Indiana Jones (1951-1993)
Raiders of the Lost Arc - 1951
Temple to Doom - 1954
Last crusade - 1959
Crystal Skull - 1978
Dial of Destiny - 1993
Temple to Doom - 1954
Last crusade - 1959
Crystal Skull - 1978
Dial of Destiny - 1993
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Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.Indiana Jones- Actress
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Shelley Winters was born Shirley Schrift of very humble beginnings on August 18, 1920 (some sources list 1922) in East St. Louis, Illinois. Her mother, Rose Winter, was born in Missouri, to Austrian Jewish parents, and her father, Jonas Schrift, was an Austrian Jewish immigrant. She had one sibling, a sister, Blanche. Her father moved the family to Brooklyn when she was still young so that he, a tailor's cutter, could find steadier work closer to the city's garment industry. An unfailing interest in acting began quite early for Shelley, and she appeared in high school plays. By her mid- to late teens she had already been employed as a Woolworth's store clerk, model, borscht belt vaudevillian and nightclub chorine, all in order to pay for her acting classes. During a nationwide search in 1939 for GWTW's Scarlett O'Hara, Shelley was advised by auditioning director George Cukor to get acting lessons, which she did. Apprenticing in summer stock, she made her Broadway debut in the short-lived comedy "The Night Before Christmas" in 1941 and followed it with the operetta "Rosalinda" (1942) initially billing herself in both shows as Shelley Winter (without the "s").
Within a short time, Shelley pushed ahead for a career out west. Hollywood proved to be a tough road. Toiling in bit roles for years, many of her scenes were excised altogether during her early days. Obscurely used in such movies as What a Woman! (1943), The Racket Man (1944), Cover Girl (1944) and Tonight and Every Night (1945), her breakthrough did not occur until 1947, and it happened on both the stage and big screen. Not only did she win the replacement role of Ado Annie Carnes in "Oklahoma!" on Broadway but, around the same time, scored excellent notices on film as the party girl waitress who ends up a victim of deranged strangler (and Oscar winner) Ronald Colman in the critically-hailed A Double Life (1947) directed by Cukor. From this moment, she achieved a somewhat earthy film stardom, playing second-lead broads who often met untimely ends (as in Cry of the City (1948) and The Great Gatsby (1949)), or tawdry-black-stockinged and feather-boa-adorned leads, as in South Sea Sinner (1950) in which her eclectic co-stars included Macdonald Carey and Liberace!
As a tarnished glamour girl and symbol of working-class vulgarity in Hollywood, Shelley was about to be written off in pictures altogether when one of her finest movie roles arrived on her front porch. Her best hard luck girl storyboard showed up in the form of depressed, frumpy-looking Alice Tripp, a factory girl seduced and abandoned by wanderlust Montgomery Clift in A Place in the Sun (1951). Favoring gorgeous society girl Elizabeth Taylor who is totally out of his league, Clift is subsequently blackmailed by Winters' pathetic (and now pregnant) character into marrying her. For her desperate efforts, she is purposely drowned by Clift after he tips their canoe. The role, which garnered Shelley her first Oscar nomination, finally plucked her out of the sordid starlet pool she was treading and into the ranks of serious femme star contenders. But not for long.
Winters just couldn't escape the lurid bottle-blonde quality she instilled in her characters. During what should have been her peak time in films were a host of badly-scripted "B" films. The obvious, two-dimensional chorines, barflies, floozies and gold diggers she played in Behave Yourself! (1951), Frenchie (1950), Phone Call from a Stranger (1952), Playgirl (1954), and also Mambo (1954), in which co-starred second husband Vittorio Gassman, pretty much said it all. She grew extremely disenchanted and decided to return to dramatic study. Earning membership into the famed Actors' Studio, she went to Broadway and earned kudos, thereby reestablishing her reputation as a strong actress with the drug-themed play "A Hatful of Rain" (1955). Co-starring in the show was the up-and-coming Anthony Franciosa, who became her third husband in 1957. Her renewed dedication to pursuing quality work was shown by her appearances in a number of heavyweight theater roles including Blanche in "A Streetcar Named Desire" (1955). In later years, the Actors' Studio enthusiast became one of its most respected coaches, shaping up a number of today's fine talents with the Strasberg "method" technique.
By the late 1950s, she had started growing in girth and wisely eased into colorful character supports. The switch paid off. After a sterling performance as the ill-fated wife of sadistic killer Robert Mitchum in Charles Laughton's The Night of the Hunter (1955), she scored big in the Oscar department when she won "Best Supporting Actress" for the shrill and hypertensive but doomed Mrs. Van Daan in The Diary of Anne Frank (1959). From this period sprouted a host of revoltingly bad mamas, blowsy matrons, and trashy madams in such film fare as Lolita (1962), The Chapman Report (1962), The Balcony (1963) Wives and Lovers (1963), and A House Is Not a Home (1964). She topped things off as the abusive prostitute mom in A Patch of Blue (1965) who was not above pimping her own blind daughter (the late Elizabeth Hartman) for household money. The actress managed to place a second Oscar on her mantle for this riveting support work.
With advancing age and increasing size, she found a comfortable niche in the harping Jewish wife/mother category with loud, flashy, unsubtle roles in Enter Laughing (1967), Next Stop, Greenwich Village (1976) and, most notably, The Poseidon Adventure (1972). She earned another Oscar nomination for "Poseidon" while portraying her third drowning victim. At around the same time, she scored quite well as the indomitable Marx Brothers' mama in "Minnie's Boys" on Broadway in 1970.
In the 1970s and 1980s, she developed into an oddly-distracted personality on TV, making countless talk show appearances and becoming quite the raconteur and incessant name dropper with her juicy Hollywood behind-the-scenes tales. Candid would be an understatement when she published two scintillating tell-all autobiographies that reached the bestsellers list. "Shelley, Also Known as Shirley" (1981) and "Shelley II: The Middle of My Century" (1989) detailed dalliances with Errol Flynn, Burt Lancaster, Marlon Brando, William Holden, Sean Connery and Clark Gable, to name just a few.
Thrice divorced (her first husband was a WWII captain; her only child, Vittoria, was the daughter of her second husband, Gassman), she remained footloose and fancy free after finally breaking it off with the volatile Franciosa in 1960. Her stormy marriages and notorious affairs, not to mention her ambitious forays into politics and feminist causes, kept her name alive for decades. She worked in films until the beginning of the millennium, her last film being the easily-dismissed Italian feature La bomba (1999). She enjoyed Emmy-winning TV work and had the recurring role of Roseanne Barr's tell-it-like-it-is grandmother on the comedienne's self-named sitcom. Her last years were marred by failing health and, for the most part, she was confined to a wheelchair. Suffering a heart attack in October of 2005, she died in a Beverly Hills nursing home of heart failure on January 14, 2006.
It was reported that only hours earlier on her deathbed she had entered into a "spiritual" union with her longtime companion of 19 years, Gerry McFord; a relationship of which her daughter disapproved. Gregarious, brazen, ambitious and completely unpredictable -- that would be Shelley Winters, the storyteller, whose amazing career lasted over six colorful decades.Marion Ravenwood- Actor
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- Soundtrack
Rex Harrison was born Reginald Carey Harrison in Huyton, Lancashire, England, to Edith Mary (Carey) and William Reginald Harrison, a cotton broker. He changed his name to Rex as a young boy, knowing it was the Latin word for "King". Starting out on his theater career at age 18, his first job at the Liverpool Rep Theatre was nearly his last - dashing across the stage to say his one line, made his entrance and promptly blew it. Fates were kind, however, and soon he began landing roles in the West End. "French Without Tears", a play by Terence Rattigan, proved to be his breakthrough role. Soon he was being called the "greatest actor of light comedy in the world". Having divorced his first wife Collette Thomas in 1942, he married German actress Lilli Palmer. The two began appearing together in many plays and British films. He attained international fame when he portrayed the King in Anna and the King of Siam (1946), his first American film. After a sex scandal, in which actress Carole Landis apparently committed suicide because he ended their affair, the relationship with wife Lilli became strained. Rex (by this time known as "Sexy Rexy" for his philandering ways and magnetic charm) began a relationship with British actress Kay Kendall and divorced Lilli to marry the terminally ill Kay with hopes of a re-marriage to Palmer upon Kay's death. The death of Kay affected Harrison greatly and Lilli never returned to him. During this time Rex was offered the defining role of his career: Professor Henry Higgins in the original production of "My Fair Lady". He won the Tony for the play and an Oscar for the film version. In 1962 Harrison married actress Rachel Roberts. This union and the one following it to Elizabeth Harris (Richard's ex) also ended in divorce. In 1978 Rex met and married Mercia Tinker. He and Mercia remained happily married until his death in 1990. She was also with him in 1989 when he was granted his much-deserved and long awaited knighthood at Buckingham Palace. Rex Harrison died of pancreatic cancer three weeks after his last stage appearance, as Lord Porteous in W. Somerset Maugham's "The Circle".Rene Belloq- Actor
- Soundtrack
David Tomlinson is best known for his role as George Banks in Walt Disney's Mary Poppins (1964). As a youth he spent a short spell in the guards. He joined the RAF in WW2 where he survived the trauma of a plane crash on his first solo flight due to engine failure, then becoming a flying instructor for the remainder of the war. He began his film career in the pre-war British film Quiet Wedding (1941) and followed that with Leslie Howard's 'Pimpernel' Smith (1941). Altogether he has made over 50 films and on stage he has had long-running successes in many plays including "The Little Hut" with Robert Morley and Roger Moore as his understudy. During the 1930s he understudied Alec Guinness. By the time he went to Hollywood to make Mary Poppins (1964) he was a veteran film and stage actor. David returned to Disney to great success in The Love Bug (1969) and Bedknobs and Broomsticks (1971). David was close friends with Errol Flynn, Robert Morley and Peter Sellers. He also spent time with Walt Disney whilst they discussed his role in Mary Poppins (1964). He retired in the early 1980s after an exemplary career on film and stage, and will always be remembered as one of the centuries greatest character actors.Arnold Toht- Actor
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- Producer
Charles Laughton was born in Scarborough, Yorkshire, England, to Eliza (Conlon) and Robert Laughton, hotel keepers of Irish and English descent, respectively. He was educated at Stonyhurst (a highly esteemed Jesuit college in England) and at the Royal Academy of Dramatic Art (received gold medal). His first appearance on stage was in 1926. Laughton formed own film company, Mayflower Pictures Corp., with Erich Pommer, in 1937. He became an American citizen 1950. A consummate artist, Laughton achieved great success on stage and film, with many staged readings (particularly of George Bernard Shaw) to his credit. Laughton died in Hollywood, California, aged 63.Dr Marcus Brody- Actor
- Director
- Additional Crew
Curd Jürgens (commonly billed as "Curt Jurgens" in anglophone countries) was one of the most successful European film actors of the 20th Century. He was born Curd Gustav Andreas Gottlieb Franz Jürgens on December 13, 1915, in Solln, Bavaria, in Hohenzollern Imperial Germany, a subject of Kaiser Wilhelm II. Of Franco-German parentage, Jürgens -- who was born during the closing days of the second year of the First World War -- would abandon the country of his birth after the end of World War II: Jürgens became an Austrian citizen in 1945 and lived part-time in France.
Jürgens entered the journalism profession after receiving his education, and married Louise Basler, an actress. Basler, the first of his five wives, encouraged him to switch careers and become an actor. He learned his new profession on the Vienna stage, which retained his loyalty even after he became an global film star. Jürgens was sent to a concentration camp for "political unreliables" in 1944, due to his anti-Nazi opinions. It was this experience in Nazi Germany that led him to become an Austrian citizen after the war.
His appearance in The Devil's General (1955) ("The Devil's General" (1955)), established him as a star of German cinema, and his role as Brigitte Bardot's older lover in Roger Vadim's ...And God Created Woman (1956) (And God Created Woman (1956)) made him an international star. Always interested in multilingual European actors with good looks and talent, Hollywood beckoned the 6' 4" Jürgens, casting him in The Enemy Below (1957) as a WWII German U-boat commander in a duel with American destroyer commander Robert Mitchum. He constantly was in demand to play Germany military officers (e.g., The Longest Day (1962), the most expensive black-and-white film ever made) -- indeed, his last role was as "The General" in the miniseries Smiley's People (1982) -- and Germanic villains (e.g., "Cornelius", the cowardly and treacherous trading company representative, in Lord Jim (1965)) for the rest of his life. One of his most famous roles in the English-language cinema was as the James Bond villain, "Karl Stromberg", in The Spy Who Loved Me (1977); it was Moore's favorite Bond film.
Jürgens considered himself primarily a stage actor and often performed on the Vienna stage. Though the world knew him as a cinema actor, he also directed several films and wrote several screenplays and an autobiography, "Sixty and Not Yet Wise" (1975). His death from a heart attack in 1982 in Vienna was front-page news across Austria and Germany.Colonel Dietrich- Actor
- Soundtrack
Enjoyably larger-than-life character actor Hugh Emrys Griffith was born in Marianglas, Anglesey, North Wales, to Mary (Williams) and William Griffith. Griffith left the world of banking (having been employed as a teller) after winning a scholarship to study acting at the Royal Academy of Dramatic Art. Though he graduated a gold medalist, top of his class of 300, the war put the brakes on his career and he enlisted in the Army in 1940, serving with the Royal Welsh Fusiliers in India for six years. Following the war, he enjoyed a successful career on the stage, appearing in Shakespearean plays in Stratford-upon-Avon with the Royal Shakespeare Company. He was particularly noteworthy as "Falstaff" and, his favourite role, "King Lear", which he played both in English and in his native Welsh. On the other side of the Atlantic, he made his Broadway debut in 1951 and had a hit starring in "Look Homeward Angel" (1957-59) with Anthony Perkins and Jo Van Fleet. The play ran for 564 performances and earned Griffith a Tony Award nomination for the part of "W.O. Gant". He later jokingly remarked, that, when the producers asked him to play a man from the deep south, he (Griffith) had understood that to mean a man from the deep south of Wales.
Griffith started his film career proper in 1948 with films like Dulcimer Street (1948), followed by the wonderful black comedy Kind Hearts and Coronets (1949) at Ealing in 1949. A portly, thickly-bearded character with bushy eyebrows, ruddy complexion and a resonant voice, Griffith made a lasting impression for his many portrayals of eccentric, bucolic and, sometimes, raucous types. In 1959, he won the Academy Award as Best Supporting Actor for his "Sheikh Ilderim", who supplies Charlton Heston with the chariot race-winning white stallions in Ben-Hur (1959). He was equally memorable as the lecherous "Squire Western" in Tom Jones (1963), a role for which he was nominated for both an Oscar and a BAFTA Award as Best British Actor. He later appeared in the critically-acclaimed musical version of Oliver! (1968), as a hilarious "King Louis" in Start the Revolution Without Me (1970) and one of Vincent Price's many victims in Dr. Phibes Rises Again (1972). On television, he was a noteworthy, rolling-eyed "Long John Silver" in a 1960 version of "Treasure Island", Treasure Island (1960), and roving-eyed funeral director "Caradog Lloyd-Evans" in the comedy Grand Slam (1978).
Griffith was a lifelong friend (and drinking companion) of Welsh poet Dylan Thomas.Sallah (Raiders, Last Crusade)- Actor
- Director
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Legendary actor Ricardo Montalban was the epitome of Latin elegance, charm and grace on film and television and in the late 1940s and early 1950s reinvigorated the Rudolph Valentino / Ramon Novarro "Latin Lover" style in Hollywood without achieving top screen stardom. Moreover, unlike most minority actors of his time, he fought to upscale the Latin (particularly, Mexican) image in Hollywood. His noted militancy may have cost him a number of roles along the way, but he gained respect and a solid reputation as a mover and shaker within the acting community while providing wider-range opportunities for Spanish-speaking actors via Los Angeles theater.
He was born in Mexico City on November 25, 1920, the youngest of four children to Castilian Spanish immigrants, Ricarda Merino and Jenaro Montalbán. His father was a dry goods store owner. Montalbán moved to Los Angeles as a teen and lived with his much older brother Carlos Montalbán, who was then pursuing show business as both an actor and dancer. Ricardo attended Fairfax High School in Hollywood and was noticed in a student play but passed on a screen test that was offered. Instead, he traveled with his brother to New York, where he earned a bit part in the Tallulah Bankhead stage vehicle "Her Cardboard Lover" in 1940, and won subsequent roles in the plays "Our Betters" and "Private Affair".
Returning to Mexico to care for his extremely ill mother, his dark good looks and magnetic style helped propel him into the Spanish-language film industry. After nearly a dozen or so films, he was on the verge of stardom in Mexico when Metro-Goldwyn-Mayer took an interest in him and he relocated back to Los Angeles. Making his Hollywood leading debut as a robust bullfighter and twin brother of MGM star Esther Williams in the "B"-level musical Fiesta (1947), he attracted immediate attention. His second film with Williams, On an Island with You (1948), led to a contract with the studio, where he routinely ignited "Latin Lover" sparks opposite such prime female stars as Cyd Charisse, Shelley Winters, Anne Bancroft, Pier Angeli, Laraine Day and (once again) Esther Williams, this time in Neptune's Daughter (1949) (one of his MGM extravaganzas opposite gorgeous Lana Turner was actually called Latin Lovers (1953)). His strongest Hispanic competition in films at the time was Argentine-born fellow MGM player Fernando Lamas, who wound up eventually marrying Esther Williams after divorcing another MGM beauty, Arlene Dahl.
Although Montalban was the epitome of the "Latin lover" type, it actually damaged his cinematic career, pigeonholing him and hurting his momentum. He was seldom able to extricate himself from the usual portrayals of bandidos and gigolos, although he did manage to find an interesting film from time to time, such as his turn as a Mexican undercover policeman in the gritty Border Incident (1949), Mystery Street (1950), the classic war film Battleground (1949) and the hard-edged boxing drama Right Cross (1950). Occasionally, he was handed ethnic roles outside the Latino realm, such as his villainous Blackfoot Indian chief in Across the Wide Missouri (1951) starring Clark Gable, his heroic, bare-chested rebel warrior in the steamy Italian sword-and-sandals costumer The Queen of Babylon (1954) alongside Rhonda Fleming and his Japanese Kabuki actor in the Oscar-winning feature Sayonara (1957). It was during the filming of Across the Wide Missouri (1951) that he suffered a serious injury to his spine after he slipped and fell off a running horse, which resulted in a permanent limp.
Well established by this time, Montalban returned to the stage in 1954 with varied roles in such fare as "Can-Can", "The Inspector General", "South Pacific" and "Accent on Youth", before making his Broadway debut as Chico in the original musical "Seventh Heaven" (1955) with Gloria DeHaven, Kurt Kasznar and Bea Arthur. He then earned a Tony Award nomination as the only non-African-American actor in the tropical-themed musical "Jamaica" (1957) co-starring Lena Horne. He also toured as the title role in "Don Juan in Hell" in the 1960s, returning to Broadway with it in 1973 with Agnes Moorehead, Paul Henreid and Edward Mulhare, and touring once again with the show in 1991.
His strong work ethic and reservoir of talent enabled him to continue on television long after his exotic beefcake status in films had waned. He had married Loretta Young's half-sister Georgiana Young in 1944, and appeared on his sister-in-law's television series (The New Loretta Young Show (1962)) several times. He also showed up in a number of television dramatic anthologies (Playhouse 90 (1956) and Colgate Theatre (1958)) and made guest appearances on the popular series of the day, such as Death Valley Days (1952), Bonanza (1959), Burke's Law (1963), Dr. Kildare (1961), The Defenders (1961) and, more notably, a first-season episode of Star Trek (1966) in which he memorably portrayed galaxy arch-villain Khan Noonien Singh. He resurrected this character memorably in Star Trek II: The Wrath of Khan (1982).
Over the years, he continued to appear occasionally on the big screen, typically playing continental smoothies, in such films as Love Is a Ball (1963), Madame X (1966) and Sweet Charity (1969), but it was television that finally made him a household name. Montalban captivated audiences as the urbane, white-suited concierge of mystery Mr. Roarke in the Aaron Spelling series Fantasy Island (1977). He stayed with the series for six seasons, buoyed by his popular "odd couple" teaming with the late Hervé Villechaize, who played Mr. Roarke's diminutive sidekick, and fellow greeter, Tattoo. While it may have seemed a somewhat lightweight and undemanding role for the talented Montalban, it nevertheless became his signature character. The series faltered after Villechaize, who had become erratic and difficult on the set, was fired from the series in 1983. Corpulent Britisher Christopher Hewett, as Lawrence, replaced the Tattoo character but to little avail and the series was canceled one season later. The troubled Villechaize committed suicide on September 4, 1993.
An Emmy Award winner for his role in the miniseries How the West Was Won (1976) and a noteworthy villain in the Dynasty (1981) spin-off series The Colbys (1985), Montalban was also famous for a series of television commercials in which he returned somewhat to his "Latin lover" persona, primarily in a series of slick commercials for Chrysler's Cordoba automobile, pitching the elegant auto with its "rich, Corinthian leather" (it later came to light that this phrase had been conjured up as a marketing tool, and that there was no such product from Corinth or anywhere else!). As for film and television work in his later years, he good-naturedly spoofed his Hollywood image in a number of featured roles, including a hilarious send-up of himself in The Naked Gun: From the Files of Police Squad! (1988). Two of his final, larger-scaled film roles were as the grandfather in the two "Spy Kids" sequels: Spy Kids 2: Island of Lost Dreams (2002) and Spy Kids 3: Game Over (2003). His deep, soothing, confident tones could also be heard in animated features and television series.
Frustrated at Hollywood's portrayal of Mexicans, he helped to found, and gave great support, attention and distinction to, the image-building "Nosotros" organization, a Los Angeles theatre-based company designed for Latinos working in the industry. Nosotros and the Montalban foundation eventually bought the historic Doolittle Theater in Hollywood and renamed the theatre in his honor in 2004. It became the first major theater facility (1200 seats) in the United States to carry the name of a Latino performing artist. In 1980, along with Bob Thomas, he published his memoir, entitled "Reflections: A Life in Two Worlds".
A class act who was beloved in the industry for his gentle and caring nature, the long-term effects of his spinal injury eventually confined him to a wheelchair in his later years. He died in his Los Angeles home of complications from old age on January 14, 2009 at age 88. His wife having died on November 29, 2007, he was survived by their two daughters and two sons: Laura, Anita, Victor and Mark.Satipo- Actor
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Mickey Rooney was born Joe Yule Jr. on September 23, 1920 in Brooklyn, New York. He first took the stage as a toddler in his parents vaudeville act at 17 months old. He made his first film appearance in 1926. The following year, he played the lead character in the first Mickey McGuire short film. It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights in 1937 with A Family Affair, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top star at the box office in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (1938) starring Spencer Tracy. In 1938, he was awarded a Juvenile Academy Award.
Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (1940), Babes on Broadway (1941), and Girl Crazy (1943). He and Garland immediately became best of friends. "We weren't just a team, we were magic," Rooney once said. During that time he also appeared with Elizabeth Taylor in the now classic National Velvet (1944). Rooney joined the service that same year, where he helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood after 21 months in Love Laughs at Andy Hardy (1946), did a remake of a Robert Taylor film, The Crowd Roars (1932) called Killer McCoy (1947) and portrayed composer Lorenz Hart in Words and Music (1948). He also appeared in Breakfast at Tiffany's (1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbor, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief which he later regretted feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (1962). In the late 1960s and 1970s Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's 1979 film The Black Stallion (1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in Sugar Babies with Ann Miller, and was nominated for a Tony Award. During that time he also portrayed the Wizard in The Wonderful Wizard of Oz with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally.
Rooney appeared in four television series': The Mickey Rooney Show (1954) (1954-1955), a comedy sit-com in 1964 with Sammee Tong called Mickey, One of the Boys in 1982 with Dana Carvey and Nathan Lane, and The New Adventures of the Black Stallion (1990) from 1990-1993. In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award "in recognition of his 60 years of versatility in a variety of memorable film performances". More recently he has appeared in such films as Night at the Museum (2006) with Ben Stiller and The Muppets (2011) with Amy Adams and Jason Segel.
Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner. Mickey permanently separated from his eighth wife Jan in June of 2012. In 2011 Rooney filed elder abuse and fraud charges against stepson Christopher Aber and Aber's wife. At Rooney's request, the Superior Court issued a restraining order against the Aber's demanding they stay 100 yards from Rooney, as well as Mickey's other son Mark Rooney and Mark's wife Charlene. Just prior, Rooney mustered the strength to break his silence and appeared before the Senate in Washington D.C. telling of his own heartbreaking story of abuse in an effort to live a peaceful, full life and help others who may be similarly suffering in silence.
Rooney requested through the Superior Court to permanently reside with his son Mark Rooney, who is a musician and Marks wife Charlene, an artist, in the Hollywood Hills. He legally separated from his eighth wife in June of 2012. Ironically, after eight failed marriages he never looked or felt better and finally found happiness and peace in the single life. Mickey, Mark and Charlene focused on health, happiness and creative endeavors and it showed. Mickey Rooney had once again landed on his feet reminding us that he was a survivor. Rooney died on April 6th 2014. He was taking his afternoon nap and never woke. One week before his death Mark and Charlene surprised him by reunited him with a long lost love, the racetrack. He was ecstatic to be back after decades and ran into his old friends Mel Brooks and Dick Van Patten.Jock- Actress
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Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".Willie Scott- Actor
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Bruce Lee remains the greatest icon of martial arts cinema and a key figure of modern popular media. Had it not been for Bruce Lee and his movies in the early 1970s, it's arguable whether or not the martial arts film genre would have ever penetrated and influenced mainstream North American and European cinema and audiences the way it has over the past four decades. The influence of East Asian martial arts cinema can be seen today in so many other film genres including comedies, action, drama, science fiction, horror and animation... and they all have their roots in the phenomenon that was Bruce Lee.
Lee was born Lee Jun Fan November 27, 1940 in San Francisco, the son of Lee Hoi Chuen, a singer with the Cantonese Opera. Approximately one year later, the family returned to Kowloon in Hong Kong and at the age of five, a young Bruce begins appearing in children's roles in minor films including The Birth of Mankind (1946) and Fu gui fu yun (1948). At the age of 12, Bruce commenced attending La Salle College. Bruce was later beaten up by a street gang, which inspired him to take up martial arts training under the tutelage of Sifu Yip Man who schooled Bruce in wing chun kung fu for a period of approximately five years. This was the only formalized martial arts training ever undertaken by Lee. The talented and athletic Bruce also took up cha-cha dancing and, at age 18, won a major dance championship in Hong Kong.
However, his temper and quick fists got him in trouble with the Hong Kong police on numerous occasions. His parents suggested that he head off to the United States. Lee landed in San Francisco's Chinatown in 1959 and worked in a close relative's restaurant. He eventually made his way to Seattle, Washington, where he enrolled at university to study philosophy and found the time to practice his beloved kung fu techniques. In 1963, Lee met Linda Lee Cadwell (aka Linda Emery) (later his wife) and also opened his first kung fu school at 4750 University Way. During the early half of the 1960s, Lee became associated with many key martial arts figures in the United States, including kenpo karate expert Ed Parker and tae kwon do master Jhoon Rhee. He made guest appearances at notable martial arts events including the Long Beach Nationals. Through one of these tournaments Bruce met Hollywood hair-stylist Jay Sebring who introduced him to television producer William Dozier. Based on the runaway success of Batman (1966), Dozier was keen to bring the cartoon character the Green Hornet to television and was on the lookout for an East Asian actor to play the Green Hornet's sidekick, Kato. Around this time Bruce also opened a second kung fu school in Oakland, California and relocated to Oakland to be closer to Hollywood.
Bruce's screen test was successful, and The Green Hornet (1966) starring Van Williams aired in 1966-1967 with mixed success. His fight scenes were sometimes obscured by unrevealing camera angles, but his dedication was such that he insisted his character behave like a perfect bodyguard, keeping his eyes on whoever might be a threat to his employer except when the script made this impossible. The show was canceled after only one season (twenty-six episodes), but by this time Lee was receiving more fan mail than the series' nominal star. He then opened a third branch of his kung fu school in Los Angeles and began providing personalized martial arts training to celebrities including film stars Steve McQueen and James Coburn as well as screenwriter Stirling Silliphant. In addition he refined his prior knowledge of wing chun and incorporated aspects of other fighting styles such as traditional boxing and Okinawan karate. He also developed his own unique style Jeet Kune Do (Way of the Intercepting Fist). Another film opportunity then came his way as he landed the small role of a stand over man named Winslow Wong who intimidates private eye James Garner in Marlowe (1969). Wong pays a visit to Garner and proceeds to demolish the investigator's office with his fists and feet, finishing off with a spectacular high kick that shatters the light fixture. With this further exposure of his talents, Bruce then scored several guest appearances as a martial arts instructor to blind private eye James Franciscus on the television series Longstreet (1971).
With his minor success in Hollywood and money in his pocket, Bruce returned for a visit to Hong Kong and was approached by film producer Raymond Chow who had recently started Golden Harvest productions. Chow was keen to utilize Lee's strong popularity amongst young Chinese fans, and offered him the lead role in The Big Boss (1971). In it, Lee plays a distant cousin coming to join relatives working at an ice house, where murder, corruption, and drug-running lead to his character's adventures and display of Kung-Fu expertise. The film was directed by Wei Lo, shot in Thailand on a very low budget and in terrible living conditions for cast and crew. However, when it opened in Hong Kong the film was an enormous hit. Chow knew he had struck box office gold with Lee and quickly assembled another script entitled Fist of Fury (1972). The second film (with a slightly bigger budget) was again directed by Wei Lo and was set in Shanghai in the year 1900, with Lee returning to his school to find that his beloved master has been poisoned by the local Japanese karate school. Once again he uncovers the evildoers and sets about seeking revenge on those responsible for murdering his teacher and intimidating his school. The film features several superb fight sequences and, at the film's conclusion, Lee refuses to surrender to the Japanese police and seemingly leaps to his death in a hail of police bullets.
Once more, Hong Kong streets were jammed with thousands of fervent Chinese movie fans who could not get enough of the fearless Bruce Lee, and his second film went on to break the box office records set by the first! Lee then set up his own production company, Concord Productions, and set about guiding his film career personally by writing, directing and acting in his next film, The Way of the Dragon (1972). A bigger budget meant better locations and opponents, with the new film set in Rome, Italy and additionally starring hapkido expert In-shik Hwang, karate legend Robert Wall and seven-time U.S. karate champion Chuck Norris. Bruce plays a seemingly simple country boy sent to assist at a cousin's restaurant in Rome and finds his cousins are being bullied by local thugs for protection.
By now, Lee's remarkable success in East Asia had come to the attention of Hollywood film executives and a script was hastily written pitching him as a secret agent penetrating an island fortress. Warner Bros. financed the film and also insisted on B-movie tough guy John Saxon starring alongside Lee to give the film wider appeal. The film culminates with another show-stopping fight sequence between Lee and the key villain, Han, in a maze of mirrors. Shooting was completed in and around Hong Kong in early 1973 and in the subsequent weeks Bruce was involved in completing overdubs and looping for the final cut. Various reports from friends and co-workers cite that he was not feeling well during this period and on July 20, 1973 he lay down at the apartment of actress Betty Ting Pei after taking a headache medicine called Equagesic and was later unable to be revived. A doctor was called and Lee was taken to hospital by ambulance and pronounced dead that evening. The official finding was death due to a cerebral edema, caused by a reaction to the headache tablet Equagesic.
Fans worldwide were shattered that their virile idol had passed at such a young age, and nearly thirty thousand fans filed past his coffin in Hong Kong. A second, much smaller ceremony was held in Seattle, Washington and Bruce was laid to rest at Lake View Cemetary in Seattle with pall bearers including Steve McQueen, James Coburn and Dan Inosanto. Enter the Dragon (1973) was later released in the mainland United States, and was a huge hit with audiences there, which then prompted National General films to actively distribute his three prior movies to U.S. theatres... each was a box office smash.
Fans throughout the world were still hungry for more Bruce Lee films and thus remaining footage (completed before his death) of Lee fighting several opponents including Dan Inosanto, Hugh O'Brian and Kareem Abdul-Jabbar was crafted into another film titled Game of Death (1978). The film used a lookalike and shadowy camera work to be substituted for the real Lee in numerous scenes. The film is a poor addition to the line-up and is only saved by the final twenty minutes and the footage of the real Bruce Lee battling his way up the tower. Amazingly, this same shoddy process was used to create Game of Death II (1980), with a lookalike and more stunt doubles interwoven with a few brief minutes of footage of the real Bruce Lee.
Tragically, his son Brandon Lee, an actor and martial artist like his father, was killed in a freak accident on the set of The Crow (1994). Bruce Lee was not only an amazing athlete and martial artist but he possessed genuine superstar charisma and through a handful of films he left behind an indelible impression on the tapestry of modern cinema.Short round- Japanese character actor Takashi Shimura was one of the finest film actors of the 20th century and a leading member of the "stock company" of master director Akira Kurosawa. A native of southern Japan, Shimura was a descendant of the samurai warrior class. Following university training, he founded a theatre company, Shichigatsu-za ("July Theatre"). In 1930 he joined a professional company, Kindai-za ("Modern Theatre"). Four years later he signed with the Kinema Shinko film studio. He found a niche playing samurai roles for various studios, then signed a long-term contract with Toho Studios in 1943. He appeared in an average of six films a year for Toho over the next four decades. His greatest critical acclaim came in more than 20 roles for Kurosawa, though he is almost as well recognized outside Japan for his kindly doctor role in the original "Godzilla" (Godzilla (1954)). Shimura's triumph was his unforgettable performance as a dying bureaucrat in Kurosawa's Ikiru (1952). He continued to act steadily, in good films and bad, almost until his death, culminating with Kurosawa's Kagemusha: The Shadow Warrior (1980). He is often described as filling the spot for Kurosawa that Ward Bond filled for John Ford--an ever-present and reliable character player who consistently supplied a solidity and strength to whatever film he appeared in. Shimura was definitely a finer actor than Bond, of the most versatile "chameleons" in the world cinema, a great artist with enormous range in sublime interpretations, from Ikiru (1952)'s diffident clerk to the leader of the Seven Samurai in Kurosawa's Seven Samurai (1954). He died in 1982, a reluctant icon of Japanese cinema.Lao Che
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Dilip Kumar (1922-2021) is widely considered the greatest acting exponent India ever produced. Born Muhammad Yusuf Khan on December 11, 1922, in Qissa Khwani Bazaar, Peshawar, British India (present-day Pakistan), he is better known by his stage name Dilip Kumar given to him by actress and owner of Bombay Talkies, Devika Rani. Credited with pioneering method acting in Indian cinema in mid-1940s, before Marlon Brando introduced it to Hollywood in 1950s, he has been often called as "Abhinay Samrat" (Hindi for "Emperor of Acting") by the audience. He was the biggest Indian star since Post-Independence period throughout 1960s, starring in some of the biggest commercial and critical successes of Indian cinema. It is to be noted that according to major trade analysts, many of his big commercial successes were films with apparently no commercial/entertainment value, which relied heavily on his histrionics to succeed, an extremely rare feat in the annals of cinema worldwide. Box Office India quoted that any such an instance has never happened with any other star, as their films had to be backed by at least few commercial elements/genres to succeed. Irrfan Khan, while saying that Kumar is the only one who should be called "legend", justifiably quoted the reason as, "the combination of artiste and star that he brought, started and ended with him."
Born to a fruit merchant, Lala Ghulam Sarvar Khan and his wife Ayesha Begum, Yousuf Khan and his family would migrate to Bombay Province, to expand their family business in 1930s which had come to a halt due to the complications of WWII. He had his schooling in Deolali and graduation in Mumbai. He started with managing a shop and selling fruits in an army canteen in Pune. Upon a rebellion in the canteen during Indian National Movement, he gave a speech justifying India's struggle for Independence, which resulted in his eviction from the canteen. A chance encounter with Devika Rani, got him opportunity to work for Bombay Talkies, at remuneration of Rs 1250/- per month. Having no clear intention of working there, he still accepted the job because of the high salary. Kumar later accepted that by the age of 14, he hadn't watched a film, and later in his teenage, watched few English films. Devika Rani selected Dilip Kumar as his stage name (a common tradition back then) from the 3 names suggested by Pandit Bhagvati Charan Verma, which also included Vasudev and Jehangir. Kumar in 1970, in an interview told that, one of the main reason, he agreed to adopt a stage name was out of fear of his father, who was strictly against films due to their poor reputation among the masses at the time. He further said that on being offered to choose among the three names, he expressed that he was okay with any of them. Later, he got to know his stage name, when it was first published in a newspaper.
Kumar's first film as an actor was Jwara Bhata (1944), which was the 6th highest grossing Hindi film of the year, according to some sources, though not really profitable. His performance was severely criticized by the major critic of the time, Baburao Patel of FilmIndia. Similarly the next venture, Pratima (1945) was also flop and his work again criticized. The next venture, Milan (1946), directed by Nitin Bose, proved to be fruitful for Kumar, not only because it was successful commercially, but his acting sensibilities greatly improved during the period of its filming. However his performance was still criticized by FilmIndia. The success of the next film Jugnu (1947), which was the highest grossing Indian film of the year, established him as the first star of Post-Independence India and arguably, the biggest star of the country at that moment. His performance was appreciated by Baburao Patel for the first time. However, he severely criticized the film, writing a letter to the then Home Minister (who later went on to become Prime Minister under Janata Dal in 1977), Moraji Desai, asking him to ban the film. It was banned for a few months, after which the ban was uplifted. The film, already a roaring success, became an even bigger hit, after it was re-released. The period starting from here till at least 1961, was a period of raging success in Kumar's career, both critically and commercially, which cemented his legacy notch above his contemporaries. Post 1961, the workload slowed, with fewer releases thereafter and also slowed their commercial success, although his earlier films still doing great in re-releases, many times higher than many of his contemporaries' fresh releases. During this period, his two main contemporaries were Raj Kapoor and Dev Anand. The three of them were sometimes referred collectively as "the golden trio" of this period, with camaraderie between the three contemporary actors famous and each renowned for their own style.
Shaheed (1948) is cited by many to be the first true Dilip Kumar film, in the sense his legacy was to be built on performances like this in the years to come. It was a roaring success, highest grossing Hindi film of the year. Andaz (1949), a record grosser at the time, starring Nargis and Raj Kapoor along with Kumar, popularized the theme of love triangles in Indian cinema. His performance in the film was superlatively appreciated by masses and critics alike. Baburao Patel's review headline read "Dilip Kumar draws crowd to cinemas". His dramatic performances in the next films till early 1950s, brought him the title of "Tragedy King". These intense performances, in which he immersed himself, had an adverse affect on his psyche. He consulted psychiatrists in London, who advised him to take up lighter roles. Interestingly, almost all of his lighter roles starting from Aan (1952) and Aazad (1955) were huge commercial successes. His performance in these roles were appreciated by masses and critics alike. Aan (1952) was the highest grossing Indian film ever at the time both in India and overseas. Post Aan, Kumar's popularity again took a big leap, establishing him as undisputedly the biggest star of the country. Devdas released on 30 December, 1955 is considered one of the most iconic performance of his career. Although a moderate success when initially released, the film found greater success in subsequent years though re-releases, making it amongst the most popular role essayed by Kumar. All three Andaz (1949), Aan (1952) and Naya Daur (1957) briefly became the highest grossing Indian film upto that point, a feat later achieved by Kumar's Mughal-e-Azam (1960) in which he essayed the role of Prince Saleem (amongst his most popular roles), a record it held for 15 years. By adjusting for inflation, it is still the Highest-grossing Indian film of all time, as of 2022.
The decade 1950s was the most prolific decade of Kumar's career, with 21 releases of which only 1 film, namely Hulchul (1951) failed commercially. 5 (or even 6) of his films were placed in top 10 highest grossers of the decade by Box Office India. Similarly 9 (or even 10) of his 21 releases were placed among the top 30 highest grossers of the decade. The period from late 1940s to early 1960s is often referred to as the "Golden Age of Hindi cinema and music". The 1950s decade is also important in terms of popularising cinema and filmi music in India and establishing it as a part of popular culture. The decade also saw the rise of stars (in true sense), commercialisation of industry as well as rise in the number of theatres. Kumar was the representative of this period, holding the status of a matinée idol and the country's highest paid actor.
Gunga Jumna released on 6 Jan, 1961, few months after the release of Mughal-e-Azam (1960) and Kohinoor (1960), represents the peak of Kumar's career both as an actor and star. His performance as robust and defiant Gunga is considered by many to be the greatest acting performance in the history of Indian cinema. It won him international laurels. His performance was profoundly appreciated by actors in the West. The film set the template for the "Angry Young Man" films starring Bachchan in 1970s and the theme of brothers on the opposite side of the law. After Gunga Jumna (1961), Kumar's workload slowed significantly, his next venture Leader (1964), failed to be a big commercial success. It did mediocre business. Next film Dil Diya Dard Liya (1966) is the first flop film of Kumar in over 15 years. Ram aur Shyam (1967) is the last big hit of Kumar's first innings (as an actor) in Hindi cinema. It was his first double role film and popularized "double role" and "lost and found" films in mainstream Indian cinema. 1970s saw Kumar's career as a lead actor take a downturn. Age was becoming a factor, and the onset of new stars further convinced Kumar to take a hiatus. Out of his 4 Hindi films released in 1970s, Gopi (1970) was the only clean box office hit. As per the new reports of Box Office India, Bairaag (1976), is either "Hit" or "Semi-Hit". In 1970, he acted in his only Bengali film, Sagina Mahato (which also has a Hindi version, Sagina released in 1974, starring Kumar). The film was reportedly a huge success in Bengal. He won BFJA (Bengal Film Journalist Associations) award for Best Actor for his performance in the film. In 1976, he took a five-year hiatus aligning on the above mentioned reasons.
He returned to the big screen playing the title role of Kranti (1981), the highest grossing Indian film of the decade, when adjusted for inflation. In this phase of his career, he played senior, mature roles who were the main characters of the films. Films were specifically written for him which also starred other actors playing young roles. Films like Kranti (1981), Vidhaata (1982), Karma (1986), and Saudagar (1991) were among the biggest hits of the time and all driven by him despite playing senior roles, a feat that had remained unprecedented even after him as per trade analysts. Some other films also found average success, including Shakti (1982), which starred Kumar along with Amitabh Bachchan in the lead roles. The film won him his last Filmfare Award for Best Actor. His next venture after Saudagar (1991) was the commercially unsuccessful Qila (1998), which also turned out to be his last. He retired from film industry in 1999.
Kumar had been involved in many relationships including Kamini Kaushal, with whom he fell in love on the sets of Shaheed (1948). Their relationship fell apart as Kaushal was married to her brother-in-law after her sister-in-law died in a car accident. Reportedly she married on the insistence of her family to look after the little children of her sister-in-law. His next relationship was with Madhubala, which started on the sets of Tarana (1951). It was a seven year long relationship that ended after the Naya Daur court case in which Kumar sided with the producer B.R. Chopra and testified against Madhubala's father, Ataullah Khan as he declined her to travel to the planned shooting locations at the last moment. However Kumar in his autobiography cites another reason that played an important role in the fallout; Madhubala's father insisted him to act only under his own banner after their marriage. In 1966, he married actress Saira Banu in a private ceremony. Their marriage survived for over 50 years until Kumar's death in 2021-despite undergoing an upheaval-Kumar's alleged second marriage with Asma Rehman in 1981, whom he met at a cricket match in Hyderabad, where she lived. He soon divorced her in 1983, describing this incident as a "grave mistake taken in pressure" in his autobiography.
Kumar died on 7 July 2021, due to kidney complications and other age related issues. He had no children through his marriage. At the time of his death he was survived by his wife Saira Banu.
As of 2022, he holds the record for winning 8 Filmfare awards for Best Actor ( later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He has also won numerous other awards including Dadasaheb Phalke award in 1994. He is the recipient of Padma Vibhushan (in 2015) and Padma Bhushan (in 1991), India's second and third highest civilian honour respectively. He is also the only Indian recipient of Pakistan's highest civilian honour, Nishan-e-Imtiaz (in 1998). As of 2021, he holds the Guinness World record for having received the most awards by an Indian actor.
He holds several long standing box office records including giving at least 1 clean hit for 15 years straight, which is at least an Indian record, according to a trade analyst. Since independence till late 2010s, he held the record for giving the maximum number of highest grossing film of the year, 9 times which was then surpassed by Salman Khan. However as per latest Box Office India reports, highest grossing Indian film of 1991 was Kumar's Saudagar (1991) and not Salman Khan's Saajan (1991), thus perhaps re-establishing his long standing record. In regards to his films' success ratio, he is the most successful Bollywood actor (quite possibly, Indian actor) of all time, by a distance, as of 2022. These gigantic records, his overwhelming popularity across Indian subcontinent, North Africa, Eastern Europe, and beyond, especially among South Asian diaspora around the world, makes him easily among the biggest stars cinema has ever seen across the globe. He famously turned down David Lean's offer of the role which ultimately went to Omar Sharif in one of West's greatest critical and commercial success, Lawrence of Arabia (1962), which made a major Hollywood star out of Sharif. Justifying his decision, Dilip Kumar had remarked, "In your own bazaar you enjoy a certain status. What's the point of venturing out into fields unknown where you have no say? No contact with the subject matter." He was also considered for a role in another film Lean was working on, titled "Taj Mahal". Elizabeth Taylor was supposed to play the part opposite Kumar. However, the project was eventually shelved.
According to many, he is probably the first person to perform method acting on screen in mid 1940s. Despite not knowing what it meant by then, he had been practising it since a time when, perhaps, the term wasn't even coined. Kumar, who never went to any acting school, was described by the renowned filmmaker Satyajit Ray as "the ultimate method actor", despite not having worked with him. There are innumerable such complements by numerous luminaries across professions to quote, which is quite not possible; from the likes of the recent statement by Indian born naturalised British economist Lord Meghnad Desai, claiming Kumar to be the greatest actor on global scale to age old statements like the one by, V. Shantaram, one of founding fathers and pioneers of Indian cinema, prompted by Kumar's versatility expressed, "Had Shakespeare met Dilip Kumar, he would have added one more character to the already well-defined ones he had created." Most importantly, Dilip Kumar's complete impact is realized definitely in the fact how he changed the rules of acting and influenced generations of future artistes in Indian subcontinent (even his contemporaries), but also in the truth that at his best, he was the catalyst in expanding the reach of quality cinema, from metros to rural India, from classes to masses, from serious connoisseurs to common entertainment seekers. Some of the greatest critical successes became some of the biggest hits when he acted in them, liked, revered and celebrated by classes and masses alike. His intense, in-depth performances, eloquent silences and the most nuanced expressions observed and enjoyed and celebrated at the same time by the most casual entertainment seekers of his time. There have been some great artistes across the history. And there have been some huge stars across the history. But the instance of both of them being a single entity, elevating and expanding the art form to an even greater point, is true, an extremely rare sight, but equally magical while it lasts.Mola Ram- Actor
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Dean Jagger was born in Lima, Ohio, on November 7, 1903. He dropped out of high school twice before finally graduating from Wabash College. Working first as a school teacher, he soon became interested in acting and enrolled at Chicago's "Lyceum Art Conservatory". Mr. Jagger made his first movie and only silent film, The Woman from Hell (1929) in 1929, starring Mary Astor. During 1929 he also appeared in the film Handcuffed (1929). He quickly found his niche as a character actor and the highlight of his career was winning an Oscar for "Best Supporting Actor," in the 1949 movie Twelve O'Clock High (1949). Dean played Principal Albert Vane on TV for the 1963-1964 season of Mr. Novak (1963). Dean Jagger died in Santa Monica, California, on February 5, 1991.Phillip Blumbert- Actor
- Producer
- Music Department
The Grandfather & Great Custodian of Indian Motion Pictures!
Ashok Kumar was one of India's most famous actors for over half a century, from before independence to the cusp of the new millennia!
As a young assistant to Bengali film-maker Himanshu Rai, he got his start in acting by accident when he volunteered to substitute for the lead actor, Jeevan Naya (1936), who fell ill before production on the film Achhut Kanya (1936) was to start. Kumar was terrified of acting in the first place, especially opposite lead actress Devika Rani, known as 'the dragon lady' for her smoking, drinking, cursing and legendary hot temper. After finishing shooting, Kumar continued with overseeing the process of the film with editing, mixing and processing. His unexpected acclaim to his role had him in demand for more acting roles, which he pursued in a few more 'Bombay Talkies' with Devika Rani.
His breakthrough performance was in Kismet (1943) which ran for three years in Bombay and Calcutta and was one of the first Hindi language mega-hits of India and gained him national fame through his charismatic performances and his talented singing. From then onwards, Kumar became a sought-after actor who appeared in over 200 Hindi and a few other Indian language films, playing romantic leads or threatening villains and making Rs.300-400 a month during the 1940s and 1950s.
Although his roles gradually decreased to supporting and minor parts as he got older and suffered more ill health, his popularity in India never diminished and he was often in demand for cameos and live convention appearances. From the 1990s to his death, he lived in a comfortable retirement in Bombay with a slew of Indian films to show for his work.Chatter Lai- Actor
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Toshiro Mifune achieved more worldwide fame than any other Japanese actor of his century. He was born in Tsingtao, China, to Japanese parents and grew up in Dalian. He did not set foot in Japan until he was 21. His father was an importer and a commercial photographer, and young Toshiro worked in his father's studio for a time after graduating from Dalian Middle School. He was automatically drafted into the Japanese army when he turned 20, and enlisted in the Air Force where he was attached to the Aerial Photography Unit for the duration of the World War II. In 1947 he took a test for Kajirô Yamamoto, who recommended him to director Senkichi Taniguchi, thus leading to Mifune's first film role in These Foolish Times II (1947). Mifune then met and bonded with director Akira Kurosawa, and the two joined to become the most prominent actor-director pairing in all Japanese cinema. Beginning with Drunken Angel (1948), Mifune appeared in 16 of Kurosawa's films, most of which have become world-renowned classics. In Kurosawa's pictures, especially Rashomon (1950), Mifune would become the most famous Japanese actor in the world. A dynamic and ferocious actor, he excelled in action roles, but also had the depth to plumb intricate and subtle dramatic parts. A personal rift during the filming of Red Beard (1965) ended the Mifune-Kurosawa collaboration, but Mifune continued to perform leading roles in major films both in Japan and in foreign countries. He was twice named Best Actor at the Venice Film Festival (for Yojimbo (1961) and Red Beard (1965)). In 1963 he formed his own production company, directing one film and producing several others. In his later years he gained new fame in the title role of the American TV miniseries Shogun (1980), and appeared infrequently in cameo roles after that. His last years were plagued with Alzheimer's Syndrome and he died of organ failure in 1997, a few months before the death of the director with whose name he will forever be linked, Akira Kurosawa.Wu Han- British character actor Felix Aylmer was educated at Oxford and later studied drama, making his stage debut at the London Coliseum in 1911. During World War I he served in the Royal Naval Volunteer Reserve and resumed his stage career after the war ended. He entered films in 1930 and stayed in them for the next 40 years, specializing in elderly, doddering characters (often clerics). Arguably his most memorable film appearance is that of the Archbishop of Canterbury in Laurence Olivier's Henry V (1944). He is also well-known for his portrayal of Father Anselm in the television series Oh Brother! (1968).Henry Jones Sr
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- Soundtrack
Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York. By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School.
Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen").
Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series. She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.
The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years.
For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Later, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.Elsa Schneider- Actor
- Soundtrack
Walter Pidgeon, a handsome, tall and dark-haired man, began his career studying voice at the New England Conservatory of Music in Boston. He then did theater, mainly stage musicals. He went to Hollywood in the early 1920s, where he made silent films, including Mannequin (1926) and Sumuru (1927). When talkies arrived, Pidgeon made some musicals, but he never received top billing or recognition in these. In 1937 MGM put him under contract, but only in supporting roles and "the other man" roles, such as in Saratoga (1937) opposite Jean Harlow and Clark Gable and in The Girl of the Golden West (1938) opposite Jeanette MacDonald and Nelson Eddy. Although these two films were big successes, Pidgeon was overlooked for his contributions to them. MGM lent him out to Fox, where he finally had top billing, in How Green Was My Valley (1941). When he returned to MGM the studio tried to give him bigger roles, and he was cast opposite his frequent co-star Greer Garson. However, Garson seemed to come up on top in Blossoms in the Dust (1941) and Mrs. Miniver (1942), although Pidgeon did receive an Academy Award nomination for his role in the latter film.
Pidgeon remained with MGM through the mid-'50s, making films like Dream Wife (1953) and Hit the Deck (1955) with Jane Powell and old pal Gene Raymond. In 1956 Pidgeon left the movies to do some work in the theater, but he returned to film in 1961.
Pidgeon retired from acting in 1977. He suffered from several strokes that eventually led to his death in 1984.Walter Donovan- Actor
- Writer
- Soundtrack
Alec Guinness was an English actor. He is known for his six collaborations with David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957), for which he won the Academy Award for Best Actor), Prince Faisal in Lawrence of Arabia (1962), General Yevgraf Zhivago in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984).
Guinness is really most remembered for his portrayal of Obi-Wan Kenobi in George Lucas' original Star Wars trilogy for which he receive a nomination for an Academy Award for Best Supporting Actor.
In 1959, he was knighted by Queen Elizabeth II for services to the arts. In the 1970s, Guinness made regular television appearances in Britain, including the role of George Smiley in the serialisations of two novels by John le Carré: Tinker Tailor Soldier Spy (1979) and Smiley's People (1982). In 1980 he received the Academy Honorary Award for lifetime achievement.
Guinness was also one of three British actors, along with Laurence Olivier and John Gielgud, who made the transition from Shakespearean theatre in England to Hollywood blockbusters immediately after the Second World War.
Guinness died on 5 August 2000, from liver cancer, at Midhurst in West Sussex.Ernst Vogel- Originally named Shalom Jaffe, he became known to the world as Sam Jaffe. He was born in New York City, to Heida (Ada) and Barnett Jaffe, who were Russian Jewish immigrants. As a child, he appeared in Yiddish theatre productions with his mother, a prominent regional stage actress. He graduated from the City College of New York and then studied engineering at Columbia University graduate school. He began his career as a mathematics teacher in the Bronx. Around 1915 Jaffe joined the Washington Square Players. By 1918 he was no stranger to Broadway, having debuted in the original play Youth, and he appeared regularly through the 1920s, though less in the 1930s and only sporadically in the 1940s. He appeared in 21 plays on Broadway during his acting career, his final appearance in 1979.
Jaffe was a method actor before it was defined and early on sported his signature shock of curly hair that some people would later misinterpret as part of some Harpo Marx characterization. Jaffe was anything but. His acting talents were considerable, and Hollywood noticed him first for the unusual role of the mad Grand Duke Peter in Josef von Sternberg 's The Scarlet Empress (1934). Frightening in his rendition of Peter, he was dispatched by the always magnificent Marlene Dietrich.
Jaffe was no matinee idol but his homely features were made for unusual character roles. He did not disappoint in providing unforgettable performances. Frank Capra cast him as the mysterious High Lama in Lost Horizon (1937) (as last minute replacement; the actor originally cast had died). It would be another two years before Jaffe was once more called to Hollywood - he was back quite busy on Broadway. He appeared in George Stevens Gunga Din (1939) which sported big star names as well. Stevens gave Jaffe the lead, Gunga Din, native regimental bhisti (Hindi for water-carrier). It was probably Jaffe's most familiar film role. It was a standout part which Jaffe handled with great humanity, and the film was a huge hit.
Jaffe would not appear in another film for eight years. His second of two movies in 1947 was Elia Kazan 's powerful expose of anti-Semitism Gentleman's Agreement (1947) in which Jaffe played an Albert Einstein-like professor. Jaffe would play doctors of one sort or another in the handful of movies for the next few years. Then in 1950 he played a very different doctor - Doc Erwin Riedenschneider, criminal mastermind -- in John Huston's taut The Asphalt Jungle (1950). Jaffe would receive a nomination for a supporting actor Oscar for this effort. Of the three films he did in 1951, Jaffe also appeared in an another Einstein-like role in the Robert Wise sci-fi classic The Day the Earth Stood Still (1951).
Jaffe experienced the destructive anti-communist furor when his name was included on a listing of performers sympathetic to communism in the Red Channels pamphlet and like many, was blacklisted by the big Hollywood studios. He was considered essential by producer Julian Blaustein and Robert Wise to play Professor Jacob Barnhardt, and 20th Century Fox boss Darryl Zanuck (who had resisted much heat for Gentleman's Agreement (1947)) agreed. It was ironic that Einstein, veiled as the character Barnhardt, was a pacifist and being watched by the U.S. government at that time. There was some credence for rumors that Jaffe provided the calculus equations (mainly the gravitational force between bodies) on Barnhardt's blackboard - solved so easily by alien Michael Rennie.
Jaffe didn't appear on-screen for seven years due to the punitive effects of the blacklisting. In 1958, John Huston wanted him for his very original The Barbarian and the Geisha (1958) with John Wayne, and director William Wyler also came forward later to cast him as faithful servant Simonides in the blockbuster Ben-Hur (1959). From then on Jaffe was very busy, especially with episodic TV through the 1960s which included his own recurring role as Dr. Zorba in the very popular Ben Casey (1961) series. Jaffe also appeared with his lifelong best friend, screen icon Edward G. Robinson in the made-for-TV film The Old Man Who Cried Wolf (1970) . Jaffe remained active into the year of his passing, a thoroughly engaging and unique actor and human being who never pushed his views on anyone.Grail Knight - Actor
- Director
- Writer
With features chiseled in stone, and renowned for playing a long list of historical figures, particularly in Biblical epics, the tall, well-built and ruggedly handsome Charlton Heston was one of Hollywood's top leading men of his prime and remained active in front of movie cameras for over sixty years. As a Hollywood star, he appeared in 100 films over the course of 60 years. He played Moses in the epic film, The Ten Commandments (1956) , for which he received his first Golden Globe Award nomination. He also starred in Touch of Evil (1958) with Orson Welles; Ben-Hur, for which he won the Academy Award for Best Actor (1959); El Cid (1961); and Planet of the Apes (1968). He also starred in the films The Greatest Show on Earth (1952); Secret of the Incas (1954); The Big Country (1958); and The Agony and the Ecstasy (1965). A supporter of Democratic politicians and civil rights in the 1960s, Heston later became a Republican, founding a conservative political action committee and supporting Ronald Reagan. Heston's most famous role in politics came as the five-term president of the National Rifle Association, from 1998 to 2003.
Heston was born John Charles Carter on October 4, 1923, in No Man's Land, Illinois, to Lila (Charlton) and Russell Whitford Carter, who operated a sawmill. He had English and Scottish ancestry, with recent Canadianforebears.
Heston made his feature film debut as the lead character in a 16mm production of Peer Gynt (1941), based on the Henrik Ibsen play. In 1944, Heston enlisted in the United States Army Air Forces. He served for two years as a radio operator and aerial gunner aboard a B-25 Mitchell stationed in the Alaskan Aleutian Islands with the 77th Bombardment Squadron of the Eleventh Air Force. He reached the rank of Staff Sergeant. Heston married Northwestern University student Lydia Marie Clarke, who was six months his senior. That same year he joined the military.
Heston played 'Marc Antony' in Julius Caesar (1950), and firmly stamped himself as genuine leading man material with his performance as circus manager 'Brad Braden' in the Cecil B. DeMille spectacular The Greatest Show on Earth (1952), also starring James Stewart and Cornel Wilde. The now very popular actor remained perpetually busy during the 1950s, both on TV and on the silver screen with audience pleasing performances in the steamy thriller The Naked Jungle (1954), as a treasure hunter in Secret of the Incas (1954) and another barn storming performance for Cecil B. DeMille as "Moses" in the blockbuster The Ten Commandments (1956).
Heston delivered further dynamic performances in the oily film noir thriller Touch of Evil (1958), and then alongside Gregory Peck in the western The Big Country (1958) before scoring the role for which he is arguably best known, that of the wronged Jewish prince who seeks his freedom and revenge in the William Wyler directed Ben-Hur (1959). This mammoth Biblical epic running in excess of three and a half hours became the standard by which other large scale productions would be judged, and its superb cast also including Stephen Boyd as the villainous "Massala", English actor Jack Hawkins as the Roman officer "Quintus Arrius", and Australian actor Frank Thring as "Pontius Pilate", all contributed wonderful performances. Never one to rest on his laurels, steely Heston remained the preferred choice of directors to lead the cast in major historical productions and during the 1960s he starred as Spanish legend "Rodrigo Diaz de Vivar" in El Cid (1961), as a US soldier battling hostile Chinese boxers during 55 Days at Peking (1963),played the ill-fated "John the Baptist" in The Greatest Story Ever Told (1965), the masterful painter "Michelangelo" battling Pope Julius II in The Agony and the Ecstasy (1965), and an English general in Khartoum (1966). In 1968, Heston filmed the unusual western Will Penny (1967) about an aging and lonely cowboy befriending a lost woman and her son, which Heston has often referred to as his favorite piece of work on screen. Interestingly, Heston was on the verge of acquiring an entirely new league of fans due to his appearance in four very topical science fiction films (all based on popular novels) painting bleak futures for mankind.
In 1968, Heston starred as time-traveling astronaut "George Taylor", in the terrific Planet of the Apes (1968) with its now legendary conclusion as Heston realizes the true horror of his destination. He returned to reprise the role, albeit primarily as a cameo, alongside fellow astronaut James Franciscus in the slightly inferior sequel Beneath the Planet of the Apes (1970). Next up, Heston again found himself facing the apocalypse in The Omega Man (1971) as the survivor of a germ plague that has wiped out humanity leaving only bands of psychotic lunatics roaming the cities who seek to kill the uninfected Heston. And fourthly, taking its inspiration from the Harry Harrison novel "Make Room!, Make Room!", Heston starred alongside screen legend Edward G. Robinson and Chuck Connors in Soylent Green (1973). During the remainder of the 1970s, Heston appeared in two very popular "disaster movies" contributing lead roles in the far-fetched Airport 1975 (1974), plus in the star-laden Earthquake (1974), filmed in "Sensoround" (low-bass speakers were installed in selected theaters to simulate the earthquake rumblings on screen to movie audiences). He played an evil Cardinal in the lively The Four Musketeers: Milady's Revenge (1974), a mythical US naval officer in the recreation of Midway (1976), also filmed in "Sensoround", an LA cop trying to stop a sniper in Two-Minute Warning (1976) and another US naval officer in the submarine thriller Gray Lady Down (1978). Heston appeared in numerous episodes of the high-rating TV series Dynasty (1981) and The Colbys (1985), before moving onto a mixed bag of projects including TV adaptations of Treasure Island (1990) and A Man for All Seasons (1988), hosting two episodes of the comedy show, Saturday Night Live (1975), starring as the "Good Actor" bringing love struck Mike Myers to tears in Wayne's World 2 (1993), and as the eye patch-wearing boss of intelligence agent Arnold Schwarzenegger in True Lies (1994). He also narrated numerous TV specials and lent his vocal talents to the animated movie Hercules (1997), the family comedy Cats & Dogs (2001) and an animated version of Ben Hur (2003). Heston made an uncredited appearance in the inferior remake of Planet of the Apes (2001), and his last film appearance to date was in the Holocaust-themed drama of My Father (2003).
Heston narrated for highly classified military and Department of Energy instructional films, particularly relating to nuclear weapons, and "for six years Heston [held] the nation's highest security clearance" or Q clearance. The Q clearance is similar to a DoD or Defense Intelligence Agency (DIA) clearance of Top Secret.
Heston was married to Lydia Marie Clark Heston since March 1944, and they have two children. His highly entertaining autobiography was released in 1995, titled appropriately enough "Into The Arena". Although often criticized for his strong conservative beliefs and involvement with the NRA, Heston was a strong advocate for civil right many years before it became fashionable, and was a recipient of the Jean Hersholt Humanitarian Award, plus the Kennedy Center Lifetime Achievement Award. In 2002, he was diagnosed with Alzheimer's disease, and did appear in a film or TV production after 2003. He died in April 2008, a memorable figure in the history of US cinema.Fedora- Actor
- Soundtrack
Scrappy, plucky-looking Kentucky-born Tommy Kirk, who was born on December 10, 1941, became synonymous with everything clean and fun that Disney Entertainment prescribed to in the late 1950s and very early 1960s. One of four sons born to a mechanic, Louie, and legal secretary, Lucy, the Kirk family, in search of better job prospects, moved from Louisville to Downey, California while Tommy was still an infant. The boy's interest in acting was ignited at the age of 13 years when he (instead of older brother Joe) was cast in a minor role in a production of Will Rogers Jr. and Bobby Driscoll in a production of Eugene O'Neill's "Ah, Wilderness!" at the Pasadena Playhouse. Discovered by a Hollywood agent who saw him and signed him up, Tommy went on to appear in two other Pasadena theatre plays, Portrait in Black" and "Barefoot in Athens" and on TV ("Lux Video Theatre, "Frontier," "Big Town," "Gunsmoke" and "The Loretta Young Show") and film (Down Liberty Road (1956) and The Peacemaker (1956)). It was an episode of "Matinee Theatre" that brought the freshly-scrubbed All-American kid to the attention of mogul Walt Disney who quickly signed him to a long-term contract.
In 1955, the lad became a member of the The Mickey Mouse Club (1955) TV series and won a legion of young fans as the brush-cut haired, irrepressibly inquisitive young sleuth Joe Hardy in two "Hardy Boys" serials ("The Mystery of the Applegate Treasure," "The Mystery of the Ghost Farm") with Tim Considine, another young promising Disney staple, playing older brother Frank. With time Tommy became a prime juvenile Disney hero and ideal mischief maker for many of the studio's full-length comedy and drama classics, earning nationwide teen idol status for his exuberant work in Old Yeller (1957), The Shaggy Dog (1959), Swiss Family Robinson (1960), The Absent Minded Professor (1961), Babes in Toyland (1961), Bon Voyage! (1962), Moon Pilot (1962), Son of Flubber (1962) and The Misadventures of Merlin Jones (1964).
In 1963 the bubble completely burst when the Disney factory found out 21-year-old Tommy was in a relationship with an underage boy. He was also arrested on Christmas Eve in 1964 when a party he was attending was raided and busted for marijuana use. Although charges were dropped, it was too late. Fired from his role in the John Wayne western The Sons of Katie Elder (1965) as a result, the Disney studio, out of protection, was forced to release him from his contract, but not after rehiring him one more time to complete a "Merlin Jones" movie sequel entitled The Monkey's Uncle (1965)).
Tommy found very mild restitution after signing with AIP (American International Pictures) and appearing in such popular teen-oriented flicks as Pajama Party (1964), co-starring fellow Disney cohort Annette Funicello, and The Ghost in the Invisible Bikini (1966). He also began appearing on the musical stage as Harold Hill in "The Music Man," Riff in "West Side Story" and as the lead in "Tovarich." He also was lent out to do a lead in the mediocre cult sci-fi Embassy Picture Village of the Giants (1965). After leaving AIP, things got progressively worse for Tommy with a lead role in Trans American Film's It's a Bikini World (1967) -- by this time, beach party films were no longer trendy. Bargain basement fare such as Unkissed Bride (1966)_ (aka Mother Goose a Go-Go), UA's Track of Thunder (1967), Catalina Caper (1967) Mars Needs Women (1968), in which he played a Martian, and Blood of Ghastly Horror (1967) (aka Psycho a Go-Go) pretty much spelled as a leading man. Practically blacklisted by an industry that deemed "outed" gay actors "box office poison," he returned to the musical theatre in his home state of Kentucky with such shows as "Anything Goes" (as Moonface Martin), "Hello, Dolly!" (as Horace Vandergelder), "A Funny Thing Happened on the Way to the Forum" (as Marcus Lycus) and "Little Mary Sunshine" (as General Fairfax).
Following roles in the low budget 70s films Ride the Hot Wind (1973) and the unreleased My Name Is Legend (1975) as well as an isolated TV part on a 1972 episode of "The Streets of San Francisco," Tommy disappeared from the limelight. His life went into a seemingly irreversible tailspin. Depressed and angry, he sought solace in drugs and nearly died from an acute overdose at one point. For health reasons he felt the need to completely abandon his career and slowly moved himself forward as a recovering addict. On a very positive note, he was able to build a very successful carpet and upholstery cleaning company for himself ("Tommy Kirk's Carpet and Upholstery) in Southern California's San Fernando Valley. It stayed open for business for well over two decades.
After some time away, Tommy showed up again in Hollywood, glimpsed in a few dismissible low-budgeters here and there, including Streets of Death (1988), Attack of the 60 Foot Centerfolds (1995), Little Miss Magic (1998), Billy Frankenstein (1998), Club Dead (2000) and, his last to date, The Education of a Vampire (2001). He appeared in several documentary interviews for the DVD releases of some of his best known films and TV shows, and occasionally at film festivals and nostalgia convention/memorabilia fests. He lived in Las Vegas.Henry Jones Jr- Actor
- Producer
- Music Department
John Joseph Travolta was born in Englewood, New Jersey, one of six children of Helen Travolta (née Helen Cecilia Burke) and Salvatore/Samuel J. Travolta. His father was of Italian descent and his mother was of Irish ancestry. His father owned a tire repair shop called Travolta Tires in Hillsdale, NJ. Travolta started acting appearing in a local production of "Who'll Save the Plowboy?". His mother, herself an actress and dancer, enrolled him in a drama school in New York, where he studied voice, dancing and acting. He decided to combine all three of these skills and become a musical comedy performer. At 16 he landed his first professional job in a summer stock production of the musical "Bye Bye Birdie". He quit school at 16 and moved to New York, and worked regularly in summer stock and on television commercials. When work became scarce in New York, he went to Hollywood and appeared in minor roles in several series. A role in the national touring company of the hit 1950s musical "Grease" brought him back to New York. An opening in the New York production of "Grease" gave him his first Broadway role at age 18. After "Grease", he became a member of the company of the Broadway show "Over Here", which starred The Andrews Sisters. After ten months in "Over Here", he decided to try Hollywood once again. Once back in Hollywood, he had little trouble getting roles in numerous television shows. He was seen on The Rookies (1972), Emergency! (1972) and Medical Center (1969) and also made a movie, The Devil's Rain (1975), which was shot in New Mexico. The day he returned to Hollywood from New Mexico, he was called to an audition for a new situation comedy series ABC was planning to produce called Welcome Back, Kotter (1975). He got the part of Vinnie Barbarino and the series went on the air during the 1975 fall season.
He starred in a number of monumental films, earning his first Oscar and Golden Globe nominations for his role in the blockbuster Saturday Night Fever (1977), which launched the disco phenomenon in the 1970s. He went on to star in the big-screen version of the long-running musical Grease (1978) and the wildly successful Urban Cowboy (1980), which also influenced trends in popular culture. Additional film credits include the Brian De Palma thrillers Carrie (1976) and Blow Out (1981), as well as Amy Heckerling's hit comedy Look Who's Talking (1989) and Nora Ephron's comic hit Michael (1996). Travolta starred in Phenomenon (1996) and took an equally distinctive turn as an action star in John Woo's top-grossing Broken Arrow (1996). He also starred in the classic Face/Off (1997) opposite Nicolas Cage, and The General's Daughter (1999), co-starring Madeleine Stowe. In 2005, Travolta reprised the role of ultra cool Chili Palmer in the Get Shorty (1995) sequel Be Cool (2005). In addition, he starred opposite Scarlett Johansson in the critically-acclaimed independent feature film A Love Song for Bobby Long (2004), which was screened at the Venice Film Festival, where both Travolta and the films won rave reviews. In February 2011, John was honored by Europe's leading weekly program magazine HORZU, with the prestigious Golden Camera Award for "Best Actor International" in Berlin, Germany. Other recent feature film credits include box-office hit-comedy "Wild Hogs", the action-thriller Ladder 49 (2004), the movie version of the successful comic book The Punisher (2004), the drama Basic (2003), the psychological thriller Domestic Disturbance (2001), the hit action picture Swordfish (2001), the infamous sci-fi movie Battlefield Earth (2000), based upon the best-selling novel by L. Ron Hubbard, and Lonely Hearts (2006).
Travolta has been honored twice with Academy Award nominations, the latest for his riveting portrayal of a philosophical hit-man in Quentin Tarantino's Pulp Fiction (1994). He also received BAFTA and Golden Globe nominations for this highly-acclaimed role and was named Best Actor by the Los Angeles Film Critics Association, among other distinguished awards. Travolta garnered further praise as a Mafioso-turned-movie producer in the comedy sensation Get Shorty (1995), winning the Golden Globe Award for Best Actor in a Motion Picture, Musical or Comedy. In 1998, Travolta was honored by the British Academy of Film and Television Arts with the Britanna Award: and in that same year he received the Lifetime Achievement Award at the Chicago Film Festival. Travolta also won the prestigious Alan J. Pakula Award from the US Broadcast Critics Association for his performance in A Civil Action (1998), based on the best-selling book and directed by Steven Zaillian. He was nominated again for a Golden Globe for his performance in Primary Colors (1998), directed by Mike Nichols and co-starring Emma Thompson and Billy Bob Thornton, and in 2008, he received his sixth Golden Globe nomination for his role as "Edna Turnblad" in the big-screen, box-office hit, Hairspray (2007). As a result of this performance, the Chicago Film Critics and the Santa Barbara Film Festival decided to recognize Travolta with a Lifetime Achievement Award for his role.
In addition, Travolta starred opposite Denzel Washington in Tony Scott's remake The Taking of Pelham 123 (2009), and he provided the voice of the lead character in Walt Disney Pictures' animated hit Bolt (2008), which was nominated for a 2009 Academy Award for Best Animated Feature Film and a Golden Globe for Best Animated Film, in addition to Best Song for John and Miley Cyrus' duet titled, "I Thought I Lost You".
Next, Travolta starred in Walt Disney Pictures' Old Dogs (2009), along with Robin Williams, Kelly Preston and Ella Bleu Travolta, followed by the action thriller From Paris with Love (2010), starring opposite Jonathan Rhys Meyers. In 2012, John starred alongside Taylor Kitsch, Blake Lively, Aaron Taylor-Johnson, Benicio Del Toro, Salma Hayek, Emile Hirsch and Demián Bichir in Oliver Stone's, Savages (2012). The film was based on Don Winslow's best-selling crime novel that was named one of The New York Times' Top 10 Books of 2010. John was most recently seen in Killing Season (2013), co-starring Robert De Niro, and directed by Mark Steven Johnson. John recently completed production on the Boston-based film, The Forger (2014), alongside Academy Award winner Christopher Plummer and Critic's Choice nominee Tye Sheridan. John plays a second-generation petty thief who arranges to get out of prison to spend time with his ailing son (Sheridan) by taking on a job with his father (Plummer) to pay back the syndicate that arranged his release. John has received 2 prestigious aviation awards: in 2003, the American Institute of Aeronautics and Astronautics Foundation Award for Excellence for his efforts to promote commercial flying, and, in 2007, The Living Legends Ambassador of Aviation award.
John holds 11 jet licenses: 747, 707, Gulfstream II, Lear 24, Hawker 1251A, Eclipse Jet, Vampire Jet, Canadair CL-141 Jet, Soko Jet, Citation ISP and Challenger. Travolta is the Qantas Airways Global Goodwill "Ambassador-at-Large" and piloted the original Qantas 707 during "Spirit of Friendship" global tour in July/August 2002. John is also a business aircraft brand ambassador for Learjet, Challenger and Global jets for the world's leading business aircraft manufacturer, Bombardier. John flew the 707 to New Orleans after the 2005 hurricane disaster bringing food and medical supplies, and in 2010, again flew the 707, this time to Haiti after the earthquake, carrying supplies, doctors and volunteers.
John, along with his late wife, actress Kelly Preston (1962-2020), were very involved in their charity, The Jett Travolta Foundation, which raises money for children with educational needs.Mutt Williams- Actress
- Director
- Writer
Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in Don't Bother to Knock (1952) in 1952, and over the next five years appeared in a lot of undistinguished movies such as Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955), Nightfall (1956) and The Girl in Black Stockings (1957). By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in The Miracle Worker (1962), for which she won an Oscar. Bancroft went on to give acclaimed performances in The Pumpkin Eater (1964), The Slender Thread (1965), Young Winston (1972), The Prisoner of Second Avenue (1975), The Elephant Man (1980), To Be or Not to Be (1983), 84 Charing Cross Road (1987) and other movies, but her most famous role would be as Mrs. Robinson in The Graduate (1967). Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than Katharine Ross and just six years older than Dustin Hoffman. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as Love Potion No. 9 (1992), Point of No Return (1993), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000) and Up at the Villa (2000). She also started to make some TV films, including Deep in My Heart (1999) for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, Mel Brooks, and their son Max Brooks, who was born in 1972. Her final film, the animated feature Delgo (2008), was released posthumously in 2008 and dedicated to her memory.Irena Spalko- Actor
- Soundtrack
After his schooling in Edinburgh, the British character actor Roy Kinnear attended the Royal Academy of Dramatic Art in London. Following national service, Kinnear appeared on stage, radio, and television in Scotland before becoming a household name in Britain in the early 1960s as one of the original members of the television series That Was the Week That Was (1962). Around this time, he also established his film career, specializing in jovial, yet sometimes slightly sinister, characters, such as Finney, Moriarty's henchman, in The Adventure of Sherlock Holmes' Smarter Brother (1975). Another characteristic role was that of Planchet in the Musketeer movies, a role that tragically led to his death from a riding accident during the filming of The Return of the Musketeers (1989).George McHale- Actor
- Director
- Producer
Sir Ralph Richardson was one of the greatest actors of the 20th Century English-language theater, ascending to the height of his profession in the mid-1930s when he became a star in London's West End. He became the first actor of his generation to be knighted. He became Sir Ralph in 1947, and was quickly followed by Laurence Olivier in 1948, and then by John Gielgud in 1953. Co-stars and friends, the three theatrical knights were considered the greatest English actors of their generation, primarily for their mastery of the Shakespearean canon. They occupied the height of the British acting pantheon in the post-World War II years.Harold Oxley- Actor
- Writer
- Director
Balding, quietly spoken, of slight build and possessed of piercing blue eyes -- often peering out from behind round, steel-rimmed glasses -- Donald Pleasence had the essential physical attributes which make a great screen villain. In the course of his lengthy career, he relished playing the obsessed, the paranoid and the purely evil. Even the Van Helsing-like psychiatrist Sam Loomis in the Halloween (1978) franchise seems only marginally more balanced than his prey. An actor of great intensity, Pleasence excelled on stage as Shakespearean villains. He was an unrelenting prosecutor in Jean Anouilh's "Poor Bitos" and made his theatrical reputation in the title role of the seedy, scheming tramp in Harold Pinter's "The Caretaker" (1960). On screen, he gave a perfectly plausible interpretation of the head of the SS, Heinrich Himmler, in The Eagle Has Landed (1976). He was a convincingly devious Thomas Cromwell in Henry VIII and His Six Wives (1972), disturbing in his portrayal of the crazed, bloodthirsty preacher Quint in Will Penny (1967); and as sexually depraved, alcohol-sodden 'Doc' Tydon in the brilliant Aussie outback drama Wake in Fright (1971). And, of course, he was Ernst Stavro Blofeld in You Only Live Twice (1967). These are some of the films, for which we may remember Pleasence, but there was a great deal more to this fabulous, multi-faceted actor.
Donald Henry Pleasence was born on October 5, 1919 in Worksop, Nottinghamshire, England, to Alice (Armitage) and Thomas Stanley Pleasence. His family worked on the railway. His grandfather had been a signal man and both his brother and father were station masters. When Donald failed to get a scholarship at RADA, he joined the family occupation working as a clerk at his father's station before becoming station master at Swinton, Yorkshire. While there, he wrote letters to theatre companies, eventually being accepted by one on the island of Jersey in Spring 1939 as an assistant stage manager. On the eve of World War II, he made his theatrical debut in "Wuthering Heights". In 1942, he played Curio in "Twelfth Night", but his career was then interrupted by military service in the RAF. He was shot down over France, incarcerated and tortured in a German POW camp. Once repatriated, Donald returned to the stage in Peter Brook's 1946 London production of "The Brothers Karamazov" with Alec Guinness although he missed the opening due to measles, followed by a stint on Broadway with Laurence Olivier's touring company in "Caesar and Cleopatra" and "Anthony and Cleopatra". Upon his return to England, he won critical plaudits for his performance in "Hobson's Choice". In 1952, Donald began his screen career, rather unobtrusively, in small parts. He was only really noticed once having found his métier as dastardly, sneaky Prince John in The Adventures of Robin Hood (1955). It took several more years, until international recognition came his way: first, through the filmed adaptation of The Guest (1963), and, secondly, with his blind forger in The Great Escape (1963), a role he imbued with added conviction due to his own wartime experience.
Some of his best acting Donald reserved for the small screen. In 1962, the producer of The Twilight Zone (1959), Buck Houghton, brought Donald to the United States ("damn the expense"!) to guest star in the third-season episode "The Changing of the Guard". He was given a mere five days to immerse himself in the part of a gentle school teacher, Professor Ellis Fowler, who, on the eve of Christmas is forcibly retired after fifty-one years of teaching. Devastated, and believing himself a failure who has made no mark on the world, he is about to commit suicide when the school's bell summons him to his classroom. There, he is confronted by the spirits of deceased students who beg him to consider that his lessons have indeed had fundamental effects on their lives, even leading to acts of great heroism. Upon hearing this, Fowler is now content to graciously accept his retirement. Managing to avoid maudlin sentimentality, Donald's performance was intuitive and, arguably, one of the most poignant ever accomplished in a thirty-minute television episode. Once again, against type, he was equally delightful as the mild-mannered Reverend Septimus Harding in Anthony Trollope's The Barchester Chronicles (1982).
Whether eccentric, sinister or given to pathos, Donald Pleasence was always great value for money and his performances have rarely failed to engage.Charles Stanforth- Actor
- Writer
- Additional Crew
Klaus Kinski was born as Klaus Günter Karl Nakszynski in Zoppot, Free City of Danzig (now Sopot, Poland), to Susanne (Lutze), a nurse, and Bruno Nakszynski, a pharmacist. He grew up in Berlin, was drafted into the German army in 1944 and captured by British forces in Holland. After the war he began acting on the stage, quickly gaining a reputation for a ferocious talent and an equally ferocious temper. He started acting in films shortly afterward, showing an utter disregard for the quality of the productions he appeared in and churning out so many that a complete filmography is almost impossible to assemble.
However, he did turn out memorable work for director Werner Herzog, a similarly driven and obsessive character. Herzog and Kinski pushed each other to extremes over a 15-year working relationship, which finally ended after filming Cobra Verde (1987), a production plagued by volcanic clashes between the star and director, involving--among other things--violent physical altercations and mutual death threats. He subsequently directed and starred in the notorious Paganini (1989), his only film as director and which was marked by (again) clashes between Kinski and his producers, who accused him of turning their movie into a pornographic film and sued him in court. His autobiography, "All I Need is Love", a vicious attack on the film industry, was withdrawn for legal reasons and subsequently re-released as "Kinski Uncut" in the US & UK, "Ich brauche Liebe" in Germany, and in various other languages.Antonin Dovchenko- Actress
- Director
- Producer
Helena Bonham Carter is an actress of great versatility, one of the UK's finest and most successful.
Bonham Carter was born May 26, 1966 in Golders Green, London, England, the youngest of three children of Elena (née Propper de Callejón), a psychotherapist, and Raymond Bonham Carter, a merchant banker. Through her father, she is the great-granddaughter of former Prime Minister Herbert H. Asquith, and her blue-blooded family tree also contains Barons and Baronesses, diplomats, and a director, Bonham Carter's great-uncle Anthony Asquith, who made Pygmalion (1938) and The Importance of Being Earnest (1952), among others. Cousin Crispin Bonham-Carter is also an actor. Her maternal grandfather, Eduardo Propper de Callejón, was a Spanish diplomat who was awarded the honorific Righteous Among the Nations, by Israel, for helping save Jews during World War II (Eduardo's own father was a Czech Jew). Helena's maternal grandmother, Hélène Fould-Springer, was from an upper-class Jewish family from France, Austria, and Germany, and later converted to her husband's Catholic faith.
Bonham Carter experienced family dramas during her childhood, including her father's stroke - which left him wheelchair-bound. She attended South Hampstead High School and Westminster School in London, and subsequently devoted herself to an acting career. That trajectory actually began in 1979 when, at age thirteen, she entered a national poetry writing competition and used her second place winnings to place her photo in the casting directory "Spotlight." She soon had her first agent and her first acting job, in a commercial, at age sixteen. She then landed a role in the made-for-TV movie A Pattern of Roses (1983), which subsequently led to her casting in the Merchant Ivory films A Room with a View (1985), director James Ivory's tasteful adaptation of E.M. Forster's novel, and Lady Jane (1986), giving a strong performance as the uncrowned Queen of England. She had roles in three other productions under the Merchant-Ivory banner (director Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala): an uncredited appearance in Maurice (1987), and large roles in Where Angels Fear to Tread (1991) and Howards End (1992).
Often referred to as the "corset queen" or "English rose" because of her early work, Bonham Carter continued to surprise audiences with magnificent performances in a variety of roles from her more traditional corset-clad character in The Wings of the Dove (1997) and Shakespearian damsels to the dark and neurotic anti-heroines of Fight Club (1999). Her acclaimed performance in The Wings of the Dove (1997) earned her a Best Actress Academy Award nomination, a Golden Globe Best Actress nomination, a BAFTA Best Actress nomination, and a SAG Awards Best Actress nomination. It also won her a Best Actress Award from the National Board of Review, the Los Angeles Film Critics, the Boston Society Film Critics, the Broadcast Film Critics Association, the Texas Society of Film Critics, and the Southeastern Film Critics Association.
In the late 1990s, Bonham Carter embarked on the next phase of her career, moving from capable actress to compelling star. Audiences and critics had long been enchanted by her delicate beauty, evocative of another time and place. Her late '90s and early and mid 2000s roles included Mick Jackson's Live from Baghdad (2002), alongside Michael Keaton, receiving a nomination for both an Emmy and a Golden Globe; Paul Greengrass' The Theory of Flight (1998), in which she played a victim of motor neurone disease; Trevor Nunn's Twelfth Night (1996), in which she played Olivia; opposite Woody Allen in his Mighty Aphrodite (1995); Mort Ransen's Margaret's Museum (1995); Kenneth Branagh's Frankenstein (1994); and Franco Zeffirelli's Hamlet (1990).
Other notable credits include her appearance with Steve Martin in Novocaine (2001), Tim Burton's remake of Planet of the Apes, in which she played an ape, Thaddeus O'Sullivan's The Heart of Me (2002), opposite Paul Bettany, and Big Fish (2003), her second effort with Tim Burton, in which she appeared as a witch.
In between her films, Helena has managed a few television appearances, which include her portrayal of Jacqui Jackson in Magnificent 7 (2005), the tale of a mother struggling to raise seven children - three daughters and four autistic boys; as Anne Boleyn in the two-parter biopic of Henry VIII starring Ray Winstone; and as Morgan Le Fey, alongside Sam Neill and Miranda Richardson, in Merlin. Earlier television appearances include Michael Mann's Miami Vice (1984) as Don Johnson's junkie fiancée, and as a stripper who wins Rik Mayall's heart in Dancing Queen (1993). Helena has also appeared on stage, in productions of Trelawney of the Wells, The Barber of Seville, House of Bernarda Alba, The Chalk Garden, and Woman in White.
Bonham Carter was nominated for a Golden Globe for the fifth time for her role in partner Tim Burton's film adaptation of the Stephen Sondheim musical, Sweeney Todd: The Demon Barber of Fleet Street (2007), for which Burton and co-star Johnny Depp were also nominated. For the role, she was awarded Best Actress at the Evening Standard British Film Awards 2008. Other 2000s work includes playing Mrs Bucket in Tim Burton's massive hit Charlie and the Chocolate Factory (2005), providing the voices for the aristocratic Lady Campanula Tottington in Wallace & Gromit: The Curse of the Were-Rabbit (2005) and for the eponymous dead heroine in Tim Burton's spooky Corpse Bride (2005), and co-starring in Conversations with Other Women (2005) opposite Aaron Eckhart.
After their meeting while filming Planet of the Apes (2001), Bonham Carter and Tim Burton made seven films together. They lived in adjoining residences in London, shared a connecting hallway, and have two children: Billy Ray Burton, born in 2003, and Nell Burton, who was born in 2007. Ironically, a mutual love of Sweeney Todd was part of the initial attraction for the pair. Bonham Carter has said in numerous interviews that her audition process for the role of Mrs. Lovett was the most grueling of her career and that, ultimately, it was Sondheim who she had to convince that she was right for the role.Helen Shaw- Actor
- Director
- Writer
Multi-talented and unconventional actor/director regarded by many as one of the true "enfant terribles" of Hollywood who led an amazing cinematic career for more than five decades, Dennis Hopper was born on May 17, 1936, in Dodge City, Kansas. The young Hopper expressed interest in acting from a young age and first appeared in a slew of 1950s television shows, including Medic (1954), Cheyenne (1955) and Sugarfoot (1957). His first film role was in Rebel Without a Cause (1955), quickly followed by Giant (1956) and Gunfight at the O.K. Corral (1957). Hopper actually became good friends with James Dean and was shattered when Dean was killed in a car crash in September 1955.
Hopper portrayed a young Napoléon Bonaparte (!) in the star-spangled The Story of Mankind (1957) and regularly appeared on screen throughout the 1960s, often in rather undemanding parts, usually as a villain in westerns such as True Grit (1969) and Hang 'Em High (1968). However, in early 1969, Hopper, fellow actor Peter Fonda and writer Terry Southern, wrote a counterculture road movie script and managed to scrape together $400,000 in financial backing. Hopper directed the low-budget film, titled Easy Rider (1969), starring Fonda, Hopper and a young Jack Nicholson. The film was a phenomenal box-office success, appealing to the anti-establishment youth culture of the times. It changed the Hollywood landscape almost overnight and major studios all jumped onto the anti-establishment bandwagon, pumping out low-budget films about rebellious hippies, bikers, draft dodgers and pot smokers. However, Hopper's next directorial effort, The Last Movie (1971), was a critical and financial failure, and he has admitted that during the 1970s he was seriously abusing various substances, both legal and illegal, which led to a downturn in the quality of his work. He appeared in a sparse collection of European-produced films over the next eight years, before cropping up in a memorable performance as a pot-smoking photographer alongside Marlon Brando and Martin Sheen in Francis Ford Coppola's Vietnam War epic Apocalypse Now (1979). He also received acclaim for his work in both acting and direction for Out of the Blue (1980).
With these two notable efforts, the beginning of the 1980s saw a renaissance of interest by Hollywood in the talents of Dennis Hopper and exorcising the demons of drugs and alcohol via a rehabilitation program meant a return to invigorating and provoking performances. He was superb in Rumble Fish (1983), co-starred in the tepid spy thriller The Osterman Weekend (1983), played a groovy school teacher in My Science Project (1985), was a despicable and deranged drug dealer in River's Edge (1986) and, most memorably, electrified audiences as foul-mouthed Frank Booth in the eerie and erotic David Lynch film Blue Velvet (1986). Interestingly, the offbeat Hopper was selected in the early 1980s to provide the voice of "The StoryTeller" in the animated series of "Rabbit Ears" children's films based upon the works of Hans Christian Andersen!
Hopper returned to film direction in the late 1980s and was at the helm of the controversial gang film Colors (1988), which was well received by both critics and audiences. He was back in front of the cameras for roles in Super Mario Bros. (1993), got on the wrong side of gangster Christopher Walken in True Romance (1993), led police officer Keanu Reeves and bus passenger Sandra Bullock on a deadly ride in Speed (1994) and challenged gill-man Kevin Costner for world supremacy in Waterworld (1995). The enigmatic Hopper continued to remain busy through the 1990s and into the new century with performances in All the Way (2003), The Keeper (2004) and Land of the Dead (2005).
As well as his acting/directing talents, Hopper was a skilled photographer and painter, having had his works displayed in galleries in both the United States and overseas. He was additionally a dedicated and knowledgeable collector of modern art and had one of the most extensive collections in the United States. Dennis died of prostate cancer on May 29, 2010, less than two weeks after his 74th birthday.Jürgen Voller- Actor
- Additional Crew
- Soundtrack
George Chakiris made his film debut at the age of 12 singing in the chorus of Song of Love (1947). Following his graduation from high school, he supported his night-time dancing, singing and dramatic lessons with a daytime job clerking in a Los Angeles department store. Later he started his acting/dancing career appearing in musicals such as Gentlemen Prefer Blondes (1953)--he is one of the ballet dancers escorting Marilyn Monroe in "Diamonds Are A Girl's Best Friend"--White Christmas (1954), The Girl Rush (1955), There's No Business Like Show Business (1954), Brigadoon (1954), and Meet Me in Las Vegas (1956). In 1957, he made his debut as a dramatic actor in Under Fire (1957). In 1958 he traveled to New York hoping for a Broadway "break." Hearing that Jerome Robbins was casting the London company of "West Side Story", he auditioned and was awarded the co-starring role of Riff. He played the part for almost two years on the West End stage before acting, singing and dancing as Bernardo in the Robert Wise film version (West Side Story (1961)), a performance that earned him a Golden Globe and the Academy Award for Best Supporting Actor. Since then, he starred in a succession of films, including Diamond Head (1962) with Charlton Heston, Bebo's Girl (1964) with Claudia Cardinale, The Young Girls of Rochefort (1967) with Catherine Deneuve, Françoise Dorléac and Gene Kelly, The Big Cube (1968) with Lana Turner, Why Not Stay for Breakfast? (1979), Jekyll and Hyde... Together Again (1982), and Pale Blood (1990). He is one of the most traveled stars in motion pictures, having been to such locations as Hawaii, Japan, Mexico, Italy, England, Spain, and France. His nightclub career was launched to rave reviews at Caesar's Palace in Las Vegas and Harrah's Club in Lake Tahoe. In the 1970s and 1980s, his career focused on television and music. He appeared as guest star in several TV series such as Hawaii Five-O (1968) (Death is a Company Policy - 1972), Wonder Woman (1975) (Death in Disguise - 1978), CHiPs (1977) (Fox Trap - 1983), Scarecrow and Mrs. King (1983) (Lost and Found - 1984), Murder, She Wrote (1984) (Weave a Tangled Web - 1989), and he joined the cast of Dallas (1978) from 1985 to 1986. He has released several records: "George Chakiris," "Memories Are Made of These," "The Gershwin Song Book," "West Side Story's Dynamic...". Recently, he has appeared in several plays and stage musicals: after "The King and I" in the US in 1995, he performed in Britain the role of Rochester in "Jane Eyre".Renaldo- Actor
- Producer
- Soundtrack
Topol was born on 9 September 1935 in Tel Aviv, Palestine [now Israel]. He was an actor and producer, known for Fiddler on the Roof (1971), Flash Gordon (1980) and For Your Eyes Only (1981). He was married to Galia Topol. He died on 8 March 2023 in Tel Aviv, Israel.Sallah (DoD)- Actor
- Producer
- Director
Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred (Harty) and Ivan Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of "Henry IV". He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).
However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.
His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget "disaster" film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).
The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as "Lucius Sulla" in Caesar (2002).
Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.Basil Shaw- Actor
- Producer
- Director
Mark Hamill is best known for his portrayal of Luke Skywalker in the original Star Wars trilogy - Star Wars: Episode IV - A New Hope (1977), Star Wars: Episode V - The Empire Strikes Back (1980), and Star Wars: Episode VI - Return of the Jedi (1983) - a role he reprised in Star Wars: Episode VII - The Force Awakens (2015), Star Wars: Episode VIII - The Last Jedi (2017) and Star Wars: Episode IX - The Rise of Skywalker (2019). He also starred and co-starred in the films Corvette Summer (1978), The Big Red One (1980), and Kingsman: The Secret Service (2014). Hamill's extensive voice acting work includes a long-standing role as the Joker, commencing with Batman: The Animated Series (1992).
Hamill was born in Oakland, California, to Virginia Suzanne (Johnson) and William Thomas Hamill, a captain in the United States Navy. He majored in drama at Los Angeles City College and made his acting debut on The Bill Cosby Show (1969). He then played a recurring role (Kent Murray) on the soap opera General Hospital (1963) and co-starred on the comedy series The Texas Wheelers (1974).
Released on May 25, 1977, Star Wars: Episode IV - A New Hope (1977) was an enormous unexpected success and made a huge impact on the film industry. Hamill also appeared in The Star Wars Holiday Special (1978) and later starred in the successful sequels Star Wars: Episode V - The Empire Strikes Back (1980), and Star Wars: Episode VI - Return of the Jedi (1983). For both of the sequels, Hamill was honored with the Saturn Award for Best Actor given by the Academy of Science Fiction, Fantasy and Horror Films. He reprised the role of Luke Skywalker for the radio dramatizations of both "Star Wars" (1981) and "The Empire Strikes Back" (1983), and then in a starring role in Star Wars: Episode VIII - The Last Jedi (2017). For the radio dramatization of "Return of the Jedi" (1996), the role was played by a different actor.
He voiced the new Chucky in Child's Play (2019), taking over from Brad Dourif.Klaber- Actor
- Producer
- Soundtrack
Sharman Joshi, born in Mumbai, India, is a talented Indian actor known for his versatile performances in Bollywood films. Hailing from a family with a strong connection to the Indian entertainment industry, Sharman embarked on his acting journey and established himself as a reliable and skilled actor.
Sharman Joshi comes from a family with a theatrical background; his father, Arvind Joshi, was a noted theater and film actor. Sharman initially ventured into theater, where he honed his acting skills before making his mark in the film industry.
He gained widespread recognition for his role as Raju Rastogi in the immensely successful and iconic film "3 Idiots" (2009), directed by Rajkumar Hirani. The film, starring Aamir Khan, R. Madhavan, and Sharman Joshi, became one of the highest-grossing Bollywood films and showcased Sharman's ability to portray both humor and emotion with finesse.
Sharman Joshi's acting repertoire includes a mix of genres, from comedies to dramas. He has been a part of critically acclaimed films like "Rang De Basanti" (2006), where he played the character of Sukhi, displaying his versatility and ability to handle diverse roles. His other notable works include "Golmaal: Fun Unlimited" (2006), "Life in a... Metro" (2007), and "Ferrari Ki Sawaari" (2012), where he played the lead role.
In addition to his successful film career, Sharman Joshi has been associated with various theater productions. He has also ventured into digital platforms with web series like "Baarish" (2019).
Known for his down-to-earth demeanor and dedication to his craft, Sharman Joshi continues to be a respected figure in the Indian entertainment industry.Teddy Kumarr- Actress
- Music Department
- Writer
Cree Summer Francks is a Canadian-American voice actress and singer from Los Angeles, California. She is the daughter of Canadian actor and singer Don Francks. She is most well-known for voicing Kida from Atlantis: The Lost Empire, Tiff Crust and Queen Vexus (when Eartha Kitt is unavailable) from My Life as a Teenage Robot, Cleo from Clifford the Big Red Dog, Numbuh 5 from Codename: Kids Next Door, Foxxy Love from Drawn Together, Susie Carmichael from Rugrats, Cynder from The Legend of Spyro: A New Beginning, Elmyra Duff from Tiny Toon Adventures, Penny from Inspector Gadget and Dr. Penelope Young in Batman: Arkham Asylum.Mason- Actor
- Producer
- Writer
The towering presence of Canadian actor Donald Sutherland is often noticed, as are his legendary contributions to cinema. He has appeared in almost 200 different shows and films. He is also the father of renowned actor Kiefer Sutherland, among others.
Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He has Scottish, as well as German and English, ancestry. Sutherland worked several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.
Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.
The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.
Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.
Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.
Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrays an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.
Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).
The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He has also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). Recently, he has joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland has also taken a role in the remake of Charles Bronson's film The Mechanic (1972).
Donald Sutherland has made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland is one of Canada's most well-known names and will hopefully continue on being so long after his time.Colonel Weber- Actor
- Producer
William Scott Goldberg , better commonly known as Goldberg, is an American professional wrestler, actor, and former American football player. He is best-known for his time in WCW and WWE.
Goldberg is one of the most popular figures of the late 1990s/early 2000s professional wrestling boom. He is regarded as the inventor of the spear finishing move in wrestling and is credited with popularizing, and being the best at executing, that move. He rose to fame in WCW with a lengthy undefeated streak in 1997-1998 singles competition. During his time with the promotion, he became a one-time WCW World Heavyweight Champion, two-time WCW United States Heavyweight Champion and one-time WCW World Tag Team Champion with Bret Hart. Along with Hart, he is the fifth WCW Triple Crown winner.
Following WCW's closure in 2001, Goldberg wrestled for All Japan Pro Wrestling (AJPW) between 2002 and 2003 and for WWE between 2003 and 2004, becoming a one-time World Heavyweight Champion in the latter. After 12 years away from the company, he returned to WWE in 2016, winning the WWE Universal Championship for the first time in March 2017 and a second time in February 2020. Goldberg has headlined multiple WCW and WWE pay-per-view events, including WCW's premier annual event, Starrcade (in 1998 and 1999). He headlined the WWE Hall of Fame in 2018 and is a four-time world champion in his professional wrestling career between WWE and WCW. He is also the only man in history to have been WCW World Heavyweight, World Heavyweight and WWE Universal Champion.Hauze