Indie News
New York arthouse distributor Kino Lorber is expanding its streaming service, Kino Film Collection, currently available on Amazon Prime, to include a stand-alone SVOD which will feature hundreds of titles from its extensive back catalog, including features from the likes of Yorgos Lanthimos, Jia Zhangke, and Ken Loach.
Kino Lorber announced the new service timed to start of this year’s Cannes film festival. The stand-alone SVOD, available to subscribers for $5.99 a month, includes several Cannes highlights from years past, including Kaouther Ben Hania’s Oscar-nominated documentary Four Daughters and Thien An Pham-directed drama Inside the Yellow Cocoon Shell, both winners of the Camera d’Or prize on the Croisette last year; Loach’s Sorry We Missed You, a 2019 competition title; and Palme d’Or winners Winter Sleep (2014) from Nuri Bilge Ceylan and Underground (1995) from Emir Kusturica.
“Cannes and the Kino Film Collection are so intertwined because we share a...
Kino Lorber announced the new service timed to start of this year’s Cannes film festival. The stand-alone SVOD, available to subscribers for $5.99 a month, includes several Cannes highlights from years past, including Kaouther Ben Hania’s Oscar-nominated documentary Four Daughters and Thien An Pham-directed drama Inside the Yellow Cocoon Shell, both winners of the Camera d’Or prize on the Croisette last year; Loach’s Sorry We Missed You, a 2019 competition title; and Palme d’Or winners Winter Sleep (2014) from Nuri Bilge Ceylan and Underground (1995) from Emir Kusturica.
“Cannes and the Kino Film Collection are so intertwined because we share a...
- 5/17/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
As part of the Marché du Film at Cannes, Byron Allen’s Freestyle Digital Media has acquired the North American rights to thriller The Ghost Trap, The Hollywood Reporter can exclusively reveal.
It focuses on a young lobsterman who is forced to choose between right and wrong when his girlfriend suffers a traumatic head injury after being swept off his boat by a rogue wave, and a rival lobster family sabotages his gear. A deadly trap war ensues.
Zak Steiner (White Men Can’t Jump, Euphoria), Greer Grammer (Awkward, Deadly Illusions), Sarah Catherine Hook (First Kill, The White Lotus) and Steven Ogg (The Walking Dead, Westworld) are set to star.
The supporting cast includes Taylor Takahashi (Boogie), Xander Berkeley (The Terminator, Apollo 13), Sarah Clarke (Twilight), Billy Wirth (The Lost Boys) and Heather Thomas (The Fall Guy).
On his feature directorial debut, James Khanlarian directs from K. Stephens’ script, based on...
It focuses on a young lobsterman who is forced to choose between right and wrong when his girlfriend suffers a traumatic head injury after being swept off his boat by a rogue wave, and a rival lobster family sabotages his gear. A deadly trap war ensues.
Zak Steiner (White Men Can’t Jump, Euphoria), Greer Grammer (Awkward, Deadly Illusions), Sarah Catherine Hook (First Kill, The White Lotus) and Steven Ogg (The Walking Dead, Westworld) are set to star.
The supporting cast includes Taylor Takahashi (Boogie), Xander Berkeley (The Terminator, Apollo 13), Sarah Clarke (Twilight), Billy Wirth (The Lost Boys) and Heather Thomas (The Fall Guy).
On his feature directorial debut, James Khanlarian directs from K. Stephens’ script, based on...
- 5/17/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Mena Suvari and Antoine Olivier Pilon (“French Girl”) have been cast as the leads in psychological drama “Anatomy of the Sun.”
The film, from writer and director Steven Richter, also features Iman Karram in a supporting role.
“Anatomy of the Sun” follows Alex (Pilon), a music producer who is haunted by visions of his dead sister as he tries to understand the details of her untimely demise. Suvari plays his mother Carol, who is also in the throes of grief.
Casting is underway for the role of Alex’s step-father Hector. Alexis Allen is overseeing casting for the project, which is in pre-production and scheduled to start shooting in the fall.
Richter’s 2011 feature “Center of Gravity” was nominated as Raindance’s Film of the Festival.
“I think of ‘Anatomy of the Sun’ as an immersive visual and sonic narrative experience that blurs reality and the natural dreamscapes of the mind,...
The film, from writer and director Steven Richter, also features Iman Karram in a supporting role.
“Anatomy of the Sun” follows Alex (Pilon), a music producer who is haunted by visions of his dead sister as he tries to understand the details of her untimely demise. Suvari plays his mother Carol, who is also in the throes of grief.
Casting is underway for the role of Alex’s step-father Hector. Alexis Allen is overseeing casting for the project, which is in pre-production and scheduled to start shooting in the fall.
Richter’s 2011 feature “Center of Gravity” was nominated as Raindance’s Film of the Festival.
“I think of ‘Anatomy of the Sun’ as an immersive visual and sonic narrative experience that blurs reality and the natural dreamscapes of the mind,...
- 5/16/2024
- by K.J. Yossman
- Variety - Film News
The main cast of Jim Jarmusch‘s first film since 2019’s “The Dead Don’t Die” has been revealed, and what a cast it is. Variety reports that Adam Driver, Mayim Bialik, Jarmusch regular Tom Waits, Charlotte Rampling, Indya Moore, and Luka Sabbat join Cate Blanchett and Vicky Krieps on “Father Mother Sister Brother.” Jarmusch has already wrapped shooting, with post-production underway in NYC, so expect the film to be ready for a premiere later this year.
Continue reading ‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More at The Playlist.
Continue reading ‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More at The Playlist.
- 5/16/2024
- by Ned Booth
- The Playlist
Neon has bought North American rights to “The Unknown” (“L’Inconnue”), the hotly anticipated next movie from “Anatomy of a Fall”’s Oscar-winning co-writer Arthur Harari.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
- 5/17/2024
- by Elsa Keslassy
- Variety - Film News
BuzzFeed Studios and actor and comedian Lil Rel Howery are partnering on “Saving the Neighborhood,” a new series examining the “existential threats” facing neighborhoods across America. Howery will serve as both the director and the series’s host.
The first season of “Saving the Neighborhood” examines the impact of environmental racism on Black and Brown communities across the U.S. – from Howery’s hometown of Chicago to the water crises in Jackson, Miss., and Flint, Mich., to toxic dumps and incinerators in New York and California. He will meet communities around the country fighting for environmental justice.
BuzzFeed Studios’ slate...
The first season of “Saving the Neighborhood” examines the impact of environmental racism on Black and Brown communities across the U.S. – from Howery’s hometown of Chicago to the water crises in Jackson, Miss., and Flint, Mich., to toxic dumps and incinerators in New York and California. He will meet communities around the country fighting for environmental justice.
BuzzFeed Studios’ slate...
- 5/17/2024
- by Brent Lang
- Variety - TV News
Horror and thriller directors Michael and Peter Spierig (Lionsgate’s Jigsaw) are set to direct Fall 2, it was announced by Capstone Studios’ CEO Christian Mercuri. Scott Mann, who directed and co-wrote the first film, is returning to co-write Fall 2 with Jonathan Frank.
Following the successful survival thriller Fall released in 2022 by Lionsgate, Fall 2 will reunite producers Mark Lane and James Harris of Tea Shop Productions (47 Meters Down), Capstone’s Christian Mercuri, David Haring, and Scott Mann via the Flawless banner.
Dan Asma, John Long, and Roman Viaris will also reunite as executive producers alongside Capstone’s Ruzanna Kegeyan. Capstone will finance the sequel, with Fall 2 set to begin shooting in June 2024.
Capstone Global is handling worldwide rights to the franchise. In late 2023, Capstone Studios greenlit both Fall 2 and Fall 3 under the franchise. Mann will return to write and direct the third installment.
“We’re extremely excited to helm the second...
Following the successful survival thriller Fall released in 2022 by Lionsgate, Fall 2 will reunite producers Mark Lane and James Harris of Tea Shop Productions (47 Meters Down), Capstone’s Christian Mercuri, David Haring, and Scott Mann via the Flawless banner.
Dan Asma, John Long, and Roman Viaris will also reunite as executive producers alongside Capstone’s Ruzanna Kegeyan. Capstone will finance the sequel, with Fall 2 set to begin shooting in June 2024.
Capstone Global is handling worldwide rights to the franchise. In late 2023, Capstone Studios greenlit both Fall 2 and Fall 3 under the franchise. Mann will return to write and direct the third installment.
“We’re extremely excited to helm the second...
- 5/16/2024
- by Mirko Parlevliet
- Vital Thrills
Ryan J. Sloan’s “Gazer” is a classic thriller that will surely have Cannes audiences on the edge of their seats when it world premieres in competition in Directors’ Fortnight at this year’s festival.
Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of Frankie, a young mother with a rare degenerative brain condition called dyschronometria. The disease causes her to struggle to perceive time, which makes holding down a steady job nearly impossible. So, when a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences of her decision.
While the thematic notes of a classic Hitchcockian thriller are plain to see on screen, one thing that really sets “Gazer” apart from most films – especially American films – that make it to Cannes is that the project was entirely self-financed and produced.
There were no production companies (apart...
Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of Frankie, a young mother with a rare degenerative brain condition called dyschronometria. The disease causes her to struggle to perceive time, which makes holding down a steady job nearly impossible. So, when a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences of her decision.
While the thematic notes of a classic Hitchcockian thriller are plain to see on screen, one thing that really sets “Gazer” apart from most films – especially American films – that make it to Cannes is that the project was entirely self-financed and produced.
There were no production companies (apart...
- 5/16/2024
- by Jamie Lang and Elsa Keslassy
- Variety - Film News
It is polite, we are told, not to speak ill of the dead, though it’s just as often prudent not to speak ill of the living. For victims with grievances against those older and more powerful than them, it’s hard to know when to speak up at all. But a quivering collective fury scalds through the silence in Rungano Nyoni’s tremendous new film “On Becoming a Guinea Fowl” — as a group of young women, nursing the scars of sexual abuse, chafe against the quiet complicity of family elders when their shared perpetrator drops suddenly and none-too-sadly dead. Blending molasses-dark comedy with searing poetic realism to capture contemporary Zambian society at a generational impasse between staunch tradition and social progress, this is palpably new, future-minded filmmaking, at once intrepidly daring and rigorously poised.
Unspooling in Cannes’ Un Certain Regard sidebar — though more worthy of a spot in the main Competition,...
Unspooling in Cannes’ Un Certain Regard sidebar — though more worthy of a spot in the main Competition,...
- 5/16/2024
- by Guy Lodge
- Variety - Film News
Paramount+ has landed the world premiere of “We Will Dance Again,” director Yariv Mozer’s documentary about the Oct. 7 terrorist attack on Israel’s Nova Music Festival, which left more than 400 dead and dozens kidnapped.
The film, produced by Susan Zirinsky’s See it Now Studios, will premiere exclusively on Paramount+ in the U.S. this fall.
“We Will Dance Again” recounts the horrific assault by Hamas terrorists through the accounts of more than a dozen survivors, many of whom recorded the attack as it unfolded. The Nova Music Festival killings were part of the broader Oct. 7 attacks that sparked...
The film, produced by Susan Zirinsky’s See it Now Studios, will premiere exclusively on Paramount+ in the U.S. this fall.
“We Will Dance Again” recounts the horrific assault by Hamas terrorists through the accounts of more than a dozen survivors, many of whom recorded the attack as it unfolded. The Nova Music Festival killings were part of the broader Oct. 7 attacks that sparked...
- 5/16/2024
- by Jack Dunn
- Variety - TV News
Red Water Entertainment has snapped up North American distribution rights to the single take thriller “Failure!” led by Ted Raimi (“The Quarry”).
This Mexico-u.S. co-production, shot in an unbroken 87-minute take, follows business tycoon James (Raimi) as he faces a crushing bank debt deadline. With time running out, he contends with treacherous associates, deceitful friends and haunting pasts, and is forced to choose between financial collapse or murder.
Directed by Alex Kahuam (“Forgiveness”), “Failure!” is believed to be the first time a Mexican filmmaker has made a feature film without cuts in the U.S.
The cast also includes Merrick McCartha (“Senior Year”), Melissa Diaz (“Ruthless”), John Paul Medrano (“Seven Days”), Daniel Kuhlman (“Voodoo Macbeth”) and Noel Douglas Orput.
The film gained a boost after bowing at the inaugural Fantastic Pavilion Galas, the Cannes Film Festival market’s genre showcase that was introduced in 2023. It has since screened at Frightfest,...
This Mexico-u.S. co-production, shot in an unbroken 87-minute take, follows business tycoon James (Raimi) as he faces a crushing bank debt deadline. With time running out, he contends with treacherous associates, deceitful friends and haunting pasts, and is forced to choose between financial collapse or murder.
Directed by Alex Kahuam (“Forgiveness”), “Failure!” is believed to be the first time a Mexican filmmaker has made a feature film without cuts in the U.S.
The cast also includes Merrick McCartha (“Senior Year”), Melissa Diaz (“Ruthless”), John Paul Medrano (“Seven Days”), Daniel Kuhlman (“Voodoo Macbeth”) and Noel Douglas Orput.
The film gained a boost after bowing at the inaugural Fantastic Pavilion Galas, the Cannes Film Festival market’s genre showcase that was introduced in 2023. It has since screened at Frightfest,...
- 5/16/2024
- by Naman Ramachandran
- Variety - Film News
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Is This What I Told Myself It Would Be?
Directed by Marjane Satrapi and written by Michael R. Perry, “The Voices” has a phenomenal trailer — snappy, stunning, and with a hunky Chinese Elvis impersonator! I would know; I’ve seen it dozens of times in the decade since Lionsgate made the movie: a feature that, up until now, I haven’t watched and will be using this week’s IndieWire After Dark to recommend to myself. Let me (us?) explain.
This buzzy Sundance breakout from 2014 — starring a sweetie pie Ryan Reynolds...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Is This What I Told Myself It Would Be?
Directed by Marjane Satrapi and written by Michael R. Perry, “The Voices” has a phenomenal trailer — snappy, stunning, and with a hunky Chinese Elvis impersonator! I would know; I’ve seen it dozens of times in the decade since Lionsgate made the movie: a feature that, up until now, I haven’t watched and will be using this week’s IndieWire After Dark to recommend to myself. Let me (us?) explain.
This buzzy Sundance breakout from 2014 — starring a sweetie pie Ryan Reynolds...
- 5/18/2024
- by Alison Foreman
- Indiewire
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics, filmmakers, and programmers to give their first impressions of the festival. Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Giovanni Marchini CamiaThe reconstruction of Napoléon, as seen by Abel Gance, was the first film to play at this year’s festival—after the Berlinale’s TinyHouse, this is symbolism at its most ready-made. Impossible to watch this inordinately glorious, inordinately chauvinistic film at Cannes without thinking of Thierry Frémaux, the festival world’s very own Napoleon, the man everyone loves to hate. As rumors of an impending labor strike and #MeToo bombshell crescendoed ahead of that evening’s opening ceremony, no image could have been more fitting than Napoleon braving a furious storm on a rickety fishing boat, a French flag fashioned into a sail as his only lifeline.
- 5/17/2024
- MUBI
Dabney Coleman, one of the best-known character actors of the late 20th century, has died at the age of 92. The news of his death has been confirmed by IndieWire.
In a statement obtained from his manager Jeffrey Goldberg, Coleman’s daughter Quincy wrote, “My father, Dabney Wharton Coleman, took his last earthly breath peacefully and exquisitely at 92 in his Santa Monica home on Thursday May 16th, 2024 at 1:50pm. My father crafted his time here on earth with a curious mind, a generous heart, and a soul on fire with passion, desire, and humor that tickled the funny bone of humanity. As he lived, he moved through this final act of his life with elegance, excellence and mastery. A teacher, a hero, and a king, Dabney Coleman is a gift and blessing in life and in death as his spirit will shine through his work, his loved ones and his legacy…...
In a statement obtained from his manager Jeffrey Goldberg, Coleman’s daughter Quincy wrote, “My father, Dabney Wharton Coleman, took his last earthly breath peacefully and exquisitely at 92 in his Santa Monica home on Thursday May 16th, 2024 at 1:50pm. My father crafted his time here on earth with a curious mind, a generous heart, and a soul on fire with passion, desire, and humor that tickled the funny bone of humanity. As he lived, he moved through this final act of his life with elegance, excellence and mastery. A teacher, a hero, and a king, Dabney Coleman is a gift and blessing in life and in death as his spirit will shine through his work, his loved ones and his legacy…...
- 5/17/2024
- by Christian Zilko
- Indiewire
“How can so much suffering have no meaning?”
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Bowen Yang realized that he couldn’t defy gravity — or sleep deprivation — when filming “Wicked.”
The “SNL” star told Vanity Fair that he found it “mentally fraying” to fly back and forth between the “Wicked” production in London and his weekly sketch series in New York City. Even “SNL” creator Lorne Michaels seemingly warned Yang against spreading himself too thin.
“This is when Lorne Michaels comes in,” Yang said. “Whatever you think about the situation, however you think it’s unique to you, however you think you might be the exception to the rule, Lorne is here to be like, ‘Actually, it might not be so good on the body for you to fly back and forth between New York and London to go shoot a movie.'”
Yang admitted that he was referencing “Wicked” as the most recent example of balancing both his TV and film obligations.
“I’ll say ‘Wicked,...
The “SNL” star told Vanity Fair that he found it “mentally fraying” to fly back and forth between the “Wicked” production in London and his weekly sketch series in New York City. Even “SNL” creator Lorne Michaels seemingly warned Yang against spreading himself too thin.
“This is when Lorne Michaels comes in,” Yang said. “Whatever you think about the situation, however you think it’s unique to you, however you think you might be the exception to the rule, Lorne is here to be like, ‘Actually, it might not be so good on the body for you to fly back and forth between New York and London to go shoot a movie.'”
Yang admitted that he was referencing “Wicked” as the most recent example of balancing both his TV and film obligations.
“I’ll say ‘Wicked,...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
After much hemming and hawing and a little bit of teases about his appearance, Oscar-winning actor Cillian Murphy has been confirmed for Sony’s “28 Years Later” horror thriller.
Sony chief Tom Rothman revealed the news in a new interview with Deadline. “Yes [Murphy will return], but in a surprising way and in a way that grows, let me put it that way,” Rothman said.
Continue reading Cillian Murphy Confirmed For Danny Boyle’s ‘28 Years Later’ at The Playlist.
Sony chief Tom Rothman revealed the news in a new interview with Deadline. “Yes [Murphy will return], but in a surprising way and in a way that grows, let me put it that way,” Rothman said.
Continue reading Cillian Murphy Confirmed For Danny Boyle’s ‘28 Years Later’ at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
“Jaws” in 1975 is remembered as the movie that birthed the summer global blockbuster; its many children include “Star Wars,” Raiders of the Lost Ark,” “E.T.: The Extra-Terrestrial,” “Top Gun,” “Ghostbusters,” “Ghost,” “Twister,” “The Lion King,” “Independence Day,” “Speed,” and “Men in Black.” Today, that bloodline is threatened with extinction.
On the surface, that seems ridiculous — summer box office is still defined by blockbusters — but today that means sequels. It’s become exceedingly rare for studios to invest over $100 million in a summer movie with an original screenplay that’s not already part of a franchise. That’s what makes Paramount Pictures’ $110 million “If” such an outlier.
Still, being that exception also hands writer-director John Krasinski a double-edged sword. Those original blockbusters — all released between 1975-1999 — ended up with domestic gross totals, in 2024 ticket price terms, of over $400 million. Consensus on opening weekend for “If” has been around $40 million,...
On the surface, that seems ridiculous — summer box office is still defined by blockbusters — but today that means sequels. It’s become exceedingly rare for studios to invest over $100 million in a summer movie with an original screenplay that’s not already part of a franchise. That’s what makes Paramount Pictures’ $110 million “If” such an outlier.
Still, being that exception also hands writer-director John Krasinski a double-edged sword. Those original blockbusters — all released between 1975-1999 — ended up with domestic gross totals, in 2024 ticket price terms, of over $400 million. Consensus on opening weekend for “If” has been around $40 million,...
- 5/17/2024
- by Tom Brueggemann
- Indiewire
Margaret Qualley and Demi Moore are teased as playing the same character for feminist body-horror thriller “The Substance.”
The Cannes feature, which premieres in competition at the festival, has already been picked up by Mubi for worldwide distribution. French director Coralie Fargeat helms her sophomore film, following her debut “Revenge” which premiered at TIFF in 2017.
“The Substance” is titled for a mysterious serum that transforms users into the ideal versions of themselves. The elusive official synopsis reads: “It generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance…what could possibly go wrong?”
The teaser shows Moore intently watching an ad for the substance injection and contemplating undergoing its cellular division. Could Qualley be who Moore transforms into?...
The Cannes feature, which premieres in competition at the festival, has already been picked up by Mubi for worldwide distribution. French director Coralie Fargeat helms her sophomore film, following her debut “Revenge” which premiered at TIFF in 2017.
“The Substance” is titled for a mysterious serum that transforms users into the ideal versions of themselves. The elusive official synopsis reads: “It generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance…what could possibly go wrong?”
The teaser shows Moore intently watching an ad for the substance injection and contemplating undergoing its cellular division. Could Qualley be who Moore transforms into?...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
In “The Big Cigar,” contradictions weigh heavily on Huey P. Newton (played by the magnificent André Holland). He sees them everywhere. For instance, Huey notes that the NRA contradicted their general ideology by helping the GOP pass gun control laws in the 1960s, all because they were afraid of the group Newton co-founded: the Black Panthers. He’s also keenly aware of the contradiction inherent to a Black man being “set free” from a prison of bars and stone into the prison of the American way. “Contrary to propagated belief, I’m not living to die, but I am refusing to live without liberation,” Huey says during his opening voice-over narration.
He even acknowledges the contradiction inherent to “The Big Cigar” itself, saying, “The story I’m about to tell you is true. […] But it is coming through the lens of Hollywood, so let’s see how much of my...
He even acknowledges the contradiction inherent to “The Big Cigar” itself, saying, “The story I’m about to tell you is true. […] But it is coming through the lens of Hollywood, so let’s see how much of my...
- 5/17/2024
- by Ben Travers
- Indiewire
Earlier this week, comedy writer/director Judd Apatow ended his 30-year relationship with his agency UTA, Deadline describing it as a “magical run” (lol). Trades run lip service-y pieces like this all the time: actors, filmmakers, and talent-changing agencies as a way to generate press for these companies and as tacit understanding for staying in good favor with agents who are the ones often feeding them leaks, exclusives, and scoops.
So, other than Apatow leaving an agency he loyally stuck with for 30 years, there’s no real story there.
Continue reading 3 Judd Apatow Projects Apparently Couldn’t Get Greenlit, Including A Cancel Comedy Starring Zach Galifianakis [Report] at The Playlist.
So, other than Apatow leaving an agency he loyally stuck with for 30 years, there’s no real story there.
Continue reading 3 Judd Apatow Projects Apparently Couldn’t Get Greenlit, Including A Cancel Comedy Starring Zach Galifianakis [Report] at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/17/2024
- by Wilson Chapman
- Indiewire
IATSE, the International Alliance of Theatrical Stage Employees, announced Friday, May 17 that it has for now concluded negotiations on its Basic Agreement with the AMPTP without yet reaching a tentative agreement on a new contract.
The guild expects to resume talks for the Basic Agreement in early June and will now shift its focus to its Area Standards Agreement, which covers film and TV workers outside of Los Angeles and encompasses another 23 locals around the country. Negotiations for that contract, as previously scheduled, will begin May 20 and continue through May 31. All of this follows IATSE’s 13 individual locals each reaching a tentative deal with the AMPTP on issues specific to their locals.
IATSE’s Basic Agreement contract and the Asa do not expire until July 31, so not reaching a deal does not mean talks broke down. However, some members are demanding more transparency. Earlier this week, a group known as...
The guild expects to resume talks for the Basic Agreement in early June and will now shift its focus to its Area Standards Agreement, which covers film and TV workers outside of Los Angeles and encompasses another 23 locals around the country. Negotiations for that contract, as previously scheduled, will begin May 20 and continue through May 31. All of this follows IATSE’s 13 individual locals each reaching a tentative deal with the AMPTP on issues specific to their locals.
IATSE’s Basic Agreement contract and the Asa do not expire until July 31, so not reaching a deal does not mean talks broke down. However, some members are demanding more transparency. Earlier this week, a group known as...
- 5/17/2024
- by Brian Welk
- Indiewire
David Cronenberg shocked the cinema world two years ago when he came out of retirement and showed up at the Cannes Film Festival with a new film, “Crime Of The Future.” 2014’s “Map To The Stars,” which also had a Cannes premiere, was initially supposed to be Cronenberg’s last. Now, will the Canadian auteur’s latest, “The Shrouds,” be his swan song?
Continue reading ‘The Shrouds’: David Cronenberg Remains Uncertain If His Latest Film Will Be His Last: “I Really Don’t Know” at The Playlist.
Continue reading ‘The Shrouds’: David Cronenberg Remains Uncertain If His Latest Film Will Be His Last: “I Really Don’t Know” at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Glen Powell’s journey to superstardom began in a creative writing class at Austin’s Westwood High School. He was the only one of the kids who was trying his hand at writing screenplays.
“My teacher, Dr. [F.J.] Schaak was like, ‘Hey, you love writing screenplays. There is no better guy than Richard Linklater. Study all of his movies,'” the actor told IndieWire.
Through Schaak, Powell, who’d already been pursuing acting — his name is still written on the dressing room wall of Austin’s Paramount Theatre, where he performed in “The Sound of Music” as a teenager — met Linklater as well. And Linklater’s longtime editor Sandra Adair spoke to his class.
“I remember watching ‘Waking Life’ in his class, and obviously ‘Dazed,'” Powell said. “And we were sitting there going, ‘Man, this guy can do ‘Before Sunset,’ all these things,’ and we were just like, ‘This guy can kind of do anything,...
“My teacher, Dr. [F.J.] Schaak was like, ‘Hey, you love writing screenplays. There is no better guy than Richard Linklater. Study all of his movies,'” the actor told IndieWire.
Through Schaak, Powell, who’d already been pursuing acting — his name is still written on the dressing room wall of Austin’s Paramount Theatre, where he performed in “The Sound of Music” as a teenager — met Linklater as well. And Linklater’s longtime editor Sandra Adair spoke to his class.
“I remember watching ‘Waking Life’ in his class, and obviously ‘Dazed,'” Powell said. “And we were sitting there going, ‘Man, this guy can do ‘Before Sunset,’ all these things,’ and we were just like, ‘This guy can kind of do anything,...
- 5/17/2024
- by Christian Blauvelt
- Indiewire
Cannes: If you’ve ever seen an Eastern European movie at a major film festival, there’s one thing you can count on, a corrupt police or judicial system at the center of it. That may seem like a generalization, but institutional corruption has been a centerpiece in Romanian film, especially over the past two decades. It’s no surprise then that Emanuel Parvu‘s “Three Kilometers to the End of the World” is driven by that narrative even when it’s not the most compelling part of the story.
Continue reading ‘Three Kilometers To The End Of The World’ Review: A Harrowing Drama Of Corruption & Ignorance [Cannes] at The Playlist.
Continue reading ‘Three Kilometers To The End Of The World’ Review: A Harrowing Drama Of Corruption & Ignorance [Cannes] at The Playlist.
- 5/17/2024
- by Gregory Ellwood
- The Playlist
Kino Lorber is expanding its streaming footprint. The boutique art-house distributor just launched its own SVOD platform, the Kino Film Collection.
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
- 5/17/2024
- by Brian Welk
- Indiewire
“Three Kilometers to the End of the World,” the new film from Romanian actor turned filmmaker Emanuel Parvu, feels old-fashioned in its conceit and approach to a homophobic attack that spurs a remote Romanian village into moral panic. It’s obvious from the first frames what Parvu owes to Cristian Mungiu, the great Romanian filmmaker whom Parvu starred for in the film “Graduation.” “Three Kilometers” employs a clinical-distance perspective toward the story of how a brutally beaten, closeted 17-year-old’s trauma is doubted and exploited by his parents and townspeople. The feature, Parvu’s third, blends suspenseful procedural with family drama but is missing a key point of view: That of the victim, whose assault is a Trojan horse into the film’s more macro interest in how bigotry and conformity entwine, and how emotionally repressed adults deal with teen homosexuality when it hits close to home.
On Western screens of all sizes,...
On Western screens of all sizes,...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
The horror genre is off to a strong start in 2024 thanks to films like “Immaculate,” “Abigail,” and “In A Violent Nature.” But 2025 is already shaping out to be a banner year, with many genre entries getting new theatrical premiere dates this week. So what’s next year’s most anticipated horror movie on the docket? It could be Sony‘s “I Know What You Did Last Summer” remake, which THR reports will hit theaters on July 18, 2025.
Continue reading New ‘Insidious,’ ‘I Know What You Did Last Summer,’ & New Blumhouse Horrors Land 2025 Release Dates at The Playlist.
Continue reading New ‘Insidious,’ ‘I Know What You Did Last Summer,’ & New Blumhouse Horrors Land 2025 Release Dates at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
When “Bridgerton” first premiered on Netflix at the end of 2020, one could argue it was received with fascination above all. Though executive producer Shonda Rhimes had already built up a brand with elements that viewers would expect from every TV show that bears her name, this collaboration with creator Chris Van Dusen was taking a lot of big swings in its attempt to adapt Julia Quinn’s beloved romance series.
There was the diverse casting, the idea that it was taking the romance TV genre to the most mainstream platform it has ever had, and that it was a costume drama with a noticeable budget at that, but one innovative piece of its success that goes underwritten is the inclusion of an anachronistic score.
When “Bridgerton” first premiered on Netflix at the end of 2020, one could argue it was received with fascination above all. Though executive producer Shonda Rhimes had already built up a brand with elements that viewers would expect from every TV show that bears her name, this collaboration with creator Chris Van Dusen was taking a lot of big swings in its attempt to adapt Julia Quinn’s beloved romance series.
There was the diverse casting, the idea that it was taking the romance TV genre to the most mainstream platform it has ever had, and that it was a costume drama with a noticeable budget at that, but one innovative piece of its success that goes underwritten is the inclusion of an anachronistic score.
- 5/17/2024
- by Marcus Jones
- Indiewire
Two-time Oscar winner Emma Stone further expands her cinematic universe alongside auteur Yorgos Lanthimos with their latest collaboration “Kinds of Kindness.”
Yet while “Poor Things” was an Academy Award-winning feature, the Cannes premiere for “Kinds of Kindness” seemed to puzzle critics and fans alike. The feature, which was originally titled “And”, is Lanthimos’ eighth film and co-stars Willem Dafoe, Margaret Qualley, Jesse Plemons, Hunter Schafer, Joe Alwyn, Hong Chau, and Mamoudou Athie.
Lanthimos previously described the contemporary anthology film as being “three different stories, with four or five actors who play one part in each story, so they all play three different parts,” which, according to the director, was “almost like making three films” in one.
Lanthimos reunited with frequent screenwriter collaborator Efthimis Filippou to pen the script for “Kinds of Kindness.” The duo previously co-wrote Lanthimos’ “Dogtooth,” “The Lobster,” “The Killing of a Sacred Deer,” and “Alps.”
The IndieWire...
Yet while “Poor Things” was an Academy Award-winning feature, the Cannes premiere for “Kinds of Kindness” seemed to puzzle critics and fans alike. The feature, which was originally titled “And”, is Lanthimos’ eighth film and co-stars Willem Dafoe, Margaret Qualley, Jesse Plemons, Hunter Schafer, Joe Alwyn, Hong Chau, and Mamoudou Athie.
Lanthimos previously described the contemporary anthology film as being “three different stories, with four or five actors who play one part in each story, so they all play three different parts,” which, according to the director, was “almost like making three films” in one.
Lanthimos reunited with frequent screenwriter collaborator Efthimis Filippou to pen the script for “Kinds of Kindness.” The duo previously co-wrote Lanthimos’ “Dogtooth,” “The Lobster,” “The Killing of a Sacred Deer,” and “Alps.”
The IndieWire...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
It feels like it’s been months or even years that we’ve all known that Timothée Chalamet would star in a Blue De Chanel advertisement directed by Martin Scorsese (“Killers Of The Flower Moon”). The pair, who conducted some interviews last year, particularly one for GQ, are clearly mutual admirers of one another. Still, the ad, seen in glimpses and shortened teasers, has never been unveiled in full until now.
Continue reading Watch: The Martin Scorsese Directed Chanel Ad Starring Timothée Chalamet Is Finally Out at The Playlist.
Continue reading Watch: The Martin Scorsese Directed Chanel Ad Starring Timothée Chalamet Is Finally Out at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
Robert is a New Orleans businessman so devoted to his boss that he allows him to control every detail of his schedule down to the minute, from what time he goes to bed at night to what time he makes love to his wife in the morning. Daniel is a police officer who becomes suspicious of his wife after she returns to him from being lost at sea; convinced that she’s been replaced by an impostor, he asks the supposed doppelgänger to commit increasingly demented acts of self-harm as a test of her love. Andrew is a loyal cultist whose leaders instruct him to scour the bayou area in search of a prophesied girl with the power to heal the dead.
On paper, these characters may not seem to have much in common. In Yorgos Lanthimos’ “Kinds of Kindness,” however, the echoes that reverberate between them eventually grow so...
On paper, these characters may not seem to have much in common. In Yorgos Lanthimos’ “Kinds of Kindness,” however, the echoes that reverberate between them eventually grow so...
- 5/17/2024
- by David Ehrlich
- Indiewire
Cannes – To be perfectly honest, we didn’t expect it would be so difficult to collect our thoughts regarding Yorgos Lanthimos’ “Kinds of Kindness.” A world premiere at the 2024 Cannes Film Festival, this isn’t the first anthology film we’ve reviewed in our career, let alone one with an unconventional structure. Perhaps our hesitation is that we’re still rattled by what Lanthimos and longtime screenwriting collaborator Efthimis Filippo hope to provoke with three tales of people yearning for control and the excess of such constraints.
Continue reading ‘Kinds Of Kindness’ Review: Yorgos Lanthimos’ Twisted Triptych On Control & The Human Condition [Cannes] at The Playlist.
Continue reading ‘Kinds Of Kindness’ Review: Yorgos Lanthimos’ Twisted Triptych On Control & The Human Condition [Cannes] at The Playlist.
- 5/17/2024
- by Gregory Ellwood
- The Playlist
Despite Francis Ford Coppola criticizing Marvel’s influence on Hollywood, it was an MCU series that overlapped with his “Megalopolis.”
Aubrey Plaza, who plays character Wow Platinum in Coppola’s epic and also stars in upcoming “Agatha All Along” Disney+ series, told Deadline that she brought some Marvel shenanigans to the “Megalopolis” set. Both projects were filmed on the same lot in Atlanta, with their respective productions overlapping for two weeks.
“I would literally go from one to the other and would put my Wow wig on and my Wow costume on. And then the next day, I would go to the ‘Agatha’ set and I’d be dressed as a warrior witch with a dagger and stuff. At one point, when I was dressed in the Marvel character, I snuck onto the ‘Megalopolis’ set and I started harassing Giancarlo Esposito and Adam [Driver] and everyone,” Plaza recalled. “It was absolutely insane behavior.
Aubrey Plaza, who plays character Wow Platinum in Coppola’s epic and also stars in upcoming “Agatha All Along” Disney+ series, told Deadline that she brought some Marvel shenanigans to the “Megalopolis” set. Both projects were filmed on the same lot in Atlanta, with their respective productions overlapping for two weeks.
“I would literally go from one to the other and would put my Wow wig on and my Wow costume on. And then the next day, I would go to the ‘Agatha’ set and I’d be dressed as a warrior witch with a dagger and stuff. At one point, when I was dressed in the Marvel character, I snuck onto the ‘Megalopolis’ set and I started harassing Giancarlo Esposito and Adam [Driver] and everyone,” Plaza recalled. “It was absolutely insane behavior.
- 5/17/2024
- by Samantha Bergeson
- Indiewire
Léa Seydoux’s latest feature will be distributed by Neon.
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
The strike-shortened 2023 production slate has left moviegoers with a lighter summer movie calendar than many have come to expect in recent years, but TBS is hoping that fans will take the opportunity to spend more time watching old movies at home. The cable network announced that married couple Jason Biggs and Jenny Mollen have been tapped to host a revival of “Dinner and a Movie,” the cooking show that features recipes that can be paired with films.
“Dinner and a Movie” originally aired on TBS from 1995-2011 and was famously hosted by chef Claud Mann and comedian Paul Gilmartin. The revival will air on Saturday nights at 8pm Et beginning on June 1. Each episode will feature a movie (“Aquaman” will be the inaugural selection) alongside cooking segments, games, and surprise guests.
Future episodes of the show will feature the films “We’re the Millers,” “The Greatest Showman,” and “Avengers: Endgame.”
“The...
“Dinner and a Movie” originally aired on TBS from 1995-2011 and was famously hosted by chef Claud Mann and comedian Paul Gilmartin. The revival will air on Saturday nights at 8pm Et beginning on June 1. Each episode will feature a movie (“Aquaman” will be the inaugural selection) alongside cooking segments, games, and surprise guests.
Future episodes of the show will feature the films “We’re the Millers,” “The Greatest Showman,” and “Avengers: Endgame.”
“The...
- 5/17/2024
- by Christian Zilko
- Indiewire
After five years in development, “Silk: Spider Society” is no more. Variety reports that Amazon has scrapped plans for the live-action series entirely after the show already received a massive writers’ room overhaul in February. It’s a fate Spidey-fans shouldn’t be surprised by. When Amazon gave “Noir” with Nic Cage the green light last week, they provided no updates on “Silk: Spider Society,” leading many to assume the worst.
Continue reading ‘Silk: Spider Society’: Amazon Scraps Plans For Live-Action Spidey Series Entirely at The Playlist.
Continue reading ‘Silk: Spider Society’: Amazon Scraps Plans For Live-Action Spidey Series Entirely at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Alain Guiraudie is back at Cannes with a bittersweet and unexpectedly warmhearted dark comedy about latent homosexual desire, “Miséricorde.” Remember, the French writer/director is the filmmaker behind the 2013 perverse gay classic “Stranger by the Lake,” a simmering and sinister cruising tale about how our drives toward death and sex are of the same flesh. “Miséricorde,” debuting in the Cannes Premiere section, is a decidedly lighter-on-its-feet (in all senses of the idiom) story of a lonely and faithless man’s obsession with his dead former boss, who’s also the father of the childhood best friend he maybe once loved.
When Jérémie (Félix Kysyl) returns to Saint-Martial, a provincial village nestled in a wood in Southern France, he immediately bonds with his former boss’ widow, Martine (Catherine Frot). Is it romantic obsession, or projecting a mother figure upon her? Or is Jérémie really in love with her dead husband, and...
When Jérémie (Félix Kysyl) returns to Saint-Martial, a provincial village nestled in a wood in Southern France, he immediately bonds with his former boss’ widow, Martine (Catherine Frot). Is it romantic obsession, or projecting a mother figure upon her? Or is Jérémie really in love with her dead husband, and...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Oscar-winning producer Cathy Schulman knows her way around a theatrical release. From “Crash” to “The Woman King,” the long-time Hollywood heavy-hitter has wide-ranging taste that’s earned her both a Best Picture win and millions of box office bucks. But as the theatrical landscape shifts — heck, as the entire entertainment industry shifts — Schulman is staying nimble. These days, that means something that would have sounded crazy a decade ago: a massive hit that goes straight to streaming.
That’s the case with Schulman’s latest, the Michael Showalter-directed Amazon MGM Studios smash “The Idea of You,” a sexy rom-com-dram based on Robinne Lee’s bestselling novel and starring Anne Hathaway and rising star Nicholas Galitzine. In just two weeks on Prime Video, the film has smashed up all sorts of streaming records, handily proving that people do want to watch at home, they will turn out for a streaming-only release,...
That’s the case with Schulman’s latest, the Michael Showalter-directed Amazon MGM Studios smash “The Idea of You,” a sexy rom-com-dram based on Robinne Lee’s bestselling novel and starring Anne Hathaway and rising star Nicholas Galitzine. In just two weeks on Prime Video, the film has smashed up all sorts of streaming records, handily proving that people do want to watch at home, they will turn out for a streaming-only release,...
- 5/17/2024
- by Kate Erbland
- Indiewire
Above: 1980 Japanese poster for Apocalypse Now. Design by Eiko Ishioka, artwork by Haruo Takino.With Francis Ford Coppola’s long-gestated Megalopolis having premiered yesterday at Cannes, it's a good time to look back at the posters from his 60-year-long career. The only problem is that many posters for his films are either too well known or nothing to write home about. Like Coppola’s career itself, there are peaks and valleys—one of my very first posts for Notebook, almost exactly fifteen years ago, was about the gorgeous design for The Rain People (1969)—but a career retrospective of his posters seems like it might result in less than the sum of its parts. Yet of all his posters there are three rare Japanese designs that have always stood out as utterly extraordinary: two for Apocalypse Now (1979) and one for Bram Stoker’s Dracula (1992).I’ve always seen these posters attributed to Eiko Ishioka,...
- 5/17/2024
- MUBI
‘In Our Day’ Review: Hong Sang-soo Celebrates Hot Pepper Paste in Bifurcated Ode to Simple Pleasures
Writing and directing your 30th feature film is a milestone that few filmmakers ever reach, and likely prompts a bit of introspection. It could be seen as an opportunity for reinvention and experimentation now that your legacy is secure, or it could be justification to double down on the traits that made you so successful in the first place.
Hong Sang-soo takes the latter approach with “In Our Day,” a film that sees him playing many of his greatest stylistic hits. There’s an excellent performance from Kim Min-hee, a script that’s divided into separate vignettes, lengthy shots that afford actors the room to dive into their characters’ subtlest mannerisms, and of course, bottles of soju that lurk over the story like a Chekhov’s Gun as we wait for everyone to begin imbibing and sharing their true feelings. It’s the kind of film that might be described...
Hong Sang-soo takes the latter approach with “In Our Day,” a film that sees him playing many of his greatest stylistic hits. There’s an excellent performance from Kim Min-hee, a script that’s divided into separate vignettes, lengthy shots that afford actors the room to dive into their characters’ subtlest mannerisms, and of course, bottles of soju that lurk over the story like a Chekhov’s Gun as we wait for everyone to begin imbibing and sharing their true feelings. It’s the kind of film that might be described...
- 5/17/2024
- by Christian Zilko
- Indiewire
No surprise here: more episodes of “Shōgun” are on the way. FX and streaming partner Hulu announced yesterday that they’ll renew their hit limited series for two more seasons. Star and producer Hiroyuki Sanada also returns, as do co-creators, writers, and executive producers Justin Marks and Rachel Condo, as well as EP Michaela Clavell. And “Shōgun” author James Clavell also returns to develop both upcoming seasons, too; so creatively speaking, everyone is back, which is good news for the show’s fans.
Continue reading ‘Shōgun’: FX & Hulu Renew Hit Limited Series For Two More Seasons at The Playlist.
Continue reading ‘Shōgun’: FX & Hulu Renew Hit Limited Series For Two More Seasons at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Filmmaker Coralie Fargeat’s “The Substance” horror had been under wraps for some time. Described as a body horror seen through a feminist lens, for months, all the French writer/director has said about the movie was that it would “push boundaries with a different kind of violence.” But if the Cannes Film Festival synopsis wasn’t already self-evident, the newly released teaser for “The Substance” basically gives up the ghost.
Continue reading ‘The Substance’ Teaser Trailer: Demi Moore & Margaret Qualley Star In New Cannes Body Horror About Aging & Youth at The Playlist.
Continue reading ‘The Substance’ Teaser Trailer: Demi Moore & Margaret Qualley Star In New Cannes Body Horror About Aging & Youth at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
Three seasons into “Bridgerton,” fans of the Regency drama are used to the sweeping romances filled with everything hot and heavy — banter, drama, and above all else sex. Every season has had its “diamond”—Daphne (Phoebe Dynevor) in Season 1, Edwina (Charithra Chandran) in Season 2, Francesca (Hannah Dodd) in Season 3. While Francesca might be of diamond status in the courting process of the season, her brother Colin’s (Luke Newton) long-anticipated romance with Penelope (Nicola Coughlan) might more closely follow the beats of what the “Bridgerton” audience has become accustomed to.
Francesca’s road to romance remains something unlike what viewers have seen before on “Bridgerton” precisely because of her lack of interest in anything romantic or playing the typical heroine. When we first meet Francesca,...
Three seasons into “Bridgerton,” fans of the Regency drama are used to the sweeping romances filled with everything hot and heavy — banter, drama, and above all else sex. Every season has had its “diamond”—Daphne (Phoebe Dynevor) in Season 1, Edwina (Charithra Chandran) in Season 2, Francesca (Hannah Dodd) in Season 3. While Francesca might be of diamond status in the courting process of the season, her brother Colin’s (Luke Newton) long-anticipated romance with Penelope (Nicola Coughlan) might more closely follow the beats of what the “Bridgerton” audience has become accustomed to.
Francesca’s road to romance remains something unlike what viewers have seen before on “Bridgerton” precisely because of her lack of interest in anything romantic or playing the typical heroine. When we first meet Francesca,...
- 5/17/2024
- by Kerensa Cadenas
- Indiewire
The 20024 Cannes Film Festival is in full swing now, and it’s arguably been dominated by expensive passion projects that could be seen as vanity projects by their makers. The first one, Francis Ford Coppola’s long-awaited “Megalopolis,” landed yesterday to much consternation and mixed reviews; ours was positive, but still slightly baffled, and the film currently sits at 50% on Rotten Tomatoes. The next big self-financed project debuting soon on the Croisette is “Horizon: An American Saga,” an epic Western from writer/director and star Kevin Costner.
Continue reading ‘Horizon: An American Saga’ Trailer: Kevin Costner’s 2-Part Epic Civil War Western Premieres In Cannes Soon at The Playlist.
Continue reading ‘Horizon: An American Saga’ Trailer: Kevin Costner’s 2-Part Epic Civil War Western Premieres In Cannes Soon at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
Olivier Assayas is back on the Croisette of the Cannes Film Festival, albeit at the Cannes Market. And the French auteur’s next project is easily one of the buzziest packages at the festival so far. Variety reports Assayas’ next film will be “The Wizard Of The Kremlin,” which sees the director reunite with “Irma Vep” star Alicia Vikander for a political thriller in the vein of “Carlos” and “The Wasp Network.”
Read More: Cannes Film Festival 2024 Preview: 22 Must-See Films To Watch
Based on Giuliano da Empoli‘s 2022 book of the same name, “The Wizard Of The Kremlin” centers on the life and rise to power of Vladimir Putin’s infamous advisor and spin doctor Vadim Baranov.
Continue reading ‘The Wizard Of The Kremlin’: Olivier Assayas’ Next Film Stars Paul Dano, Alicia Vikander, Jude Law, Zach Galifianakis & Tom Sturridge at The Playlist.
Read More: Cannes Film Festival 2024 Preview: 22 Must-See Films To Watch
Based on Giuliano da Empoli‘s 2022 book of the same name, “The Wizard Of The Kremlin” centers on the life and rise to power of Vladimir Putin’s infamous advisor and spin doctor Vadim Baranov.
Continue reading ‘The Wizard Of The Kremlin’: Olivier Assayas’ Next Film Stars Paul Dano, Alicia Vikander, Jude Law, Zach Galifianakis & Tom Sturridge at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Now that Megalopolis has premiered, nothing has actually changed. The film is a self-consciously impractical act that few would care nearly as much about if it weren’t very publicly known to have cost $120 million of Francis Ford Coppola’s personal money. That’s the kind of extravagant gesture you don’t get to ever see on this scale, and hence destined to be praised for being willed into existence amidst a sea of algorithimically conceived risk-aversion—or, alternately, decried as a hubristic folly in the trades with a palpable subtext of “how dare he?” Megalopolis is praiseworthy for mostly predictable reasons: lavish eccentricity, […]
The post Cannes 2024: Megalopolis first appeared on Filmmaker Magazine.
The post Cannes 2024: Megalopolis first appeared on Filmmaker Magazine.
- 5/17/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Now that Megalopolis has premiered, nothing has actually changed. The film is a self-consciously impractical act that few would care nearly as much about if it weren’t very publicly known to have cost $120 million of Francis Ford Coppola’s personal money. That’s the kind of extravagant gesture you don’t get to ever see on this scale, and hence destined to be praised for being willed into existence amidst a sea of algorithimically conceived risk-aversion—or, alternately, decried as a hubristic folly in the trades with a palpable subtext of “how dare he?” Megalopolis is praiseworthy for mostly predictable reasons: lavish eccentricity, […]
The post Cannes 2024: Megalopolis first appeared on Filmmaker Magazine.
The post Cannes 2024: Megalopolis first appeared on Filmmaker Magazine.
- 5/17/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
Francis Ford Coppola has done well at Cannes, winning the Palme d’Or twice, for “The Conversation” (1974) and “Apocalypse Now” (1979), another film mired in controversy during production that sailed into release as a critical and box office success ($85 million worldwide), nominated for eight Oscars and winning two. Now the winemaker is back in Cannes with controversial “Megalopolis,” a 2 hour, 18 minute movie which he debuted at a gala premiere Thursday night to the usual sustained standing ovation (measured between seven and 10 minutes). There were a few boos at the press screening. He had dreamed of making the overstuffed extravaganza for 40 years since he wrote early versions of it in the ‘80s, but finally spent $120 million of his own money to produce and direct it.
Coppola faced drama on the set. He replaced VFX and art department members over clashes in filmmaking methods. Adam Driver, who plays a Robert Moses-style builder who...
Coppola faced drama on the set. He replaced VFX and art department members over clashes in filmmaking methods. Adam Driver, who plays a Robert Moses-style builder who...
- 5/17/2024
- by Anne Thompson
- Indiewire
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