Participants will discuss environmentally sustainable practices in screen production.
TorinoFilmLab (Tfl) has selected six projects and 13 production execs for its final Green Film Lab workshop of the year.
The six projects consist of five feature films and one TV series. Among them are Lauren Marsden’s eco-fantasy thriller feature Mama D’Lo, in which an aspiring environmental manager is summoned to the jungle by supernatural forces after witnessing a bribery scheme that threatens a vulnerable river in Trinidad.
Scroll down for the full list of projects and professionals
The film is a Canada-Trinidad and Tobago-uk co-production, through Robert Maylor for Canadian-Trinidadian company Mamaguy Pictures,...
TorinoFilmLab (Tfl) has selected six projects and 13 production execs for its final Green Film Lab workshop of the year.
The six projects consist of five feature films and one TV series. Among them are Lauren Marsden’s eco-fantasy thriller feature Mama D’Lo, in which an aspiring environmental manager is summoned to the jungle by supernatural forces after witnessing a bribery scheme that threatens a vulnerable river in Trinidad.
Scroll down for the full list of projects and professionals
The film is a Canada-Trinidad and Tobago-uk co-production, through Robert Maylor for Canadian-Trinidadian company Mamaguy Pictures,...
- 10/10/2023
- by Ben Dalton
- ScreenDaily
The Italian comedy-drama follows an aspiring punk band whose friendship is put to the test when they get the chance to open for their favourite band.
Screen can exclusively reveal the first trailer Niccolò Falsetti’s debut feature Margins which is playing in Venice Film Festival’s Critics Week (August 31 - September 10).
The Italian comedy drama follows an aspiring punk band whose friendship is put to the test when they get the chance to open for their favourite band and kickstart their careers.
Falsetti co-wrote the screenplay with Tommaso Renzoni and Francesco Turbanti who stars in the film alongside Emanuele Linfatti,...
Screen can exclusively reveal the first trailer Niccolò Falsetti’s debut feature Margins which is playing in Venice Film Festival’s Critics Week (August 31 - September 10).
The Italian comedy drama follows an aspiring punk band whose friendship is put to the test when they get the chance to open for their favourite band and kickstart their careers.
Falsetti co-wrote the screenplay with Tommaso Renzoni and Francesco Turbanti who stars in the film alongside Emanuele Linfatti,...
- 9/6/2022
- by Ellie Calnan
- ScreenDaily
“Hey kids, let’s put on a show!” Mickey Rooney’s habitual clarion call to Judy Garland, the starting gun for so many toe-tapping, feel-good Saturday afternoon musicals when both were child stars in the 1930s, has bounced down the years and spread across continents, because who does not love a jolly film about kids putting on a show?
Toe-tapping has gone by the wayside by 2008 in the Tuscan city of Grosseto; the music of choice in Niccolo Falsetti’s Venice Film Festival Critics’ Week entry Margins is optimistically described as “street punk” by the fans and just “very loud” by their long-suffering neighbors. Never mind: essentially, the song remains the same.
Grosseto is the kind of town nobody visits. The kids — not that any of them is still a kid — are Edo, Miche and Iacopo, hardcore devotees with a handful of songs they play in a friend’s isolated barn.
Toe-tapping has gone by the wayside by 2008 in the Tuscan city of Grosseto; the music of choice in Niccolo Falsetti’s Venice Film Festival Critics’ Week entry Margins is optimistically described as “street punk” by the fans and just “very loud” by their long-suffering neighbors. Never mind: essentially, the song remains the same.
Grosseto is the kind of town nobody visits. The kids — not that any of them is still a kid — are Edo, Miche and Iacopo, hardcore devotees with a handful of songs they play in a friend’s isolated barn.
- 9/2/2022
- by Stephanie Bunbury
- Deadline Film + TV
Click here to read the full article.
The hardcore punk rock scene and a sleepy provincial town may seem like unlikely — and distinctly unfriendly — bedfellows. But the combination seems primed for a few comic movie moments, and it’s this that provides the satirical backbone behind Margins, the charming debut feature from writer/director Niccolò Falsetti.
Playing in Venice’s Critics’ Week (the only Italian title in the competition), the film follows three young members of an amateur streetpunk band in 2008 as they battle to achieve that classic music drama objective: to put on the biggest concert of their lives. Sadly for them, their lives are in Grosseto, a small city in Tuscany not known for creating much of a noise. In fact, according to Falsetti, who grew up there (like many, he’s since decamped to Rome), it’s just not known at all.
“You have to understand, nobody in the world,...
The hardcore punk rock scene and a sleepy provincial town may seem like unlikely — and distinctly unfriendly — bedfellows. But the combination seems primed for a few comic movie moments, and it’s this that provides the satirical backbone behind Margins, the charming debut feature from writer/director Niccolò Falsetti.
Playing in Venice’s Critics’ Week (the only Italian title in the competition), the film follows three young members of an amateur streetpunk band in 2008 as they battle to achieve that classic music drama objective: to put on the biggest concert of their lives. Sadly for them, their lives are in Grosseto, a small city in Tuscany not known for creating much of a noise. In fact, according to Falsetti, who grew up there (like many, he’s since decamped to Rome), it’s just not known at all.
“You have to understand, nobody in the world,...
- 9/1/2022
- by Alex Ritman
- The Hollywood Reporter - Movie News
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