Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-10 of 10
- Jean-Luc Godard is cinema, its quintessence. Having just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself.
- One million years of Asian and Chinese prehistory through fictionalized stories.
- In the vast landscapes of prehistoric Asia, up to six human species coexisted. Nowhere else in the world has such a rich diversity been uncovered. A unique situation revealed by exceptional discoveries of fossil skulls and genetic analyses inconceivable only a decade ago. For a very long time, scientists had a very homogeneous image of human evolution. The latest discoveries reveal a far more complex picture. Jacques Malaterre, Yves Coppens and Antoine Balzeau set out to tell the story of these first humans. It took three years of writing, preparation and filming to bring these men and women back to life.
- In the early days of film-biz Alice joined the company of pioneer Gaumont, rose in the ranks and directed more than 400 films. But the company eventually erased her from her credits, she was forgotten, even experts have to rediscover her.
- At the age of 14, Chrissie Hynde receives a gift that will change the course of her life: a ukulele. But she immediately swapped it for a guitar, a fetish more likely to open the way to a world as dangerous as attractive, rock. From then on, starting a band is the only possible horizon for the young woman, an obsession which does not suffer any competition. Her wish came true in 1978, at the age of 27, when the American founded the Pretenders, in osmosis with three Englishmen who quickly proved to be excellent instrumentalists. Immediate success: in an England shaken by the punk explosion, the quartet composes a melodic and racy rock with heady refrains.
- William Karel meets Fanny Ardant on the set of "The Woman Next Door" by François Truffaut. He was the director's photographer at the time. Fanny and François then have a romantic relationship. On "Finally, Sunday!", Truffaut is struck down by devastating cancer and dies a few months later. Fanny is devastated. This love story will determine her whole life. Since then, she has traced a very personal furrow totally marked by their history. Towards the freedom they both cherished. It is therefore from this love story and unpublished images filmed by William Karel that the director wishes to tell Fanny Ardant.
- In just ten films, Maurice Pialat painfully rose to the top of the cinema, draining into his legend a mad demand for truth as much as memorable fury to achieve it. With "L'Enfance nue", his first feature film at the age of 43, the filmmaker immediately made his mark, this "art of making things authentic", according to Chabrol. But throughout an unclassifiable filmography in the form of an autobiography, from a break-up to his fatherhood in wonder, through the agony of his mother, the filmmaker does not get rid of the feeling of being misunderstood, despite international recognition.