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Motion Picture Sound Editors, USA: 2001

Golden Reel Award

Date:24 March
Location:Los Angeles Ballroom, Century Plaza Hotel, Los Angeles, California, USA

Best Sound Editing - Music (Foreign & Domestic)
  Winner:
 
  Other Nominees:
 
  • Committed (2000) - Mark Jan Wlodarkiewicz (music editor/scoring editor)
  • Gladiator (2000)
  • Remember the Titans (2000) - Will Kaplan (I) (music editor/scoring editor)
  • Turn It Up (2000) - Richard A. Harrison (I) (music editor/scoring editor)
  • Wo hu cang long (2000)

    • Best Sound Editing - Dialogue & ADR, Domestic Feature Film
      Winner:
     
      Other Nominees:
     
  • Almost Famous (2000) - Michael D. Wilhoit (supervising sound editor); Laura R. Harris (supervising dialogue editor); Kelly Oxford (supervising adr editor); Laura Graham (I) (adr editor); Kimaree Long (dialogue editor)
  • Erin Brockovich (2000) - Larry Blake (I) (supervising sound editor); Aaron Glascock (dialogue editor)
  • Gladiator (2000) - Per Hallberg (supervising sound editor); Chris Jargo (supervising adr editor); Laura Graham (I) (adr editor); David A. Cohen (adr editor/dialogue editor); Lauren Stephens (I) (dialogue editor); Simon Coke (dialogue editor); Lou Kleinman (dialogue editor)
  • Into the Arms of Strangers: Stories of the Kindertransport (2000) - Gary Rydstrom (supervising sound editor); Terry Dormand (supervising dialogue editor)
  • Remember the Titans (2000) - Robert L. Sephton (supervising sound editor); Christopher T. Welch (supervising dialogue editor/supervising adr editor); Julie Feiner (adr editor); Cindy Marty (dialogue editor); Gaston Biraben (dialogue editor); Suhail Kafity (dialogue editor)
  • Traffic (2000) - Larry Blake (I) (supervising sound editor); Aaron Glascock (dialogue editor)
  • U-571 (2000) - Jon Johnson (I) (supervising sound editor); Val Kuklowsky (supervising adr editor); Petra Bach (adr editor); Michele Perrone (adr editor); Robert Troy (I) (dialogue editor)

    • Best Sound Editing - Music - Musical Feature (Foreign & Domestic)
      Winner:
     
      Other Nominees:
     
  • Billy Elliot (2000)
  • Bring It On (2000) - Fernand Bos (music editor/scoring editor)
  • Coyote Ugly (2000) - Shannon Erbe (music editor)
  • Dancer in the Dark (2000)
  • Love's Labour's Lost (2000) - Gerard McCann (music editor/scoring editor)
  • Orfeu (1999) - Mark Jan Wlodarkiewicz (music editor/scoring editor)

    • Best Sound Editing - Special Venue
      Winner:
     
      Other Nominees:
     
  • Adventures in Wild California (2000) - Ann Scibelli (supervising sound editor/supervising foley editor); Andrew DeCristofaro (supervising sound editor); Paul Curtis (I) (supervising dialogue editor/supervising adr editor); Mark Lanza (I) (sound editor); Stephen P. Robinson (sound editor); Michael Mullane (sound editor); Michael Orlowski (I) (sound editor)
  • Dolphins (2000) - Ann Scibelli (supervising sound editor); Paul Curtis (I) (supervising dialogue editor/supervising adr editor); Stephen P. Robinson (sound editor); Michael Mullane (sound editor); Brad North (sound editor); Roland N. Thai (sound editor); Nancy Nugent (sound editor)
  • Dragon Planet (2000) - Robert Webber (II) (supervising sound editor); Joy Ealy (supervising dialogue editor); Mike Dickeson (sound editor); Bob Costanza (sound editor); Richard S. Steele (sound editor)
  • Gone in 60 Seconds: The Ride (2000) - George Watters II (supervising sound editor); Victoria Martin (I) (supervising foley editor); Teri E. Dorman (supervising dialogue editor); Juno J. Ellis (supervising adr editor); R.J. Palmer (sound editor); F. Hudson Miller (sound editor)
  • Legend of Loch Lomond, The (2001) - Tim Archer (I) (supervising sound editor); Brian Eimer (supervising dialogue editor); Regan Ramos (sound editor); Katherine Lisi (sound editor); Grant McAlpine (sound editor); Julian DaBoll (sound editor)
  • Michael Jordan to the Max (2000) - Tim Archer (I) (supervising sound editor); Brian Eimer (supervising sound editor); Katherine Lisi (sound editor); Grant McAlpine (sound editor); Regan Ramos (sound editor); Daniel Fernandez (II) (sound editor)
  • Vital Space (2000) - Brian Eimer (supervising sound editor); Tim Archer (I) (supervising sound editor); Regan Ramos (sound editor); Grant McAlpine (sound editor); Katherine Lisi (sound editor)

    • Best Sound Editing - Sound Effects & Foley, Domestic Feature Film
      Winner:
     
      Other Nominees:
     
  • Cast Away (2000) - Dennis Leonard (I) (supervising sound editor); Randy Thom (supervising sound editor); Andrea S. Gard (supervising foley editor); Sue Fox (I) (supervising foley editor); David C. Hughes (sound editor); Ken Fischer (sound editor); Stephen Kearney (II) (sound editor)
  • Gone in Sixty Seconds (2000) - George Watters II (supervising sound editor); Victoria Martin (I) (supervising foley editor); R.J. Palmer (sound editor); F. Hudson Miller (sound editor); Suhail Kafity (sound editor); Gary Wright (I) (sound editor); Adam Kopald (sound editor); David A. Arnold (sound editor); Piero Mura (sound editor); Todd Toon (sound editor); Matthew Harrison (II) (foley editor); James Likowski (foley editor); Fred Burke (foley editor)
  • Mission: Impossible II (2000) - Mark P. Stoeckinger (supervising sound editor); Bryan Bowen (sound editor); Tony Lamberti (sound editor); Alan Rankin (sound editor); Geoffrey G. Rubay (sound editor); Scott Wolf (II) (sound editor); Thomas W. Small (supervising foley editor); Tammy Fearing (foley editor); Scott Curtis (II) (foley editor); Glenn T. Morgan (foley editor); Dino Dimuro (foley editor)
  • Patriot, The (2000) - Per Hallberg (supervising sound editor); Craig S. Jaeger (supervising foley editor); Christopher Assells (sound editor); Dino Dimuro (sound editor); Dan Hegeman (sound editor); Randy Kelley (sound editor); Harry Cohen (II) (sound editor); Scott Sanders (III) (sound editor); David Baldwin (II) (sound editor); Peter Staubli (sound editor); Lou Kleinman (sound editor); Paul Jyrälä (sound editor)
  • Perfect Storm, The (2000) - Wylie Stateman (supervising sound editor); Kelly Cabral (supervising sound editor); Jon Title (sound editor); Wade Wilson (I) (sound editor); Scott Sanders (III) (sound editor); Randy Kelley (sound editor); Hector C. Gika (sound editor); Scott Martin Gershin (sound editor); Valerie Davidson (sound editor); Stu Bernstein (I) (sound editor); Kerry Ann Carmean (sound editor)
  • Space Cowboys (2000) - Alan Robert Murray (supervising sound editor); Bub Asman (supervising sound editor); Michael Dressel (supervising foley editor); Steve Mann (II) (sound editor); Howard Neiman (sound editor); Gary Krivacek (sound editor); Glenn Hoskinson (sound editor); Anthony Milch (sound editor); Jason King (I) (sound editor); David Farmer (I) (sound editor); Phil Benson (sound editor); Ken Fischer (sound editor); Teresa Eckton (sound editor)
  • U-571 (2000) - Jon Johnson (I) (supervising sound editor); Miguel Rivera (I) (supervising foley editor); Keith Bilderbeck (sound editor); Angelo Palazzo (sound editor); Guy Tsujimoto (sound editor); Tim Gedemer (sound editor); Brian W. Jennings (sound editor); Sandy Gendler (sound editor); Charles Maynes (sound editor); Bruce Stubblefield (foley editor); Donald Sylvester (foley editor)
  • Wo hu cang long (2000) - Eugene Gearty (supervising sound editor); Jennifer Ralston (supervising foley editor); Blake Leyh (sound editor); Benjamin Cheah (sound editor)
  • X-Men (2000) - John A. Larsen (supervising sound editor); John Morris (V) (supervising foley editor); Steve Boeddeker (sound editor); Craig Berkey (sound editor); Richard Burton (II) (sound editor); David C. Hughes (sound editor); Ethan Van der Ryn (sound editor); Jay Wilkinson (sound editor); Beau Borders (sound editor); Andy Kopetzky (foley editor)

    • Best Sound Editing - Direct to Video - Sound Editorial
      Winner:
     
      Other Nominees:
     
  • American Tail: The Mystery of the Night Monster, An (1999) (V) - Burton Weinstein (supervising sound editor); Scott C. Kolden (sound editor); Michael C. Gutierrez (foley editor); Lloyd Jay Keiser (adr editor); Michelle C. Stein (dialogue editor); Geoff McNiel (dialogue editor)
  • Fear of Flying (1999) - Paula Fairfield (supervising sound editor); Dorian Cheah (supervising sound editor); Robert Jackson (II) (supervising dialogue editor/supervising adr editor); David Mann (III) (sound editor); Benjamin L. Cook (sound editor); Michael Mullane (sound editor); Anne Slack (sound editor); Craig Jurkiewicz (sound editor); Carla Murray (I) (sound editor); Sarah Smith (IV) (sound editor/foley editor); Jed M. Dodge (adr editor); Jason George (I) (adr editor); David Grant (III) (dialogue editor); Steve Scoville (dialogue editor)
  • Friday Night Date, A (2000) (TV) - Mark Beck (supervising sound editor); Virginia Storey (supervising foley editor); Katherine Fitzgerald (supervising dialogue editor); Scot Marshall (supervising adr editor); Steven Toepell (sound editor); Robert Carli (sound editor)
  • Little Mermaid II: Return to the Sea, The (2000) (V) - David E. Stone (I) (supervising sound editor); Vanessa Theme Ament (supervising foley editor); Mary Andrews (I) (supervising adr editor); Donald Flick (sound editor)
  • Pilgrim (2000) - Mark Beck (supervising sound editor); Virginia Storey (supervising foley editor); Jonas Kuhnemann (supervising dialogue editor/supervising adr editor)
  • Stonebrook (1999) - David Bondelevitch (supervising sound editor/supervising dialogue editor); Greg Back (supervising foley editor); Larry Ellis (II) (supervising adr editor); Scott Spencer (V) (sound editor); Barry Keys (sound editor); Joseph Zappala (I) (sound editor); Donald P. Zappala (sound editor)
  • Tribulation (2000) - Steve Munro (supervising sound editor); Virginia Storey (supervising foley editor); Ray Campbell (II) (supervising dialogue editor); Tim Roberts (I) (supervising adr editor); Colin Baxter (I) (sound editor); Ken Cade (sound editor); David Drainie Taylor (dialogue editor)

    • Best Sound Editing - Made for Computer Entertainment
      Nominees:
     
  • Forgotten Realms: Baldur's Gate II - Shadows of Amn (2000) (VG) - Tim Gedemer (supervising sound editor/supervising foley editor); Charles Deenen (supervising sound editor/supervising dialogue editor)

    • Best Sound Editing - Music - Animation
      Winner:
     
      Other Nominees:
     
  • Dinosaur (2000) - Jim Weidman (music editor); David Olson (I) (music editor)
  • Emperor's New Groove, The (2000) - Paul Silver (I) (music editor)
  • Road to El Dorado, The (2000) - Adam Milo Smalley (supervising music editor); Vicki Hiatt (music editor)
  • Titan A.E. (2000) - Joshua Winget (scoring editor/music editor)

    • Best Sound Editing - Animated Feature
      Winner:
     
      Other Nominees:
     
  • Chicken Run (2000) - James Mather (I) (supervising sound editor/foley editor); Graham Headicar (supervising sound editor); Danny Hambrook (sound effects editor); Tim Hands (dialogue editor)
  • Dinosaur (2000) - Christopher Boyes (supervising sound editor); Frank E. Eulner (supervising sound editor); Michele Perrone (supervising adr editor); Ethan Van der Ryn (sound editor); Scott Guitteau (sound editor); Andrea S. Gard (sound editor); Mark A. Hester (sound editor); James Likowski (foley editor); Joanna Laurent (foley editor); John Verbeck (foley editor)
  • Emperor's New Groove, The (2000) - Tim Chau (supervising sound editor); Thomas Whiting (supervising adr editor); Nils C. Jensen (sound editor); David Kern (I) (sound editor); Albert Gasser (sound editor); Donald Sylvester (sound editor)
  • Road to El Dorado, The (2000) - Gregory King (II) (supervising sound editor); Yann Delpuech (supervising sound effects editor); Darren King (I) (supervising adr editor)
  • Rugrats in Paris: The Movie - Rugrats II (2000) - Cameron Frankley (supervising sound editor); Beth Sterner (supervising sound editor)

    • Best Sound Editing - Foreign Feature
      Winner:
     
      Other Nominees:
     
  • Billy Elliot (2000) - Zane Hayward (supervising sound editor); Stewart Henderson (adr editor/dialogue editor); Anthony Faust (I) (foley editor)
  • Grizzly Falls (1999) - Tim Lewiston (I) (supervising sound editor); Howard Eaves (sound effects editor); Vicky Brazier (foley editor); Joe Dunphy (I) (adr editor)
  • High Fidelity (2000) - Peter Joly (supervising sound editor); Danny Longhurst (dialogue editor); Michael Redfern (II) (foley editor)
  • Ninth Gate, The (1999) - Laurent Quaglio (sound editor); Katia Boutin (adr editor)
  • Requiem for a Dream (2000) - Nelson Ferreira (I) (supervising sound editor/adr editor); Craig Henighan (sound effects editor); Stephen Barden (dialogue editor); Jill Purdy (dialogue editor)
  • Running Free (1999) - Rodney Glenn (supervising sound editor); Michael Feinberg (I) (foley editor); Brigitte Arnold (I) (adr editor); Laura Lovejoy (dialogue editor)
  • Shadow of the Vampire (2000) - Nigel Heath (supervising sound editor); Julian Slater (I) (sound effects editor); Arthur Graley (foley editor); James Feltham (adr editor/dialogue editor)

    • Best Sound Editing - Television Mini-Series - Effects & Foley
      Winner:
     
      Other Nominees:
     
  • Anne of Green Gables: The Continuing Story (2000) (TV) - Mark Beck (supervising sound editor); Doug Hubert (sound editor)
  • In the Beginning (2000) (TV) - Joseph Melody (supervising sound editor); G. Michael Graham (supervising sound editor); Anton Holden (sound editor); Tim Terusa (sound editor); Rick Crampton (sound editor); Mark Steele (I) (sound editor); Mark Friedgen (sound editor); Mike Dickeson (sound editor); Bob Costanza (sound editor); Adriane Marfiak (sound editor); Lou Thomas (sound editor); Richard S. Steele (sound editor); Bill Bell (V) (sound editor)
  • Jackie Bouvier Kennedy Onassis (2000) (TV) - Andrew DeCristofaro (supervising sound editor); Michael Payne (II) (supervising sound editor); Jeffrey R. Whitcher (sound editor); Stephen P. Robinson (sound editor); Michael Orlowski (I) (sound editor)
  • Nuremberg (2000) (TV) - Richard Cadger (supervising sound editor); Paul Shikata (sound editor)
  • On the Beach (2000) (TV) - Brent Burge (supervising sound editor); Mark Perry (III) (supervising sound editor); Gerry Long (supervising foley editor); Rory Martin (sound editor); Dino Giacomin (sound editor)
  • Sally Hemings: An American Scandal (2000) (TV) - Joseph Melody (supervising sound editor); Mark Friedgen (supervising sound editor); Anton Holden (sound editor); Tim Terusa (sound editor); Mark Steele (I) (sound editor); Rick Crampton (sound editor); Michael Lyle (I) (sound editor); Rusty Tinsley (sound editor); Adriane Marfiak (sound editor); Mike Dickeson (sound editor); Richard S. Steele (sound editor); Gary Macheel (sound editor); Bob Costanza (sound editor); Scott C. Kolden (sound editor)

    • Best Sound Editing - Television Mini-Series - Dialogue & ADR
      Winner:
     
      Other Nominees:
     
  • "Dune" (2000) - Jay Wilkinson (supervising sound editor); Bob Newlan (supervising dialogue editor); R.J. Palmer (supervising adr editor); Ulrika Akander (sound editor); Sonya Henry (sound editor); Helen Luttrell (sound editor); David Beadle (sound editor); David Grecu (sound editor); Patrick Hogan (II) (sound editor); Jeff Rosen (I) (sound editor); Larry Goeb (sound editor)
  • Anne of Green Gables: The Continuing Story (2000) (TV) - Jonas Kuhnemann (supervising sound editor/supervising dialogue editor/supervising adr editor)
  • Jackie Bouvier Kennedy Onassis (2000) (TV) - Andrew DeCristofaro (supervising sound editor); Michael Payne (II) (supervising sound editor); Paul Curtis (I) (dialogue editor/supervising adr editor/sound editor); Nancy Nugent (sound editor); John C. Stuver (sound editor)
  • On the Beach (2000) (TV) - Brent Burge (supervising sound editor); Mark Perry (III) (supervising sound editor); James Harvey (III) (supervising dialogue editor); Gavin Myers (supervising dialogue editor); Dino Giacomin (supervising adr editor); Ian MacWilliams (adr editor)

    • Best Sound Editing - Television Movies and Specials (including Mini-Series) - Music
      Winner:
     
      Other Nominees:
     
  • Audrey Hepburn Story, The (2000) (TV) - Bob Beecher (music editor)
  • Dark Prince: The True Story of Dracula (2000) (TV) - Steven A. Saltzman (music editor)
  • Deadly Appearances (2000) (TV) - Christopher Dedrick (music editor)
  • For All Time (2000) (TV) - Chris Ledesma (I) (music editor); Bob Beecher (music editor)
  • For Love or Country: The Arturo Sandoval Story (2000) (TV) - Allan K. Rosen (music editor); Nicholas Viterelli (music editor); Georgiana Ramsland (music editor)
  • Hendrix (2000) (TV) - David Bondelevitch (music editor)
  • Love and Murder (2000) (TV) - Christopher Dedrick (music editor)

    • Best Sound Editing - Television Episodic - Music
      Winner:
     
      Other Nominees:
     
  • "Bette" (2000) - Chris Ledesma (I) (music editor)
    - For episode "The Color of Roses".
  • "Buffy the Vampire Slayer" (1997) - Fernand Bos (music editor/scoring editor)
    - For episode "Superstar".
  • "Queer as Folk" (2000) - Yuri Gorbachow (music editor)
    - For episode #1.
  • "Sopranos, The" (1999) - Kathryn Dayak (music editor)
    - For episode "Commendatori".
  • "Undressed" (1999) - Brian Bulman (music editor)
    - For episode #330.
  • "Xena: Warrior Princess" (1995) - Philip Tallman (music editor)
    - For episode "Coming Home".

    • Best Sound Editing - Television Episodic - Effects & Foley
      Winner:
     
      Other Nominees:
     
  • "Buffy the Vampire Slayer" (1997) - Cindy Rabideau (supervising sound editor); Mike Marchain (supervising foley editor); Mark Cleary (I) (sound editor); Daniel Tripoli (sound editor); Raymond E. Spiess III (sound editor)
    - For episode "Fool For Love".
  • "CSI: Crime Scene Investigation" (2000) - Mace Matiosian (supervising sound editor); David Rawlinson (I) (supervising sound editor); David F. Van Slyke (sound editor)
    - For the pilot.
  • "ER" (1994) - Walter Newman (II) (supervising sound editor); Darren Wright (I) (sound editor); Rick Camera (sound editor)
    - For episode "All In The Family".
  • "Nash Bridges" (1996) - Albert Ibbotson (supervising sound editor); Mark L. Mangino (supervising sound editor); Jim Yant (supervising foley editor); Craig T. Rosevear (sound editor); Charles Rychwalski (sound editor); John Peccatiello (foley editor)
    - For episode "End Game".
  • "Others, The" (2000) - Mace Matiosian (supervising sound editor); Guy Tsujimoto (sound editor); Eric Williams (VI) (sound editor); Harry Cohen (II) (sound editor)
    - For episode "Eyes".
  • "Seven Days" (1998) - Wilson Dyer (supervising sound editor/supervising foley editor); Kevin Fisher (I) (sound editor); Lloyd Jay Keiser (sound editor); Todd Niesen (sound editor)
    - For episode "Tracker".
  • "Sopranos, The" (1999) - Anna MacKenzie (supervising sound editor); Rick Hinson (sound editor); Mike Marchain (sound editor)
    - For episode "Knight In White Satin Armor".
  • "Third Watch" (1999) - Walter Newman (II) (supervising sound editor); Rick Hromadka (sound editor); David Werntz (sound editor)
    - For episode "Jimmy's Mountain".

    • Best Sound Editing - Television Episodic - Dialogue & ADR
      Winner:
     
      Other Nominees:
     
  • "City of Angels" (2000) - John Kincade (supervising sound editor); Todd Niesen (sound editor)
    - For episode "Nathan's Hot Dog".
  • "Deadline" (2000) - Lee Dragu (supervising sound editor); Michael Jacobi (supervising adr editor); Marty Vites (sound editor); Steve Berger (III) (sound editor); Andy Dawson (I) (sound editor); Tom Jaeger (sound editor)
    - For episode "Howl".
  • "ER" (1994) - Walter Newman (II) (supervising sound editor); Darleen Stoker (supervising dialogue editor); Thomas A. Harris (supervising adr editor); Karyn Foster (I) (sound editor)
    - For episode "May Day".
  • "Law & Order: Special Victims Unit" (1999) - Jeffrey Kaplan (I) (supervising sound editor/supervising adr editor); Norval D. Crutcher III (supervising dialogue editor)
    - For episode "Baby Killer".
  • "Providence" (1999) - Robb Navrides (supervising sound editor/supervising adr editor); Andy Dawson (I) (supervising dialogue editor)
    - For episode "The Gift".
  • "Touched by an Angel" (1994) - Bill Bell (V) (supervising sound editor); Tim Terusa (supervising dialogue editor/supervising adr editor); Anton Holden (sound editor); Joy Ealy (sound editor); Michael Lyle (I) (sound editor); Randal S. Thomas (sound editor); Rusty Tinsley (sound editor); Rick Crampton (sound editor)
    - For episode "Finger of God".
  • "West Wing, The" (1999) - Walter Newman (II) (supervising sound editor); Thomas A. Harris (supervising sound editor/supervising adr editor); Catherine Flynn (supervising dialogue editor); Jessica A. Dickson (sound editor)
    - For episode "What Kind Of Day Has It Been".

    • Best Sound Editing - Television Animated Series - Sound
      Winners:
     
      Other Nominees:
     
  • "Buzz Lightyear of Star Command" (2000) - Jennifer Mertens (supervising sound editor); Michael Gollom (supervising sound editor); Otis Van Osten (sound editor); Rick Hammel (sound editor); Eric Hertsguaard (dialogue editor)
    - For episode "Enemy Without A Face".
  • "Family Guy" (1999) - Bob Newlan (supervising sound editor); Andrew Ellerd (sound editor); Erik Aadahl (sound editor); Michael Babcock (I) (sound editor); Jeff Sawyer (I) (sound editor); Helen Luttrell (foley editor/dialogue editor)
    - For episode "He's Too Sexy For His Fat".
  • "Johnny Bravo" (1997) - Glenn Oyabe (supervising sound editor/supervising foley editor); Kerry Iverson (supervising dialogue editor); Jesse Aruda (sound editor); John Bires (sound editor)
    - For episodes "Johnny Bravo Affair/Biosphere Johnny/Spa Spaz".
  • "Max Steel" (2001) - Michael Warner (II) (supervising sound editor); Kris Daly (supervising foley editor); Roshaun Hawley (supervising dialogue editor)
    - For episode "Steel Vs. Steel".
  • "Mickey Mouse Works" (1999) - Jennifer Mertens (supervising sound editor); Michael Gollom (sound editor); Bill Kean (sound editor); Otis Van Osten (sound editor); Jason Oliver (V) (dialogue editor)
  • "Roughnecks: The Starship Troopers Chronicles" (1999) - Robert Duran (supervising sound editor); Robert Poole II (sound editor); Kris Daly (foley editor); Robbi Smith (dialogue editor)
    - For episode "Metamorphosis".

    • Best Sound Editing - Television Movies and Specials - Effects & Foley
      Winner:
     
      Other Nominees:
     
  • For All Time (2000) (TV) - Mark Friedgen (supervising sound editor); Kristi Johns (supervising adr editor); Anton Holden (sound editor); Tim Terusa (sound editor); Rusty Tinsley (sound editor); Michael Lyle (I) (sound editor); Bill Bell (V) (sound editor); Mike Dickeson (sound editor); Bob Costanza (sound editor); Gary Macheel (sound editor); Richard S. Steele (sound editor)
  • Freedom Song (2000) (TV) - John Leveque (supervising sound editor); Shawn Sykora (supervising foley editor); Steve Mann (II) (sound editor); Anthony Milch (sound editor)
  • Noriega: God's Favorite (2000) (TV) - William H. Angarola (supervising sound editor); Rick Hinson (supervising sound editor); Mike Marchain (sound editor); Cindy Rabideau (sound editor); Anna MacKenzie (sound editor)
  • Operation Sandman (2000) (TV) - Robert Webber (II) (supervising sound editor); Bill Bell (V) (supervising dialogue editor); Suzanne Angel (I) (supervising adr editor); Paul N.J. Ottosson (sound editor); Adriane Marfiak (sound editor); Bob Costanza (sound editor); Richard S. Steele (sound editor); Joy Ealy (sound editor); Anton Holden (sound editor); Scott C. Kolden (sound editor); Tim Terusa (sound editor); Michael Lyle (I) (sound editor); Les Wolf (I) (sound editor)
  • Race Against Time (2000) (TV) - Bob Newlan (supervising sound editor); Michael Babcock (I) (sound editor)
  • Ready to Run (2000) (TV) - John Benson (II) (supervising sound editor); Michael Babcock (I) (sound editor); Andrew Ellerd (sound editor); Erik Aadahl (sound editor)
  • Witchblade (2000) (TV) - Michael E. Lawshe (supervising sound editor); Timothy A. Cleveland (sound editor); Paul J. Diller (sound editor); Kenneth Young (I) (sound editor); Eric C. Hosmer (sound editor); Rick Hromadka (sound editor); Wayne O'Brien (sound editor); Kerry Malony (foley editor)

    • Best Sound Editing - Television Animation - Music
      Winner:
     
      Other Nominees:
     
  • "Buzz Lightyear of Star Command" (2000) - Brian F. Mars (music editor); Dominick Certo (music editor/scoring editor)
    - For episode "Return To Karn".
  • "Pepper Ann" (1997) - Nick Carr (I) (music editor); Liz Lachman (scoring editor)
    - For episode "The Great Beyond/Jaybirds Of A Feather".
  • "Simpsons, The" (1989) - Bob Beecher (music editor)
    - For episode "Last Tap Dance In Springfield".
  • "SpongeBob SquarePants" (1999) - Nick Carr (I) (music editor)
    - For episode "Fools In April/Neptune's Spatula".

    • Best Sound Editing - Television Movies and Specials - Dialogue & ADR
      Winner:
     
      Other Nominees:
     
  • "Dark Angel" (2000) - Jerry Edemann (supervising sound editor/supervising dialogue editor/supervising adr editor); Barbara Issak (sound editor); Marty Stein (sound editor); Tiffany S. Griffith (sound editor); Raymond E. Spiess III (sound editor); David Melhase (sound editor)
    - For the pilot.
  • "Huntress, The" (2000) {Pilot (#1.0)} - Kyle Wright (I) (supervising sound editor/supervising dialogue editor/supervising adr editor); Peter Myles (sound editor); Stacey Nakasone (sound editor); Robb Navrides (sound editor)
  • Darkling, The (2000) (TV) - Kyle Wright (I) (supervising sound editor/supervising dialogue editor/supervising adr editor); Steve Burger (II) (sound editor); Tom Jaeger (adr editor)
  • Frankie & Hazel (2000) (TV) - Tony Gort (supervising sound editor/supervising dialogue editor)
  • Miracle Worker, The (2000) (TV) - John Benson (II) (supervising sound editor/supervising adr editor); Sonya Henry (supervising dialogue editor); John Green (II) (sound editor)
  • Ultimate Christmas Present, The (2000) (TV) - Stephen Grubbs (supervising sound editor/supervising dialogue editor/supervising adr editor); Sonya Henry (sound editor); Patrick Hogan (II) (sound editor); John Green (II) (sound editor)
  • Virginian, The (2000) (TV) - William H. Angarola (supervising sound editor/supervising dialogue editor/supervising adr editor); Anna MacKenzie (sound editor)
  • Witchblade (2000) (TV) - Michael E. Lawshe (supervising sound editor/supervising adr editor); Jennifer Mertens (supervising sound editor); Virginia Cook-McGowan (supervising dialogue editor); Jessica A. Dickson (adr editor); Bruce M. Honda (dialogue editor)

    • Verna Fields Award

      Nominees:
     
  • Meta (2000) - Joseph Tsai (sound editor); Aaron Gleason (sound editor)
    - University of Southern California.

    • Career Achievement Award

      Awarded to:
     

     

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