Claude Lelouch with Anne-Katrin Titze on Quentin Tarantino and Le Voyou: "He told me if he hadn't seen that film he wouldn't have made Pulp Fiction." Photo: Sylvie Sergent
On the afternoon of the Focus on French Cinema screenings at the French Institute Alliance Française in New York of Un + Une (One Plus One) with Jean Dujardin, Elsa Zylberstein, Christophe Lambert and Alice Pol, and Un Homme Et Une Femme (A Man And A Woman), starring Anouk Aimée and Jean-Louis Trintignant, I met with the director/screenwriter Claude Lelouch at his hotel.
Disguises in La Bonne Année (Happy New Year) with Lino Ventura and Charles Gérard, kidnapping in Le Voyou (The Crook) with Trintignant and Christine Lelouch, traveling with Fanny Ardant, Dominique Pinon, and Audrey Dana in Roman De Gare (Crossed Tracks), influencing Terrence Malick, Abbas Kiarostami and cars, Howard Hawks's Bringing Up Baby, Tarantino's Pulp Fiction, dogs versus cats,...
On the afternoon of the Focus on French Cinema screenings at the French Institute Alliance Française in New York of Un + Une (One Plus One) with Jean Dujardin, Elsa Zylberstein, Christophe Lambert and Alice Pol, and Un Homme Et Une Femme (A Man And A Woman), starring Anouk Aimée and Jean-Louis Trintignant, I met with the director/screenwriter Claude Lelouch at his hotel.
Disguises in La Bonne Année (Happy New Year) with Lino Ventura and Charles Gérard, kidnapping in Le Voyou (The Crook) with Trintignant and Christine Lelouch, traveling with Fanny Ardant, Dominique Pinon, and Audrey Dana in Roman De Gare (Crossed Tracks), influencing Terrence Malick, Abbas Kiarostami and cars, Howard Hawks's Bringing Up Baby, Tarantino's Pulp Fiction, dogs versus cats,...
- 3/30/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
I am in an incredibly shitty mood. My mom had a stroke—well, not technically, but the results are the same and she ain’t doing so good. My dad is a soul trapped in a useless body lying in a nursing home. On top of that wonderfulness, last night I couldn’t get the pizza I wanted because my favorite place closed and my two fallbacks were closed—huh? Isn’t New Year’s Eve one of the busiest nights of the years for pizzerias?—so I ordered one from what seemed to be the only one open and it totally sucked, but I still pigged out on it. Pigging out on something you enjoy is one thing, but pigging out on something that isn’t really that good? Dumb, dumb, dumb. And also, unlike some people who eat when they are upset, I’m one of those who don’t,...
- 1/2/2017
- by Mindy Newell
- Comicmix.com
I did a little bit of research for today’s column just to make sure I had my facts right, Googling “Jewish influence on comic books” in honor of Rosh Hashanah, the Jewish New Year. There were 509,000 hits, from Den of Geek’s Mensch of Steel: Superman’s Jewish Roots to the Daily Beast’s Superman is Jewish?: The Hebrew Roots of America’s Greatest Superhero to Stormfront’s How and Why the Jews Stole the Comic Book Industry.
Wait. What?
Stormfront is a white supremacist site whose “welcome” page reads:
“We are a community of racial realists and idealists. We are White Nationalists who support true diversity and a homeland for all peoples. Thousands of organizations promote the interests, values and heritage of non-White (sic) minorities. We promote ours.
“We are the voice of the new, embattled white minority!
“Tell the truth and fear no one!”
The article is a mixture of facts,...
Wait. What?
Stormfront is a white supremacist site whose “welcome” page reads:
“We are a community of racial realists and idealists. We are White Nationalists who support true diversity and a homeland for all peoples. Thousands of organizations promote the interests, values and heritage of non-White (sic) minorities. We promote ours.
“We are the voice of the new, embattled white minority!
“Tell the truth and fear no one!”
The article is a mixture of facts,...
- 10/3/2016
- by Mindy Newell
- Comicmix.com
Happy New Year, everybody! I've been on vacation since Christmas — give or take a quick pop-in to discuss the news that George R.R. Martin's next book definitely won't be out before the next "Game of Thrones" season — but spent time here and there struggling to make the ascent up Screener Mountain. Not only are there a few dozen TV shows premiering in January alone, but press tour officially starts tomorrow (I don't get there til Thursday), so between the broadcast networks, cable, and the various streaming outlets, it's been a terrifying reminder that, as John Landgraf once said, we haven't hit Peak TV in America quite yet. That said, while there's an absurd amount of new stuff premiering this month alone, much less of that is worth getting excited about as a viewer. I'll be doing reviews of the things I find genuinely intriguing — in ways both good and bad — over the coming weeks,...
- 1/4/2016
- by Alan Sepinwall
- Hitfix
Happy New Year everybody and welcome to 2016! With a whole new year (366 days, with the Leap Year) ahead of us, what better way to kick things off than with new Academy Award predictions? Well, I’m sure there are better ways, but this is what I’ll be doing today, anyway. Voters are now making use of their ballots, all of the films have been released, and almost everything that’s going to be seen has been seen. The movies still in contention now await the news as to where the Academy is going to cite them or not on nomination morning. With all of that going down currently, it makes perfect sense for a new set of predictions to share with you all. Here goes nothing… What you’ll notice below (in addition to a tinkering with the three Shorts categories) is that The Big Short has made a...
- 1/1/2016
- by Joey Magidson
- Hollywoodnews.com
Chicago – Gather ye children of bad movies. The film critic contributors to HollywoodChicago.com – Spike Walters and Patrick McDonald – are tag teaming to bring you the worst of their reviewin’ woes. From witch hunts to Kevin Hart, and old rock stars to Kevin Hart, these are the worst films of 2015.
There are no rankings, because they are all rank. The ten are listed in descending levels of dread, with Warner Bros., Robert De Niro and yes, Kevin Hart, representing once again – when will they team Bobby D and Kevin in a Warner Bros. buddy cop movie? The persons responsible for the descriptions will be marked accordingly, Sw for Spike and Pm for Patrick. Cover your eyes and cinema taste, by experiencing the 10 Worst Films of 2015.
“Tomorrowland”
Tomorrowland
Photo credit: Walt Disney Pictures
A misbegotten would-be blockbuster that exemplifies the worst impulses of blockbuster filmmaking. “Tomorrowland” has a needlessly convoluted story...
There are no rankings, because they are all rank. The ten are listed in descending levels of dread, with Warner Bros., Robert De Niro and yes, Kevin Hart, representing once again – when will they team Bobby D and Kevin in a Warner Bros. buddy cop movie? The persons responsible for the descriptions will be marked accordingly, Sw for Spike and Pm for Patrick. Cover your eyes and cinema taste, by experiencing the 10 Worst Films of 2015.
“Tomorrowland”
Tomorrowland
Photo credit: Walt Disney Pictures
A misbegotten would-be blockbuster that exemplifies the worst impulses of blockbuster filmmaking. “Tomorrowland” has a needlessly convoluted story...
- 12/31/2015
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Glenda Jackson: Actress and former Labour MP. Two-time Oscar winner and former Labour MP Glenda Jackson returns to acting Two-time Best Actress Academy Award winner Glenda Jackson set aside her acting career after becoming a Labour Party MP in 1992. Four years ago, Jackson, who represented the Greater London constituency of Hampstead and Highgate, announced that she would stand down the 2015 general election – which, somewhat controversially, was won by right-wing prime minister David Cameron's Conservative party.[1] The silver lining: following a two-decade-plus break, Glenda Jackson is returning to acting. Now, Jackson isn't – for the time being – returning to acting in front of the camera. The 79-year-old is to be featured in the Radio 4 series Emile Zola: Blood, Sex and Money, described on their website as a “mash-up” adaptation of 20 Emile Zola novels collectively known as "Les Rougon-Macquart."[2] Part 1 of the three-part Radio 4 series will be broadcast daily during an...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
Above: Pedro Costa's Horse Money
The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...
"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director
Above: Matías Piñeiro's The Princess of France
Concorso Internazionale (Official Competition)
A Blast (Syllas Tzoumerkas, Greece/Germany/Netherlands)
Alive (Jungbum Park, South Korea)
Horse Money (Pedro Costa,...
The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...
"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director
Above: Matías Piñeiro's The Princess of France
Concorso Internazionale (Official Competition)
A Blast (Syllas Tzoumerkas, Greece/Germany/Netherlands)
Alive (Jungbum Park, South Korea)
Horse Money (Pedro Costa,...
- 7/25/2014
- by Notebook
- MUBI
Women in love, men who betray them, resentful daughters, and endless other roles all exist within the genealogy of Claude Lelouch's films. What can life still teach a man who at 76 has not only lived an outstanding existence, but who has used his experiences to imbue many of his 44 films with pure realism. He has reinterpreted his joys and regrets into vivid pieces of cinema for more than half a century. Winner of the Palm d’Or, two Oscars, three Golden Globes, and garnering a collection of other nominations and awards, Lelouch’s career is one marked by its longevity. His extensive filmography includes titles such as the international hit "A Man and a Woman," "Bolero," "Live for Life," "Les Miserables," "And Now My Life," "Happy New Year" and "Crossed Tracks." Perpetually developing a new project, he as prolific now as he was at the beginning, and he has...
- 5/5/2014
- by Carlos Aguilar
- Indiewire
Australian actress Wendy Hughes dead at 61 (photo: Wendy Hughes in ‘Newsfront’) Australian film, television, and stage actress Wendy Hughes, best known internationally for the big-screen dramas My Brilliant Career and Careful, He Might Hear You, died of cancer early today, March 8, 2014, in Sydney. Hughes (born on July 29, 1952, in Melbourne) was 61. Wendy Hughes’ film career kicked off in the mid-’70s, with Tim Burstall’s psychological drama ‘Jock’ Petersen / Petersen (1974), in which she plays the wife of a college professor who becomes romantically involved with a married student (Jack Thompson). "I spent a lot of the time naked and doing sex scenes," Hughes would later recall about her work in ‘Jock’ Petersen, "because in the seventies you all had to do that." In 1979, Hughes landed a key supporting role in the international arthouse hit My Brilliant Career, Gillian Armstrong’s late 19th-century-set tale of an independent-minded young woman (a Katharine Hepburn...
- 3/9/2014
- by Andre Soares
- Alt Film Guide
Beginning today, TCM.s 31 Days Of Oscar® and host, Robert Osborne are taking viewers on a trip around the world through nearly 350 Academy Award®-nominated and winning films. Throughout the month, TCM will feature movies set in 47 worldwide locations such as Canada (Feb. 2), Germany (Feb. 7), Italy (Feb. 14), Africa (Feb. 15-16), Russia (Feb. 16), Southeast Asia (Feb. 23), the Middle East (Feb. 28), China (Feb. 29), Japan (March 1) and Hawaii (March 1). Sit back and enjoy the adventure!
Turner Classic Movies (TCM) is packing its bags and hitting the road for a globe-trotting February packed with the very best in movie entertainment. With each night.s programming set in a different location, the 2012 edition of TCM.s ultra-popular 31 Days Of Oscar® is going to take viewers on a trip around the world through nearly 350 Academy Award®-nominated and winning films. The extraordinary lineup features 25 Best Picture honorees and 30 movies appearing on TCM for the very first time.
Turner Classic Movies (TCM) is packing its bags and hitting the road for a globe-trotting February packed with the very best in movie entertainment. With each night.s programming set in a different location, the 2012 edition of TCM.s ultra-popular 31 Days Of Oscar® is going to take viewers on a trip around the world through nearly 350 Academy Award®-nominated and winning films. The extraordinary lineup features 25 Best Picture honorees and 30 movies appearing on TCM for the very first time.
- 2/2/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Peter Falk Peter Falk, the two-time Oscar nominee best known for playing television police detective Columbo, died Thursday, June 23, at his Beverly Hills home. Falk, who had been suffering from dementia (apparently a consequence of Alzheimer's disease), was 83. Falk's two Oscar nods, both in the Best Supporting Actor category, came back-to-back in the early '60s: as a cold-blooded hitman in Burt Balaban and Stuart Rosenberg's 1960 crime drama Murder, Inc., and as a typical Damon Runyon underworld character — named Joy Boy — in Frank Capra's dismal 1961 remake of his own Lady for a Day, Pocketful of Miracles. Among Falk's other notable film roles are those in two John Cassavetes movies: the very, very, very long 1970 drama Husbands, co-starring Ben Gazzara and Cassavetes himself, and the director' biggest box-office hit, the 1974 release A Woman Under the Influence, co-starring Gena Rowlands as the mentally unbalanced title character. In the film, which many consider Cassavetes' best work,...
- 6/25/2011
- by Andre Soares
- Alt Film Guide
I think I can safely say IFC covered the crap out of South by Southwest 2011. Stephen Saito and I reviewed over fifteen films and interviewed over forty filmmakers during our ten days in Austin. That's way more films covered than hours either of us slept. Here now is a complete archive of everything we did: reviews, video interviews, and print interviews. At the bottom, you'll also find mine and Stephen's picks for the five best films at this year's SXSW. Enjoy. I know we did.
Reviews
"Attack the Block," directed by Joe Cornish
"The Beaver," directed by Jodie Foster
"Bellflower," directed by Evan Glodell
"Bridesmaids," directed by Paul Feig
"Convento," directed by Jarred Alterman
"The Fp," directed by The Brothers Trost
"The Greatest Movie Ever Sold," directed by Morgan Spurlock
"Insidious," directed by James Wan
"Last Days Here," directed by Don Argott and Demian Fenton
"The Other F Word," directed by Andrea Blaugrund Nevins
"Paul,...
Reviews
"Attack the Block," directed by Joe Cornish
"The Beaver," directed by Jodie Foster
"Bellflower," directed by Evan Glodell
"Bridesmaids," directed by Paul Feig
"Convento," directed by Jarred Alterman
"The Fp," directed by The Brothers Trost
"The Greatest Movie Ever Sold," directed by Morgan Spurlock
"Insidious," directed by James Wan
"Last Days Here," directed by Don Argott and Demian Fenton
"The Other F Word," directed by Andrea Blaugrund Nevins
"Paul,...
- 3/23/2011
- by Matt Singer
- ifc.com
The South by Southwest Film Festival announced its feature film line-up Wednesday, piling heaps of cinematic goodness on an already stellar program that includes Jodie Foster’s The Beaver, Duncan Jones’ Source Code, Ti West’s The Innkeepers, Conan O’Brien’s tour documentary, and the latest Simon Pegg-Nick Frost comedy, Paul, with Seth Rogen.
Catherine Hardwicke (Twilight) returns to the festival with her latest film, Red Riding Hood starring Amanda Seyfried, after the writer-director spoke on a screenwriting panel in 2009.
Plus a few favorites from the Sundance Film Festival last month, like Tom McCarthy’s Win Win, Morgan Spurlock’s The Greatest Movie Ever Sold, and Max Winkler’s Ceremony.
I’m extremely excited, even if I’m already having flashbacks to intense sleep deprivation. Like the last two years, I’ll be on the ground covering as much of the festival as I can within the packed 9 days of screenings,...
Catherine Hardwicke (Twilight) returns to the festival with her latest film, Red Riding Hood starring Amanda Seyfried, after the writer-director spoke on a screenwriting panel in 2009.
Plus a few favorites from the Sundance Film Festival last month, like Tom McCarthy’s Win Win, Morgan Spurlock’s The Greatest Movie Ever Sold, and Max Winkler’s Ceremony.
I’m extremely excited, even if I’m already having flashbacks to intense sleep deprivation. Like the last two years, I’ll be on the ground covering as much of the festival as I can within the packed 9 days of screenings,...
- 2/3/2011
- by Jeff Leins
- newsinfilm.com
‘Tapping into the cultural zeitgeist,’ at SXSW 2011
Austin, Texas – The SXSW 2011 Feature Film Lineup was unveiled Wednesday afternoon. The festival lineup will consist of 130 features, in nine full days of programming, promising to deliver a film-going experience unlike previous years.
With a reputation for taking chances on relatively unknown filmmakers, the SXSW panel of judges carefully picked 130 films from 1,792 feature-length film submissions, (1,323 U.S. and 469 international). The program consists of 60 World Premieres, 12 North American Premieres and 16 U.S. Premieres.
The main competition categories return with eight Narrative Features, and eight Documentary Features, both competing for their respective Grand Jury Prize. New for films in competition this year, are awards for screenplay, editing, cinematography, music, and acting.
(The Midnighters and SXFantastic feature sections, along with the short film program, will be announced next week.)
Here are a few of the Features to be screened, among many others.
Narratives:
The Beaver (World Premiere)
Dir.
Austin, Texas – The SXSW 2011 Feature Film Lineup was unveiled Wednesday afternoon. The festival lineup will consist of 130 features, in nine full days of programming, promising to deliver a film-going experience unlike previous years.
With a reputation for taking chances on relatively unknown filmmakers, the SXSW panel of judges carefully picked 130 films from 1,792 feature-length film submissions, (1,323 U.S. and 469 international). The program consists of 60 World Premieres, 12 North American Premieres and 16 U.S. Premieres.
The main competition categories return with eight Narrative Features, and eight Documentary Features, both competing for their respective Grand Jury Prize. New for films in competition this year, are awards for screenplay, editing, cinematography, music, and acting.
(The Midnighters and SXFantastic feature sections, along with the short film program, will be announced next week.)
Here are a few of the Features to be screened, among many others.
Narratives:
The Beaver (World Premiere)
Dir.
- 2/3/2011
- by Albert Art
- HeyUGuys.co.uk
Readers of Sound On Sight can be sure that we will indeed be covering the SXSW Film Festival once again. As previously reported, Duncan Jones’ latest film Source Code is opening the festival and there will also be premieres for the documentary Conan O’Brien Can’t Stop, Greg Mottola’s Paul, and Jodie Foster’s The Beaver. Now the full line-up has been announced it is incredible.
Hit the jump to check out the line-up, and be sure to visit our site during the event.
The 2011 SXSW Film Festival runs from March 11 – 19th in Austin, Texas.
SXSW Film Announces 2011 Features Lineup
Austin, Texas – February 2, 2011 – The South by Southwest (SXSW) Film Conference and Festival is thrilled to announce the features lineup for this year’s Festival, March 11 – 19, 2011 in Austin, Texas. The 2011 lineup continues the SXSW tradition of tapping into the cultural zeitgeist, highlighting emerging talent and breakthrough performances and supporting first-time filmmakers.
Hit the jump to check out the line-up, and be sure to visit our site during the event.
The 2011 SXSW Film Festival runs from March 11 – 19th in Austin, Texas.
SXSW Film Announces 2011 Features Lineup
Austin, Texas – February 2, 2011 – The South by Southwest (SXSW) Film Conference and Festival is thrilled to announce the features lineup for this year’s Festival, March 11 – 19, 2011 in Austin, Texas. The 2011 lineup continues the SXSW tradition of tapping into the cultural zeitgeist, highlighting emerging talent and breakthrough performances and supporting first-time filmmakers.
- 2/3/2011
- by Ricky
- SoundOnSight
"Win Win," starring Paul Giamatti, left, and Alex Shaffer, will screen at SXSW
Aimée Lagos’ thriller “96 Minutes,” starring Brittany Snow; Chris Eyre’s “A Year in Mooring” and “American Animal” from writer-director Matt D’Elia are among the films that will screen in competition at next month’s South by Southwest festival in Austin, Texas.
These films will be joined in the Headliners section by Paul Giamatti and Amy Ryan in Tom McCarthy’s “Win Win,” Takashi Miike’s “13 Assassins,” Rainn Wilson in “Super” and others previously announced including Jodie Foster’s “The Beaver,” Greg Mottola’s “Paul,” the documentary “Conan O’Brien Can’t Stop” from director Rodman Flender, and the opening-night world premiere of Duncan Jones’ “Source Code.”
The following are highlights from the lineup announced Wednesday, with descriptions provided by the festival.
Narrative Feature Competition “96 Minutes”
Director, Writer: Aimée Lagos
Four young lives. One night. One terrifying event.
Aimée Lagos’ thriller “96 Minutes,” starring Brittany Snow; Chris Eyre’s “A Year in Mooring” and “American Animal” from writer-director Matt D’Elia are among the films that will screen in competition at next month’s South by Southwest festival in Austin, Texas.
These films will be joined in the Headliners section by Paul Giamatti and Amy Ryan in Tom McCarthy’s “Win Win,” Takashi Miike’s “13 Assassins,” Rainn Wilson in “Super” and others previously announced including Jodie Foster’s “The Beaver,” Greg Mottola’s “Paul,” the documentary “Conan O’Brien Can’t Stop” from director Rodman Flender, and the opening-night world premiere of Duncan Jones’ “Source Code.”
The following are highlights from the lineup announced Wednesday, with descriptions provided by the festival.
Narrative Feature Competition “96 Minutes”
Director, Writer: Aimée Lagos
Four young lives. One night. One terrifying event.
- 2/3/2011
- by admin
- Moving Pictures Network
"Win Win," starring Paul Giamatti, left, and Alex Shaffer, will screen at SXSW
Aimée Lagos’ thriller “96 Minutes,” starring Brittany Snow; Chris Eyre’s “A Year in Mooring” and “American Animal” from writer-director Matt D’Elia are among the films that will screen in competition at next month’s South by Southwest festival in Austin, Texas.
These films will be joined in the Headliners section by Paul Giamatti and Amy Ryan in Tom McCarthy’s “Win Win,” Takashi Miike’s “13 Assassins,” Rainn Wilson in “Super” and others previously announced including Jodie Foster’s “The Beaver,” Greg Mottola’s “Paul,” the documentary “Conan O’Brien Can’t Stop” from director Rodman Flender, and the opening-night world premiere of Duncan Jones’ “Source Code.”
The following are highlights from the lineup announced Wednesday, with descriptions provided by the festival.
Narrative Feature Competition “96 Minutes”
Director, Writer: Aimée Lagos
Four young lives. One night. One terrifying event.
Aimée Lagos’ thriller “96 Minutes,” starring Brittany Snow; Chris Eyre’s “A Year in Mooring” and “American Animal” from writer-director Matt D’Elia are among the films that will screen in competition at next month’s South by Southwest festival in Austin, Texas.
These films will be joined in the Headliners section by Paul Giamatti and Amy Ryan in Tom McCarthy’s “Win Win,” Takashi Miike’s “13 Assassins,” Rainn Wilson in “Super” and others previously announced including Jodie Foster’s “The Beaver,” Greg Mottola’s “Paul,” the documentary “Conan O’Brien Can’t Stop” from director Rodman Flender, and the opening-night world premiere of Duncan Jones’ “Source Code.”
The following are highlights from the lineup announced Wednesday, with descriptions provided by the festival.
Narrative Feature Competition “96 Minutes”
Director, Writer: Aimée Lagos
Four young lives. One night. One terrifying event.
- 2/3/2011
- by admin
- Moving Pictures Magazine
The South By Southwest Film Conference and Festival announced this year's features lineup. The festival takes place March 11-19 in Austin, Texas.
There are a total of 130 features screening this year including 60 world premieres, 12 North American premieres and 16 U.S. premieres! This year the a total of 1,792 feature-length films were submitted, which is the most ever.
There are going to be some amazing films shown this yea. Opening night kicks off with Duncan Jones' Source Code (Moon). The fest rolls on with Jodie Foster‘s The Beaver, Greg Mottola‘s Paul, Sundance Grand Prize doc winner How to Die in Oregon, Errol Morris‘ Tabloid, Victoria Mahoney‘s Yelling to the Sky, Azazel Jacob‘s Terri. There will also be a special screening of Catherine Hardwicke‘s Red Riding Hood.
The Midnight and SXFantastic sections will be announced with the shorts program next week.
See the complete lineup below via...
There are a total of 130 features screening this year including 60 world premieres, 12 North American premieres and 16 U.S. premieres! This year the a total of 1,792 feature-length films were submitted, which is the most ever.
There are going to be some amazing films shown this yea. Opening night kicks off with Duncan Jones' Source Code (Moon). The fest rolls on with Jodie Foster‘s The Beaver, Greg Mottola‘s Paul, Sundance Grand Prize doc winner How to Die in Oregon, Errol Morris‘ Tabloid, Victoria Mahoney‘s Yelling to the Sky, Azazel Jacob‘s Terri. There will also be a special screening of Catherine Hardwicke‘s Red Riding Hood.
The Midnight and SXFantastic sections will be announced with the shorts program next week.
See the complete lineup below via...
- 2/2/2011
- by Tiberius
- GeekTyrant
The South by Southwest Film Festival (SXSW) just announced their entire 2011 feature film lineup, and there’s isn’t a lot of note, with regards to this blog’s focus.
Titles you should be aware of – all of which we’ve previously profiled on Shadow And Act – include, Victoria Mahoney’s feature film debut, Yelling To The Sky (which will actually make its world debut at the Berlin Film Festival later this month); plus Blacktino, the first feature film from writer/director Aaron Burns, a self-described “blacktino nerd from Austin, Texas,” who got his start at Robert Rodriguez’s Troublemaker Studios doing visual effects; Benda Bilili, a documentary about a band of homeless, disabled Congolese; and last, but not least, Being Elmo: A Puppeteer’s Journey, a documentary about the black man that happens to be the man behind the puppet (which also played at Sundance).
There might be...
Titles you should be aware of – all of which we’ve previously profiled on Shadow And Act – include, Victoria Mahoney’s feature film debut, Yelling To The Sky (which will actually make its world debut at the Berlin Film Festival later this month); plus Blacktino, the first feature film from writer/director Aaron Burns, a self-described “blacktino nerd from Austin, Texas,” who got his start at Robert Rodriguez’s Troublemaker Studios doing visual effects; Benda Bilili, a documentary about a band of homeless, disabled Congolese; and last, but not least, Being Elmo: A Puppeteer’s Journey, a documentary about the black man that happens to be the man behind the puppet (which also played at Sundance).
There might be...
- 2/2/2011
- by Tambay
- ShadowAndAct
The South by Southwest Film Festival has announced their features lineup for the 2011’s Festival, which will take place March 11th to the 19th in Austin Texas. Read the full press release after the jump. SXSW Film Announces 2011 Features Lineup Austin, Texas – February 2, 2011 – The South by Southwest (SXSW) Film Conference and Festival is thrilled to announce the features lineup for this year’s Festival, March 11 – 19, 2011 in Austin, Texas. The 2011 lineup continues the SXSW tradition of tapping into the cultural zeitgeist, highlighting emerging talent and breakthrough performances and supporting first-time filmmakers. The Midnighters and SXFantastic feature sections, along with the short film program, will be announced next week. “This is the most exciting moment for us. After a fantastic festival of discovery in 2010, we can finally unveil the line up for this year’s event,” says Film Conference and Festival Producer Janet Pierson. “SXSW prides itself on taking chances, sifting for...
- 2/2/2011
- by Peter Sciretta
- Slash Film
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