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- Lars von Trier's documentarist code for'Dogumentarism': 1. All the locations in the film must be revealed. (This is to be done by text being inserted in the image. This constitutes an exception of rule number 5. All the text must be legible.) 2. The beginning of the film must outline the goals and ideas of the director. (This must be shown to the film's'actors' and technicians before filming begins.) 3. The end of the film must consist of two minutes of free speaking time by the film's victim. This victim alone shall advise regarding the content and must approve this part of the finished film. If there is no opposition by any of the collaborators, there will be no victim or victims. To explain this, there will be text inserted at the end of the film. 4. All clips must be marked with 6-12 frames black. (Unless they are a clip in real time, that is a direct clip in a multi-camera filming situation.) 5. Manipulation of the sound and/or images must not take place. Filtering, creative lighting and/or optical effects are strictly forbidden. 6. The sound must never be produced exclusive of the original filming or vice versa. That is, extra soundtracks like music or dialogue must not be mixed in later. 7. Reconstruction of the concept or the directing of the actors is not acceptable. Adding elements as with scenography are forbidden. 8. All use of hidden cameras is forbidden. 9. There must never be used archived images or footage that has been produced for other programs.
- Robots compete in a series of challenges in an alien environment.
- Two filmmakers with a poor track record desperately try to pitch a hit film to jaded executives.
- All Nige wants is to be a father. Unfortunately his girlfriend is not ready, so she breaks up with him. Not one to dwell on lost love, Nige uses Friends Reunited to track down an old flame who was extremely broody when he was going out with her.
- With unprecedented access, award winning filmmaker Dodge Billingsley tells the story of India Company 3rd Battalion, 7th Marine regiment, crack U.S. frontline troops in Iraq. With some as young as 19, the invasion of Iraq was the first time any of them had actually been sent into combat. Experience a day in the life of these young men as they play a vital role in the liberation of Iraq. With remarkable battle footage, Virgin Soldiers reveals the true story of men who fought their way into the heart of Baghdad. "I have never seen a more accurate portrayal of war than Virgin Soldiers. The documentary's greatest strength is showing the perspective of war as lived by our junior enlisted Marines." - Captain Jeff Pool, Public Affairs Officer for the 2nd Marine Division "With unprecedented access to US troops during the war in Iraq, Billingsley documented a month of fear, doubt, frustration and boredom as 'India Company' made its way towards Baghdad. He captured a picture of what life was really like for frontline soldiers, many of them very young - and in combat for the first time - who fought their way into the heart of the city. Judge's Comment: You can feel that the soldiers trusted him, which makes it one cut above other features of embedded journalists. Technically outstanding."