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1-15 of 15
- Rachid, a 21-year-old keen young man of Moroccan descent, has one goal: to find a job. He confidently applies for a job as dishwasher in a restaurant, which to him seems like a job anyone can do. But it soon turns out that all is not as simple as he imagined.
- Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
- Worn out by everyday routine, 59-year-old fishmonger Sabine decides to leave her shop in the countryside and venture into the world. Her quickest escape route, the village school bus, takes her to the Museum of Fine Arts in Ghent, where an audio guide helps her find the solace she didn't know she needed.
- Jason dreams of having his own mountain bike.
- A pudgy little man lives a lonely life on the top floor of a skyscraper. One day, when he hears the aggressive rants of his neighbour, he looks for the Tarzan inside to rescue his nextdoor Jane.
- A story about a pilot, a captain, a machinist, a driver, a mailman, a girl - and a giant box. What's in the box, the giant box that the pilot brought with him from a country, far, far away?
- Anna and her boyfriend Gus are on their last holiday before the birth of their child, when Anna decides to reveal a secret that she has been carrying with her.
- A light-hearted documentary mini-series highlighting 50 years of Belgian DJ's.
- A group of animals are playing hide and seek on the savannah. Suddenly, Gerda's neck starts to grow like that of a giraffe. Everyone's in shock as Gerda tries to adjust to her new body. There's no hiding for her now. And with her head in the clouds, she can't see her friends any longer. It's the start of a new version of hide and seek.
- Nick grows up in a youth institution and turns eighteen next week. This means that from then on he will receive financial support to live on his own. Suddenly his mother contacts him again. Will he give her another chance?
- Filmmaker and visual artist Tine Guns investigates contemporary protest culture by looking at different carnival rituals and their use of masks.
- A lonely machine finds a sort of love in his advanced android successor. Can he handle loving someone who makes him obsolete?
- In SPILLIAERT, we joyfully rediscover a taste for the interwoven mix of genres that captivated us in N.P (2020). Lisa Spilliaert uses the pretext of an investigation into her potentially shared roots with Léon Spilliaert, the great master of Belgian Symbolism, in order to combine a brief, but lively portrait of the painter with an approach which is sensitive to his work, with a joyful meditation on notions of heritage and lineage, all set to the rhythm of her own rap music. Since its inception, rap has been a way of revindicating identity and here, Lisa Spilliaert seizes her opportunity to do so literally and joyfully. The film opens with a bust shot of her, surrounded by works of art, paintings and sculptures, her determined gaze fixed on the camera as she raps furiously. Her words hit the air with the same vehement self-affirmation as the paintings of the man who shares her initials, and the same surname, while the camera lingers on the motifs beloved of the painter. The director integrates traditional biographical interviews, documentary material - archives and documents generated as part of her genealogical research - employing a sensual, detailed approach using close-ups of works by Léon Spilliaert and the oblong forms of sculptures by her own sister. In counterpoint to the visual marriage of these two pictorial and sculptural materials, a descendant of the painter comments on the voice-over on his intimate relationship with his great-grandfather's work. The genealogists announce their verdict: if the criterion used is a family tree Lisa and Léon are not related. However, the heart of the film affirms that there is a common trunk which unites the painter and the filmmaker like two branches reaching out in the same direction - towards art.
- In an undefined setting, workers are doing a never-ending series of monotonous tasks. Their bodies seem to be stuck in repetitive movements, but in their mind they're able to escape the scene.