- When Gabrielle travels to New York with the desire to return to modeling, she finds it hard to go back on her terms, rather than her client's. Back on Wisteria Lane, Lynette comes home from the hospital to recover from the shooting, and copes with the fact that her boys heard that she was shot at the supermarket. Lynnette is also grateful to Art Shephard for saving her life, but later finds some unsettling things about him. Susan comes home from a date with Ian to find Julie on the couch with a boy: the trouble-making Austin. However, Susan's attempts to keep them apart by bringing her ex-husband, Karl, into the equation backfires greatly. Bree struggles to find out why Orson will not tell her the reasons behind his strained relationship with pesky and obnoxious mother Gloria. Detective Ridley continues investigating the murder of the mystery woman, Monique, and begins to zero on Mike Delfino.—Moviedude1
- Bree stubbornly ignores Orson's obviously deep-rooted desire to be spared any contact with his mother Gloria, even sending a Christmas-card was beyond his intentions. Bree brings her home, as in her 'perfect' world mothers are unconditionally honored. Gloria blackmails Orson with his darkest secret to let her stay as Bree unilaterally offered. Talking to a startled door-to-door selling cub scout about her modeling past makes Gabrielle realize it's her only alternative to independent wealth. However, her former agent is vexed to have been stood-up years ago, and those years haven't been kind enough by industry standards, so the former Vogue cover star is reduced to being some teenage airhead-star's extra. Susan finds shirtless Austin all over Julie behind her couch. The police reopen Monique's case and search Mike's home. Lynette is grateful to her new neighbor Art for his help in the supermarket. She gets him to play imaginary superhero "Protector-man" to help her son Parker who, unlike the undaunted twins, is too scared to let his mammy go out again. When the kid's innocent wanderings lead him to his basement, his hero turns out rather too friendly.—KGF Vissers
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