "King Henry VIII" in his wish to put aside his first wife for "Anne Bolyne". It was a once in a lifetime part, and Scofield debuted it in London in 1960. His only appearance on Broadway was the next year in that play, which ran into 1962. It was no surprise that the work began garnering awards for him (see Trivia below for details on theater and film awards).
He returned to Shakespeare in 1962 with Peter Brook, the noted British director and producer, directing him as "Lear" at the newly formed Royal Shakespeare Company (RSC) at Stratford. This was a pioneering minimalist production, one of the first "bare stage" efforts - though things were pretty bare stage in Shakespeare's day. Scofield then did "Coriolanus" and "Love's Labour's Lost" for the Shakespeare Festival in Stratford, Ontario in 1963. His third film came six years after his second screen appearance (1958). This was his standout performance in The Train (1964), a production of his co-star, Burt Lancaster, that grew in size and budget with the entrance of Lancaster's second choice for director, John Frankenheimer. Some of the difficulties involved might have turned someone of Scofield's discipline back to the stage thereafter, but the filming of "Seasons" arrived, and he would hardly refuse. With Robert Bolt handling the screenplay and a superlative supporting cast, the film version of A Man for All Seasons (1966) collected some thirty-three international awards, including a three-statue sweep of prime-Oscar categories plus another three for good measure. Scofield was unforgettable as the incisive man of state, able to juggle the volatile politics of the time but always keep his honor and so brimming with faith as to endure the inevitably mounting tide against him.
It suited Scofield for a time to keep his screen-acting to adaptations of plays, books, and ensemble pieces fitted to the big screen. Peter Brook and he teamed again for a film version of the Brook-adapted play Tell Me Lies (1968). The adaptation of Herman Melville's Bartleby (1970), despite Scofield's efforts, did not wash as an attempt to update Melville's story in the late twentieth century. Then Brook was back again to finally attempt what he said had really never been done correctly -adapting Shakespeare to film. Scofield's 1962 "Lear" was held in high esteem, and Brook decided on a film version, King Lear (1970), an even more uncompromising, even uncomfortable, desolation staging and editing of the tragedy. Despite some oddball camera work and not wholly satisfying adapting of the play, Scofield was magnificent and got his chance to show that he is perhaps the best Lear of modern times. While still keeping a concerted interest in filmed play adaptations, Scofield could be lured into more typical screen drama. He joined former co-star, Burt Lancaster, for the spy thriller, Scorpio (1973), as a memorable Russian comrade of Lancaster from the days of World War II, caught in late-Cold War spy craft brutality.
Through the 1980s, Scofield did a mix of TV and film on both sides of the Atlantic. But he was drawn back to Shakespeare and filming efforts, though in humbler parts, first in the Henry V (1989) of ambitious Kenneth Branagh, as the French king, and, the next year, in the Franco Zeffirelli, Hamlet (1990), as "The Ghost" - with the real buzz being for Mel Gibson as the dour "Prince of Denmark". Both films were well-crafted with impressive supporting casts. And Scofield could be content that as with all his roles, he was remaining consistent with himself as his own best judge of how to challenge his acting gifts. Gibson was appropriately awed, saying that working with Scofield was like being "thrown into the ring with Mike Tyson" (that is, Mike Tyson then, not now). Through the 1990s, he enjoyed his continued sampling of all acting media, even radio narration and animation voice-over.
The matter of British actors weighing upon the acceptance of knighthoods for their work began most publicly with Scofield. In 1956, after his tour of "Hamlet" with a triumph in Moscow, he gratefully accepted the appointment as a Commander of the Order of the British Empire (CBE), but thereafter he refused on three occasions the offer of knighthood. "If you want a title, what's wrong with Mr.? If you have always been that, then why lose your title? "I have a title, which is the same one that I have always had. But it's not political. I have a CBE, which I accepted very gratefully". He said this with great simplicity and charm. The matter of 'theatrical nobility' has prompted others to follow Scofield's example. One high profile example with a twist is actor Anthony Hopkins, now an American citizen, who quipped that he only accepted the knighthood because his wife wanted him to do so. In taking the oath of citizenship, Hopkins pledged to "renounce the title of nobility to which I have heretofore belonged". But Scofield's demeanor in his logically crafted refusals from the first so fit this man's very private life. Yet quite averse to being interviewed, he has always been considerate to the public for their patronage. Brilliant man and acting legacy, on and off the stage, Paul Scofield truly is a "Man for All Seasons".Abacus Crunch - Actress
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Viola Davis is a critically revered actress of film, television, and theater and has won rave reviews for her multitude of substantial and intriguingly diverse roles. Audiences across the United States and internationally have admired her for her work- including her celebrated, Oscar-nominated performances in The Help (2011), Doubt (2008), and her Oscar winning performance in Fences (2016). In 2015, Davis won the Emmy Award for Outstanding Performance by a Female Actor in a Drama Series for her work in ABC's How To Get Away With Murder, making her the first black woman in history to take home the award. In addition to acting, Viola currently produces alongside her husband and producing partner, Julius Tennon, through their JuVee Productions banner. Together they have produced award-garnering productions across theater, television, and film.Piper Benz- Actress
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Jane Seymour was born as Joyce Penelope Wilhelmina Frankenberg in 1951 in Middlesex, England, to a nurse mother and gynaecologist/obstetrician father. She is of Polish Jewish (father) and Dutch (mother) descent. She adopted the acting name of "Jane Seymour" when she entered show business as it was easier for people to remember (and the name of one of King Henry VIII's wives). She attracted the attention of the James Bond film producers when they saw her on British television. She was cast as the main Bond girl, "Solitaire", in Live and Let Die (1973). The role gained her international recognition but she was in danger of losing it all like the previous Bond girls, so she came to the U.S.
A casting director advised her to lose her English accent and acquire an American accent to land roles on American television. She did and started getting roles, earning five Emmy nominations, resulting in one win for Onassis: The Richest Man in the World (1988) for playing Maria Callas. She won Golden Globe awards for both East of Eden (1981) and the American television series Dr. Quinn, Medicine Woman (1993), where she played the title role for 5 years. She occasionally appeared in feature films, memorably in Somewhere in Time (1980) and in Wedding Crashers (2005).
Married and divorced four times, she gave birth to four children and is a stepmother to two. They have children of their own, making her a grandmother. As of 2018, she has been acting in television movies and making guest-appearances.Mrs Scrubbit- Actor
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Eric Idle is an English comedian, actor, author, singer, playwright, director, and songwriter. co-creator of Monty Python on TV, stage, and five films, including The Life of Brian and The Holy Grail, which he later adapted for the stage with John Du Prez as Monty Python's Spamalot, winning the Tony Award for Best Musical in 2005, a Grammy, a Drama Desk Award, and playing for almost five years on Broadway. They also wrote the comic oratorio Not the Messiah, He's a Very Naughty Boy, in 2007, which played round the world and at The Hollywood Bowl and was filmed live at The Royal Albert Hall, and a musical play What About Dick? available soon on iTunes. He created and directed the first mockumentary The Rutles for NBC, starred as Ko-Ko in the English National Opera version of The Mikado in London and Houston, and appeared last year in The Pirates of Penzance in Central Park and in Not the Messiah at Carnegie Hall. He is also one of the conceivers of the musical Seussical. In 2012 he appeared live in front of a billion people worldwide singing his song Always Look on the Bright Side of Life at the Closing Ceremony of the London Olympics. Last year he created, directed, and appeared in the sold-out final Monty Python reunion show One Down Five to Go at London's O2 Arena for 10 nights, whose final performance was broadcast live round the world.
He has also acted in several movies, including Nuns on the Run, Splitting Heirs, Casper, Shrek the Third, and The Adventures of Baron Munchausen; and written two novels, The Greedy Bastard Diary and Pass the Butler, a West End play.Oompa Loompa- Actor
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Billy Crystal was born on March 14, 1948 in Manhattan, New York, and was raised on Long Island. He is the youngest of three sons born to Helen (Gabler) and Jack Crystal. His father was a well-known concert promoter who co-founded Commodore Records and his mother was a homemaker. His family were Jewish emigrants from Russia, Austria, and Lithuania. With his father in the music business, Billy was no stranger to some of the top performers of the time. Legends such as Billie Holiday, Pee Wee Russell, and Eddie Condon regularly stopped by the Crystal household. At age 15, Billy faced a personal tragedy when his father died of a heart attack at the relatively young age of 54. This gave Billy a real appreciation of what his dad was able to accomplish while alive and what his mother did to keep the family together. Despite this tragedy, Billy was very upbeat and likable as a kid. He had a unique talent for making people laugh.
With television becoming a new medium, Billy got his influence from shows like The Honeymooners (1955), and "The Ed Sullivan Show" and performers like Alan King, Ernie Kovacs and Jonathan Winters. He started doing stand-up comedy at the age of 16. However, his real dream was to be a professional baseball player. His idol growing up was Yankees outfielder Mickey Mantle. He spent long hours in the summers playing softball in the middle of Park Avenue with his brothers and his father, a former pitcher at St. John's University . At Long Beach High, Billy played second base and was varsity captain in his senior year. This earned him a baseball scholarship from Marshall University in West Virginia which he accepted. However, he would never end up playing a game as the baseball program was suspended during his freshman year. This would lead him to leave the university and move back to New York. He then enrolled at nearby Nassau Community College, majoring in theater. It was there that he met and fell in love with a dancer named Janice Goldfinger. They would get married in 1970 and have two daughters. Shortly after, Billy got accepted in New York University, where he majored in Film and TV Direction. While at NYU, he studied under legendary filmmaker Martin Scorsese. He also worked as house manager and usher on a production of "You're A Good Man, Charlie Brown."
After receiving a Bachelor of Fine Arts from NYU in 1970, Billy temporarily worked as a substitute teacher until he was able to get gigs as a stand-up comic. He formed his own improv group, 3's Company, and opened for musicians like Barry Manilow. His impression of Howard Cosell interviewing Muhammad Ali became a huge hit with the audience. He left Long Beach for Hollywood in August of 1976 in the hopes of trying to land a role on a television series. It only took a year before he got his big break when he was chosen for the role of gay character Jodie Dallas on the controversial ABC sitcom Soap (1977). This would be the first time that an American TV show would feature an openly gay character as a regular. The show ran successfully for four seasons and helped to jump-start Billy's previously stagnant career. After Soap (1977) ended in 1981, Billy continued to do his stand-up routine, which was now attracting a larger audience with his growing celebrity status. During this time, he made many TV guest appearances and even hosted his own short-lived variety show, The Billy Crystal Comedy Hour (1982).
He became a regular on Saturday Night Live (1975) in 1984 where his Fernando Lamas impression with the catchphrase "You Look Mahvellous" was a huge hit with viewers. This would lead to appearances in feature-length films such as Running Scared (1986) and Throw Momma from the Train (1987). In 1986, along with Whoopi Goldberg and Robin Williams, he started Comic Relief, an annual stand-up comedy show which helped to raise money for housing and medical care for the homeless. The show has since grown substantially with the continued support of all three comics. Billy's career would peak in the late 1980s and early 1990s. His roles in the blockbuster movies When Harry Met Sally... (1989) and City Slickers (1991) helped to establish himself as one of Hollwood's top movie stars. This star status was further validated when he was chosen to host the annual Oscars in 1990, an honor in which he would repeat seven more times. He made his big screen directorial debut in the 1992 film Mr. Saturday Night (1992), which was about a washed-up stand-up comic who refuses to retire. He also wrote, produced and starred in the film. Although the film was not a huge hit, it proved that Billy was much more than an actor and comedian. In the following years, Billy continued to act in, produce, and direct several films.
He had his share of hits (Analyze This (1999), America's Sweethearts (2001)) and some flops (Fathers' Day (1997), My Giant (1998)). His role in as a therapist to mobster Robert De Niro in Analyze This (1999) earned him critical praise. In 2001, Billy parlayed his childhood love of baseball and Mickey Mantle into a feature film. The movie, 61* (2001), which premiered on HBO, centered on the relationship between Mantle and Roger Maris and their 1961 pursuit of Babe Ruth's home run record. The film for which Billy served as director and executive producer, garnered 12 Emmy nominations in all.
Offscreen, Billy remains married to Janice Crystal and they have homes in California and New York. Both of his daughters are involved in the film business. Jennifer Crystal Foley is an aspiring actress, appearing in 61* (2001), while Lindsay Crystal is an aspiring filmmaker, creating and directing the documentary My Uncle Berns (2003).Larry Chucklesworth- Actress
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The iconoclastic gifts of the highly striking and ferociously talented actress Tilda Swinton have been appreciated by art house crowds and international audiences alike. After her stunning Oscar-winning turn as a high-powered corporate attorney in the George Clooney starring and critically-lauded legal thriller Michael Clayton (2007), however, her androgynous looks and often bizarre appeal have been embraced by more mainstream crowds as well.
She was born Katherine Mathilda Swinton into a patrician Scottish military family on November 5, 1960, in London, England. Her mother, Judith Balfour, Lady Swinton (née Killen), was Australian, and her father, Major-General Sir John Swinton, an army officer, was English-born. Her ancestry is Scottish, Northern Irish, and English, including a long tapestry of prominent Scottish ancestors. Educated at an English and a Scottish boarding school, Tilda subsequently studied Social and Political Science at Cambridge University and graduated in 1983 with a degree in English Literature.
During her tenure as a student, she performed countless stage productions and proceeded to work for a season with the Royal Shakespeare Company where she appeared in such productions as "Measure for Measure." The rebel insider her, however, was strong and she left the company after a year as her approach and interests began to shift dramatically. With a pungent taste for the unique and seldom tried, Tilda found some gender-bending stage roles come her way. She portrayed Mozart in Pushkin's "Mozart and Salieri", and as a working class woman impersonating her dead husband during World War II, in Manfred Karge's "Man to Man," a role she later committed to film (Man to Man (1992)).
In 1985, the tall, slender performer with alabaster skin and carrot-topped hair began a professional association with gay experimental director Derek Jarman. She continued to live and work with the groundbreaking writer/director/cinematographer for the next nine years, involving herself in seven of his often notorious films. This quirky, highly fascinating alliance would produce such stark and radical turns as the Berlin International Film Festival winners Caravaggio (1986), The Last of England (1987), The Garden (1990) and Edward II (1991) (playing Isabella, in which she won "Best Actress" at the Venice Film Festival) and Wittgenstein (1993), as well as the films Soursweet (1988) (a movie with no spoken dialogue) and the Stockholm Film Festival Award winner Blue (1993).
Jarman succumbed to complications from AIDS in 1994. His untimely demise left a devastating void in Tilda's life for quite some time. Her most notable performance of her Jarman period, however, came from a non-Jarman film. For the vivid title role in Orlando (1992), her nobleman character lives for 400 years while changing sex from man to woman. The film, which Swinton spent years helping writer/director Sally Potter develop and finance, continues to this day to have a worldwide devoted fan following.
Over the years, Tilda has preferred art to celebrity, opening herself to experimental projects with new and untried directors and mediums, delving into the worlds of installation art and cutting-edge fashion. Consistently off-centered roles in Female Perversions (1996), Love Is the Devil: Study for a Portrait of Francis Bacon (1998), Teknolust (2002), Young Adam (2003), Broken Flowers (2005) and Béla Tarr's The Man from London (2007) have added to her mystique. Back in 1995, she delved into a performance art piece in the Serpentine Gallery, London, where she was put on display to the public for a week, asleep (or apparently so), in a glass case.
Following the birth of her twins in 1997, Tilda would leave lean for a time towards Hollywood mainstream filming. The thriller The Deep End (2001), earned her a number of critic's awards and her first Golden Globe nomination. Other visible U.S. pictures included The Beach (2000) with Leonardo DiCaprio, fantasy epic Constantine (2005) with Keanu Reeves, her Oscar-decorated performance in Michael Clayton (2007) and, of course, her iconic White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Into the millennium, Tilda continued to amaze starring in the crime drama Julia (2008) and in David Fincher's The Curious Case of Benjamin Button (2008). She learned Italian and Russian for Luca Guadagnino's I Am Love (2009), starred in the psychological thriller We Need to Talk About Kevin (2011), Wes Anderson's Moonrise Kingdom (2012) and Bong Joon Ho's Snowpiercer (2013), and earned fine notice in Terry Gilliam's The Zero Theorem (2013). She also starred in the dark romantic fantasy drama Only Lovers Left Alive (2013) directed by Jim Jarmusch, had a small role in Wes Anderson's The Grand Budapest Hotel (2014), starred in Judd Apatow's comedy Trainwreck (2015), and played a rock star in Luca Guadagnino's A Bigger Splash (2015).
Showing no signs of slowing up, Tilda continues to make creative, visual impressions in such films as the Coen Brothers' Hail, Caesar! (2016) where she reunited with Clooney and had a dual role playing twin journalists, and as the wise Asian teacher of Dr. Strange (Benedict Cumberbatch) in the Marvel Comics action film Doctor Strange (2016), while repeating the part of The Ancient One in Avengers: Endgame (2019). She gave another eccentric, unhinged performance in the action adventure message movie Okja (2017), played Betsy Trotwood in a contemporary telling of The Personal History of David Copperfield (2019) and teamed up again with writer/director Jim Jarmusch in the thoroughly offbeat fantasy horror comedy The Dead Don't Die (2019).Lottie Belle- Actor
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Alan Rickman was born on a council estate in Acton, West London, to Margaret Doreen Rose (Bartlett), of English and Welsh descent, and Bernard Rickman, of Irish descent, who worked at a factory. Alan Rickman had an older brother (David), a younger brother (Michael), and a younger sister (Sheila). When Alan was 8 years old, his father died. He attended Latymer Upper School on a scholarship. He studied Graphic Design at Chelsea College of Art and Design, where he met Rima Horton, who would later become his longtime partner.
After three years at Chelsea College, Rickman did graduate studies at the Royal College of Art. He opened a successful graphic design business, Graphiti, with friends and managed it for several years before his love of theatre led him to seek an audition with the Royal Academy of Dramatic Art (RADA). At the relatively late age of 26, Rickman received a scholarship to RADA, which started a professional acting career that has lasted nearly 40 years, a career which has spanned stage, screen and television, and overlapped into directing, as well. In 1987, he first came to the attention of American audiences as the Vicomte de Valmont in "Les Liaisons Dangereuses" on Broadway (he was nominated for a Tony Award for his performance in the role). Denied the role in the film version of the show, Rickman instead made his first film appearance opposite Bruce Willis in Die Hard (1988) as the villainous Hans Gruber. His take on the urbane villain set the standard for screen villains for decades to come.
Although often cited as being a master of playing villains, Rickman actually played a wide variety of characters, such as the romantic cello-playing ghost Jamie in Anthony Minghella's Truly Madly Deeply (1990) and the noble Colonel Brandon of Sense and Sensibility (1995). He treated audiences to his comedic abilities in such films as Dogma (1999), Galaxy Quest (1999) and The Hitchhiker's Guide to the Galaxy (2005), and roles like Dr. Alfred Blalock in Something the Lord Made (2004), and as Alex Hughes in Snow Cake (2006), showcased his ability to play ordinary men in extraordinary situations. Rickman even conquered the daunting task of singing a role in a Stephen Sondheim musical as he took on the role of Judge Turpin in the movie adaptation of Sweeney Todd: The Demon Barber of Fleet Street (2007). In 2001, Rickman introduced himself to a whole new, younger generation of fans by taking on the role of Severus Snape in the film versions of J.K. Rowling's Harry Potter and the Sorcerer's Stone (2001). He continued to play the role through the eighth and last movie Harry Potter and the Deathly Hallows: Part 2 (2011).
Alan Rickman died of pancreatic cancer on 14 January 2016. He was 69 years old.Bleacher