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- The sharp, often hilarious satire that became the most successful film in Israeli history (until that time) is about new immigrants Sallah and his family, who are left in a shack near their promised apartment and are abandoned for months. A Yemenite Jewish family that was flown to Israel during "Operation Magic Carpet" - a clandestine operation that flew 49,000 Yemenite Jews to Israel the year after the state was formed - is forced to move to a government settlement camp. The patriarch of the family, portrayed by Chaim Topol, tries to make money and get better housing, in a country that can barely provide for its own and is in the midst absorbing hundreds of thousands of Jewish refugees from Arab countries.
- The love of Nissim for his widowed sister-in-law, Rosa, in the Old City of Jerusalem at the turn of the century. Under a (very old) Jewish religious law, Nissim has the duty to marry his childless sister-in-law on the death of his brother.
- In 1948, four Israeli soldiers recount the events that led them to take up arms while preparing for a final mission in the hours leading up to a truce.
- The Golem, a giant creature created out of clay by a rabbi, comes to life in a time of trouble to protect the Jews of Prague from persecution.
- A ten year old girl spends her summer with her overly protective mother, a mentally scarred holocaust survivor, while hopefully trying to find her real father in the newly established state of Israel.
- This documentary examines the events leading up to the 1942 Wannsee conference which organized the "final solution" to destroy European Jews.
- A young woman posing as a man in a group of klezmer musicians in Poland.
- Mothers of Today includes the sole motion picture performance of radio star Esther Field, who was well known on the airwaves of the 1930s as the 'Yiddishe Mama.' The film exemplifies the Yiddish film genre of shund, a brand of popular entertainment which appealed to working-class Jewish-American immigrant audiences with broadly-drawn, sentimental stories that reflected the daily life and culture of a distinctively American Yiddish community. While the shund films were invariably low-budget (and low-brow) affairs, these humble productions formed an important part of life in the United States for their audience. For actresses such as Field or Celia Adler (star of Where is My Child?, also directed by Lynn in 1939), shund offered one of the few opportunities to play strong leading roles. In retrospect, Mothers of Today is an important cultural artifact expressing the anxieties of Jewish immigrant families faced with the younger generation's increasing assimilation into mainstream American society. Shund often dealt with the plight of the Jewish mother, recognizing the important role women played in Jewish family life during the difficult period of immigration. Such is the case with Mothers of Today, in which Field plays a mother coping with her children's troubles resulting from their straying from Jewish tradition. In one subplot, a cantor's son led astray by a woman of "questionable morality" becomes involved with gangsters and ends up stealing the deed to his mother's store. On March 14, 1939, Film Daily reviewed Mothers of Today as follows: "Heavy tragedy, which seems to be an essential basis of all Yiddish dramas, is done to a turn in this new film and it should please the dyed in the wool Yiddish fans. Produced on a small budget with a hurried shooting schedule, the film has considerable merit. Cast members, with the exception of the talented Esther Field, were recruited from the stage for their initial appearance on the screen, and they give Miss Field adequate support. Henry Lynn directs the film feelingly. The story deals with the tragedies which beset Miss Field as her children get in trouble."
- Based on a short story by Abraham B. Jehoshua, the movie follows Eli (Oded Kotler) taking care of an old girlfriend's child for three days. He wants him to get hurt, he worries about him. Will the child survive the three days? Will Eli?
- The Wooden Gun takes place in Tel Aviv in the early 1950s. In a clear-eyed fashion that would have been impossible in a film made by "outsiders", the plot details the conflict between native-born Israelis and the newly arrived European refugees. The various fears and prejudices of the adults are passed along to their children, upon whom director Hans Moshenson concentrates. Largely comprised of non professionals, the teen-aged protagonists and antagonists are remarkable in their sincerity and conviction. Filmed in Hebrew, The Wooden Gun is available in an English-subtitled version.
- Individual memories of a group of teenage Holocaust survivors in Israel creates sharp conflicts among them.
- Mamele embraces the entire gamut of interwar Jewish life in Lodz - tenements and unemployed Jews, nightclubs and gangsters, religious Jews celebrating Sukkot - but the film belongs to Molly Picon who romps undaunted through her dutiful daughter role saving siblings, keeping the family intact, singing and acting her way through the stages of a woman's life from childhood to old age.
- The competition between two identical brothers, one is an orthodox and the other is seclecur, who needs to move to Israel in order to marry a Jewish girl and inharrit a fortune.
- Reveals at close range the two levels of emotions existing in individual lives in a kibbutz. An atmosphere of warmth and concern is expressed as Leah's repeated miscarriages cause the breakdown of her marriage. But the deeper, unspoken reasons unfold, and the close, scrutinizing aspect of the kibbutz community offers no privacy. She and her husband blames the other wordlessly, while individually beset with feelings of self-doubt and blame.
- Ulmer's soulful, open-air adaptation of Peretz Hirshbein's classic play heralded the Golden Age of Yiddish cinema. When an ascetic young scholar ventures into the countryside, searching for the city of "true Jews," he learns some unexpected lessons from the Jewish peasants who take him in as a tutor for their children.
- The Gulf War, January 1991. Talila Katz, a yuppie Tel Avivian creative director at an ad agency falls in love with clumsy food engineer Noah Ne'eman. The war, with its Scud missiles bombarding Israel and disrupting everyday life, is the backdrop for this pair's love story, told with satirical bite that only Irit Linur [screenplay / novel] can provide.
- Named after the hot desert wind that periodically blows through the Middle East sending temperatures and tempers soaring to potentially explosive heights. Set in an old farming village in the Galilee, the story revolves around inherited land ownership of Israelis and Arabs, of disappointed dreams, political tensions, and torn emotions as the clash between love and nationalism.
- Asriel Stroon has done well for himself since arriving in America, but has he lost his purity of soul in the process? On a return visit to his Polish hometown, he makes amends by arranging a marriage between his daughter, Flora, and Shaya, a brilliant young Talmudic scholar whom he brings home with him. This does not sit well with Flora, who hopes to find an American doctor to be her husband. But after she spends time with Shaya and takes a liking to him, she gets an idea: perhaps Shaya could get a secular education and become a doctor!
- Twelve year-old Uri reports his teacher Balaban as a suspected spy when he observes him meeting with a young arab man. Only later does he discover that Balaban's interest in the young arab is romantic rather than political.
- Based on a novel by Amos Oz. A couple in Jerusalem before the six day war in 1967, fall in love, get married, have a child and drift apart. With Michael away at war, his wife starts fantasizing about twin Arabs she used to play with as a child.
- Portraying Zionist settlers' accomplishments, this part-documentary, part-travelogue shows 1930s Palestine as opportunity for fulfilling a dream. Through evocative visuals, it encourages settlement and investment in the "Jewish homeland."
- One of the last Yiddish films made in Poland before the Nazi invasion, this film tells the story of a mother's persistent struggles to support her three children in pre-war World War II Polish Ukraine. After her family is pulled apart by severe poverty and the turmoil of war, she and her children make their way to New York and turn to the Hebrew Immigrant Aid Society for help.
- Wealthy, powerful sweatshop owner falls in love with employee's teenage daughter, who feels obligated to marry him after he shares his wealth with her parents, though she actually loves a young Marxist unionizer.
- Atalia is a 40-year-old widow who lost her husband in the Six-Day War and lives on a kibbutz with her adolescent daughter. Lonely and feeling outcast, she enters into a forbidden affair with her daughter's classmate, Matti, an idealistic 19-year-old rejected by the army.