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- Federico, a criminal on the run, forms an inappropriate relationship with 12-year-old Simona. Her mother Vera conspires with Federico to murder Simona's disabled father, straining Federico's bond with Simona.
- A man is strangled by a female prostitute in his home at the same time as a woman is killed by a man with a spanner on an empty bus. In both cases the killer leaves an illustration from the children's book titled 'Shockheaded Peter'. The subsequent investigation leads to an exclusive club called Wildlife's Friends.
- A Roman musician meets a Heroin-addicted girl, helps her, falls in love with her and ends up getting addicted to Heroin himself.
- Hit-man Clint Harris has one more job to do before he can retire. He's to kill an ex-employee who has become a snitch for the police. At first Harris refuses, but when his brothers assassinated, he's forced to accept. He's assigned an assistant, whom he teaches the ropes as they pursue their prey. When a beautiful woman identifies the target, it turns out it's the wrong man. As bodies pile up as he wonders whom he can really trust.
- In a crowded hotel in downtown Milan a bomb has been planted. The timer on its detonator has only minutes to run. A young cop discovers it by accident and is drawn into a terrifying nightmare of intrigue, brutality and ruthless killing.
- French sex-symbol Corinne Clery speaks about her role in the atypical Italian giallo Plot of Fear, directed by specialist Paolo Cavara.
- Filmmaker Danilo Massi talks about his relationship with his father, director Stelvio Massi, cult-favourite among fans of Italian crime films.
- Film and theatre actress Valeria D'Obici talks about her beginnings with the police thriller Killer Cop, directed by Luciano Ercoli.
- Interviews with people involved in the making of Romolo Guerrieri's seminal crime drama 'Young, Violent, Dangerous'.
- Interview with cult actor Bo Svenson regarding is years working in Italian productions. Svenson reminisces about his relationships with Fred Williamson, Enzo G. Castellari and such films as Broothers in Blood and Inglorious Bastards. Svenson also fleshes out the differences between the European and American approach to the action genre.