"Farscape" Thanks for Sharing (TV Episode 2001) Poster

(TV Series)

(2001)

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9/10
Two Crichtons
Tweekums21 July 2012
Warning: Spoilers
After the events of the previous episode there are two John Crichtons aboard Moya and they are both convinced that they are the original; nobody else can see any difference though. This is the least of their concerns though; Talyn is still heavily damaged, Crais says that they were ambushed by a Peacekeeper retrieval squad seeking to capture Talyn; in order to carry out the necessary repairs they must get Chromextin, a chemical, from a nearby planet. They aren't keen on selling it to offworlders and once D'Argo and Chiana have a run in with the security chief it seems very unlikely that they will get any. One of the Crichtons decides that a show of force may help so Talyn targets the city; nobody there knows he can't fire his weapons. This gets Crichton an audience with the leaders and they reluctantly agree to supply the Chromextin; of course things don't go smoothly.

This was another fine episode; Farscape has really been firing on all cylinders this season. There was a good story with interesting villains and a great twist at the end that I didn't see coming and I won't spoil; suffice to say it sets things up for later episodes. As always there were some good laughs to be had; best being when D'Argo say 'I'm your daddy' to a character they are interrogating... of course context is all. Given the episode only received a '12' Certificate from the BBFC I was surprised just how gruesome it was; at one point somebody has a lobster like creature placed on his head and it kills him by putting a spike through his face; this is shown if fairly bloody detail... once again 'Farscape' goes where 'Star Trek' hasn't gone before!

The ending of the episode promises interesting things to come; we have a new potential baddie on the scene and as Moya and Talyn starburst apart; the regulars are divided with Aeryn, Stark, Crais, Rygel and one Crichton aboard Talyn and D'Argo, Chiana, Jool and the other Crichton on Moya; it will be interesting to see how this separation is dealt with and how many episodes it will be before they are reunited.
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9/10
Who's your lobster?
lebedeff-27-78684818 September 2015
This episode is handed a whole arc-full of silly premises, but cooks up one of the finest 46 minutes of Farscape out there. It epitomizes science fiction: delighting fans with creative resolutions, dazzling casual watchers with beautiful visuals, and tickling us genre veterans' appreciation of heroic banter.

The tight writing is a key highlight, and it's directed toward actors who actually embrace their roles. In contrast to the woodenness exhibited in the last few episodes, this episode is refreshingly well-acted all around. The writers seem like they're letting the story breathe, and the actors seem like someone promised them ice cream if they acted like they gave a flying one.

The humor also feels more natural, sort of like in some better classic sci-fi movies -- this episode hosts great lines and moments which are iconic Farscape.

As for the visuals, this episode is excellent. The settings and camera direction are stunning. Down to the colors, the layout, many somebodies cared about this one.

My favorite Farscape to watch on a rainy Saturday afternoon.
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10/10
Good times on Moya
Feeny090224 December 2006
Warning: Spoilers
I think this episode is possibly my favorite of the entire series. It shows great writing, great acting, great humor, and really epitomizes the show for me. Ben Browder shows just how great of an actor he can be with subtle nuances, facial expressions that contain confusion, compassion, comedy, and strength. Claudia Black finally gets to show a more emotional side of her character as complications arise, and I was always a fan of Jool. I was sad to see her go, but did appreciate her return. John uses the best earth references as comic relief ("who's you daddy?")and the big plot starts to really unfold, like relationships between characters, the past that catches up to them, and their capacity for goodness and betrayal.
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