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- At Domremy, a town situated close to the river Meuse, little Joan, the daughter of Jacques d'Arc, heard the tales of the war which was then devastating her country. Mercenary troops of the Duke of Armagnor fought in defense of King Charles VII. They were opposed by the soldiers of the Duke of Burgundy, allied with the English. Devastation and pillage followed in their wake. The peasantry passed their days in wretchedness and terror, hanging round the castles imploring aid and assistance. It was a constant din of battle, galloping horses and the clash of arms. All houses were solidly barred. Joan lived thus in the midst of trouble and anxiety. At times the sound of distinct and melodious bells reached her ears when tending her sheep and cattle in the meadows. She knelt for hours, listening to those mysterious and sweet sounds. One evening she heard a voice calling her in the sweetest tone imaginable. The maiden knelt; a great flood of light dazzled her. St. Michael was standing before the bewildered girl and spoke to her. His words sounded like music to her ear, "Beloved Joan, hearken to the duty that lies before thee. Go to Lord Baudricourt and then to the King. Ask for arms and soldiers, and fight the enemies of France." Some days later, St. Margaret and St. Catharine appeared to Joan and confirmed St. Michael's order, encouraging her and recommending, at the same time, virtue and resolution. Joan was now firmly assured of her mission. The Lord of Baudricourt receives Joan's supplication with derision. "I do not believe a word of all this," says he to Joan's uncle, who has accompanied her, "She is dismissed." Bertrand de Poulangy, a young man secretly in love with Joan, entreats her not to despair. He accompanies her on a second visit to the Lord of Vaucouleur and she finally succeeds. Baudricourt consents to furnish Joan with a small body of knights who will accompany her to the King. Joan, accompanied by Bertrand, puts on a coat of mail, girds her sword and mounting her steed rides at the head of her squires to the castle of Chinon, the actual residence of the King. More than three hundred barons and feudal lords of the realm were then assembled at the King's Court. Desirous of judging for himself whether Joan's mission was really inspired, the King disguises as a courtier, among whom he mixes. Joan enters amid the assemblage. Her rustic beauty causes quite a flutter; the ladies whisper, the knights admire her. Without the least hesitation, she walks straight up to the King, before whom she kneels and says, "Kindly Dauphin, I am Joan the Virgin, from Domremy. The King of Heaven has sent me to say that through my humble offices you will truly become King of France." Joan not only convinces the King of her heavenly mission, but also the King's councilors, all learned prelates, who ply her with numerous and intricate questions. The brilliant career of the Virgin Warrior has begun. At the head of ten thousand men Joan starts for Orleans. The French array was defending the city heroically, but has been reduced to extremities through lack of provisions. Joan crosses the Loire, gives battle, and on the evening of May 1, 1429, the glorious Virgin makes a triumphant entry into the beleaguered city. The next day she discusses with Dunois, commander of the city and the officers of the garrison, her plan of defense and studies the position of the enemy. Anxious and filled with pity for the many lives which must necessarily be lost through warfare, Joan shoots a missive into the English camp. She implores the Englishmen in the name of Heaven not to shed blood ruthlessly, but to raise the siege and depart in peace. This message is received with jeers and taunts, which affect Joan to tears. For fourteen hours the battle raged. One after the other the strong towers on the bridge were taken, and finally the English were forced to raise the siege. Joan, following up her advantage, pursues the flying horde and completely routs the English at the battle of Patay. Talbot was taken prisoner. Night falls on the field of battle. The heroic maiden helps the wounded. The tidings of Joan's magnificent victory stirs the Court and the vacillating King. Joan is received with unusual honors and succeeds in persuading Charles to go to Rheims, there to be crowned King of France in the sacred cathedral of that ancient city. The imposing pageant of the Dauphin Charles' triumphal procession, led by Joan holding aloft her standard, fills the population with enthusiasm and joy. As Joan proceeds, women and girls kiss the hem of her mantle; her path is strewn with roses. On July 11, 1429, the Dauphin Charles is duly crowned King of France, and thus it came to pass that the second part of Joan's mission was fulfilled. Joan is on the eve of returning to her native home when renewed activities of the English convince her that her task is not yet completed and cannot be until she has driven them all from French soil. However, the King's inborn pusillanimity, fostered by the envy, malice and hatred of both the Court and the Clergy, causes him to take an unwise and undignified course. He commands Joan to lay down her arms and retire in one of the royal residences. With intense sorrow, Joan places her sword and spurs and armor on the altar of Saint Denis. Many of her companions and soldiers are in tears. The people hold her in veneration and accompany her, singing hymns and acclaiming her frantically. Mothers bring their sick children to her; she blesses and restores them to health. Joan frets over her inactivity; the Duke of Burgundy's troops are still active and Joan longs to go out and meet them. One morning she starts at the head of her army and leads it under the walls of Paris. Despite the fact that she has been wounded, she again leads her forces to the attack, but is again repulsed. Finally she retires to Compiegne, when, falling into a trap, she is taken prisoner by John of Luxembourg. Joan's star is fading. She is kept a prisoner; her faithful Bertrand succeeds in reaching her in prison and endeavors to make a way for her escape. Joan of Arc heeds not the divine "voices" that remonstrate with her. In her rash attempt she falls on the rocks at the foot of the tower where she was imprisoned and is once more a captive. John of Luxembourg, greatly terrified, the effect of a demoralizing dream, delivers Joan into the hands of the English for the paltry sum of $10,000. Joan is accused of witchcraft. In her prison she is subjected to the insults of her guards and noblemen. Her confessor, the priest Loyseleur, betrays her. She is taken before the inquisition tribunal, which cross-examines her severely. Her replies to the subtle questions of the judges are dignified. The tribunal is confused, but inexorable. Joan is condemned to death by fire. Joan, dressed in white, is led to her doom. Loyseleur, the groveling monk, implores her forgiveness for his treachery. Bertrand, her faithful attendant, showers roses to her as a last tribute of love and respect. She ascends to the scaffold and is tied to the stake. She asks for a cross, which is given to her and which she kisses, praying at the same time for her enemies and invoking the saints. The flames surround Joan; her head droops, her lips faintly murmur the name of the Crucified and her noble and immortal soul appears to be home up to heaven by heavenly messengers. Even her enemies wept and were heard to say, "We have burned a saint."
- Drama about a young man blinded by love.
- Emperor Maximian, having married his daughter, Fausta, to Constantine, renounced the purple and went into retirement, but the enforced idleness and his desire for power and action, induced him to again resume the imperial power. In the field near Lodi, where the oath of allegiance of the army has been received, Maximian begins his triumphant return, and we see him again amid the people crowding the streets, impatient to see him again. He enters the imperial court where Constance, a sister of Constantine, and Licinius, the young Caesar of Illyrium, and Fausta are waiting the arrival of their august relation. The love affair between Constance and Licinius is discovered by Fausta, who has instructions to prevent this alliance from being consummated, as Maximian himself has set his heart on winning Constance. As soon as he enters the palace, and the tumult of greetings cease, he goes into the ladies' room and, dismissing Fausta with a sign, is left alone with Constance, whom he tries to win through flattery, but she refuses him. She goes secretly to St. Maternus and listens to his inspiring words, receiving the right of Christian baptism from his hands. Fausta, having followed Constance, sees all and hastens to tell her father of her discovery. Maximian orders a banquet in the hope that the allurements of pleasure will break down the stubborn defense of Constance. Even this fails, for Constance does not even go near the banqueting room. Maximian then calls together the pagan priests; he annuls his decree, giving tolerance to Christianity. Thousands of confessors of Christ will fall. Constance alone, by giving herself up, will be able to appease the bloody sword of the persecutor. He forces the young neophyte, Constance, to be present at the gladiatorial games. A populace present at the games at the hecatomb of martyrs. The heart of the young Christian girl undergoes a terrible martyrdom, but the bravery of these martyrs gives the girl the firmness that only faith can produce. Maximian, again failing in his attempt to win Constance, tries again, and goes to the field of Lodi and, summoning the army, he orders incense to be thrown upon the pagan tripod. Here again Christian heroes give up their lives to their faith, their bodies are carried in chariots before the imperial seat, before the eyes of Fausta and Constance. Realizing that there is no peace in the court of Maximian for her, she, with her companions, mount their horses and rush to the Court of Constantine. Here exists no bacchanalian orgy, but the sweet calm of virtue. Constantine, amid the lowly, the oppressed and the poor, does his work of upright government. Constance tells her powerful brother all of the horrible plots in which she has been involved and the terrors she has seen. In the meantime, Maximian and Fausta plot the death of Constantine and send the corrupt centurian, Elvius Brutus, to execute the treasonable deed. Through a trick, this design is frustrated, but Brutus is led to believe that his work has been carried out and he tells Maximian, who comes before the gallis coharts, exclaiming: "Constantine is dead. I am your emperor!" "Constantine is living!" interrupts a powerful voice, and the austere monarch appears among a crowd of faithful followers. Maximian is put to death and Fausta, fearing the penalty for her part in the plot, rushes word to her brother, Maxentius, in Rome, who declared war on Constantine. Gathering his coharts together, Constantine crosses the snowy Alps and carries the war into Italy. As day is declining, Constantine, unable to rest, paces to and fro between the tents when, at last, his eyes catch sight of something dazzling in the direction of the sun. He sees a splendid cross in the blue heaven in all its glory, with the inscription: "In Hoc Signo Vincis," but the Emperor, not comprehending the meaning of this sign, was further instructed in the clear night where a vision of the Lord Himself appeared, telling him: "By this sign you will conquer," and directing him to engrave the Holy Cross on his shields. The army resumes its march toward Rome, exulting at the miracle. Meeting the army of Maxentius on the Banks of the Tiber, the battle wages fiercely for hours, but eventually, the followers of Maxentius are put to rout and retreat across the Tiber on bridges made of boats, which give way, carrying Maxentius and his men to their death. Having made his triumphal entry into Rome, the first thought of Constantine is to pay homage to the chief of Christianity, Pontifex St. Melchiades. He prostrates himself at his feet, together with the dutiful Constance and promises to give Christianity free liberty and, as a token of filial reverence, gives the magnificent palace of the Lateran, to be the mother church of all the churches of the world. We see Constantine in his triumphant dress in the same imperial hall where the last bloody persecution had begun. Licinius hastens to Milan to joint his beloved Constance, and has signed the decree giving full liberty to Christianity. He is flanked by a victorious host and looks at the people crowded and acclaiming while the herald reads the imperial messages, "We, Constantine and Licinius Augustus, being at Milan to make joint treaties concerning the welfare and security of our people amongst the things which we deem enhancing the prosperity of our subjects, we specially give importance to those that have reference to the homage due to the Divinity and thus we have given to the Christians and to all citizens of the Roman people the liberty to follow the form of faith which each one may severally prefer." The forum is deserted, the darkness of night prevails and Constantine is alone in his hall lighted up by the soft rays falling from a lamp; he holds in his hands a little tablet containing the decree and is meditating. A few lines contain the history of the world. He closes his eyes and before his mind appears in review the facts which led Christianity to victory after so many centuries of bloodshed. Footsteps awaken the Emperor. Constance and Licinius, with their arms interlocked, enter. Constantine sees and smiles. In the triumph of faith and justice, innocent love also has its victory.
- It is the history of the German Revolution and the coalition of the powers of Europe which caused the first rout of Napoleon during the battle of Leipzig on October 10, 1813. Napoleon scoured the whole of Europe and, overwhelmed by his victories, followed the course of his destiny toward a tragic setting. The allied armies had been conquered many times over, but were still undaunted. The protectorate of Napoleon weighed like a yoke over the kingdoms of the Confederation of the Rhine, but the poets, philosophers, and thinkers of the whole of Germany were united in thought, that of relieving their Fatherland from the humiliation which the Emperor with his glory had imposed upon them. The German youth associated in the famous "League of Courage," the Tugendbund, disciplined their minds and their muscles at the sacred fire of an unquenchable thirst for independence. In the printing office of Stein in Nuremburg burns the sacred fire of German patriotism. The news of the defeat of Austerlitz and of the signing of the treaty of Presburgh which puts Bavaria into the hand of Napoleon, casts despair into the minds of all the students who assemble round the printer, John P. Palm. The latter exhorts them not to lose heart and reads to them a page of the fiery pamphlet he is printing and which bears as title, "The Deep Debasement of Germany." The youths become enthusiastic and offer themselves as volunteers to spread the work of Palm throughout Germany. But the pamphlet falls into the hands of Napoleon, who orders the arrest of Palm. By the aid of the students, Karl Worms and Chrysogonus, Palm succeeds in making his escape from Nuremburg and in taking refuge in a mill near the shores of the Pegnitz. This mill is at once transformed into a secret printing office from which are still hurled throughout all Germany proclamations of fire hidden in bags of flour. Such diffusions were specially in charge of two youths. Frederick Loewe and George, the brother of Riecke and Jane, two girls not yet twenty. Frederick loves Riecke. who reciprocates his love. But the grandeur of the work of redemption which is being prepared for the oppressed Fatherland, inspires so much enthusiasm that he decided to start, persuading George to do the same. While they are far off, Worms falls hopelessly in love with Riecke and betrays Frederick, who has placed blind confidence in him. One day, in a wood near the river, he abuses her, and from that day eternal remorse and grief tears his heart and the girl's. Meanwhile Frederick and George in their patriotic pilgrimage are one day provoked by some French officers. George is killed, but Frederick succeeds in making his escape and goes towards his native village, happy at the idea of seeing his Riecke again. At the mill they know already the news of his approaching arrival; Riecke trembles. Frederick arrives, accompanied by other students. Festivities are made at the mill, when all of a sudden they are startled by a cry of alarm. Some French soldiers break into the house and arrest Palm, dragging him away amid the cries and lamentations of all the bystanders. A boy named Jehbel, in order to save his old grandmother who is dying of starvation, tempted by the offered reward, reveals the hiding place of Palm who a few days after ended his noble life, shot by the soldiers of the garrison of Brunau. The campaigns of 1806 and 1807 are over. Frederick has returned to his cottage where his old mother has long been expecting him. He decides to marry sweet Riecke. The day fixed for the marriage has arrived. While all are merry, Karl Worms arrives unexpectedly. The poor Riecke. at seeing again that hated man feels as if in her heart a horrible wound were breaking out afresh. She feels incapable either of making a confession or of telling a lie, and she flees, leaving a short note for Frederick. It is the hour of the betrothal. Riecke , is to be found nowhere, but Frederick sees on the table among the flowers the short note, which tells him of her flight and that she can see him no more. Frederick like a man out of his mind calls her and looks for her, but to no purpose, and finally hears from Jane the sad truth. He looks for Worms to demand an explanation and to vindicate the wrong, but Worms also has fled. Can they have made their escape together? The thirst for revenge increases. He discovers the friend who has betrayed him at a meeting of patriots and he, the dumb statue of revenge, throws at the feet of Worms a sword whilst he, himself, sword in hand stands before him. One of them must die. But while the two adversaries are beginning to fight, a sweet vision stops them. The charming figure of a woman appears to them in a ray of light, the Queen herself. Those swords henceforth will never be raised again but against the enemies of their common country. Frederick has quenched his thirst for revenge in the holy name of his beloved Germany. We are at the days of the great trial, at that gigantic battle which history has called, "the battle of nations." On the funeral plain of Leipzig, the characters of our story are still found near each other. Jehbel, the boy who had betrayed Palm, is now a drummer-boy and washes out by his own blood the shame of his treason. Karl Worms purifies the atrocious remorse in his heart by falling in defense of his flag. Frederick also has fallen near Karl. Riecke wanders like a mad-stricken figure amid the corpses. She discovers the hated Worms and flees in terror, but when she catches sight of Frederick, who is dying, she rushes near him, bends over him and kisses him. "Who has conquered?" asks Frederick with his last breath. "Germany," replies Riecke. She holds his head in her lap, the head of the dearly beloved one who is no more. But the grief of that poor girl lost among the confused crowd of bleeding corpses rising like a sad and lofty symbol; it is the great sacrifice which all the tenderest and greatest of loves must undergo before the shrine of the Fatherland. Poor Riecke no longer cries. Far, far away on the horizon of fire, pass the remainder of the defeated army of Napoleon. And over Germany now dawns the ray of a long expected freedom.
- Two teenagers fall in love, but their feuding families and fate itself cause the relationship to end in tragedy.
- Petroff Sementick, a Russian nobleman, becomes ruined financially. His creditors seize all his property and the man becomes a wanderer. He continues this precarious existence until one day he rescues a man from under the wreckage of his turnout. It transpires to be Prince Dimitrieff. In a sudden burst of thankfulness for his deliverance, the Prince retains Sementick as overseer of the palace. Each day's experience drives home to him what a bitter thing it is to eat the bread of others. The great possessions of Princess Sonia only mock her, for the Prince, a man of overbearing vanity, seeks tribute to it in new smiles. Tatiana Leontieff, the Russian imperial Dancer, is his latest conquest. While he basks in the warmth of her calculating smiles, the Princess Sonia wanders alone and forgotten through the palace grounds. Her steps are stayed by the sound of piercingly sweet strains, and thus commences the friendship between the Princess and her vassal which is fostered by their loneliness into a deep love. Tatiana Leontieff tires of her Dimitrieff. A younger noble engages her attention. This noble and the Prince engage in a duel over the dancer. Dimitrieff's life pays the price of his vagrant affections. He closes his eyes on this world in Sonia's presence. She is overwhelmed by grief. Twenty years have passed. Petroff Sementick has degenerated into a simple fellow who is the laughing stock of all. His Princess Sonia had died abroad, leaving a daughter. Sementick, faithful to the memory of his Princess, surrounds her portrait with fragrant flowers each day. Sementick is excited over word that the Princess Olga, Sonia's daughter, is coming with her husband to reside in the palace. Sementick's anguish is terrible to behold. He cannot bear the thought that his daughter will see her father jeered at and a spectacle for all to scorn. But an overwhelming hunger to behold her keeps him from fleeing. The Princess and her husband arrive and accept the rustic entertainment arranged in their honor. Sementick, called upon to do his share, pours forth his heart in the old songs that won the Princess Sonia. Follows a dinner at the palace to a company of notables. After the repast Sementick is called upon to divert them. They ply him with drink, then crown the maudlin with the fool's cap, pelting him with the flowers that decorate Sonia's portrait. At this desecration of his beloved Princess, he regains a terrible lucidity and shouts aloud the secret of his life to the assembled guests. All are shocked by the disclosure. Sementick, fearing the consequences, takes a secret farewell of Sonia's portrait in the morning, before resuming his wanderings. Olga sees him praying before her mother's portrait. A great understanding comes to her. Sementick, on the point of starting from the palace, is called back by the master. He is offered pardon if he will recall his terrible confession. Sementick looks at Olga; her eyes plead with him. He perjures himself. As he turns to leave Olga holds out her arms and bestows upon him a daughter's kiss.
- Fitznoodle is a young Italian of wealth and many imaginary ills, mostly of a nervous order. He is sent to a famous specialist by his chum and on his arrival at the sanitarium he is put through a course of athletics and massage that he can never forget, but which make a swift cure of his fidgets and shakes. He is sprayed by a hose, is tossed into a tub, thrown out again, thrown onto a marble table and massaged by a giant negro who uses a rolling pin on his body, and lastly he ends in a comical run home in his bathing suit, being thrown from trolley cars, out of a cab and what not. The giant follows him home and there presents a long bill for his services when Fitznoodle makes a rapid retreat in fear and fright. The negro sits down to the dining table and proceeds to partake of a heaping dish of spaghetti.
- Two sculptors contend for the same woman, until one the two, mad with jealousy, murders the other and hides the corpse inside one of his sculptures.
- After a harsh childhood, orphan Jane Eyre is hired by Edward Rochester, the brooding lord of a mysterious manor house, to care for his young daughter.
- Allegro wanted his daughter Rosa to wed his friend Piedro, as old as himself. The wedding was not a merry one, for Rosa had a sweetheart who had gone to sea. After her marriage her sweetheart came home and was met at the dock by none other than her husband, who it turned out was his own father. They loved more deeply than ever, and on being discovered one evening, Piedro took his wife to the ship, put out to sea, lashed her to a mast and set fire to the vessel. Thus did they both perish.
- While Charles is making love to the actress, Evelyn, his old parents at home are fondly believing their only son is devoting himself diligently to his studies. Evelyn, enraptured by her friend's necklace, begs Charles to buy her one. That night he writes a letter to his parents asking for more money to devote to his studies. Charles' mother has saved up a little money of her own, and once more helps her son. With the money his mother sends him, Charles procures the much-coveted necklace, but owes the dealer a balance of some thousand francs. The balance of the money not forthcoming quickly, the jeweler threatens drastic measures. Evelyn has heard all, and decides to terminate her friendship with Charles. Desperate, he appeals to his father, but in vain. Gorsip, a notorious usurer, sees in Charles a new victim, and tells him it will be necessary for him to sign a draft in his father's name. Charles, frantic at the thought of losing Evelyn, yields to the usurer's subtle suggestion. At a mask ball Charles sees Evelyn again. Amidst the gaieties and smiles of Evelyn, Charles forgets the crime he has committed. Gorsip comes to collect the money on the forged draft. In the meantime Charles receives a letter from his heartbroken father, telling him about the forged draft, and that he had to sell the home of his ancestors in order to save the honor of the family. Charles then writes a letter to Evelyn, telling her that his love for her has caused him to commit this crime. His father is ruined, and he is going away to try to redeem his foolish mistakes. Charles' parents have left the home where they have spent many happy years. Evelyn becomes sanguine, and she determines to right the great wrong she has committed against Charles' parents. She plans to rent the house which once belonged to them, and which now belongs to Gorsip. The inhabitants of the village do not take kindly to the newcomer. Charles' father, homesick, takes advantage of the darkness to go to see the beloved home once more. The old man recognizes Evelyn as the one who has caused his son's downfall and curses her. By this time Evelyn notices that Gorsip has fallen in love with her and wishes to marry her. He will give her as a dowry a deed to the house in which she is now living. He signs his name to the document, but immediately becomes suspicious of the motives of Evelyn and tries to recover the paper, but Evelyn succeeds in hiding the precious document in one of the books in the library. Gorsip meditates his vengeance. He bribes the gardener to allow him to enter the house and search for the deed. Evelyn demands to know what he is doing in her house. During this period Charles has returned to his home, having succeeded in business, and begs his father to pardon him, telling him he has suffered greatly. Evelyn has made up her mind to take the deed to Charles' parents, and Gorsip, maddened by the thought that he is about to lose his precious document, uses his revolver. He wounds Evelyn, but she succeeds in running away and reaching the house in which Charles' parents now live. The would-be murderer is conducted to prison and Charles' parents are touched by Evelyn's act of bravery and redemption and forgive her.