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1-43 of 43
- The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.
- A personal documentary centered around the suicide of the director's twin brother, Camillo Bellocchio, in 1968.
- The art of cinema recounted in first person by Bernardo Bertolucci. Through a editing that articulates his declarations and thoughts in a flow of intense feelings, psychological introspection, anecdotes and visions, we are offered an insight into the identity of an authentic and extraordinary practitioner of the art of mise-en-scène. It took the authors two years of work, delving with patience and enthusiasm into over three hundred hours of library footage from archives all over the world, to complete their film essay Bertolucci on Bertolucci.
- The film is a historical and socio-anthropological portrait of the provincial capital of Campania, Naples, and the organised crime that afflicts it, and is the fruit of months of rummaging through the treasures of Rai Teche, the archives of the Italian state broadcaster. Surprising vintage footage, most of it never shown before, finds a visceral connection with the original music and songs written by Meg. Camorra delves into the soul of an inscrutable city. The film clips tell the story of the growth of the crime syndicate between the 1960s and 1990s: from its subordination to the Mafia, which controlled the contraband of cigarettes in Campania after the war, until the advent of Raffaele Cutolo, who unified the bands of extortionists into a single, large armed and economic power.
- Dante is guided by his hero Virgil through each circle of Hell and its subdivisions until they reach the center of the Earth and emerged to the other hemisphere into Purgatory.
- The Filmmaker Gabriele Salvatore has made his own personal story together with archive footage to create a picture of the economic and creative uprising of Italy in 1960.
- The poetic boxing parabola of the Italian Olympic gold medalist and two times WBO World Champion, Giovanni 'Flash' Parisi.
- Eugenio Cappuccio was Fellini's formal assistant director on "Ginger and Fred" in 1985. Then he always followed "The Maestro" in several different projects. This film documentary is a biographical journey into Federico Fellini's magical and enormous cinema and world, from the start of his career until the end of his life.
- Documentary about the filmmaker Michelangelo Antonioni, his life and works.
- A documentary on the life, work, and character of Michelangelo Antonioni.
- Based on archival material, the movie tells the story of the young people that striked in Italy between 1967 and 1977 - mixing dreams and passion, with violence and injustice.
- This is a journey into De Santis' cinema from the viewpoint of the author, a film historian, friend and co-worker of Giuseppe De Santis. The story is a journey, run through with an intimate air never before seen in the works of Lizzani. Using material from the archives and film sequences, it takes us through the testimony of artists, friends, critics, as well as the locations of De Santis' films, guiding us through different passages in his artistic, private and political life.
- In 1985, the Pope visits Atri. Everyone is getting ready to welcome His Holiness, while Fernando decides to sneaks off on his ramshackle scooter to the home of his sweetheart, Silvia.
- A documentary about big catastrophes such as the sinking of the Titanic, the Chernobyl disaster and the attack on the World Trade Center.
- The voice and body of Pier Paolo Pasolini are the narration of an unpublished self-portrait built only with archive materials kept by Rai Teche. The master poet emerges: the contradictory and controversial voice, the poignant and often humorous gaze of a man for his beloved and feared Italy. The historical material, completely digitized, was restored by the Rai Teche Turin technological center Pasolini went through his years leaving precious testimonies of his thought and proposing himself in the many aspects of his profile as a man and as an intellectual.
- Irene Brin, responsible for Italy of Harper's Bazaar magazine, is interviewed about the life and the work of Roberto Capucci and reminds his clamorous debut in Florence with Marchese Giorgini.
- Venice Lido, 6 August 1932, 9.15 pm: on the sea terrace of the Grand Hotel Excelsior a projector is switched on. An elegant and wealthy audience witnesses the birth of the Venice Film Festival. It is the outcome of a meeting between three characters: Giuseppe Volpi di Misurata, president of the Biennale and an important figure on the Italian industrial scene; Antonio Maraini, secretary of the Biennale and an art connoisseur; Luciano De Feo, president of the Istituto Internazionale per la Cinematografia Educativa, who manages to bring American majors and European productions to the Lido. The Dai nostri inviati project celebrates its third anniversary with a prequel, which aims to talk about the first twenty-one years of the festival from 1932 to 1953. Via a selection from the Luce and Rai archives the documentary examines the historic events of the festival: its "international" birth, the influences of the Fascist regime after the proclamation of the empire, the outbreak of World War II on the closing day of the 1939 festival, the three wartime festivals, Venice as the "cinecittà" of the Repubblica di Salò, the return of peace and democracy with the festival's re-launch in 1946 up until the sensational ex-aequo of six Silver Lions at the fourteenth festival in 1953.
- After Gail finally recovers her son J. Paul Getty III from the kidnappers, the key kidnapper Primo, decides it is time to tie up loose ends and their loose lips.