L.A. WeeklyHazel-Dawn Dumpert
German filmmaker Stefan Ruzowitzky sticks to the formula that made his 2000 thriller “Anatomie” a German hit, offering up a who’s who of young German stars and plunging them into hot-and-cold color schemes, freewheeling camera work and diabolical master-race conspiracies. If Ruzowitzky were as good a storyteller as he is a stylist, he’d have something.