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1-7 of 7
- Portrays the inner life of a writer unable to leave her Brooklyn apartment on the brink of the US invasion of Iraq. Robyn Taylor tries to kick her growing agoraphobia by re-imagining her past and contemplating world events of the present. As Robyn begins to overcome the amnesia that afflicted her as an adolescent, she fears coming down with "the amnesia of the American people".
- Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.
- When It Was Blue is a live, ephemeral film performance and an ode to a beautiful and unspoiled natural environment which is fast diminishing. When It Was Blue rejoices the splendor of the natural world through a complex and dazzling fusion of textural, abstract hand-painted images projected onto filmed landscapes from Iceland, New Zealand and Vancouver to Pyramid Lake, Nevada and upstate New York.16mm double-projected film and montage by Jennifer Reeves Music by Skúi Sverrisson with Anthony Burr & Ted Reichman.
- A montage of image and sound representing the dreams of a light sleeper whilst travelling on a train.
- Shadows Choose Their Horrors is the dark and melodic diary of a necromancer living on the edge between the mortal world and the realm of lost souls. Sinister forces surround Madame G (Winsome Brown) as she tries to bond with her favorite undead. Using magic and ritual to give them new life and pleasures, Madame G is shocked by a devastating outcome. This camp and experimental reworking of early silent horror was inspired by both the un-staged Aaron Copland ballet Grohg, and the film that stirred the young Copland to write his ballet, Nosferatu. Shadows Choose Their Horrors was originally created for a live performance of Grohg by the American Symphony Orchestra at Bard Music Festival, with Leon Botstein conducting.