Crunchyroll is carving out a monster-sized home for the launch of the eagerly anticipated Kaiju No. 8. For the first time, the ultimate destination for anime will stream new episodes of the series live every week in more than 200 countries and territories around the world at the same time as it broadcasts in Japan, starting on Saturday, April 13 at 7:30 pm Ist.
The official key visual for the Anime:
Check the English Dub Trailer here:
In case fans miss it live, the new episodes of Kaiju No. 8 will be available on Crunchyroll every Saturday at 9 pm Ist. Subscribers can visit the official Kaiju No. 8 show page on Crunchyroll now to add it to their Watchlist as a reminder.
Additionally, Crunchyroll will be producing multiple dubs of Kaiju No. 8 in English, Latin American Spanish, Portuguese, German, French, Italian, Castilian Spanish, Hindi, Tamil, and Telugu.
Not only that, Crunchyroll...
The official key visual for the Anime:
Check the English Dub Trailer here:
In case fans miss it live, the new episodes of Kaiju No. 8 will be available on Crunchyroll every Saturday at 9 pm Ist. Subscribers can visit the official Kaiju No. 8 show page on Crunchyroll now to add it to their Watchlist as a reminder.
Additionally, Crunchyroll will be producing multiple dubs of Kaiju No. 8 in English, Latin American Spanish, Portuguese, German, French, Italian, Castilian Spanish, Hindi, Tamil, and Telugu.
Not only that, Crunchyroll...
- 3/27/2024
- by The Inverted Mind
- AnimeHunch
February––particularly its third week––is all about romance. Accordingly the Criterion Channel got creative with their monthly programming and, in a few weeks, will debut Interdimensional Romance, a series of films wherein “passion conquers time and space, age and memory, and even death and the afterlife.” For every title you might’ve guessed there’s a wilder companion: Alan Rudolph’s Made In Heaven, Soderbergh’s remake, and Resnais’ Love Unto Death. Mostly I’m excited to revisit Francis Ford Coppola’s Youth Without Youth, a likely essential viewing before Megalopolis.
February also marks Black History Month, and Criterion’s series will include work by Shirley Clarke (also subject of a standalone series), Garrett Bradley, Cheryl Dunye, and Julie Dash, while movies by Sirk, Minnelli, King Vidor, and Lang play in “Gothic Noir.” Greta Gerwig gets an “Adventures in Moviegoing” and can be seen in Mary Bronstein’s Yeast,...
February also marks Black History Month, and Criterion’s series will include work by Shirley Clarke (also subject of a standalone series), Garrett Bradley, Cheryl Dunye, and Julie Dash, while movies by Sirk, Minnelli, King Vidor, and Lang play in “Gothic Noir.” Greta Gerwig gets an “Adventures in Moviegoing” and can be seen in Mary Bronstein’s Yeast,...
- 1/11/2024
- by Leonard Pearce
- The Film Stage
The tale of the Ineffable Husbands isn't over just yet. Amazon has officially picked up "Good Omens" for a third and final season, with Neil Gaiman once again serving as showrunner, executive producer, and writer. For Gaiman, in particular, season 3 will offer him a chance to complete the story that he and the late, great Terry Pratchett -- his co-writer on the original "Good Omens" novel and the Aziraphale to his Crowley -- first began plotting out nearly 35 years ago.
After canceling the apocalypse in season 1, the angel Aziraphale (Michael Sheen) and the demon Crowley (David Tennant) spent most of "Good Omens" season 2 trying to uncover how Aziraphale's old boss, the archangel Gabriel (Jon Hamm), came to find his way to Aziraphale's bookshop on Earth devoid of memories, clothes, and his not-so-winning smug personality. The resulting season was a frothy yet largely charming rom-com in which the Ineffable Husbands came...
After canceling the apocalypse in season 1, the angel Aziraphale (Michael Sheen) and the demon Crowley (David Tennant) spent most of "Good Omens" season 2 trying to uncover how Aziraphale's old boss, the archangel Gabriel (Jon Hamm), came to find his way to Aziraphale's bookshop on Earth devoid of memories, clothes, and his not-so-winning smug personality. The resulting season was a frothy yet largely charming rom-com in which the Ineffable Husbands came...
- 12/14/2023
- by Sandy Schaefer
- Slash Film
Although his name might be unfamiliar to a young generation of moviegoers, John Cassavetes was a giant in raising the profile of independent film in America. As a young man, after enrolling in the American Academy of Dramatic Arts, he took on small parts in films and appeared in episodic television until he picked up a camera and exploded onto the indie film scene with his 1959 film “Shadows.” From there, he went on to write and direct “Faces” (1968), which earned three Oscar nominations and eventually to 1974’s “A Woman Under the Influence,” which starred his wife Gena Rowlands (whom he met at the American Academy) in arguably her most triumphant performance. Cassavetes is such an important figure in independent cinema that every year, the Independent Spirit Awards present the John Cassavetes Award to the year’s best film that cost less than $500,000.
While he was directing, Cassavetes continued his acting career,...
While he was directing, Cassavetes continued his acting career,...
- 12/1/2023
- by Tom O'Brien and Misty Holland
- Gold Derby
Victor J. Kemper, the former president of the American Society of Cinematographers whose career spanned four decades and included films as diverse as Dog Day Afternoon and Pee Wee’s Big Adventure, has died according to the ASC. He was 96.
Kemper made films with many of the greats of ’70s cinema, including John Cassavetes, Arthur Hiller, Michael Ritchie, Peter Yates, Sidney Lumet, George Roy Hill, Robert Wise, Carl Reiner, Richard Attenborough and Norman Jewison.
His very first film was Cassavetes’ Husbands, and it was an education in itself.
“We shot more than a million-and-a-half feet of film during 10 weeks in New York and 12 weeks in London,” Kemper recalled. “That’s the way Cassavetes worked.”
He went on to make Mikey & Nicky with the director.
Subsequent work included The Candidate, And Justice for All, Audrey Rose, Slap Shot, Oh God!, The Gambler, The Jerk, The Four Seasons, Coma, Mr. Mom, Pee Wee’s Big Adventure,...
Kemper made films with many of the greats of ’70s cinema, including John Cassavetes, Arthur Hiller, Michael Ritchie, Peter Yates, Sidney Lumet, George Roy Hill, Robert Wise, Carl Reiner, Richard Attenborough and Norman Jewison.
His very first film was Cassavetes’ Husbands, and it was an education in itself.
“We shot more than a million-and-a-half feet of film during 10 weeks in New York and 12 weeks in London,” Kemper recalled. “That’s the way Cassavetes worked.”
He went on to make Mikey & Nicky with the director.
Subsequent work included The Candidate, And Justice for All, Audrey Rose, Slap Shot, Oh God!, The Gambler, The Jerk, The Four Seasons, Coma, Mr. Mom, Pee Wee’s Big Adventure,...
- 11/29/2023
- by Tom Tapp
- Deadline Film + TV
Victor J. Kemper, the veteran cinematographer who shot more than 50 features, including Dog Day Afternoon, Eyes of Laura Mars, The Jerk and Slap Shot, has died. He was 96.
Kemper died Monday of natural causes in Sherman Oaks, his son, Steven Kemper, told The Hollywood Reporter.
Kemper earned his inaugural D.P. credit on Husbands (1970), written and directed by John Cassavetes, then shot Elia Kazan’s final feature, The Last Tycoon (1976) and Tim Burton’s first, Pee-wee’s Big Adventure (1985).
Kemper also did six films for director Arthur Hiller — The Tiger Makes Out (1967), The Hospital (1971), Author! Author! (1982), The Lonely Guy (1984), See No Evil, Hear No Evil (1989) and Married to It (1991) — and three in a row for Carl Reiner: Oh God! (1977), The One and Only (1978) and The Jerk (1979).
The New Jersey native said he had to wear ice skates when he photographed the hockey scenes in George Roy Hill’s Slap Shot (1977) and...
Kemper died Monday of natural causes in Sherman Oaks, his son, Steven Kemper, told The Hollywood Reporter.
Kemper earned his inaugural D.P. credit on Husbands (1970), written and directed by John Cassavetes, then shot Elia Kazan’s final feature, The Last Tycoon (1976) and Tim Burton’s first, Pee-wee’s Big Adventure (1985).
Kemper also did six films for director Arthur Hiller — The Tiger Makes Out (1967), The Hospital (1971), Author! Author! (1982), The Lonely Guy (1984), See No Evil, Hear No Evil (1989) and Married to It (1991) — and three in a row for Carl Reiner: Oh God! (1977), The One and Only (1978) and The Jerk (1979).
The New Jersey native said he had to wear ice skates when he photographed the hockey scenes in George Roy Hill’s Slap Shot (1977) and...
- 11/29/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Shawna Trpcic, the Emmy-nominated costume designer who worked on the Star Wars series The Mandalorian, The Book of Boba Fett and Ahsoka, has died. She was 56.
Trpcic died suddenly of an unknown cause in Palm Desert on Wednesday, her daughter, Sarah, told The Hollywood Reporter.
“Shawna was one of Hollywood’s pre-eminent science fiction costume designers — a creative force, a trusted collaborator and all-around delightful person for her friends and colleagues,” her rep Tim Kressman, an agent at Gersh, said. “She was a beloved member of the Star Wars/Lucasfilm family as well as the community of costume designers and the Costume Designers Guild.”
He added, “Shawna was a dear friend and a dream client to work with.”
Born on Oct. 18, 1966, in Artesia, California, Trpcic initially wanted to be a truck driver in high school, but she had an art teacher who inspired her to pursue being an artist. She...
Trpcic died suddenly of an unknown cause in Palm Desert on Wednesday, her daughter, Sarah, told The Hollywood Reporter.
“Shawna was one of Hollywood’s pre-eminent science fiction costume designers — a creative force, a trusted collaborator and all-around delightful person for her friends and colleagues,” her rep Tim Kressman, an agent at Gersh, said. “She was a beloved member of the Star Wars/Lucasfilm family as well as the community of costume designers and the Costume Designers Guild.”
He added, “Shawna was a dear friend and a dream client to work with.”
Born on Oct. 18, 1966, in Artesia, California, Trpcic initially wanted to be a truck driver in high school, but she had an art teacher who inspired her to pursue being an artist. She...
- 10/7/2023
- by Carly Thomas
- The Hollywood Reporter - Movie News
Exclusive: Netflix has signed a five-year deal with Japanese screenwriter Yuji Sakamoto, winner of the Best Screenplay award at this year’s Cannes Film Festival for Hirokazu Kore-eda’s competition title Monster.
Sakamoto has already scripted his first Netflix project, previously announced romantic murder mystery film In Love And Deep Water, set to be released later this year.
Netflix is now entering into a broader collaboration with Sakamoto through which he will develop a range of titles to premiere exclusively on the streamer’s platform worldwide.
Directed by Taki Yusuke, In Love And Deep Water takes place on board a luxury cruise ship where a devoted ship butler encounters a female passenger, who claims their respective partners are on the verge of cheating on them. Ryo Yoshizawa (Gintama franchise) and Aoi Miyazaki head the cast.
Monster marked the first time that Korea-eda has directed a film...
Sakamoto has already scripted his first Netflix project, previously announced romantic murder mystery film In Love And Deep Water, set to be released later this year.
Netflix is now entering into a broader collaboration with Sakamoto through which he will develop a range of titles to premiere exclusively on the streamer’s platform worldwide.
Directed by Taki Yusuke, In Love And Deep Water takes place on board a luxury cruise ship where a devoted ship butler encounters a female passenger, who claims their respective partners are on the verge of cheating on them. Ryo Yoshizawa (Gintama franchise) and Aoi Miyazaki head the cast.
Monster marked the first time that Korea-eda has directed a film...
- 6/28/2023
- by Liz Shackleton
- Deadline Film + TV
Mubi is adding over 50 features from the Sony Pictures’ library to its U.S. streaming service. The mix of studio and arthouse fare includes Steven Spielberg’s Close Encounters of the Third Kind, Martin Scorsese’s The Age of Innocence, The Last Picture Show by Peter Bogdanovich and films from Wes Anderson, Pedro Almodovar and Guillermo Del Toro.
The company’s growing and global streaming service currently offers over 900 titles in the U.S., where it adds one new film to the platform daily. The Sony deal is a significant haul, especially since studios have become more aggressive in retaining content for their own services. Sony, uniquely, doesn’t have a streaming platform in-house.
Each Sony film has its own window, with some available already and all cycling onto the service at some point through the end of 2024. Others titles in the deal include 2046 by Wong Kar-wai; Volver by...
The company’s growing and global streaming service currently offers over 900 titles in the U.S., where it adds one new film to the platform daily. The Sony deal is a significant haul, especially since studios have become more aggressive in retaining content for their own services. Sony, uniquely, doesn’t have a streaming platform in-house.
Each Sony film has its own window, with some available already and all cycling onto the service at some point through the end of 2024. Others titles in the deal include 2046 by Wong Kar-wai; Volver by...
- 3/30/2023
- by Jill Goldsmith
- Deadline Film + TV
Tár writer/director Todd Field discusses a few of his favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
You Only Live Twice (1967) – Dana Gould’s trailer commentary
Tár (2022)
Man With A Movie Camera (1929)
Battleship Potemkin (1925)
Koyaanisqatsi (1982)
The Big Parade (1925)
Lawrence Of Arabia (1962)
The Crowd (1928)
Star Wars (1977)
The Servant (1963)
Parasite (2019) – Glenn Erickson’s Blu-ray review, Dennis Cozzalio’s review
The Three Musketeers (1973) – Josh Olson’s trailer commentary
Figures In A Landscape (1970)
M (1931)
M (1951)
I Am Cuba (1964)
The Cranes Are Flying (1957) – Glenn Erickson’s Criterion Blu-ray review
Letter Never Sent (1960)
Shadows of Forgotten Ancestors (1965)
Butch Cassidy And The Sundance Kid (1969)
The Towering Inferno (1974) – George Hickenlooper’s trailer commentary
The Great Waldo Pepper (1975)
The Sting (1973)
The World of Henry Orient (1964) – Larry Karaszewski’s trailer commentary
Thelma And Louise (1991)
Murmur Of The Heart (1971)
The Silent World (1956)
Opening Night (1977)
The Killing Of A Chinese Bookie (1976) – Larry Karaszewski’s...
Show Notes: Movies Referenced In This Episode
You Only Live Twice (1967) – Dana Gould’s trailer commentary
Tár (2022)
Man With A Movie Camera (1929)
Battleship Potemkin (1925)
Koyaanisqatsi (1982)
The Big Parade (1925)
Lawrence Of Arabia (1962)
The Crowd (1928)
Star Wars (1977)
The Servant (1963)
Parasite (2019) – Glenn Erickson’s Blu-ray review, Dennis Cozzalio’s review
The Three Musketeers (1973) – Josh Olson’s trailer commentary
Figures In A Landscape (1970)
M (1931)
M (1951)
I Am Cuba (1964)
The Cranes Are Flying (1957) – Glenn Erickson’s Criterion Blu-ray review
Letter Never Sent (1960)
Shadows of Forgotten Ancestors (1965)
Butch Cassidy And The Sundance Kid (1969)
The Towering Inferno (1974) – George Hickenlooper’s trailer commentary
The Great Waldo Pepper (1975)
The Sting (1973)
The World of Henry Orient (1964) – Larry Karaszewski’s trailer commentary
Thelma And Louise (1991)
Murmur Of The Heart (1971)
The Silent World (1956)
Opening Night (1977)
The Killing Of A Chinese Bookie (1976) – Larry Karaszewski’s...
- 1/10/2023
- by Kris Millsap
- Trailers from Hell
Writer / Director / Actor Halina Reijn discusses some of her favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Rrr (2022)
Bodies Bodies Bodies (2022)
Gothic (1986)
Warlock (1989)
Annie (1982)
Midsommar (2019) – Dennis Cozzalio’s 2019 year-end movie roundup
Bambi (1942) – Brian Trenchard-Smith’s trailer commentary
Annie (2014)
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Criterion Blu-ray review
Opening Night (1977)
The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray review
Black Book (2006)
Elle (2016) – Charlie Largent’s Blu-ray review, Dennis Cozzalio’s 2016 year-end movie roundup
The Fourth Man (1983)
Basic Instinct (1992) – Dan Ireland’s trailer commentary
Showgirls (1995)
Indecent Proposal (1993)
Fatal Attraction (1987) – Allan Arkush’s trailer commentary
9 ½ Weeks (1986)
Fifty Shades Of Grey (2015)
365 Days (2020)
A History Of Violence (2005)
Last Tango In Paris (1972) – Larry Karaszewski’s trailer commentary
Chinatown (1974) – Ernest Dickerson’s trailer commentary
Marathon Man (1976)
The Abyss (1989)
Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Who’s Afraid Of Virginia Woolf?...
Show Notes: Movies Referenced In This Episode
Rrr (2022)
Bodies Bodies Bodies (2022)
Gothic (1986)
Warlock (1989)
Annie (1982)
Midsommar (2019) – Dennis Cozzalio’s 2019 year-end movie roundup
Bambi (1942) – Brian Trenchard-Smith’s trailer commentary
Annie (2014)
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Criterion Blu-ray review
Opening Night (1977)
The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray review
Black Book (2006)
Elle (2016) – Charlie Largent’s Blu-ray review, Dennis Cozzalio’s 2016 year-end movie roundup
The Fourth Man (1983)
Basic Instinct (1992) – Dan Ireland’s trailer commentary
Showgirls (1995)
Indecent Proposal (1993)
Fatal Attraction (1987) – Allan Arkush’s trailer commentary
9 ½ Weeks (1986)
Fifty Shades Of Grey (2015)
365 Days (2020)
A History Of Violence (2005)
Last Tango In Paris (1972) – Larry Karaszewski’s trailer commentary
Chinatown (1974) – Ernest Dickerson’s trailer commentary
Marathon Man (1976)
The Abyss (1989)
Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Who’s Afraid Of Virginia Woolf?...
- 9/6/2022
- by Kris Millsap
- Trailers from Hell
Sterlin Harjo, co-creator of FX’s Reservation Dogs, discusses a few of his favorite movies with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Mekko (2015)
Boy (2010)
Cool Hand Luke (1967) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairings
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
The Outlaw Josey Wales (1976) – Josh Olson’s trailer commentary
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Blu-ray review
Stand By Me (1986)
Hamburger: The Motion Picture (1986)
This Is Spinal Tap (1984) – John Landis’s trailer commentary
The Princess Bride (1987) – Glenn Erickson’s Blu-ray review
Friday (1995)
One Flew Over The Cuckoo’s Nest (1975) – Adam Rifkin’s trailer commentary
Dead Man (1995)
Powwow Highway (1989)
Airplane! (1980) – Glenn Erickson’s Blu-ray review
Ghost Dog: Way Of The Samurai (1999)
Stalker (1979) – Glenn Erickson’s Criterion Blu-ray review
Come And See (1985) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
A Clockwork Orange...
Show Notes: Movies Referenced In This Episode
Mekko (2015)
Boy (2010)
Cool Hand Luke (1967) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairings
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
The Outlaw Josey Wales (1976) – Josh Olson’s trailer commentary
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Blu-ray review
Stand By Me (1986)
Hamburger: The Motion Picture (1986)
This Is Spinal Tap (1984) – John Landis’s trailer commentary
The Princess Bride (1987) – Glenn Erickson’s Blu-ray review
Friday (1995)
One Flew Over The Cuckoo’s Nest (1975) – Adam Rifkin’s trailer commentary
Dead Man (1995)
Powwow Highway (1989)
Airplane! (1980) – Glenn Erickson’s Blu-ray review
Ghost Dog: Way Of The Samurai (1999)
Stalker (1979) – Glenn Erickson’s Criterion Blu-ray review
Come And See (1985) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
A Clockwork Orange...
- 8/2/2022
- by Kris Millsap
- Trailers from Hell
Writer/director Catherine Hardwicke talks about her favorite intense movies with Josh.
Show Notes: Movies Referenced In This Episode
Citizen Kane (1941)
Thirteen (2003)
Lords of Dogtown (2005)
Heat and Sunlight (1987)
Angelo My Love (1983)
Kids (1995)
Out Of The Blue (1980)
The Wanderers (1979)
Mean Streets (1973)
A Woman Under The Influence (1974)
Husbands (1970)
City of God (2002)
Boys Don’t Cry (1999)
The Next Karate Kid (1994)
Million Dollar Baby (2004)
Hair (1979)
The Hangover (2009)
Porky’s (1981)
Hamburger: The Motion Picture (1986)
Twilight (2008)
The Nativity Story (2006)
Pariah (2011)
Mudbound (2017)
Sex And The City: The Movie (2008)
The Florida Project (2017)
Tangerine (2015)
The Ocean of Helena Lee (2015)
Other Notable Items
Rob Nilsson
Sundance Film Festival
Robert Duvall
Larry Clark
Peanuts comic strip (1950-2000)
Charles M. Schulz
Chloe Sevigny
Rosario Dawson
Heath Ledger
Linda Manz
Dennis Hopper
Philip Kaufman
Ken Wahl
The Wanderers novel by Richard Price (1974)
Robert De Niro
John Cassavetes
Gena Rowlands
Fernando Meirelles
Kátia Lund
Kimberly Pierce
Hillary Swank
Scarlett Johansson
Treat Williams
John Savage
The Eli...
Show Notes: Movies Referenced In This Episode
Citizen Kane (1941)
Thirteen (2003)
Lords of Dogtown (2005)
Heat and Sunlight (1987)
Angelo My Love (1983)
Kids (1995)
Out Of The Blue (1980)
The Wanderers (1979)
Mean Streets (1973)
A Woman Under The Influence (1974)
Husbands (1970)
City of God (2002)
Boys Don’t Cry (1999)
The Next Karate Kid (1994)
Million Dollar Baby (2004)
Hair (1979)
The Hangover (2009)
Porky’s (1981)
Hamburger: The Motion Picture (1986)
Twilight (2008)
The Nativity Story (2006)
Pariah (2011)
Mudbound (2017)
Sex And The City: The Movie (2008)
The Florida Project (2017)
Tangerine (2015)
The Ocean of Helena Lee (2015)
Other Notable Items
Rob Nilsson
Sundance Film Festival
Robert Duvall
Larry Clark
Peanuts comic strip (1950-2000)
Charles M. Schulz
Chloe Sevigny
Rosario Dawson
Heath Ledger
Linda Manz
Dennis Hopper
Philip Kaufman
Ken Wahl
The Wanderers novel by Richard Price (1974)
Robert De Niro
John Cassavetes
Gena Rowlands
Fernando Meirelles
Kátia Lund
Kimberly Pierce
Hillary Swank
Scarlett Johansson
Treat Williams
John Savage
The Eli...
- 12/8/2020
- by Kris Millsap
- Trailers from Hell
Hi readers. I know I got lost in the weeds a bit in November. It's that damn International Feature Oscar race. It really brings out my Ocd qualities with those Oscar history overviews so I skimped on other stuff. Anyway, here are some of key posts of November in case you missed any. There's one day left but it's the holiday weekend so we're doing the wrap up early ;)
Highlights from the Month That Was
• Ethan Hawke at 50 -an appreciation. The definitive Gen X actor?
• Home for the Holidays -deserves to be a better remembered!
• "Gay Best Friend" -a delightful new series kicked off with My Best Friend's Wedding and Under the Tuscan Sun
• Netflix has too many Oscar contenders - considering the possibilities
• Nicole Kidman in The Undoing -giving us eyeball acting!
• Joan Crawford -Criterion's curated collection
• Cher in 1987 -how she ruled the world that year
• Gene Tierney -...
Highlights from the Month That Was
• Ethan Hawke at 50 -an appreciation. The definitive Gen X actor?
• Home for the Holidays -deserves to be a better remembered!
• "Gay Best Friend" -a delightful new series kicked off with My Best Friend's Wedding and Under the Tuscan Sun
• Netflix has too many Oscar contenders - considering the possibilities
• Nicole Kidman in The Undoing -giving us eyeball acting!
• Joan Crawford -Criterion's curated collection
• Cher in 1987 -how she ruled the world that year
• Gene Tierney -...
- 11/29/2020
- by NATHANIEL R
- FilmExperience
Actress Carrie Coon joins Josh and Joe to discuss the Best of what she’s been watching during the pandemic.
Show Notes: Movies Referenced In This Episode
The Nest (2020)
Gone Girl (2014)
The Philadelphia Story (1940)
Sabrina (1954)
The Bridge On The River Kwai (1957)
Apocalypse Now (1979)
Opening Night (1977)
Husbands (1971)
Too Late Blues (1961)
Rosemary’s Baby (1968)
Faces (1968)
The Killing of a Chinese Bookie (1976)
Gloria (1980)
Mephisto (1981)
The Cremator (1969)
Zama (2017)
Marlina the Murderer in Four Acts (2017)
Wanda (1970)
Blue Collar (1978)
The Lunchbox (2013)
63 Up (2019)
To Sleep With Anger (1990)
Killer of Sheep (1978)
The Glass Shield (1994)
My Brother’s Wedding (1983)
Rita, Sue and Bob Too (1987)
Rio Bravo (1959)
Chilly Scenes of Winter (1979)
Cutter’s Way (1981)
Scenes From A Marriage (1973)
The Magician (1958)
The Silence (1963)
The Magic Flute (1975)
The Last House on the Left (1972)
The Virgin Spring (1963)
Summer with Monika (1953)
The Seventh Seal (1957)
Wings of Desire (1987)
Black Girl (1966)
Fat Girl (2001)
The Taking of Pelham One Two Three (1974)
Parasite (2019)
Jesus of Montreal (1989)
Other Notable Items...
Show Notes: Movies Referenced In This Episode
The Nest (2020)
Gone Girl (2014)
The Philadelphia Story (1940)
Sabrina (1954)
The Bridge On The River Kwai (1957)
Apocalypse Now (1979)
Opening Night (1977)
Husbands (1971)
Too Late Blues (1961)
Rosemary’s Baby (1968)
Faces (1968)
The Killing of a Chinese Bookie (1976)
Gloria (1980)
Mephisto (1981)
The Cremator (1969)
Zama (2017)
Marlina the Murderer in Four Acts (2017)
Wanda (1970)
Blue Collar (1978)
The Lunchbox (2013)
63 Up (2019)
To Sleep With Anger (1990)
Killer of Sheep (1978)
The Glass Shield (1994)
My Brother’s Wedding (1983)
Rita, Sue and Bob Too (1987)
Rio Bravo (1959)
Chilly Scenes of Winter (1979)
Cutter’s Way (1981)
Scenes From A Marriage (1973)
The Magician (1958)
The Silence (1963)
The Magic Flute (1975)
The Last House on the Left (1972)
The Virgin Spring (1963)
Summer with Monika (1953)
The Seventh Seal (1957)
Wings of Desire (1987)
Black Girl (1966)
Fat Girl (2001)
The Taking of Pelham One Two Three (1974)
Parasite (2019)
Jesus of Montreal (1989)
Other Notable Items...
- 11/17/2020
- by Kris Millsap
- Trailers from Hell
Gabrielle Union and Jessica Alba are officially off-duty: Their Spectrum Originals cop drama L.A.’s Finest has been cancelled after two seasons, according to our sister site Deadline.
In the Bad Boys spinoff, Union reprises her role as Syd Barrett, who works as an LAPD detective alongside partner Nancy McKenna, played by Alba. The supporting cast includes Zach Gilford (Friday Night Lights) and Duane Martin (Real Husbands of Hollywood) as fellow detectives Ben Walker and Ben Baines, aka “The Bens,” Ryan McPartlin (Chuck) as Nancy’s husband Patrick and Ernie Hudson (Grace and Frankie) as Syd’s ex-cop father Joseph.
More...
In the Bad Boys spinoff, Union reprises her role as Syd Barrett, who works as an LAPD detective alongside partner Nancy McKenna, played by Alba. The supporting cast includes Zach Gilford (Friday Night Lights) and Duane Martin (Real Husbands of Hollywood) as fellow detectives Ben Walker and Ben Baines, aka “The Bens,” Ryan McPartlin (Chuck) as Nancy’s husband Patrick and Ernie Hudson (Grace and Frankie) as Syd’s ex-cop father Joseph.
More...
- 10/15/2020
- by Dave Nemetz
- TVLine.com
Update, September 22: Martin Scorsese, a frequent collaborator of Chapman’s, has issued the following statement following the cinematographer’s passing: “I consider myself so fortunate to have been able to work with Michael Chapman. Michael and I made three films together—’Taxi Driver,’ ‘The Last Waltz,’ and ‘Raging Bull,’ and he brought something rare and irreplaceable to each of them.”
Scorsese continues, “I remember when ‘Taxi Driver’ came out and Michael became known as a ‘poet of the streets’—I think that was the wording, and it seemed right to me. Michael was the one who really controlled the visual palette of ‘The Last Waltz,’ and on ‘Raging Bull’ he and his team met every single challenge—and there were so many. One of the greatest of those challenges was shooting in black and white, which Michael had never done before, a fact that still astonishes me. His relationship...
Scorsese continues, “I remember when ‘Taxi Driver’ came out and Michael became known as a ‘poet of the streets’—I think that was the wording, and it seemed right to me. Michael was the one who really controlled the visual palette of ‘The Last Waltz,’ and on ‘Raging Bull’ he and his team met every single challenge—and there were so many. One of the greatest of those challenges was shooting in black and white, which Michael had never done before, a fact that still astonishes me. His relationship...
- 9/22/2020
- by Ryan Lattanzio
- Indiewire
With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.
As far as movies about shattered states of masculinity go, you can’t get any more raw, personal, or up-close than John Cassavetes’ 1970 “Husbands.” The filmmaker’s meandering, laidback style is well-suited to this chamber dramedy led by Cassavetes and his pals Peter Falk and Ben Gazzara. While storytelling in 2020 is pivoting fiercely away from tales of white, straight male egos, it’s fascinating to look back at “Husbands” as a cracked reflection of the times.
In 1971, feminist author and activist Betty Friedan wrote an editorial for The New York Times hailing “Husbands” as “the strongest statement of the case for women’s liberation I have yet seen on stage or screen,” and that the film tackled “the alienation, loneliness, [and] un-met need...
As far as movies about shattered states of masculinity go, you can’t get any more raw, personal, or up-close than John Cassavetes’ 1970 “Husbands.” The filmmaker’s meandering, laidback style is well-suited to this chamber dramedy led by Cassavetes and his pals Peter Falk and Ben Gazzara. While storytelling in 2020 is pivoting fiercely away from tales of white, straight male egos, it’s fascinating to look back at “Husbands” as a cracked reflection of the times.
In 1971, feminist author and activist Betty Friedan wrote an editorial for The New York Times hailing “Husbands” as “the strongest statement of the case for women’s liberation I have yet seen on stage or screen,” and that the film tackled “the alienation, loneliness, [and] un-met need...
- 6/30/2020
- by Ryan Lattanzio
- Indiewire
Jacques Rivette's Out 1, Noli Me Tangere (1971) is showing on Mubi in the United States.There’s a lot of confusion about what improvisation in movies consists of—when it is or isn’t used, and sometimes what it means when it is used. Those who think that the dialogue in Orson Welles’ The Other Side of the Wind is improvised don’t realize that the screenplay by Welles and Oja Kodar with that dialogue was published years ago, long before the film’s posthumous completion. It’s worth adding, however, that the film’s mise en scène was improvised by Welles on a daily basis. Similarly, those misled by director Robert Altman’s dreamy pans and seemingly random zooms in The Long Goodbye into concluding that the actors must be inventing their own lines are ignoring the careful work done by screenwriter Leigh Brackett, not to mention Raymond Chandler.
- 6/21/2020
- MUBI
Normal 0 false false false En-us X-none X-none
By Todd Garbarini
The films of John Cassavetes are an acquired taste. Long considered to be the father of the modern independent film movement, his unorthodox style to acting and filmmaking notoriously drove some of his performers crazy while also receiving kudos and accolades from others. Like most filmmakers of his ilk, his work was best seen in independently owned movie theaters in New York City where films generally played for weeks or even months on end to a combination of both rave reviews and decent box office, two ingredients necessary to ensure securing funding for future projects. His directorial debut, Shadows (1958), depicted a romantic relationship between a white man and an African-American woman and the tumult that their relationship brought to their families. The film was unorthodox not only in its subject matter but in its approach to filmmaking. The film possesses...
By Todd Garbarini
The films of John Cassavetes are an acquired taste. Long considered to be the father of the modern independent film movement, his unorthodox style to acting and filmmaking notoriously drove some of his performers crazy while also receiving kudos and accolades from others. Like most filmmakers of his ilk, his work was best seen in independently owned movie theaters in New York City where films generally played for weeks or even months on end to a combination of both rave reviews and decent box office, two ingredients necessary to ensure securing funding for future projects. His directorial debut, Shadows (1958), depicted a romantic relationship between a white man and an African-American woman and the tumult that their relationship brought to their families. The film was unorthodox not only in its subject matter but in its approach to filmmaking. The film possesses...
- 6/15/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Husbands (1970), the fourth feature of auteur John Cassavetes, patron saint of American independent cinema, would end up being the first showcase for the filmmaker’s trend during his lifetime. It was the follow-up to the Oscar nominated Faces (1968) his first, and only one of a couple, critically revered receptions, and perhaps was destined to be generally panned, earning him a reputation for which he would oft-be criticized as an over-indulgent filmmaker.
One of the few of his projects not to feature his wife Gena Rowlands, it is indeed a film which demands more than one viewing to appreciate the merit of its discomforts, its unhappiness—and much like Who’s Afraid of Virginia Woolf?…...
One of the few of his projects not to feature his wife Gena Rowlands, it is indeed a film which demands more than one viewing to appreciate the merit of its discomforts, its unhappiness—and much like Who’s Afraid of Virginia Woolf?…...
- 6/3/2020
- by Nicholas Bell
- IONCINEMA.com
John Cassavetes’ breakthrough picture gets the Criterion treatment, with fine new extras that take us back to a moment when the American Independent movement broke through to the big theaters, with bigger stars. It’s 142 minutes of intense improvisation during which Cassavetes, Ben Gazzara and Peter Falk challenge, tease and bully fellow performers into the director’s vision of performance artistry. The full title on-screen raises the bar pretty high: Husbands: A Comedy About Life, Death and Freedom.
Husbands
Blu-ray
The Criterion Collection 1029
1970 / Color / 1:85 widescreen / 131 142 min. / available through The Criterion Collection / Street Date May 26, 2020 / 39.95
Starring: Ben Gazzara, Peter Falk, John Cassavetes, Jenny Runacre, Jenny Lee Wright, Noelle Kao, John Kullers, Meta Shaw, Leola Harlow.
Cinematography: Victor Kemper
Produced by Al Ruban
Written and Directed by John Cassavetes
Is John Cassavetes coming into style, or is he just being rediscovered for the fifth time? His impassioned films receive strong critical...
Husbands
Blu-ray
The Criterion Collection 1029
1970 / Color / 1:85 widescreen / 131 142 min. / available through The Criterion Collection / Street Date May 26, 2020 / 39.95
Starring: Ben Gazzara, Peter Falk, John Cassavetes, Jenny Runacre, Jenny Lee Wright, Noelle Kao, John Kullers, Meta Shaw, Leola Harlow.
Cinematography: Victor Kemper
Produced by Al Ruban
Written and Directed by John Cassavetes
Is John Cassavetes coming into style, or is he just being rediscovered for the fifth time? His impassioned films receive strong critical...
- 6/3/2020
- by Glenn Erickson
- Trailers from Hell
From the people that brought you Pandemic Parade chapters 1-8, comes yet another thrilling episode featuring Jesse V. Johnson, Casper Kelly, Fred Dekker, Don Coscarelli, Daniel Noah, Elijah Wood and Blaire Bercy.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
The Wondrous Story of Birth a.k.a. The Birth of Triplets (1950)
Contagion (2011)
The Omega Man (1971)
Panic In The Streets (1950)
The Last Man On Earth (1964)
Night of the Living Dead (1968)
Fantastic Voyage (1966)
Innerspace (1987)
The Howling (1981)
The Invisible Man (2020)
The Sand Pebbles (1966)
Where Eagles Dare (1969)
Planet of the Apes (1968)
Goldfinger (1964)
The Spy Who Came In From The Cold (1965)
Murder On The Orient Express (1974)
Dr. No (1962)
From Russia With Love (1963)
Bellman and True (1987)
Brimstone and Treacle (1982)
Richard III (1995)
Titanic (1997)
Catch 22 (1970)
Who’s Afraid of Virginia Woolf (1966)
The Graduate (1967)
1941 (1979)
Dr. Strangelove (1964)
Jaws (1975)
The Fortune (1975)
Carnal Knowledge (1970)
Manhattan...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
The Wondrous Story of Birth a.k.a. The Birth of Triplets (1950)
Contagion (2011)
The Omega Man (1971)
Panic In The Streets (1950)
The Last Man On Earth (1964)
Night of the Living Dead (1968)
Fantastic Voyage (1966)
Innerspace (1987)
The Howling (1981)
The Invisible Man (2020)
The Sand Pebbles (1966)
Where Eagles Dare (1969)
Planet of the Apes (1968)
Goldfinger (1964)
The Spy Who Came In From The Cold (1965)
Murder On The Orient Express (1974)
Dr. No (1962)
From Russia With Love (1963)
Bellman and True (1987)
Brimstone and Treacle (1982)
Richard III (1995)
Titanic (1997)
Catch 22 (1970)
Who’s Afraid of Virginia Woolf (1966)
The Graduate (1967)
1941 (1979)
Dr. Strangelove (1964)
Jaws (1975)
The Fortune (1975)
Carnal Knowledge (1970)
Manhattan...
- 5/29/2020
- by Kris Millsap
- Trailers from Hell
The coronavirus pandemic is still going on, and shutdowns are being lifted oh so gently. That generally means two things: go outside with a mask on while strafing away from passersby on the sidewalk, or stay in and watch stuff. Luckily, The Criterion Channel has announced its June 2020 lineup, which is full of things old and new.
June sees the streaming premiere of Bertrand Bonello’s fantasy-horror, Zombi Child, which originally premiered in the Director’s Fortnight section of the 2019 Cannes Film Festival. The month also brings us the Channel’s addition of Gus Van Sant’s My Own Private Idaho, which comes with deleted scenes, a making-of documentary, and more. Meanwhile, they will also flesh out the service’s Chantal Akerman selection, adding features such as One Day Pina Asked…, Golden Eighties, and her penultimate feature, Almayer’s Folly. On the other side of the coin comes Jamie Babbit...
June sees the streaming premiere of Bertrand Bonello’s fantasy-horror, Zombi Child, which originally premiered in the Director’s Fortnight section of the 2019 Cannes Film Festival. The month also brings us the Channel’s addition of Gus Van Sant’s My Own Private Idaho, which comes with deleted scenes, a making-of documentary, and more. Meanwhile, they will also flesh out the service’s Chantal Akerman selection, adding features such as One Day Pina Asked…, Golden Eighties, and her penultimate feature, Almayer’s Folly. On the other side of the coin comes Jamie Babbit...
- 5/20/2020
- by Matt Cipolla
- The Film Stage
The star, Alexandra Daddario, the writer, Alan Trezza, and the director, Marc Meyers, of the terrific new film We Summon The Darkness walk us through some of their favorite movies.
Show Notes: Movies Referenced In This Episode
We Summon The Darkness (2020)
Burying The Ex (2015)
The Little Mermaid (1989)
Moulin Rouge! (2001)
American Beauty (1999)
Strictly Ballroom (1992)
Ghostbusters (1984)
The Sound of Music (1965)
L.A. Story (1991)
Ghost Dad (1990)
Looney Tunes: Back In Action (2003)
Roxanne (1987)
The Godfather (1972)
The Godfather Part II (1974)
The Godfather Part III (1990)
Fargo (1996)
The Ballad Of Buster Scruggs (2018)
Psycho (1960)
Psycho (1998)
Defending Your Life (1991)
Modern Romance (1981)
The Jerk (1979)
Jaws (1975)
Notting Hill (1999)
Four Weddings And A Funeral (1994)
When Harry Met Sally… (1989)
Love Actually (2003)
Marley & Me (2008)
Mrs. Doubtfire (1993)
World’s Greatest Dad (2009)
Eternal Sunshine of the Spotless Mind (2004)
Raging Bull (1980)
Mandy (2018)
Heathers (1988)
Ed Wood (1994)
Hellzapoppin’ (1941)
Fletch (1985)
Beverly Hills Cop (1984)
Batman Returns (1992)
Warlock (1989)
Beetlejuice (1988)
Star Wars (1977)
Sixteen Candles (1984)
The Swimmer (1968)
Sherman’s March (1985)
Amadeus (1984)
Amarcord (1974)
Hugo Pool (1997)
Paradise Lost: The Child Murders at Robin Hood Hills...
Show Notes: Movies Referenced In This Episode
We Summon The Darkness (2020)
Burying The Ex (2015)
The Little Mermaid (1989)
Moulin Rouge! (2001)
American Beauty (1999)
Strictly Ballroom (1992)
Ghostbusters (1984)
The Sound of Music (1965)
L.A. Story (1991)
Ghost Dad (1990)
Looney Tunes: Back In Action (2003)
Roxanne (1987)
The Godfather (1972)
The Godfather Part II (1974)
The Godfather Part III (1990)
Fargo (1996)
The Ballad Of Buster Scruggs (2018)
Psycho (1960)
Psycho (1998)
Defending Your Life (1991)
Modern Romance (1981)
The Jerk (1979)
Jaws (1975)
Notting Hill (1999)
Four Weddings And A Funeral (1994)
When Harry Met Sally… (1989)
Love Actually (2003)
Marley & Me (2008)
Mrs. Doubtfire (1993)
World’s Greatest Dad (2009)
Eternal Sunshine of the Spotless Mind (2004)
Raging Bull (1980)
Mandy (2018)
Heathers (1988)
Ed Wood (1994)
Hellzapoppin’ (1941)
Fletch (1985)
Beverly Hills Cop (1984)
Batman Returns (1992)
Warlock (1989)
Beetlejuice (1988)
Star Wars (1977)
Sixteen Candles (1984)
The Swimmer (1968)
Sherman’s March (1985)
Amadeus (1984)
Amarcord (1974)
Hugo Pool (1997)
Paradise Lost: The Child Murders at Robin Hood Hills...
- 4/14/2020
- by Kris Millsap
- Trailers from Hell
Wedding Arun is Bhama's family friend and the two have known each other for a long time.Tnm StaffMalayalam actor Bhama got married in a traditional wedding ceremony in Kottayam, Kerala. The actor, who made her debut in Malayalam cinema with the Ak Lohitadas film Nivedyam, wed her family friend Arun, who runs a business in the UAE. Bhama shared pictures of the ceremony, which was attended by close family and friends, on her social media pages. Some of her close associates from the film industry who attended the wedding include actor turned politician Suresh Gopi and Vinu Mohan. The bride was dressed in a red Kancheepuram saree for the ceremony and wore temple jewellery while the groom wore the off-white traditional mundu and shirt. The actor also shared pictures of her mehendi celebrations which took place on Wednesday. Dressed in a bright yellow dress for the mehendi day, she...
- 1/30/2020
- by Sreedevi
- The News Minute
Although his name might be unfamiliar to a young generation of moviegoers, John Cassavetes was a giant in raising the profile of independent film in America. As a young man, after enrolling in the American Academy of Dramatic Arts, he took on small parts in films and appeared in episodic television until he picked up a camera and exploded onto the indie film scene with his 1959 film “Shadows.” From there, he went on to write and direct “Faces” (1968), which earned three Oscar nominations and eventually to 1974’s “A Woman Under the Influence,” which starred his wife Gena Rowlands (whom he met at the American Academy) in arguably her most triumphant performance. Cassavetes is such an important figure in independent cinema that every year, the Independent Spirit Awards present the John Cassavetes Award to the year’s best film that cost less than $500,000.
SEE2020 Independent Spirit Awards nominations: Full list of...
SEE2020 Independent Spirit Awards nominations: Full list of...
- 12/9/2019
- by Tom O'Brien and Chris Beachum
- Gold Derby
Happy Thursday, Grey's Anatomy fans. We have some pretty interesting news for you guys in this report. According to the folks over at Entertainment Weekly, we're about to see Grey's Anatomy introduce yet another Derek Shepherd sister into the mix! That's right, guys. This new sister will be named Kathleen Shepherd. Kathleen is currently scheduled to be introduced in a season 15 episode that revolves around character Amelia Shepherd. Entertainment Weekly pointed out that the other Derek Shepherd sisters who have appeared in the past are: Liz Shepherd played by actress Neve Campbell and Nancy Shepherd played by actress Embeth Davitz. Kathleen's existence was first mentioned way, way back in season 3. Now, we're finally going to get to meet her! The only other information that Entertainment Weekly had to share about this new Kathleen Shepherd sister is that she also has a doctorate. She's a psychiatrist. We also know who has...
- 2/22/2019
- by Andre Braddox
- OnTheFlix
Christian Petzold's The State I Am In (2000) and Christoph Hochhäusler's The City Below (2010) will be showing in September and October, 2017 on Mubi in most countries around the world.Christian Petzold (left) and Christoph Hochhäusler (right) on the set of Dreileben. Photo by Felix von Böhm.We meet in Christian Petzold’s office in Berlin-Kreuzberg. A giant wall of whispering books, almost like a Borgesian brain of fiction, encircles the table at which Christoph Hochhäusler, myself and the owner take place to discuss their films. The idea of the interview was to get Petzold’s take on Hochhäusler’s The City Below (2010) and Hochhäusler’s take on Petzold’s The State I Am In (2000). In the end, both filmmakers ended up talking about a lot more, as cinema for them has always been something that shines most brightly when remembering it, discussing it and loving it. The fictions proposed...
- 9/20/2017
- MUBI
Had he only worked for a period of roughly ten years, Michael Chapman would still be among the best-regarded cameramen of his time. How else to qualify the man who acted as operator on Klute, Husbands, The Landlord, The Godfather and Jaws, as well as cinematographer on The Last Detail, Taxi Driver, Raging Bull, Hardcore, The Last Waltz, and Invasion of the Body Snatchers? (The decades-blurring Dead Men Don’t Wear Plaid is no small achievement, either.) But then he’d go on to helm All the Right Moves (a key early point in Tom Cruise’s career), then photographed (to name but a few) The Fugitive, Scorsese’s video for Michael Jackson’s “Bad,” and, of course, Space Jam. How many people in his trade can lay claim to that wide a berth?
Chapman’s been retired for nearly ten years — his last feature, Bridge to Terabithia, was released...
Chapman’s been retired for nearly ten years — his last feature, Bridge to Terabithia, was released...
- 11/17/2016
- by Nick Newman
- The Film Stage
Mubi in the United Kingdom will be showing four films by John Cassavetes beginning with Too Late Blues (March 9 - April 8), followed by Husbands (March 16 - April 15), Gloria (March 23 - April 22), and Love Streams (March 29 - April 28). “Life is a series of suicides, divorces, promises broken, children smashed, whatever.” — Robert, Love Streams“Love is a stream. It’s continuous. It doesn’t stop.” — Sarah, Love Streams I love a good punch. Not the kind Robert Mitchum could land, or the kind Errol Flynn once received, though the mythmaking breeziness of another era’s gossip columns ensures even these retain an ageless charm. I mean the verbal kind, the hit-you-in-the-belly kind. A gut punch. Putdowns are an art: cadence is a weapon, pithiness a bullet. Brevity bruises: it’s not so much what is said as everything that isn’t. The best knocks hurt precisely because, no matter how brutal they get,...
- 4/4/2016
- by Michael Pattison
- MUBI
★★★☆☆ What could have easily been a glib provocation turns out to be rigorous examination of masculinity in crisis in the hands of Swedish director Ruben Östlund. Force Majeure (2014) tests the limits (or troughs) of masculinity in the post-liberal age, charting the effects of decades of progression and asks: what is left of the hunter-gatherer in 2015? It's a fascinating inverse of the traditional narrative of the unreconstructed male ego that is so common in cinema - pictures like John Cassavetes' Husbands (1970) or Ted Kotcheff's Wake in Fright (1971) - but what ultimately fascinates is that both strands end up in the same place - cowardice.
- 6/29/2015
- by CineVue UK
- CineVue
Philip A. Dick: Perry’s Literary Minds Stuck In a Lonely Place
Following up his dark hearted homage to road trip cinema with 2011’s The Color Wheel, Alex Ross Perry’s third film, Listen Up Philip arrives with an equally unpleasant set of main characters as it explores the hyper intellectual worldview of self-important authors wallowing in their emotional ennui. But the self-involved narcissists occupying Perry’s arena also happen to be impressively fleshed out compelling characters that makes this triptych of their miserable emotional periods so engrossing. Sprawling, unkempt, and often unlikeable, it’s one of the most impressively written and astutely performed films you’ll see this year.
We meet Philip (Jason Schwartzman) as he meets up with an ex-girlfriend for lunch, basically to gloat over his looming success as an author, celebrating the publication of his first novel. An omniscient narrator (Eric Bogosnian) begins to guide us through Philip’s (and eventually,...
Following up his dark hearted homage to road trip cinema with 2011’s The Color Wheel, Alex Ross Perry’s third film, Listen Up Philip arrives with an equally unpleasant set of main characters as it explores the hyper intellectual worldview of self-important authors wallowing in their emotional ennui. But the self-involved narcissists occupying Perry’s arena also happen to be impressively fleshed out compelling characters that makes this triptych of their miserable emotional periods so engrossing. Sprawling, unkempt, and often unlikeable, it’s one of the most impressively written and astutely performed films you’ll see this year.
We meet Philip (Jason Schwartzman) as he meets up with an ex-girlfriend for lunch, basically to gloat over his looming success as an author, celebrating the publication of his first novel. An omniscient narrator (Eric Bogosnian) begins to guide us through Philip’s (and eventually,...
- 10/13/2014
- by Nicholas Bell
- IONCINEMA.com
Love Streams
Directed by John Cassavetes
Written by Ted Allan and John Cassavetes
USA, 1984
Love Streams, John Cassavetes’ final film as an actor and penultimate film as director, is also one of his most unusual features. While his distinctive work can oftentimes be divisive, it’s easy to see how this film more than most others could be rather off-putting to those not appreciative of, or even accustomed to, his filmmaking technique.
Cassavetes adapted the film with Ted Allan, based on the latter’s play, and the film’s structure is one of the more vexing of its attributes. Dropped into two parallel lives, with little to no backstory, only gradually are we able to piece together certain details. First, there is Robert Harmon (a worn and weary Cassavetes, his failing health evident). Harmon is a writer, a drunk, and a womanizer, and he is supposedly working on a book about nightlife,...
Directed by John Cassavetes
Written by Ted Allan and John Cassavetes
USA, 1984
Love Streams, John Cassavetes’ final film as an actor and penultimate film as director, is also one of his most unusual features. While his distinctive work can oftentimes be divisive, it’s easy to see how this film more than most others could be rather off-putting to those not appreciative of, or even accustomed to, his filmmaking technique.
Cassavetes adapted the film with Ted Allan, based on the latter’s play, and the film’s structure is one of the more vexing of its attributes. Dropped into two parallel lives, with little to no backstory, only gradually are we able to piece together certain details. First, there is Robert Harmon (a worn and weary Cassavetes, his failing health evident). Harmon is a writer, a drunk, and a womanizer, and he is supposedly working on a book about nightlife,...
- 8/14/2014
- by Jeremy Carr
- SoundOnSight
Alex Ross Perry's second feature, The Color Wheel (2011), is now playing on Mubi in the U.S. through March 23. Ignatiy Vishnevetsky wrote about it earlier on the Notebook.
Alex Ross Perry's first two features, Impolex (2009) and The Color Wheel (2011), climax with single-take rug-pulls—performance-intensive scenes which reveal the loneliness and longing that underpins Perry's freewheeling humor. The camera style developed by Perry and his regular director of photography, Sean Price Williams, is already actor-friendly, largely handheld, and composed mostly in eye-level, three-quarter profile close-ups. These climactic sequences, however, stretch this style to its limits—unfolding as a single close-up in Impolex, continually reframing from close-up to medium shot and back again in The Color Wheel—while also straining technical limitations. (Impolex and The Color Wheel were shot on 16mm, and both films' big long takes run almost as long as a standard 400' magazine.) What makes these sequences...
Alex Ross Perry's first two features, Impolex (2009) and The Color Wheel (2011), climax with single-take rug-pulls—performance-intensive scenes which reveal the loneliness and longing that underpins Perry's freewheeling humor. The camera style developed by Perry and his regular director of photography, Sean Price Williams, is already actor-friendly, largely handheld, and composed mostly in eye-level, three-quarter profile close-ups. These climactic sequences, however, stretch this style to its limits—unfolding as a single close-up in Impolex, continually reframing from close-up to medium shot and back again in The Color Wheel—while also straining technical limitations. (Impolex and The Color Wheel were shot on 16mm, and both films' big long takes run almost as long as a standard 400' magazine.) What makes these sequences...
- 3/14/2014
- by Ignatiy Vishnevetsky
- MUBI
Xan Cassavetes has had one hell of a showbiz story. Daughter of John and Gena, she made her screen debut in her father's films Husbands and Minnie and Moskowitz. Trawling the Lower East Side art-punk scene during early 80's, she found herself at both Krs-One and Madonna's very first shows. Later, she toured for almost ten years with the group Shrine before taking up the family business in 2004 with the documentary Z Channel: A Magnificent Obsession. We spoke this past fall at the incredible Strasbourg International Fantastic Film Festival, where her erotic vampire feature KIss of the Damned took the top prize. How many times do you get to write that? Twitch: Let's start with a softball question. Why chose this as your fiction debut? Well, I didn't choose it...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/24/2014
- Screen Anarchy
"Warning: The twenty music tracks that may be downloaded from this website have never been exposed to the public before. This is film music in the raw, as rough and unpolished as Cassavetes’ movies, with the lyrics pouring straight out of John’s heart, conjuring melodies that flowed through Bo’s fingers onto guitar strings and piano keys." These words spread across the homepage of BoHarwood.com, where the talented composer has released 20 songs, scores and musical improvisations he recorded for and with John Cassavetes. A warning might be necessary for those unfamiliar with Cassavetes’ films, but for those who have come to appreciate the brilliance behind the “rough” and “unpolished” work of this American master it is a glowing invitation.
Above: Bo Harwood and John Cassavettes. Photo by Joan Almond.
Like the films of John Cassavetes, the music that Bo Harwood recorded is very special for reasons hard to explain.
Above: Bo Harwood and John Cassavettes. Photo by Joan Almond.
Like the films of John Cassavetes, the music that Bo Harwood recorded is very special for reasons hard to explain.
- 7/8/2013
- by Peter Rinaldi
- MUBI
Has it really been 18 years since Jesse and Celine met on that train in Before Sunrise? Indeed it has, and the long-awaited third outing in Richard Linklater's romantic trilogy finally graces Austin theaters today. Don't miss Before Midnight; if the critics are right -- and really, aren't we always? -- the story is as fresh and captivating as ever. (Even I -- who would rather have a root canal than watch most rom-coms -- loved the first two films and can't wait to see the third.)
If even the best of rom-coms isn't your thing, there are a surprising number of alternatives this holiday weekend. My top pick is the Austin Film Society "Spotlight on John Cassavetes" series, which wraps up with Husbands, a 1970 tragicomedy starring Cassavetes, Ben Gazzara and Peter Falk as three middle-age men who mourn a friend's death and live out their midlife crises on a drunken trip to London.
If even the best of rom-coms isn't your thing, there are a surprising number of alternatives this holiday weekend. My top pick is the Austin Film Society "Spotlight on John Cassavetes" series, which wraps up with Husbands, a 1970 tragicomedy starring Cassavetes, Ben Gazzara and Peter Falk as three middle-age men who mourn a friend's death and live out their midlife crises on a drunken trip to London.
- 5/24/2013
- by Don Clinchy
- Slackerwood
We're sad to report that actor Ben Gazzara has succumbed to pancreatic cancer at age 81. Over Gazzara's nearly-sixty year career, his greatest screen moments occurred in collaboration with close friend John Cassavetes, along with actors Peter Falk, Seymour Cassel, and Cassavetes' wife Gena Rowlands. With Falk's passing last year and now with Gazzara's, it seems an opportune time to revisit a 2004 chat I had for Venice Magazine with the surviving members of the Cassavetes "company" that coincided with Criterion's release of their "John Cassavetes: Five Films" collection. Cassel was the only member not present during the conversations, which took place in the home that John and Gena shared from 1962 until his death, and which served as a location for many of their films together.
Remembering Cassavetes:
The Legacy of America’s Most Important Indie Film Pioneer Is Preserved in the Criterion Collection’s New Release John Cassavetes:...
Remembering Cassavetes:
The Legacy of America’s Most Important Indie Film Pioneer Is Preserved in the Criterion Collection’s New Release John Cassavetes:...
- 2/16/2013
- by The Hollywood Interview.com
- The Hollywood Interview
It's inevitable that as time goes by, we will lose some of our favorite stars. And yet, year after year, it never gets any easier to look back on the great entertainers who had died over the previous 12 months.
Still, it's important to remember the legacies of the people who enhanced our own lives over the years with their talent, style and love of cinema. Here's a look at some of the many wonderful Hollywood talents who passed away in 2012.
Whitney Houston
One of the most successful, beloved and influential pop stars of the last quarter century, Whitney Houston also became a Hollywood power in the '90s thanks to her roles in blockbusters like "The Bodyguard" and "The Preacher's Wife." Though she had her very public ups and downs over the past decade, Houston was in the process of making a career comeback on the big screen with the musical "Sparkle.
Still, it's important to remember the legacies of the people who enhanced our own lives over the years with their talent, style and love of cinema. Here's a look at some of the many wonderful Hollywood talents who passed away in 2012.
Whitney Houston
One of the most successful, beloved and influential pop stars of the last quarter century, Whitney Houston also became a Hollywood power in the '90s thanks to her roles in blockbusters like "The Bodyguard" and "The Preacher's Wife." Though she had her very public ups and downs over the past decade, Houston was in the process of making a career comeback on the big screen with the musical "Sparkle.
- 12/27/2012
- by Scott Harris
- NextMovie
John Cassavetes died in 1989 at the age of 59, having acted in a number of extremely popular mainstream movies (Martin Ritt's Edge of the City, Robert Aldrich's The Dirty Dozen, Roman Polanski's Rosemary's Baby and Brian De Palma's The Fury), which helped subsidise the freewheeling, semi-improvised independent films on which his reputation ultimately rests. The best of these perhaps, and the least improvised, is A Woman Under the Influence (1974), for which he (as director) and his wife Gena Rowlands (as best actress) received Oscar nominations. Most characteristic is Husbands (1970), a much derided study of three well-heeled New Yorkers (Cassavetes, Peter Falk and Ben Gazzara) experiencing a shared midlife crisis and confronting the emptiness of their lives following a fourth friend's early death. After the funeral they take off on a drunken, truth-seeking spree in New York and London.
The result is highly uneven, painfully drawn-out, deeply sincere,...
The result is highly uneven, painfully drawn-out, deeply sincere,...
- 9/29/2012
- by Philip French
- The Guardian - Film News
Holy Motors (18)
(Leos Carax, 2012, Fra) Denis Lavant, Edith Scob, Eva Mendes, Kylie Minogue, 116 mins
A freewheeling lunatic love letter to cinema, or a self-indulgent headscratcher that's not worth trying to decipher? Carax's episodic odyssey dazzles and mystifies in equal quantities. Life, death, cinema: it's all interchangeable here, as Lavant cruises Paris in his limousine/mobile dressing room, assuming wildly different roles for unspecified "clients". The wheels threaten to come off with every swerve, but it's an occasionally astounding drive on the wild side.
Looper (15)
(Rian Johnson, 2012, Us) Joseph Gordon-Levitt, Bruce Willis, Emily Blunt. 118 mins
As he did with high-school movie Brick, Johnson takes a tired genre into fresh territory here, with a time-travel sci-fi that's smart, original, exciting and destined for cult status. Gordon-Levitt and Willis play young and old versions of the same assassin, with Gordon-Levitt having to either kill his older self or team up with him to bring down a dodgy system.
(Leos Carax, 2012, Fra) Denis Lavant, Edith Scob, Eva Mendes, Kylie Minogue, 116 mins
A freewheeling lunatic love letter to cinema, or a self-indulgent headscratcher that's not worth trying to decipher? Carax's episodic odyssey dazzles and mystifies in equal quantities. Life, death, cinema: it's all interchangeable here, as Lavant cruises Paris in his limousine/mobile dressing room, assuming wildly different roles for unspecified "clients". The wheels threaten to come off with every swerve, but it's an occasionally astounding drive on the wild side.
Looper (15)
(Rian Johnson, 2012, Us) Joseph Gordon-Levitt, Bruce Willis, Emily Blunt. 118 mins
As he did with high-school movie Brick, Johnson takes a tired genre into fresh territory here, with a time-travel sci-fi that's smart, original, exciting and destined for cult status. Gordon-Levitt and Willis play young and old versions of the same assassin, with Gordon-Levitt having to either kill his older self or team up with him to bring down a dodgy system.
- 9/28/2012
- by Steve Rose
- The Guardian - Film News
John Cassavetes' 1970 Husbands about three men going through a shared midlife crisis is a brilliantly textured film to be savoured
Always ballsy, often brilliant, sometimes exasperating, John Cassavetes' 1970 picture Husbands is now on rerelease. Peter Falk, Ben Gazzara and Cassavetes himself play Archie, Harry and Gus respectively, three middle-aged married friends who experience a kind of three-way midlife breakdown when their best buddy dies. A brilliant opening sequence of still shots shows the four musketeers goofing around by the pool with their wives and kids, flexing their muscles, Mr Universe-style, an ironic demonstration of power and strength. After the funeral, they go on a monumental 48-hour drinking spree in Manhattan to anaesthetise their grief and fear. After Harry has a fight with his wife and mother-in-law on returning home still drunk, the three then head off for an impulsive break in London – of all the dreary and unpromising places.
Always ballsy, often brilliant, sometimes exasperating, John Cassavetes' 1970 picture Husbands is now on rerelease. Peter Falk, Ben Gazzara and Cassavetes himself play Archie, Harry and Gus respectively, three middle-aged married friends who experience a kind of three-way midlife breakdown when their best buddy dies. A brilliant opening sequence of still shots shows the four musketeers goofing around by the pool with their wives and kids, flexing their muscles, Mr Universe-style, an ironic demonstration of power and strength. After the funeral, they go on a monumental 48-hour drinking spree in Manhattan to anaesthetise their grief and fear. After Harry has a fight with his wife and mother-in-law on returning home still drunk, the three then head off for an impulsive break in London – of all the dreary and unpromising places.
- 9/27/2012
- by Peter Bradshaw
- The Guardian - Film News
★★★☆☆ Rereleased in UK cinemas this week courtesy of Park Circus, John Cassavetes' Husbands (1970) showcases the renowned American director's many talents, whilst simultaneously highlighting his unfortunately noticeable flaws. A mutual friend's death has a deep and profound effect on three married men. After the funeral these middle-aged friends - all at that dispiriting age when "You realise you'll never be a professional sportsman" - continue to drink excessively, indulging in maudlin songs and drunken male bonding before deciding on an impulsive trip to London.
Read more »...
Read more »...
- 9/27/2012
- by CineVue UK
- CineVue
Killing Them Softly (18)
(Andrew Dominik, 2012, Us) Brad Pitt, Ray Liotta, James Gandolfini. 97 mins
With a cast like that, no prizes for guessing this is a gangster movie. But despite the well-trodden ground, it finds its own patch thanks to an up-to-date landscape of economic hardship and all-round criminal incompetence. Thus, Pitt's suave assassin breezes into town to clean up a mess, but only gets caught in a bigger one. It's tough, violent stuff, but with a certain sleazy finesse.
Savages (15)
(Oliver Stone, 2012, Us) Taylor Kitsch, Aaron Taylor-Johnson, Blake Lively. 130 mins
Stone gives up the politics and returns to crime, with a violent thriller involving two pot-growing California dudes and their run-in with a Mexican drug cartel.
Hysteria (15)
(Tanya Wexler, 2011, UK/Fra/Ger/Lux) Hugh Dancy, Maggie Gyllenhaal, 99 mins
The invention of the vibrator and the phenomenon of women's "hysteria" are viewed with jaunty decorum but some political savvy in this Victorian romcom.
(Andrew Dominik, 2012, Us) Brad Pitt, Ray Liotta, James Gandolfini. 97 mins
With a cast like that, no prizes for guessing this is a gangster movie. But despite the well-trodden ground, it finds its own patch thanks to an up-to-date landscape of economic hardship and all-round criminal incompetence. Thus, Pitt's suave assassin breezes into town to clean up a mess, but only gets caught in a bigger one. It's tough, violent stuff, but with a certain sleazy finesse.
Savages (15)
(Oliver Stone, 2012, Us) Taylor Kitsch, Aaron Taylor-Johnson, Blake Lively. 130 mins
Stone gives up the politics and returns to crime, with a violent thriller involving two pot-growing California dudes and their run-in with a Mexican drug cartel.
Hysteria (15)
(Tanya Wexler, 2011, UK/Fra/Ger/Lux) Hugh Dancy, Maggie Gyllenhaal, 99 mins
The invention of the vibrator and the phenomenon of women's "hysteria" are viewed with jaunty decorum but some political savvy in this Victorian romcom.
- 9/21/2012
- by Steve Rose
- The Guardian - Film News
For his micro-budget debut feature Redlegs, which resides comfortably alongside work by Aaron Katz (Quiet City) or Bradley Rust Gray (The Exploding Girl) both tonally and dramatically, Filmmaker magazine contributing editor Brandon Harris (with whom I share this column) returned to his hometown of Cincinnati with three actors and a tiny crew hoping to dramatize the moment when childhood camaraderie dissolves in the face of adult realities and overdue reckonings. Very loosely modeled after John Cassavetes’ Husbands, the film trails three young men — brooding ex-actor Marco (Nathan Ramos), sensitive Willie (Evan Louison), and aggressively obnoxious parking-lot owner Aaron (Andrew Katz) — over the course of a long, aimless weekend as they bitch, argue, get high, and wander through town. Having been reunited after the murder of Ricky, a close friend whose absence overshadows their low-key collegial misadventures, the argumentative trio cope by revisiting some of their old stomping grounds and try,...
- 5/23/2012
- by Damon Smith
- Filmmaker Magazine - Blog
Multiple Razzie winner Adam Sandler has a comedy sequel in the works, Grown Ups 2. Sounds bad? Well, it's about to get either better or worse — depending on your take on the Twilight movies and its stars: according to The Hollywood Reporter, Taylor Lautner (photo), the werewolf Jacob Black, is "in talks" to play opposite Sandler. Thematically quite similar to Mario Monicelli's Amici miei (and perhaps to some extent to John Cassavetes' Husbands), Grown Ups — about men who grow old without growing up — featured Sandler, Kevin James, Chris Rock, David Spade, Maya Rudolph, Maria Bello, and Salma Hayek. The original cast members are expected to be back, and so is director Dennis Dugan. Project X's Oliver Cooper has been announced as another addition to the cast. Though massacred by critics, the original Grown Ups grossed more than $162 million in North America and $109 million overseas. Sandler's Jack and Jill,...
- 4/5/2012
- by Zac Gille
- Alt Film Guide
"A New York native of Sicilian heritage, Ben Gazzara was a strongly masculine, subtly menacing screen presence with a gravelly voice that one writer described as 'saloon-cured' and another said could strip paint at 50 paces," writes Dennis McLellan in the Los Angeles Times. "The veteran actor, who died Friday in New York City, found fame on Broadway in the 1950s, starred in the TV series Run for Your Life in the 1960s and was closely identified on the big screen with independent filmmaker John Cassavetes."
In Cassavetes's Husbands (1970), The Killing of a Chinese Bookie (1976) and Opening Night (1976), "he plays varieties of himself, as Cassavetes saw him: the moderate man who loses his head and takes immoderate action," blogs the New Yorker's Richard Brody. "Husbands, in particular, finds Gazzara accomplishing one of the most astonishing, and moving, feats ever filmed: he steals a movie from Cassavetes and Peter Falk…. The movies...
In Cassavetes's Husbands (1970), The Killing of a Chinese Bookie (1976) and Opening Night (1976), "he plays varieties of himself, as Cassavetes saw him: the moderate man who loses his head and takes immoderate action," blogs the New Yorker's Richard Brody. "Husbands, in particular, finds Gazzara accomplishing one of the most astonishing, and moving, feats ever filmed: he steals a movie from Cassavetes and Peter Falk…. The movies...
- 2/5/2012
- MUBI
Ben Gazzara died on February 3 of pancreatic cancer. An alumnus of the famed Actors’ Studio, he had a long career on stage, TV, and film. Not just long, but accomplished.
On Broadway, he was the original Brick in the Tennessee Williams’ classic, Cat on a Hot Tin Roof, and then he eclipsed that triumph with another powerful stage performance as a junkie whose habit poisons his relationship with everyone who loves him in A Hat Full of Rain.
His TV career launched in the early 1950s and extended through the next five decades. His small screen credits included roles on the landmark live drama anthologies of the 50s, such as The United States Steel Hour, Kraft Theatre, and Playhouse 90, and such acclaimed productions as cop drama A Question of Honor (1982), one of network TV’s first attempts to address the then detonating AIDS epidemic in An Early Frost (1985), and the epic mini-series,...
On Broadway, he was the original Brick in the Tennessee Williams’ classic, Cat on a Hot Tin Roof, and then he eclipsed that triumph with another powerful stage performance as a junkie whose habit poisons his relationship with everyone who loves him in A Hat Full of Rain.
His TV career launched in the early 1950s and extended through the next five decades. His small screen credits included roles on the landmark live drama anthologies of the 50s, such as The United States Steel Hour, Kraft Theatre, and Playhouse 90, and such acclaimed productions as cop drama A Question of Honor (1982), one of network TV’s first attempts to address the then detonating AIDS epidemic in An Early Frost (1985), and the epic mini-series,...
- 2/5/2012
- by Bill Mesce
- SoundOnSight
February has kicked off on a sad note this year, as respected and beloved character actor Ben Gazzara has passed way at the age of 81 from pancreatic cancer. Gazzara first earned notice for this role on the NBC series "Run For Your Life" in the 1960s, a part that would earn him three Golden Globe nominations, however, it was his work with John Cassavetes would mark the most memorable and influential of his career. As part of the director's regular retinue, he starred in "Husbands," "The Killing Of A Chinese Bookie" and "Opening Night." And as actors they both appeared together in "If It's Tuesday, This Must Be Belgium" and "Capone." The actor also found a fan in Peter Bogdanovich, who directed him in the cult favorite "Saint Jack" and the infamous "They All Laughed." "I don't think they make actors like Ben anymore. I'm going to miss him a lot,...
- 2/5/2012
- The Playlist
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