French actress Emmanuelle Béart and Belgian-Congolese director/songwriter Baloji will co-preside over the Caméra d’Or jury of the 2024 Cannes Film Festival.
The Caméra d’Or is awarded to the best first feature film in Cannes’ Official Selection, or in the parallel Critics Week or Directors’ Fortnight sections.
Béart’s long list of credits include 8 Women (2002), Mission: Impossible (1996), Nelly & Monsieur Arnaud (1995), Heart In Winter (1992), La Belle Noiseuse (1991) and Manon Des Sources (1986).
Baloji won the New Voice Prize in Un Certain Regard last year for his debut feature Omen.
This year’s Caméra d’Or jury includes director of photography Gilles Porte,...
The Caméra d’Or is awarded to the best first feature film in Cannes’ Official Selection, or in the parallel Critics Week or Directors’ Fortnight sections.
Béart’s long list of credits include 8 Women (2002), Mission: Impossible (1996), Nelly & Monsieur Arnaud (1995), Heart In Winter (1992), La Belle Noiseuse (1991) and Manon Des Sources (1986).
Baloji won the New Voice Prize in Un Certain Regard last year for his debut feature Omen.
This year’s Caméra d’Or jury includes director of photography Gilles Porte,...
- 4/16/2024
- ScreenDaily
Belgian rapper and filmmaker Baloji and French film actress Emmanuelle Béart have been announced as co-presidents of the Cannes Film Festival’s Caméra d’Or jury for the upcoming 77th edition, running from May 14 to 25.
The award for the best first film is open to all the debut feature films presented in Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
The Caméra d’Or Jury has been co-chaired three times before: by actress Françoise Fabian and director Daniel Schmid in 1996, by Marthe Keller and Géraldine Chaplin in 2002, and by brothers Luc and Jean-Pierre Dardenne in 2006.
Announcing the pair today, the festival described Baloji and Béart as “free spirits with no limits, who rely on their art to achieve creative freedom.” Baloji is best known for his directorial debut Omen, which debuted at last year’s Cannes Film Festival, where it picked up the New Voice Prize in Un Certain Regard.
The award for the best first film is open to all the debut feature films presented in Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
The Caméra d’Or Jury has been co-chaired three times before: by actress Françoise Fabian and director Daniel Schmid in 1996, by Marthe Keller and Géraldine Chaplin in 2002, and by brothers Luc and Jean-Pierre Dardenne in 2006.
Announcing the pair today, the festival described Baloji and Béart as “free spirits with no limits, who rely on their art to achieve creative freedom.” Baloji is best known for his directorial debut Omen, which debuted at last year’s Cannes Film Festival, where it picked up the New Voice Prize in Un Certain Regard.
- 4/16/2024
- by Zac Ntim
- Deadline Film + TV
Ginger & Fed, the new international film sales arm of Federation Studios headed by former TF1 Studio boss Sabine Chemaly, will launch several high profile titles at the Unifrance Rendez-Vous, including “The Future Awaits,” Niels Tavernier’s WWII-set drama based on the true story of a Holocaust survivor. Ginger & Fed will also bow sales on “Riviera Revenge,” a heartwarming comedy starring André Dussollier (“The Crime is Mine”), Sabine Azéma (“Tanguy”) and Thierry Lhermitte (“The Dinner Game”), along with continuing deals on “Rachel’s Game,” “Survive” and “Oldies and Goodies.”
Produced by Yves Darondeau at Bonne Pioche Cinema (“March of the Penguins”), “The Future Awaits” tells the story of Tauba Birenbaum, whose testimony was collected in July 1997 to become part of Steven Spielberg’s Institute for Visual History. The film opens in July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris. 13-year-old Tauba and her parents, who are Polish Jews,...
Produced by Yves Darondeau at Bonne Pioche Cinema (“March of the Penguins”), “The Future Awaits” tells the story of Tauba Birenbaum, whose testimony was collected in July 1997 to become part of Steven Spielberg’s Institute for Visual History. The film opens in July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris. 13-year-old Tauba and her parents, who are Polish Jews,...
- 1/15/2024
- by Elsa Keslassy
- Variety Film + TV
Quick, silly and lent weight only by the costume department’s copious wigs and furs, “The Crime Is Mine” finds tireless French auteur François Ozon in the playful period pastiche mode of “Potiche” and “8 Women.” It’s a film less about any frenetic onscreen shenanigans as it is about its own mood board of sartorial and cinematic reference points — Jean Renoir, Billy Wilder, some vintage Chanel — and as such it slips down as fizzily and forgettably as a bottle of off-brand sparkling wine. This story of an aspiring stage star standing trial for a top impresario’s murder (and making the most of her moment in the tabloid flashbulbs) may be based on a nearly 90-year-old play, but for those versed more in Hollywood and Broadway than in French theater, Ozon’s adaptation resembles a kind of diva fanfic: What if Roxie Hart went up against Norma Desmond, except in rollicking 1930s Paris?...
- 12/24/2023
- by Guy Lodge
- Variety Film + TV
Salaar: Part 1 – Ceasefire saw $2.5 million in Thursday previews as the Telugu action thriller opens in about 800 locations in North America. Bollywood superstar Shah Ruhk Kan toplines drama Dunki, his third film of the year after Pathaan and Jawan, both in the top ten of India’s highest-grossing films.
Presented by Moksha Movies/Pathyangira Cinemas, Salaar directed by Prashanth Neel, stars Prabhas and Prithviraj Sukumaran in the story of a gang leader who makes a promise to a dying friend.
Indian films are a mainstay at the specialty box office, some weekends more than others. This is a big one. Key indie openings include Searchlight Pictures’ much-nominated All Of Us Strangers by Andrew Haigh; Michel Franco’s Memory from Ketchup Entertainment; Freud’s Last Session from Sony Pictures Classics’ and Music Box Pictures’ The Crime Is Mine, all in limited release.
On Salaar: Prabhas (Baahubali) is one of the biggest stars of Telugu cinema.
Presented by Moksha Movies/Pathyangira Cinemas, Salaar directed by Prashanth Neel, stars Prabhas and Prithviraj Sukumaran in the story of a gang leader who makes a promise to a dying friend.
Indian films are a mainstay at the specialty box office, some weekends more than others. This is a big one. Key indie openings include Searchlight Pictures’ much-nominated All Of Us Strangers by Andrew Haigh; Michel Franco’s Memory from Ketchup Entertainment; Freud’s Last Session from Sony Pictures Classics’ and Music Box Pictures’ The Crime Is Mine, all in limited release.
On Salaar: Prabhas (Baahubali) is one of the biggest stars of Telugu cinema.
- 12/22/2023
- by Jill Goldsmith
- Deadline Film + TV
Adapted from a school play by crime writer Hannah, this low-budget British whodunnit lacks the cinematic flair to match its clever songs and plotting
This low-budget British whodunnit arrives well-timed amid a Rian Johnson-prompted boom in murder mystery movies. It’s not quite, as it claims, the first murder mystery musical movie: that honour might well go to François Ozon’s 8 Women, and Stephen Sondheim once wrote a screenplay and songs for the unproduced The Chorus Girl Murder Case. The concept has been in the ether for a while – unsurprisingly perhaps, as musicals and whodunnits are both formalised genres with a certain amount of common ground.
The Mystery of Mr E enjoys wrongfooting us. Similarly to the start of the classic 1950 noir Doa, when the protagonist arrives to announce his own murder, dastardly Mr E (Kevin Dixon) turns up at the residence of twins George (James N Knight...
This low-budget British whodunnit arrives well-timed amid a Rian Johnson-prompted boom in murder mystery movies. It’s not quite, as it claims, the first murder mystery musical movie: that honour might well go to François Ozon’s 8 Women, and Stephen Sondheim once wrote a screenplay and songs for the unproduced The Chorus Girl Murder Case. The concept has been in the ether for a while – unsurprisingly perhaps, as musicals and whodunnits are both formalised genres with a certain amount of common ground.
The Mystery of Mr E enjoys wrongfooting us. Similarly to the start of the classic 1950 noir Doa, when the protagonist arrives to announce his own murder, dastardly Mr E (Kevin Dixon) turns up at the residence of twins George (James N Knight...
- 11/21/2023
- by Phil Hoad
- The Guardian - Film News
Music Box Films has dropped the trailer for “The Crime Is Mine,” François Ozon’s screwball comedy set in 1930s Paris starring Nadia Tereszkiewicz, Rebecca Marder and Isabelle Huppert.
A showbiz caper with a feminist edge in the vein of Ozon’s “8 Women” and “Potiche,” “The Crime Is Mine” will open in New York on Dec. 25, followed by Los Angeles and a national expansion.
Tereszkiewicz, who won a César award for best newcomer for her performance in “Forever Young,” stars as a struggling actress, Madeleine, who lives with her best friend, Pauline (Marder), an unemployed lawyer, in a cramped flat. Opportunity knocks after a lascivious theatrical producer who made an inappropriate advance toward Madeleine turns up dead. Madeleine admits to the crime and is acquitted on the grounds of self-defense — and in result becomes a star, as well as a feminist icon.
“The Crime Is Mine” was freely adapted...
A showbiz caper with a feminist edge in the vein of Ozon’s “8 Women” and “Potiche,” “The Crime Is Mine” will open in New York on Dec. 25, followed by Los Angeles and a national expansion.
Tereszkiewicz, who won a César award for best newcomer for her performance in “Forever Young,” stars as a struggling actress, Madeleine, who lives with her best friend, Pauline (Marder), an unemployed lawyer, in a cramped flat. Opportunity knocks after a lascivious theatrical producer who made an inappropriate advance toward Madeleine turns up dead. Madeleine admits to the crime and is acquitted on the grounds of self-defense — and in result becomes a star, as well as a feminist icon.
“The Crime Is Mine” was freely adapted...
- 11/1/2023
- by Elsa Keslassy
- Variety Film + TV
French actress Emmanuelle Béart has revealed she was a victim of incest as a child, according to a new documentary she co-directed.
On Tuesday, Agence France Presse reported that the film, titled Such a Resounding Silence, was screened at a press conference. In the documentary, Béart reveals details of the abuse but does not reveal the name of her abuser, and says she was saved by her grandmother.
Béart was not present at the press conference, but co-director Anastasia Mikova said the alleged attacker was not Béart’s father. Mikova added that the incest started when Béart was 10 and continued until she was 14.
Afp reports that in the film, Béart’s voice was heard off-screen, addressing her alleged abuser: “Since my father, my mother and my friends didn’t notice anything, you could do this again, and you did, over four years.”
Such a Resounding Silence tells the story of four victims of incest,...
On Tuesday, Agence France Presse reported that the film, titled Such a Resounding Silence, was screened at a press conference. In the documentary, Béart reveals details of the abuse but does not reveal the name of her abuser, and says she was saved by her grandmother.
Béart was not present at the press conference, but co-director Anastasia Mikova said the alleged attacker was not Béart’s father. Mikova added that the incest started when Béart was 10 and continued until she was 14.
Afp reports that in the film, Béart’s voice was heard off-screen, addressing her alleged abuser: “Since my father, my mother and my friends didn’t notice anything, you could do this again, and you did, over four years.”
Such a Resounding Silence tells the story of four victims of incest,...
- 9/7/2023
- by Abid Rahman
- The Hollywood Reporter - Movie News
Welcome to Global Breakouts, Deadline’s strand in which, each fortnight, we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track. So we’re going to do the hard work for you.
This week we head to the Venice Film Festival to check out French director Xavier Giannoli’s international crime thriller Of Money and Blood, which world premiered in its official selection on August 31 to a buzzy reception.
Name: Of Money and Blood
Country: France
Network: Canal+
Distributor: Studiocanal
Where can I watch: Canal+ in France from October
For fans of: Michael Mann’s The Insider, Martin Scorsese’s Wall Street, Oliver Stone’s JFK, Steven Soderbergh’s Traffic
French writer-director Xavier...
This week we head to the Venice Film Festival to check out French director Xavier Giannoli’s international crime thriller Of Money and Blood, which world premiered in its official selection on August 31 to a buzzy reception.
Name: Of Money and Blood
Country: France
Network: Canal+
Distributor: Studiocanal
Where can I watch: Canal+ in France from October
For fans of: Michael Mann’s The Insider, Martin Scorsese’s Wall Street, Oliver Stone’s JFK, Steven Soderbergh’s Traffic
French writer-director Xavier...
- 9/6/2023
- by Melanie Goodfellow
- Deadline Film + TV
Music Box Films has acquired the US distribution rights to “The Crime is Mine” (“Mon Crime”). François Ozon directs the comedy of errors starring newcomers Rebecca Marder and Nadia Terezkiewicz, alongside Isabelle Huppert, Fabrice Luchini, Dany Boon, and André Dussolier.
Music Box is aiming for a theatrical release later this year with a home video release to follow.
The picture, based on George Berr and Louis Verneuil’s 1934 play, concerns a struggling actress (Terezkiewicz) and her roommate (Marder), an unemployed attorney in 1930’s Paris. Madeleine ends up on trial for the murder of a movie producer, while Pauline serves as both defense counsel and media circus ringmaster to both of their mutual benefit. Their post-acquittal life of fame, fortune and glory is eventually undercut by certain revelations.
“The Crime is Mine” marks Music Box Films’ fifth collaboration with director Ozon, following “Potiche,” “Frantz,” “By the Grace of God” and “Summer of 85.
Music Box is aiming for a theatrical release later this year with a home video release to follow.
The picture, based on George Berr and Louis Verneuil’s 1934 play, concerns a struggling actress (Terezkiewicz) and her roommate (Marder), an unemployed attorney in 1930’s Paris. Madeleine ends up on trial for the murder of a movie producer, while Pauline serves as both defense counsel and media circus ringmaster to both of their mutual benefit. Their post-acquittal life of fame, fortune and glory is eventually undercut by certain revelations.
“The Crime is Mine” marks Music Box Films’ fifth collaboration with director Ozon, following “Potiche,” “Frantz,” “By the Grace of God” and “Summer of 85.
- 5/17/2023
- by Scott Mendelson
- The Wrap
Music Box Films has bought U.S. rights to “The Crime Is Mine” (“Mon Crime”), a period comedy by French helmer François Ozon.
“The Crime Is Mine” stars Rebecca Marder and Nadia Tereszkiewicz, who just won the Cesar Award for female newcomer, alongside Isabelle Huppert, Fabrice Luchini, Dany Boon and André Dussolier. Music Box Films plans a theatrical release for later this year, followed by a home entertainment rollout.
Adapted from a 1934 play by Georges Berr and Louis Verneuil, “The Crime Is Mine” follows struggling actress Madeleine (Tereszkiewicz), and her best friend and roommate Pauline (Marder), an unemployed lawyer in 1930s Paris. Madeleine ascends to fame after standing trial for the murder of a movie producer, with Pauline serving as defense counsel and media circus ringmaster. Upon Madeleine’s acquittal, a new life of fame, wealth and tabloid celebrity awaits — until the truth comes out.
The acquisition marks Music Box Films’ fifth collaboration with Ozon,...
“The Crime Is Mine” stars Rebecca Marder and Nadia Tereszkiewicz, who just won the Cesar Award for female newcomer, alongside Isabelle Huppert, Fabrice Luchini, Dany Boon and André Dussolier. Music Box Films plans a theatrical release for later this year, followed by a home entertainment rollout.
Adapted from a 1934 play by Georges Berr and Louis Verneuil, “The Crime Is Mine” follows struggling actress Madeleine (Tereszkiewicz), and her best friend and roommate Pauline (Marder), an unemployed lawyer in 1930s Paris. Madeleine ascends to fame after standing trial for the murder of a movie producer, with Pauline serving as defense counsel and media circus ringmaster. Upon Madeleine’s acquittal, a new life of fame, wealth and tabloid celebrity awaits — until the truth comes out.
The acquisition marks Music Box Films’ fifth collaboration with Ozon,...
- 5/17/2023
- by Elsa Keslassy
- Variety Film + TV
Editors note: This review was originally published in June 2021 after its world premiere at the Cannes Film Festival. The film opens in New York on Friday and in Los Angeles on April 21.
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Beautifully upholstered and decked out with a starry cast, Everything Went Fine (Tout S’est Bien Passé) is the sort of comforting, thoroughly mainstream commercial film not often seen in competition at the Cannes Film Festival. Although the subject of euthanasia does not normally suggest a good time at the movies, French director François Ozon serves one up anyway with the help of a raft of crafty and appealing veteran actors, lush filmmaking and savvy and deft handling of the central emotional dynamic.
Shortly after family patriarch André (André Dussollier) suffers a debilitating stroke, the 85-year-old insists to his daughter Emmanuèle (Sophie Marceau) that he wants to end to it all, on his own terms. He seems something of a borderline case,...
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Beautifully upholstered and decked out with a starry cast, Everything Went Fine (Tout S’est Bien Passé) is the sort of comforting, thoroughly mainstream commercial film not often seen in competition at the Cannes Film Festival. Although the subject of euthanasia does not normally suggest a good time at the movies, French director François Ozon serves one up anyway with the help of a raft of crafty and appealing veteran actors, lush filmmaking and savvy and deft handling of the central emotional dynamic.
Shortly after family patriarch André (André Dussollier) suffers a debilitating stroke, the 85-year-old insists to his daughter Emmanuèle (Sophie Marceau) that he wants to end to it all, on his own terms. He seems something of a borderline case,...
- 4/14/2023
- by Todd McCarthy
- Deadline Film + TV
Cohen Media Group has dropped the trailer for Francois Ozon’s drama “Everything Went Fine” ahead of its theatrical release in New York on April 14 and Los Angeles on April 21, followed by a national expansion.
“Everything Went Fine” is based on the autobiographical novel by author Emmanuèle Bernheim who previously collaborated on Ozon’s screenplays for “Under The Sand,” “Swimming Pool” and “Ricky.”
The movie follows 85-year-old art collector André Bernheim (André Dussolier) who, after a debilitating stroke, demands that his daughter Emmanuèle (Sophie Marceau), help him end life on his own terms. Faced with a painful decision, Emmanuèle, with the grudging support of her younger sister Pascale (Géraldine Pailhas), begins sorting through the processes and bureaucratic hurdles necessary to fulfill her father’s final wish, as she is forced to reconcile her past with a complicated, stubborn, yet charismatic man.
Here’s the trailer:
“Everything Went Fine” also stars...
“Everything Went Fine” is based on the autobiographical novel by author Emmanuèle Bernheim who previously collaborated on Ozon’s screenplays for “Under The Sand,” “Swimming Pool” and “Ricky.”
The movie follows 85-year-old art collector André Bernheim (André Dussolier) who, after a debilitating stroke, demands that his daughter Emmanuèle (Sophie Marceau), help him end life on his own terms. Faced with a painful decision, Emmanuèle, with the grudging support of her younger sister Pascale (Géraldine Pailhas), begins sorting through the processes and bureaucratic hurdles necessary to fulfill her father’s final wish, as she is forced to reconcile her past with a complicated, stubborn, yet charismatic man.
Here’s the trailer:
“Everything Went Fine” also stars...
- 3/30/2023
- by Elsa Keslassy
- Variety Film + TV
After “Peter van Kant,” French director François Ozon goes many shades lighter to revisit gender and power dynamics in “The Crime Is Mine,” a lush ensemble comedy set in 1930s Paris.
Loosely inspired by the 1934 play by Georges Berr and Louis Verneuil, the film tells the story of Madeleine, a pretty, young and penniless actress, who is accused of murdering a famous producer. Helped by her best friend Pauline, a jobless lawyer, she is acquitted on the grounds of self-defense and becomes a star, as well as a feminist icon.
“The Crime Is Mine,” produced by Mandarin Cinema, brings together a sprawling cast, led by a pair of up-and-coming actors, Nadia Tereszkiewicz (“Forever Young”) and Rebecca Marder (“Simone”), alongside Isabelle Huppert, Fabrice Luchini, André Dussolier, Dany Boon and Félix Lefebvre. The movie has been sold by Playtime in many key markets.
Ozon discussed his new film with Variety following its...
Loosely inspired by the 1934 play by Georges Berr and Louis Verneuil, the film tells the story of Madeleine, a pretty, young and penniless actress, who is accused of murdering a famous producer. Helped by her best friend Pauline, a jobless lawyer, she is acquitted on the grounds of self-defense and becomes a star, as well as a feminist icon.
“The Crime Is Mine,” produced by Mandarin Cinema, brings together a sprawling cast, led by a pair of up-and-coming actors, Nadia Tereszkiewicz (“Forever Young”) and Rebecca Marder (“Simone”), alongside Isabelle Huppert, Fabrice Luchini, André Dussolier, Dany Boon and Félix Lefebvre. The movie has been sold by Playtime in many key markets.
Ozon discussed his new film with Variety following its...
- 1/14/2023
- by Elsa Keslassy
- Variety Film + TV
“The Crime Is Mine,” the new star-studded film by revered French director Francois Ozon, has been boarded by a raft of major distributors in key markets.
Represented by Playtime, the crowd-pleasing comedy had its world premiere on the opening night of the Unifrance Rendez-Vous in Paris and drew laughter throughout the screening, along with a long ovation.
Lushly lensed in an idealized Paris of the 1930s, “The Crime Is Mine” brings together a sprawling cast, led by a pair of up-and-coming actors, Nadia Tereszkiewicz (“Forever Young”) and Rebecca Marder (“Simone”), alongside Isabelle Huppert, Fabrice Luchini, André Dussolier, Dany Boon and Félix Lefebvre.
“The Crime Is Mine” has been acquired for Canada (Sphere Films), Spain (Caramel), Italy (Bim), Greece (Filmtrade), Germany (Welkino), Austria (Filmladen) Benelux (September Films), Switzerland (Filmcoopi), Bulgaria (Cinelibri), Hungary (Vertigo), Baltics, Cis (A-One), Ukraine (Arthouse Traffic), Romania (Independenta Film) and Former Yugoslavia (McF).
Playtime scored these deals after...
Represented by Playtime, the crowd-pleasing comedy had its world premiere on the opening night of the Unifrance Rendez-Vous in Paris and drew laughter throughout the screening, along with a long ovation.
Lushly lensed in an idealized Paris of the 1930s, “The Crime Is Mine” brings together a sprawling cast, led by a pair of up-and-coming actors, Nadia Tereszkiewicz (“Forever Young”) and Rebecca Marder (“Simone”), alongside Isabelle Huppert, Fabrice Luchini, André Dussolier, Dany Boon and Félix Lefebvre.
“The Crime Is Mine” has been acquired for Canada (Sphere Films), Spain (Caramel), Italy (Bim), Greece (Filmtrade), Germany (Welkino), Austria (Filmladen) Benelux (September Films), Switzerland (Filmcoopi), Bulgaria (Cinelibri), Hungary (Vertigo), Baltics, Cis (A-One), Ukraine (Arthouse Traffic), Romania (Independenta Film) and Former Yugoslavia (McF).
Playtime scored these deals after...
- 1/13/2023
- by Elsa Keslassy
- Variety Film + TV
When journalists, sales agents and acquisition execs from key territories take to Unifrance’s Rendez-Vous in Paris, which runs Jan. 10-17, international growth will be on everyone’s mind. If Gallic exports never did reach pre-pandemic highs in 2022 — the first year, we should note, that many theatrical markets operated without interruption — the local industry hung on all the same.
At home and abroad, franchises and feel-good fare drove theatrical returns. The comedy “Serial (Bad) Weddings 3” banked 2.4 million local admissions, ending the year as France’s top-grossing domestic title and landed an additional 1.3 million ticket sales in neighboring countries, while the Studiocanal family title “The Wolf and the Lion” opened in more than 50 territories.
In the U.S., arthouse stalwarts Kino Lorber, Cohen Media Group and Sony Pictures Classics pulled jewels from festival slates, with Kino Lorber set to open Pietro Marcello’s Directors’ Fortnight opener “Scarlet” and Sony Pictures Classics to release the Cannes-acclaimed,...
At home and abroad, franchises and feel-good fare drove theatrical returns. The comedy “Serial (Bad) Weddings 3” banked 2.4 million local admissions, ending the year as France’s top-grossing domestic title and landed an additional 1.3 million ticket sales in neighboring countries, while the Studiocanal family title “The Wolf and the Lion” opened in more than 50 territories.
In the U.S., arthouse stalwarts Kino Lorber, Cohen Media Group and Sony Pictures Classics pulled jewels from festival slates, with Kino Lorber set to open Pietro Marcello’s Directors’ Fortnight opener “Scarlet” and Sony Pictures Classics to release the Cannes-acclaimed,...
- 1/8/2023
- by Ben Croll
- Variety Film + TV
Francois Ozon, whose latest film, “Peter von Kant,” opened the Berlinale, is already shooting his next movie, “Madeleine,” with a flurry of stars including Isabelle Huppert, Dany Boon and Fabrice Luchini.
The project, which is believed to be his most ambitious since “8 Women,” is being introduced to buyers at Cannes by Playtime and has already sparked strong interest. The plot is being kept under wraps, but Playtime is presenting the script to select buyers.
Ozon is one of the few bankable European directors whose films have opened at major festivals and traditionally sell around the world, including in the U.S.
“Madeleine” reteams Ozon with his regular producers, Eric and Nicolas Altmayer at Mandarin Cinema. Gaumont will be distributing the film in France, according to Satellifacts.
The cast also includes Rebecca Marder, the rising French star of Arnaud Desplechin’s “Tromperie” and Sandrine Kiberlain’s “Une jeune fille qui va bien.
The project, which is believed to be his most ambitious since “8 Women,” is being introduced to buyers at Cannes by Playtime and has already sparked strong interest. The plot is being kept under wraps, but Playtime is presenting the script to select buyers.
Ozon is one of the few bankable European directors whose films have opened at major festivals and traditionally sell around the world, including in the U.S.
“Madeleine” reteams Ozon with his regular producers, Eric and Nicolas Altmayer at Mandarin Cinema. Gaumont will be distributing the film in France, according to Satellifacts.
The cast also includes Rebecca Marder, the rising French star of Arnaud Desplechin’s “Tromperie” and Sandrine Kiberlain’s “Une jeune fille qui va bien.
- 5/19/2022
- by Elsa Keslassy
- Variety Film + TV
Roman Polanski’s ‘The Palace’ Adds ‘Fantastic Beasts’ Actor Oliver Masucci, Fanny Ardant (Exclusive)
German actor Oliver Masucci and French star Fanny Ardant have joined the cast of Roman Polanski’s new movie “The Palace,” which will surely be a subject of controversy at the Cannes Film Festival where distribution rights are being sold.
The ensemble drama, which had already cast Mickey Rourke, will be headlined by Masucci, the German actor who appeared in “Fantastic Beasts: The Secrets of Dumbledore” and the Netflix series “Dark,” and Ardant, the esteemed French star of “La Belle Epoque” and “8 Women.” Budgeted at €13 million (13.9 million), the movie is currently shooting on location in Gstaad, Switzerland, and is being sold by Wild Bunch International, the powerhouse behind several movies competing at Cannes, notably Arnaud Desplechin’s “Brother and Sister,” Claire Denis’s “Stars at Noon” and the opening night film “Final Cut” from Michel Hazanavicius.
The key crew includes Oscar-winning music composer Alexandre Desplat, along with Polanski’s regular cinematographer Pawel Edelman,...
The ensemble drama, which had already cast Mickey Rourke, will be headlined by Masucci, the German actor who appeared in “Fantastic Beasts: The Secrets of Dumbledore” and the Netflix series “Dark,” and Ardant, the esteemed French star of “La Belle Epoque” and “8 Women.” Budgeted at €13 million (13.9 million), the movie is currently shooting on location in Gstaad, Switzerland, and is being sold by Wild Bunch International, the powerhouse behind several movies competing at Cannes, notably Arnaud Desplechin’s “Brother and Sister,” Claire Denis’s “Stars at Noon” and the opening night film “Final Cut” from Michel Hazanavicius.
The key crew includes Oscar-winning music composer Alexandre Desplat, along with Polanski’s regular cinematographer Pawel Edelman,...
- 4/25/2022
- by Elsa Keslassy
- Variety Film + TV
Following its world premiere as the Berlin Film Festival opener, Francois Ozon’s “Peter von Kant” has been acquired by Strand Releasing for U.S. distribution.
Represented in international markets by Playtime, the critically acclaimed movie is inspired by Rainer Werner Fassbinder’s cult film “The Bitter Tears of Petra von Kant,” with Denis Menochet playing the tormented filmmaker, opposite Isabelle Adjani, who stars as his muse.
Ozon previously told Variety that the movie was a “universal tale of passion, timely as ever” and “explores the relationships of domination, control and submission in the creative world.”
“Peter von Kant” marks Ozon’s sixth movie that played in competition at the Berlin Film Festival. He won the Silver Bear for his 2018 film, “By the Grace of God,” and “8 Women” 20 years ago. He also debuted “Water Drops on Burning Rocks,” another adaptation of a Fassbinder work, at the festival in 2000.
Playtime...
Represented in international markets by Playtime, the critically acclaimed movie is inspired by Rainer Werner Fassbinder’s cult film “The Bitter Tears of Petra von Kant,” with Denis Menochet playing the tormented filmmaker, opposite Isabelle Adjani, who stars as his muse.
Ozon previously told Variety that the movie was a “universal tale of passion, timely as ever” and “explores the relationships of domination, control and submission in the creative world.”
“Peter von Kant” marks Ozon’s sixth movie that played in competition at the Berlin Film Festival. He won the Silver Bear for his 2018 film, “By the Grace of God,” and “8 Women” 20 years ago. He also debuted “Water Drops on Burning Rocks,” another adaptation of a Fassbinder work, at the festival in 2000.
Playtime...
- 3/22/2022
- by Elsa Keslassy
- Variety Film + TV
Isabelle Huppert, this year’s recipient of the Berlinale’s Honorary Golden Bear, has pulled out of attending the festival after testing positive for Covid in Paris.
The festival confirmed the French star’s absence on Monday night.
“Unfortunately, today Isabelle Huppert has been tested positive for the coronavirus in Paris and therefore she will not be able to attend the Berlin International Film Festival,” reads a statement from the Berlinale.
“While informing the festival, she emphasized that she feels very dedicated to the Berlinale and wants to participate in any possible way also to support her latest film ‘À Propos de Joan.'”
Berlinale artistic director Carlo Chatrian explained that because Huppert “doesn’t feel sick,” the festival will go ahead with its planned ceremony on Tuesday honoring the “Elle” actor with its lifetime achievement award. Huppert join in via a live link from Paris. The ceremony will be...
The festival confirmed the French star’s absence on Monday night.
“Unfortunately, today Isabelle Huppert has been tested positive for the coronavirus in Paris and therefore she will not be able to attend the Berlin International Film Festival,” reads a statement from the Berlinale.
“While informing the festival, she emphasized that she feels very dedicated to the Berlinale and wants to participate in any possible way also to support her latest film ‘À Propos de Joan.'”
Berlinale artistic director Carlo Chatrian explained that because Huppert “doesn’t feel sick,” the festival will go ahead with its planned ceremony on Tuesday honoring the “Elle” actor with its lifetime achievement award. Huppert join in via a live link from Paris. The ceremony will be...
- 2/14/2022
- by Manori Ravindran
- Variety Film + TV
It’s a neat conceit, making the directing colossus of 1970s German cinema into the star of his own show. Peter Von Kant, the opening film of the Berlin Film Festival, is “freely adapted” by French director François Ozon from The Bitter Tears Of Petra Von Kant, Rainer Werner Fassbinder’s highly stylized 1972 story of three women locked in a toxic triangle of love, jealousy, domination and submission. The storyline and much of the dialogue, is the same; where Ozon shakes it up is by making the trio all men.
Ozon has tangled with Fassbinder before. His 2000 film, Water Drops On Burning Rocks, which also dealt with power struggles within sexual relationships, was adapted from a Fassbinder play. Taking on The Bitter Tears Of Petra Von Kant, a recognized landmark of European cinema, is a bolder move, made at a different moment in Ozon’s career. This is maestro on...
Ozon has tangled with Fassbinder before. His 2000 film, Water Drops On Burning Rocks, which also dealt with power struggles within sexual relationships, was adapted from a Fassbinder play. Taking on The Bitter Tears Of Petra Von Kant, a recognized landmark of European cinema, is a bolder move, made at a different moment in Ozon’s career. This is maestro on...
- 2/10/2022
- by Stephanie Bunbury
- Deadline Film + TV
François Ozon, the prolific and provocative French director who won the Berlinale’s 2018 Golden Bear Award with “By the Grace of God,” is returning to the festival with “Peter von Kant” which will world premiere on opening night. A twist on Rainer Werner Fassbinder’s cult film “The Bitter Tears of Petra von Kant,” Ozon’s movie has Denis Menochet playing the tormented filmmaker, opposite Isabelle Adjani, who stars as his muse. Like the original film, “Peter von Kant” is about a film about love, jealousy and domination. It’s Ozon’s sixth movie in competition at the Berlin Film Festival. Ozon’s Berlin films include 2000’s “Water Drops on Burning Rocks,” another adaptation of a Fassbinder work, and “8 Women,” which won the Silver Bear 20 years ago. The director discussed his artistic ambition for the “Peter von Kant” with Variety.
This is your second Fassbinder-based project. Why is Fassbinder...
This is your second Fassbinder-based project. Why is Fassbinder...
- 2/10/2022
- by Elsa Keslassy
- Variety Film + TV
The 72nd edition of the Berlin International Film Festival will open with François Ozon drama Peter Von Kant, starring Denis Menochet, Isabelle Adjani and Hanna Schygulla.
The French-language film will play as part of the international Competition and get its world premiere on February 10, 2022, at the Berlinale Palast.
The feature is an adaptation of Rainer Werner Fassbinder’s heralded film Die bitteren Tränen der Petra von Kant (The Bitter Tears of Petra von Kant, 1972). The French filmmaker turns the character of Petra von Kant into a man and a filmmaker in a nod to Fassbinder.
Berlin organizers this morning announced protocols and restrictions for the in-person event, which will be shortened by three days and run with 50% capacity in cinemas.
The event remains one of the few festivals still on course to go ahead in-person at the start of 2022 after Sundance and Palm Springs were forced to cancel their physical...
The French-language film will play as part of the international Competition and get its world premiere on February 10, 2022, at the Berlinale Palast.
The feature is an adaptation of Rainer Werner Fassbinder’s heralded film Die bitteren Tränen der Petra von Kant (The Bitter Tears of Petra von Kant, 1972). The French filmmaker turns the character of Petra von Kant into a man and a filmmaker in a nod to Fassbinder.
Berlin organizers this morning announced protocols and restrictions for the in-person event, which will be shortened by three days and run with 50% capacity in cinemas.
The event remains one of the few festivals still on course to go ahead in-person at the start of 2022 after Sundance and Palm Springs were forced to cancel their physical...
- 1/12/2022
- by Andreas Wiseman
- Deadline Film + TV
The Berlin Film Festival has its opening film in François Ozon’s “Peter von Kant.”
The film, which stars Denis Menochet, Isabelle Adjani and Hanna Schygulla, is part of the fest’s International Competition and will have its world premiere on Feb. 10 at the Berlinale Palast. Variety revealed on Tuesday that the festival is planning to go ahead as an in-person event, and organizers provided further details of the plan on Wednesday.
“We are beyond thrilled to welcome back François Ozon to the festival and are happy to launch our next edition with his new film,” said Berlin artistic director Carlo Chatrian. “For this year’s opening, we were looking for a film that could bring lightness and verve into our somber daily lives. ‘Peter von Kant’ is a theatrical tour de force around the concept of lockdown. In the hands of Ozon, the kammerspiel becomes the perfect container for love and jealousy,...
The film, which stars Denis Menochet, Isabelle Adjani and Hanna Schygulla, is part of the fest’s International Competition and will have its world premiere on Feb. 10 at the Berlinale Palast. Variety revealed on Tuesday that the festival is planning to go ahead as an in-person event, and organizers provided further details of the plan on Wednesday.
“We are beyond thrilled to welcome back François Ozon to the festival and are happy to launch our next edition with his new film,” said Berlin artistic director Carlo Chatrian. “For this year’s opening, we were looking for a film that could bring lightness and verve into our somber daily lives. ‘Peter von Kant’ is a theatrical tour de force around the concept of lockdown. In the hands of Ozon, the kammerspiel becomes the perfect container for love and jealousy,...
- 1/12/2022
- by Manori Ravindran
- Variety Film + TV
French actress Isabelle Huppert will be the recipient of an honorary Golden Bear at this year’s Berlin International Film Festival.
As announced yesterday, the festival will premiere Huppert’s latest movie, About Joan, as a Berlinale Special Gala this year. The screening will be held in conjunction with the fest’s award ceremony on February 15, 2022, when Huppert will receive her prize.
Huppert has had a long and glittering career in the biz, performing on screen and stage and across multiple languages including French, German and English. The directors she has collaborated with include Jean-Luc Godard, Michael Haneke, Bertrand Tavernier, Claude Chabrol, Olivier Assayas, Catherine Breillat, Paul Verhoeven and many more.
Her films have appeared in Cannes’ Competition on 20 occasions, a record, and she has featured in the Berlinale’s Competition seven times.
Huppert has been nominated for France’s Cesar prize more than any other actress (16) and has won twice.
As announced yesterday, the festival will premiere Huppert’s latest movie, About Joan, as a Berlinale Special Gala this year. The screening will be held in conjunction with the fest’s award ceremony on February 15, 2022, when Huppert will receive her prize.
Huppert has had a long and glittering career in the biz, performing on screen and stage and across multiple languages including French, German and English. The directors she has collaborated with include Jean-Luc Godard, Michael Haneke, Bertrand Tavernier, Claude Chabrol, Olivier Assayas, Catherine Breillat, Paul Verhoeven and many more.
Her films have appeared in Cannes’ Competition on 20 occasions, a record, and she has featured in the Berlinale’s Competition seven times.
Huppert has been nominated for France’s Cesar prize more than any other actress (16) and has won twice.
- 12/16/2021
- by Tom Grater
- Deadline Film + TV
French actor Isabelle Huppert is set to receive the Berlin Film Festival’s Honorary Golden Bear at the Berlin Film Festival in February. Her films will also be honored as part of a special Homage section.
Huppert will be awarded the prize for lifetime achievement. In conjunction with the awards on Feb. 15 at the Berlinale Palast, the festival will screen her latest movie, Laurent Larivière’s “À propos de Joan” — unveiled on Wednesday in the fest’s first batch of titles — as a special gala premiere.
Huppert has a longstanding relationship with Berlin, and has starred in seven competition films to date. She was first a guest in Berlin with Jacques Doillon’s “La vengeance d’une femme” before appearing in Francois Ozon’s “8 Femmes” as an unprepossessing woman who emerges in the end as a confident beauty. The ensemble cast was awarded a Silver Bear for outstanding artistic accomplishment.
Huppert will be awarded the prize for lifetime achievement. In conjunction with the awards on Feb. 15 at the Berlinale Palast, the festival will screen her latest movie, Laurent Larivière’s “À propos de Joan” — unveiled on Wednesday in the fest’s first batch of titles — as a special gala premiere.
Huppert has a longstanding relationship with Berlin, and has starred in seven competition films to date. She was first a guest in Berlin with Jacques Doillon’s “La vengeance d’une femme” before appearing in Francois Ozon’s “8 Femmes” as an unprepossessing woman who emerges in the end as a confident beauty. The ensemble cast was awarded a Silver Bear for outstanding artistic accomplishment.
- 12/16/2021
- by Manori Ravindran
- Variety Film + TV
Southern Spain’s annual showcase of standout recent European auteur cinema, the Seville European Film Festival, wrapped its 18th edition Saturday, Nov. 13 with a slew of prizes scattered among its various contenders, with the top prize, the Giraldillo de Oro, going to Sebastian Meise’s “Great Freedom” and its lead, Franz Rogowski, nabbing the best actor award. The Andalusian screenwriters association, Asecan, also chose the drama as the best film in the festival’s official selection.
Set in post-war Germany, “Great Freedom” has been racking up rave reviews and prizes across the festival circuit, starting with its Cannes Un Certain Regard jury prize and most recently in Athens and Sarajevo where it topped their awards. In it, Hans, played by Rogowski, is imprisoned repeatedly for being gay. The only constant in his life is his cellmate, Viktor, a convicted murderer, with whom his initial repulsion turns to something akin to love.
Set in post-war Germany, “Great Freedom” has been racking up rave reviews and prizes across the festival circuit, starting with its Cannes Un Certain Regard jury prize and most recently in Athens and Sarajevo where it topped their awards. In it, Hans, played by Rogowski, is imprisoned repeatedly for being gay. The only constant in his life is his cellmate, Viktor, a convicted murderer, with whom his initial repulsion turns to something akin to love.
- 11/14/2021
- by Anna Marie de la Fuente
- Variety Film + TV
The Seville European Film Festival, a key gateway into Spain for recent European movies, celebrates its 18th edition honoring German-Spanish actor-director Daniel Brühl.
Confronting film’s post-covid recovery challenges, the festival is also strengthening its commitment to the industry.
Seville, which runs Nov. 5-13, will grant Brühl the City of Seville 2021 award and screen the Spanish premiere of his directorial debut, Beta-sold comedy thriller “Next Door,” as part of the festival’s Official Section.
French actress Emmanuelle Béart (“8 Women”) will also receive a City of Seville 2020 award as she was unable to travel to last year’s edition due to pandemic restrictions.
Seville’s figures – 225 films, 90 Spanish premieres, six competitive sections, more than 500 guests and around thirty parallel activities – confirm the event’s solidity and projection as a major cultural gathering in Spain and a reference for the European industry.
As part of the festival’s industry growth, Seville...
Confronting film’s post-covid recovery challenges, the festival is also strengthening its commitment to the industry.
Seville, which runs Nov. 5-13, will grant Brühl the City of Seville 2021 award and screen the Spanish premiere of his directorial debut, Beta-sold comedy thriller “Next Door,” as part of the festival’s Official Section.
French actress Emmanuelle Béart (“8 Women”) will also receive a City of Seville 2020 award as she was unable to travel to last year’s edition due to pandemic restrictions.
Seville’s figures – 225 films, 90 Spanish premieres, six competitive sections, more than 500 guests and around thirty parallel activities – confirm the event’s solidity and projection as a major cultural gathering in Spain and a reference for the European industry.
As part of the festival’s industry growth, Seville...
- 11/5/2021
- by Emiliano De Pablos
- Variety Film + TV
Music Box has acquired Xavier Giannoli’s “Lost Illusions,” a sprawling costume drama with Benjamin Voisin (“Summer of 85”) and Xavier Dolan (“Mommy”), that competed at the Venice Film Festival and played at San Sebastian.
A critically acclaimed film adaptation of Honoré de Balzac’s literary masterpiece, “Les Illusions perdues,” the movie has now been sold in key markets by Gaumont. The French studio co-produced the film and will give it a wide release in France on Wednesday (Oct. 20).
“Lost Illusions” is one of the biggest budgeted and most anticipated French films this fall. It will have its North American premiere on the closing night of Colcoa, the French film festival in Los Angeles, on Nov. 7.
Cecile de France (“The Young Pope”) and Vincent Lacoste (“Amanda”) complete the lead cast of “Lost Illusions,” with Gerard Depardieu and Jeanne Balibar playing supporting roles.
Voisin stars as Lucien de Rubempré, a young...
A critically acclaimed film adaptation of Honoré de Balzac’s literary masterpiece, “Les Illusions perdues,” the movie has now been sold in key markets by Gaumont. The French studio co-produced the film and will give it a wide release in France on Wednesday (Oct. 20).
“Lost Illusions” is one of the biggest budgeted and most anticipated French films this fall. It will have its North American premiere on the closing night of Colcoa, the French film festival in Los Angeles, on Nov. 7.
Cecile de France (“The Young Pope”) and Vincent Lacoste (“Amanda”) complete the lead cast of “Lost Illusions,” with Gerard Depardieu and Jeanne Balibar playing supporting roles.
Voisin stars as Lucien de Rubempré, a young...
- 10/19/2021
- by Elsa Keslassy
- Variety Film + TV
Pietro Marcello, the critically acclaimed Italian filmmaker of the Venice prize-winning “Martin Eden,” has just started shooting “Scarlet” (“L’envol”), a French-language drama set in Northern Normandy. Orange Studio has acquired international sales rights to the film which will be distributed in France by Le Pacte.
Charles Gillibert, whose Paris-based outfit CG Cinema previously delivered award-winning films such as Deniz Erguven’s “Mustang” and Leos Carax’s “Annette,” is producing “Scarlet” with Avventurosa and Rai Cinema in Italy, in collaboration with Ilya Stewart (Hype Film) and Antonio Miyakawa (Wise Pictures).
Marcello penned the script with his regular screenwriting partner Maurizio Braucci (“Gomorra”), as well as Maud Ameline (“Amanda”), with the participation of the novelist Geneviève Brisac.
The film is set between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives...
Charles Gillibert, whose Paris-based outfit CG Cinema previously delivered award-winning films such as Deniz Erguven’s “Mustang” and Leos Carax’s “Annette,” is producing “Scarlet” with Avventurosa and Rai Cinema in Italy, in collaboration with Ilya Stewart (Hype Film) and Antonio Miyakawa (Wise Pictures).
Marcello penned the script with his regular screenwriting partner Maurizio Braucci (“Gomorra”), as well as Maud Ameline (“Amanda”), with the participation of the novelist Geneviève Brisac.
The film is set between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives...
- 8/19/2021
- by Elsa Keslassy
- Variety Film + TV
MK2, the venerable family-owned film group which operates a leading arthouse multiplex chain in France and Spain, is emerging from the pandemic stronger, cooler and more ambitious than ever.
Nathanaël and Elisha Karmitz, who succeeded their father Marin at the helm of the company in 2005, have galvanized the MK2 brand with activities ranging from films, art, publishing, technology and lifestyle. The common threads between all these ventures are a taste for singularity, curation and a socially-minded approach.
After scoring big at Cannes in 2019 with Mati Diop’s “Atlantics” and Celine Sciamma’s “Portrait of a Lady on Fire,” which competed and won prizes, MK2 Films will again boast a fairly large presence for the festival’s comeback edition with nine films across several selections, including the competition with Joachim Trier’s “The Worst Person in the World,” the new Cannes Premiere section with Andrea Arnold’s “Cow,” Un Certain Regard...
Nathanaël and Elisha Karmitz, who succeeded their father Marin at the helm of the company in 2005, have galvanized the MK2 brand with activities ranging from films, art, publishing, technology and lifestyle. The common threads between all these ventures are a taste for singularity, curation and a socially-minded approach.
After scoring big at Cannes in 2019 with Mati Diop’s “Atlantics” and Celine Sciamma’s “Portrait of a Lady on Fire,” which competed and won prizes, MK2 Films will again boast a fairly large presence for the festival’s comeback edition with nine films across several selections, including the competition with Joachim Trier’s “The Worst Person in the World,” the new Cannes Premiere section with Andrea Arnold’s “Cow,” Un Certain Regard...
- 7/2/2021
- by Elsa Keslassy
- Variety Film + TV
Munich-based Beta Film, one of Europe’s biggest independent TV companies, has acquired worldwide distribution rights outside France to “The Island of Thirty Coffins,” a French series adaptation of a novel by “Lupin” author Maurice Leblanc.
An atmospheric crime thriller from Leblanc – whose Arsène Lupin character, created in 1905, inspired Netflix biggest foreign-language global hit “Lupin” – “The Island of Thirty Coffins” stars Virginie Ledoyen.
Directed by Frédéric Mermoud (“Les Revenants”) and written by Elsa Marpeau (“Capitaine Marleau”) and Florent Meyer (“Lupin”), its acquisition forms part of a planned far larger drive into French drama series by Beta Films.
“We shall try to acquire more and more French series in the upcoming months and years,” said Jérôme Vincendon, Beta Film exec VP international sales and acquisitions, French-speaking Europe. “We think it’s the right moment,” he added.
Once dominated in prime time by U.S. procedurals, France has seen its domestic TV...
An atmospheric crime thriller from Leblanc – whose Arsène Lupin character, created in 1905, inspired Netflix biggest foreign-language global hit “Lupin” – “The Island of Thirty Coffins” stars Virginie Ledoyen.
Directed by Frédéric Mermoud (“Les Revenants”) and written by Elsa Marpeau (“Capitaine Marleau”) and Florent Meyer (“Lupin”), its acquisition forms part of a planned far larger drive into French drama series by Beta Films.
“We shall try to acquire more and more French series in the upcoming months and years,” said Jérôme Vincendon, Beta Film exec VP international sales and acquisitions, French-speaking Europe. “We think it’s the right moment,” he added.
Once dominated in prime time by U.S. procedurals, France has seen its domestic TV...
- 5/21/2021
- by John Hopewell
- Variety Film + TV
Sony Pictures International Productions is launching Parasomnia Productions, a new label dedicated to genre movies in France. The label’s creation is in association with Marc Missonnier’s Moana Films.
The aim is to promote theatrical genre pics in France, including fantasy, horror, supernatural and mock documentaries, among others.
The titles will have a budget cap of 1 million euros ($1.2M) each. Parasomnia is also now launching a call to writers for original screenplays of feature projects written in French. Candidates can apply here with the closing date for submissions set on March 15, 2021.
Said veteran producer Missonnier and Stéphane Huard, President of Sony Pictures Entertainment France, “We believe in films with strong concepts, designed to be made in a limited budget. We also want to discover powerful and unique characters. Finally, we will give particular importance to first and second feature film projects, to encourage the emergence of new talents. ”
Added Laine Kline,...
The aim is to promote theatrical genre pics in France, including fantasy, horror, supernatural and mock documentaries, among others.
The titles will have a budget cap of 1 million euros ($1.2M) each. Parasomnia is also now launching a call to writers for original screenplays of feature projects written in French. Candidates can apply here with the closing date for submissions set on March 15, 2021.
Said veteran producer Missonnier and Stéphane Huard, President of Sony Pictures Entertainment France, “We believe in films with strong concepts, designed to be made in a limited budget. We also want to discover powerful and unique characters. Finally, we will give particular importance to first and second feature film projects, to encourage the emergence of new talents. ”
Added Laine Kline,...
- 2/9/2021
- by Nancy Tartaglione
- Deadline Film + TV
France’s Oscar selection committee today set a shortlist of five films that are in contention to be the country’s official submission to the International Feature Film category at the 2021 Academy Awards. Among the titles is Cuties, the Sundance award-winning debut drama from Maïmouna Doucouré that was well-received in France when it released this summer, but also was collaterally involved in an online backlash spurred by Netflix’s early marketing campaign.
Bac Films released Cuties in France while Netflix began rollout elsewhere on September 9. The story follows Amy, an 11-year-old girl who joins a group of dancers named “The Cuties” at school, and who rapidly grows aware of her burgeoning femininity — upsetting her mother and her values.
A poster released by Netflix at the same time as the French theatrical rollout, in a bid to begin promoting the movie ahead of its streaming debut, provoked a furious online backlash...
Bac Films released Cuties in France while Netflix began rollout elsewhere on September 9. The story follows Amy, an 11-year-old girl who joins a group of dancers named “The Cuties” at school, and who rapidly grows aware of her burgeoning femininity — upsetting her mother and her values.
A poster released by Netflix at the same time as the French theatrical rollout, in a bid to begin promoting the movie ahead of its streaming debut, provoked a furious online backlash...
- 11/12/2020
- by Nancy Tartaglione
- Deadline Film + TV
Two boys in a French seaside resort fall fatally in love in a nostalgic coming-of-age tale
This latest from François Ozon, director of such wildly diverse offerings as Sitcom, Under the Sand, 8 Women and The New Girlfriend is a bittersweet saga of love and death, a coming-of-age tale based on Aidan Chambers’s 1982 novel Dance on My Grave. Shifting the setting from Southend-on-Sea to Le Tréport in 1985, it centres on Alex (Félix Lefebvre), a death-obsessed teen in the throes of doomed first love, whose morbidly romantic story plays out with the sensual artfulness of classic Ozon, combined with the accessible vigour of an 80s American teen pic.
We first meet David (Benjamin Voisin) at sea, a beautiful vision riding the waves to rescue the hapless Alex after his little boat capsizes. David takes Alex home to his widowed mum, played with nervy energy by Valeria Bruni Tedeschi, who undresses...
This latest from François Ozon, director of such wildly diverse offerings as Sitcom, Under the Sand, 8 Women and The New Girlfriend is a bittersweet saga of love and death, a coming-of-age tale based on Aidan Chambers’s 1982 novel Dance on My Grave. Shifting the setting from Southend-on-Sea to Le Tréport in 1985, it centres on Alex (Félix Lefebvre), a death-obsessed teen in the throes of doomed first love, whose morbidly romantic story plays out with the sensual artfulness of classic Ozon, combined with the accessible vigour of an 80s American teen pic.
We first meet David (Benjamin Voisin) at sea, a beautiful vision riding the waves to rescue the hapless Alex after his little boat capsizes. David takes Alex home to his widowed mum, played with nervy energy by Valeria Bruni Tedeschi, who undresses...
- 10/25/2020
- by Mark Kermode Observer film critic
- The Guardian - Film News
The director on waiting 35 years to film the perfect gay love story, and how French cinema is coping with Covid
French writer-director François Ozon, 52, is famous for his prodigious output. He directed his first full-length feature, Sitcom, in 1998, and his 19th, Summer of 85, a love story about two teenage boys in a Normandy seaside town, is out in the UK this month. In between, his diverse output includes the musical 8 Women, the retro comedy Potiche, the Ruth Rendell adaptation The New Girlfriend and last year’s By the Grace of God.
What were you doing in the summer of ’85?
What was I doing? I think I went to Spain with a friend – I can’t remember exactly, I’d have to ask my parents. The film was going to be called Summer of 84. I changed the title because of Robert Smith of the Cure. I absolutely wanted to use their song In Between Days,...
French writer-director François Ozon, 52, is famous for his prodigious output. He directed his first full-length feature, Sitcom, in 1998, and his 19th, Summer of 85, a love story about two teenage boys in a Normandy seaside town, is out in the UK this month. In between, his diverse output includes the musical 8 Women, the retro comedy Potiche, the Ruth Rendell adaptation The New Girlfriend and last year’s By the Grace of God.
What were you doing in the summer of ’85?
What was I doing? I think I went to Spain with a friend – I can’t remember exactly, I’d have to ask my parents. The film was going to be called Summer of 84. I changed the title because of Robert Smith of the Cure. I absolutely wanted to use their song In Between Days,...
- 10/18/2020
- by Jonathan Romney
- The Guardian - Film News
The Venice Film Festival, which reinvigorated the fall festival season with a physical event that began on September 2 in Italy, concluded on Saturday with its annual awards ceremony. See the full list of winners and watch the live stream below.
Led by president Cate Blanchett, the jurors for the main competition included Austrian director Veronika Franz, British filmmaker Joanna Hogg (“The Souvenir”), Italian writer and novelist Nicola Lagioia, German filmmaker Christian Petzold, actor Matt Dillon (“Crash”), and French actress Ludivine Sagnier.
Together, they awarded the festival’s top prizes, including the Golden Lion, which last year went to “Joker” under jury president Lucrecia Martel. This year’s Golden Lion went to “Nomadland,” which received a rapturous reception out of the Toronto International Film Festival as well this week, and looks to be headed straight for Oscar contention.
Meanwhile, in the Orizzonti, or Horizons, section running parallel to the main competition,...
Led by president Cate Blanchett, the jurors for the main competition included Austrian director Veronika Franz, British filmmaker Joanna Hogg (“The Souvenir”), Italian writer and novelist Nicola Lagioia, German filmmaker Christian Petzold, actor Matt Dillon (“Crash”), and French actress Ludivine Sagnier.
Together, they awarded the festival’s top prizes, including the Golden Lion, which last year went to “Joker” under jury president Lucrecia Martel. This year’s Golden Lion went to “Nomadland,” which received a rapturous reception out of the Toronto International Film Festival as well this week, and looks to be headed straight for Oscar contention.
Meanwhile, in the Orizzonti, or Horizons, section running parallel to the main competition,...
- 9/12/2020
- by Ryan Lattanzio
- Indiewire
Romantic drama will challenge societal norms.
Paris-based mk2 films has boarded sales on Carine Tardieu’s upcoming romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupaud as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior.
“It’s a modern and nuanced drama where love defies society’s standards,” said mk2 films sales chief Fionnuala Jamison.
Ardant plays an elegant, retired architect whose path crosses with a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously.
Both are quite troubled to meet again and begin an affair.
Paris-based mk2 films has boarded sales on Carine Tardieu’s upcoming romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupaud as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior.
“It’s a modern and nuanced drama where love defies society’s standards,” said mk2 films sales chief Fionnuala Jamison.
Ardant plays an elegant, retired architect whose path crosses with a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously.
Both are quite troubled to meet again and begin an affair.
- 6/19/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
Romantic drama will challenge societal norms.
Paris-based mk2 films has boarded sales on Carine Tardieu’s upcoming romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupard as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior.
“It’s a modern and nuanced drama where love defies society’s standards,” said mk2 films sales chief Fionnuala Jamison.
Ardant plays an elegant, retired architect whose path crosses with a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously.
Both are quite troubled to meet again and begin an affair.
Paris-based mk2 films has boarded sales on Carine Tardieu’s upcoming romantic drama The Young Lovers, starring Fanny Ardant opposite Melvil Poupard as a 70-year-old woman who embarks on an affair with a married doctor 25 years her junior.
“It’s a modern and nuanced drama where love defies society’s standards,” said mk2 films sales chief Fionnuala Jamison.
Ardant plays an elegant, retired architect whose path crosses with a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously.
Both are quite troubled to meet again and begin an affair.
- 6/19/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
As we march towards the Smackdown, we're also checking in with great supporting performances that weren't nominated. Here's Nick Taylor...
We've already discussed how Viola Davis had a spectacular 2002. But truth be told, it’s incredible how many actresses turned out multiple great performances in that film year: Samantha Morton headlined one of the best films of the past 20 years with intoxicating subtlety in Morvern Callar while delivering the most visceral, unsettling element of Minority Report. Maggie Gyllenhaal announced herself with a bang in Secretary and folded beautifully into the ensemble of Adaptation. Multiple cast members of The Hours gave equally memorable characterizations in other films - Meryl in Adaptation, Julianne in Far From Heaven, Miranda in Spider, Toni in About a Boy, and Claire in Igby Goes Down. (Side note: how wild is it that Nicole Kidman is the one who only made one movie that year?).
I’d...
We've already discussed how Viola Davis had a spectacular 2002. But truth be told, it’s incredible how many actresses turned out multiple great performances in that film year: Samantha Morton headlined one of the best films of the past 20 years with intoxicating subtlety in Morvern Callar while delivering the most visceral, unsettling element of Minority Report. Maggie Gyllenhaal announced herself with a bang in Secretary and folded beautifully into the ensemble of Adaptation. Multiple cast members of The Hours gave equally memorable characterizations in other films - Meryl in Adaptation, Julianne in Far From Heaven, Miranda in Spider, Toni in About a Boy, and Claire in Igby Goes Down. (Side note: how wild is it that Nicole Kidman is the one who only made one movie that year?).
I’d...
- 6/12/2020
- by Nick Taylor
- FilmExperience
Ludivine Sagnier is among the few television sensations that have had memorable acting careers. She has worked with some of the famous film directors, actors, and actresses. The blonde beauty has traversed the French and American entertainment industry, making a name for herself from the onscreen sex appeal and her unique skill to fully take charge of her fictional roles in movies. You may know her from films such as “Peter Pan,” “A Girl Cut in Two,” “Swimming Pool,” “8 Women”, “Love Crime,” among others. The French-born actress has enjoyed a rewarding acting career for the past decade but here
10 Things You Didn’t Know About Ludivine Sagnier...
10 Things You Didn’t Know About Ludivine Sagnier...
- 1/18/2020
- by Allen Lee
- TVovermind.com
It is common for parents and their children to butt heads over things, over time those tiffs and arguments are replaced with respect and admiration. However “The Truth” sees the tensions rise between an actress and her screenwriter daughter.
Read More: Catherine Deneuve Is A Joy In Hirokazu Kore-eda’s Playful English-Language Debut, And That’s ‘The Truth’ [Venice Review]
The film is directed by Palme D’or 2018 winner Hirokazu Kore-eda, who won the award for his film “Shoplifters.” The mother and daughter already have a strained relationship, and when a memoir about Fabienne (played by ‘8 Women” actress Catherine Deneuve) is published, things between her daughter Lumir (played by “The English Patient” actress Juliette Binoche) reach boiling point.
Continue reading ‘The Truth’ Trailer: Hirokazu Kore-eda Tackles Family With Juliette Binoche, Ethan Hawke & Catherine Deneuve at The Playlist.
Read More: Catherine Deneuve Is A Joy In Hirokazu Kore-eda’s Playful English-Language Debut, And That’s ‘The Truth’ [Venice Review]
The film is directed by Palme D’or 2018 winner Hirokazu Kore-eda, who won the award for his film “Shoplifters.” The mother and daughter already have a strained relationship, and when a memoir about Fabienne (played by ‘8 Women” actress Catherine Deneuve) is published, things between her daughter Lumir (played by “The English Patient” actress Juliette Binoche) reach boiling point.
Continue reading ‘The Truth’ Trailer: Hirokazu Kore-eda Tackles Family With Juliette Binoche, Ethan Hawke & Catherine Deneuve at The Playlist.
- 12/19/2019
- by Harry Frazer
- The Playlist
By The Grace Of God will screen at The Plaza Frontenac Cinema (1701 South Lindbergh Boulevard # 210 Plaza) Sunday, Nov 10 at 8:15pm and Monday, Nov 11 at 8:00pm as part of this year’s St. Louis International Film Festival.Ticket information can be found Here and Here
François Ozon — the celebrated director of “8 Women,” “Swimming Pool,” and “Young and Beautiful” — offers a distinct change of pace from the satirically witty explorations of sexuality that comprise most of his work. Instead, in “By the Grace of God,” he mounts a gripping drama that follows three men who band together to dismantle the code of silence that continues to protect a priest who abused them decades ago. Based on events from the 2019 conviction of Cardinal Philippe Barbarin of Lyon for concealing the conduct of a predatory priest, “By the Grace of God” compassionately illustrates the effects of trauma on survivors and their...
François Ozon — the celebrated director of “8 Women,” “Swimming Pool,” and “Young and Beautiful” — offers a distinct change of pace from the satirically witty explorations of sexuality that comprise most of his work. Instead, in “By the Grace of God,” he mounts a gripping drama that follows three men who band together to dismantle the code of silence that continues to protect a priest who abused them decades ago. Based on events from the 2019 conviction of Cardinal Philippe Barbarin of Lyon for concealing the conduct of a predatory priest, “By the Grace of God” compassionately illustrates the effects of trauma on survivors and their...
- 11/7/2019
- by Movie Geeks
- WeAreMovieGeeks.com
Never in the recent specialized film era has a non-holiday weekend achieved such exciting box office. Arriving after last weekend’s sensational record-breaking opening of Neon’s “Parasite” (which expanded well) are strong debuts for both Taika Waititi’s “Jojo Rabbit” (Fox Searchlight) and Robert Eggers’ “The Lighthouse” (A24). And top awards contenders “Pain and Glory” (Sony Pictures Classics) and “Judy” (Roadside Attractions) continue steady as they go.
In the same crowded four week period in 2018, only “Free Solo” went on to specialized success. Why are things so much better this year? The films themselves are a factor, but the earliest awards calendar season ever has forced smart distributors to recalibrate. Getting started now allows for gradual growth heading toward maximum attention over the Thanksgiving holiday. Also, opening early allows the option of home-viewing availabilities around the time of the Oscar nominations.
Whatever the reasons, it is working. After a...
In the same crowded four week period in 2018, only “Free Solo” went on to specialized success. Why are things so much better this year? The films themselves are a factor, but the earliest awards calendar season ever has forced smart distributors to recalibrate. Getting started now allows for gradual growth heading toward maximum attention over the Thanksgiving holiday. Also, opening early allows the option of home-viewing availabilities around the time of the Oscar nominations.
Whatever the reasons, it is working. After a...
- 10/20/2019
- by Tom Brueggemann
- Indiewire
Rolling off its triumph at the Berlin Film Festival where it won the Silver Bear, François Ozon’s Catholic church sexual abuse drama By “The Grace Of God” had a strong theatrical bow in France where it sold nearly 50,000 tickets on 290 screens on Feb. 20, its first day out
One of the best opening day for a French film so far this year, “By The Grace of God” is inspired by the scandal surrounding Bernard Preynat, a Roman Catholic priest who was accused of having abused scouts from 1986 to 1991, and was finally indicted in 2016 after several victims decided to file lawsuits. He is due to be tried later this year.
Produced by Eric and Nicolas Altmayer at Mandarin Cinema, “By The Grace of God” faced some legal turmoil in the run up to its release as Preynat’s lawyers attempted to delay the distribution of the film in France, arguing that...
One of the best opening day for a French film so far this year, “By The Grace of God” is inspired by the scandal surrounding Bernard Preynat, a Roman Catholic priest who was accused of having abused scouts from 1986 to 1991, and was finally indicted in 2016 after several victims decided to file lawsuits. He is due to be tried later this year.
Produced by Eric and Nicolas Altmayer at Mandarin Cinema, “By The Grace of God” faced some legal turmoil in the run up to its release as Preynat’s lawyers attempted to delay the distribution of the film in France, arguing that...
- 2/22/2019
- by Elsa Keslassy
- Variety Film + TV
Playtime, the Paris-based co-production and sales company which will be presenting Francois Ozon’s anticipated “By the Grace of God” in competition at the Berlin Film Festival, has acquired three offbeat French comedies: Geraldine Nakache’s “I’ll Go Where You Go,” “The Bare Necessity” with Fanny Ardant, and Valerie Donzelli’s “Our Lady of Paris.”
“Our Lady of Paris” marks Donzelli’s fifth feature film, following “Marguerite & Julien,” which competed at the Cannes Film Festival; “Hand in Hand”; “Declaration of War,” which played at Cannes’ Critics’ Week and earned six Cesar nominations; and “Queen of Hearts.”
Donzelli stars in the film as Maud Crayon, a failing architect and single mom of two who unexpectedly wins the contest to spearhead the renovation of the esplanade of Notre-Dame de Paris, and who has to deal with a pair of exes – both of whom she still has feelings for.
Written by...
“Our Lady of Paris” marks Donzelli’s fifth feature film, following “Marguerite & Julien,” which competed at the Cannes Film Festival; “Hand in Hand”; “Declaration of War,” which played at Cannes’ Critics’ Week and earned six Cesar nominations; and “Queen of Hearts.”
Donzelli stars in the film as Maud Crayon, a failing architect and single mom of two who unexpectedly wins the contest to spearhead the renovation of the esplanade of Notre-Dame de Paris, and who has to deal with a pair of exes – both of whom she still has feelings for.
Written by...
- 1/17/2019
- by Elsa Keslassy
- Variety Film + TV
New films by Francois Ozon, Fatih Akin and Denis Cote are among the titles that will compete for the Golden Bear at the upcoming Berlin Film Festival.
German director Akin’s “Der Goldene Handschuh” (“The Golden Glove”) and French helmer Ozon’s “Grâce à dieu” (“By the Grace of God”) were announced by the Berlinale in its first batch of competition films Thursday. Akin won the Golden Bear in 2004 with “Head-On.”
The lineup also includes “Der Boden unter den Fuessen” (“The Ground Beneath My Feet”) by Austrian director Marie Kreutzer; “Répertoire des villes disparues” (“Ghost Town Anthology”) by Canadian director Cote; “Ich war zuhause, aber” by German director Angela Schanelec; and “Kız Kardeşler” (“A Tale of Three Sisters”) by Turkish helmer Emin Alper.
All six competition films unveiled Thursday will have their world premieres in Berlin with the exception of “By the Grace of God,” which gets its international premiere at the festival.
German director Akin’s “Der Goldene Handschuh” (“The Golden Glove”) and French helmer Ozon’s “Grâce à dieu” (“By the Grace of God”) were announced by the Berlinale in its first batch of competition films Thursday. Akin won the Golden Bear in 2004 with “Head-On.”
The lineup also includes “Der Boden unter den Fuessen” (“The Ground Beneath My Feet”) by Austrian director Marie Kreutzer; “Répertoire des villes disparues” (“Ghost Town Anthology”) by Canadian director Cote; “Ich war zuhause, aber” by German director Angela Schanelec; and “Kız Kardeşler” (“A Tale of Three Sisters”) by Turkish helmer Emin Alper.
All six competition films unveiled Thursday will have their world premieres in Berlin with the exception of “By the Grace of God,” which gets its international premiere at the festival.
- 12/13/2018
- by Stewart Clarke and Leo Barraclough
- Variety Film + TV
The French movie star of French movie stars turns 75 today. She's won two prizes at Cannes, two at Berlinale, and two at the Césars (with 12 additional nominations) in her career that's been as lustrous as the famous golden hair. Catherine Deneuve hasn't been as celebrated in recent years as Isabelle Huppert (who is 10 years younger) but her list of classics, hits, and indelible experiments is long: Belle de Jour (BAFTA nomination), The Umbrellas of Cherbourg, The Young Girls of Rochefort, Repulsion, Mississippi Mermaid, Tristana, Donkey Skin, The Hunger, The Metro (César win), Indochine, East/West, Pola X, Dancer in the Dark, 8 Women, and Kings and Queen among them.
The last eight years have been quiet but it wasn't so long ago that the one-two-three punch of voice work in the Oscar-nominated Persepolis (2007 -- she voiced both the French & English versions), an amazing performance in Arnaud Desplechin's A Christmas Tale...
The last eight years have been quiet but it wasn't so long ago that the one-two-three punch of voice work in the Oscar-nominated Persepolis (2007 -- she voiced both the French & English versions), an amazing performance in Arnaud Desplechin's A Christmas Tale...
- 10/22/2018
- by NATHANIEL R
- FilmExperience
Fresh from his Palme d’Or triumph in Cannes, the Japanese director of “Shoplifters,” Hirokazu Kore-eda, confirmed that his next film will feature two of France’s biggest stars Juliette Binoche and Catherine Deneuve. They are to be joined by Ethan Hawke and Ludivine Sagnier (“8 Women”).
“La Verite” (which translates as ‘The Truth’ in English) will shoot entirely in France in October and November this year. The film is being jointly produced by French firm 3B Productions and Kore-eda’s Bunbuku. Paris-based Wild Bunch is set as the international sales agent. A release in 2019 is penciled in, but a Japanese distributor has not yet been set.
Binoche and Hawke co-star as a married couple who return to France from the United States when the wife’s mother (Deneuve), a well-known actress, publishes her autobiography. During their reunion, various truths are revealed. The script is based on a stage play...
“La Verite” (which translates as ‘The Truth’ in English) will shoot entirely in France in October and November this year. The film is being jointly produced by French firm 3B Productions and Kore-eda’s Bunbuku. Paris-based Wild Bunch is set as the international sales agent. A release in 2019 is penciled in, but a Japanese distributor has not yet been set.
Binoche and Hawke co-star as a married couple who return to France from the United States when the wife’s mother (Deneuve), a well-known actress, publishes her autobiography. During their reunion, various truths are revealed. The script is based on a stage play...
- 7/16/2018
- by Mark Schilling
- Variety Film + TV
by Murtada
It might be surprising to know that François Ozon likes to learn what children think of his films. He says their responses are clever and innocent, especially if they believe the world on the screen. Though he realizes that he can’t always get their feedback since his movies often deal with adult themes, like the psychosexual thrillers Swimimg Pool (2003), Young and Beautiful (2013) and his latest Double Lover.
Ozon’s films cannot be easily categorized, he has also directed the campy musical 8 Women (2002) and the haunting WW1 romance Frantz (2016). He says...
It might be surprising to know that François Ozon likes to learn what children think of his films. He says their responses are clever and innocent, especially if they believe the world on the screen. Though he realizes that he can’t always get their feedback since his movies often deal with adult themes, like the psychosexual thrillers Swimimg Pool (2003), Young and Beautiful (2013) and his latest Double Lover.
Ozon’s films cannot be easily categorized, he has also directed the campy musical 8 Women (2002) and the haunting WW1 romance Frantz (2016). He says...
- 2/14/2018
- by Murtada Elfadl
- FilmExperience
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