“The Crown” can only play a pair of Queens at the Emmys.
Emmy winner Olivia Colman, who portrayed Queen Elizabeth in the series finale episode of Netflix’s monarchy drama, is not eligible to submit in the guest drama actress race by only a few seconds. However, her co-star Claire Foy, who also portrays Her Majesty in her younger years and appears in the same episode, is eligible and will be the sole guest submission for the series, angling for her second win in the category.
The “Sleep, Dearie Sleep,” written by Peter Morgan and directed by Stephen Daldry, clocks in at a robust 72 minutes, the longest of any episode across its six seasons. In the series’ final moments, Imelda Staunton’s Elizabeth looks back on the highs and lows of her reign as she grapples with the idea of handing the crown to Charles. Her younger self appears to...
Emmy winner Olivia Colman, who portrayed Queen Elizabeth in the series finale episode of Netflix’s monarchy drama, is not eligible to submit in the guest drama actress race by only a few seconds. However, her co-star Claire Foy, who also portrays Her Majesty in her younger years and appears in the same episode, is eligible and will be the sole guest submission for the series, angling for her second win in the category.
The “Sleep, Dearie Sleep,” written by Peter Morgan and directed by Stephen Daldry, clocks in at a robust 72 minutes, the longest of any episode across its six seasons. In the series’ final moments, Imelda Staunton’s Elizabeth looks back on the highs and lows of her reign as she grapples with the idea of handing the crown to Charles. Her younger self appears to...
- 5/20/2024
- by Clayton Davis
- Variety Film + TV
Exclusive: Nick Angel, Sarah Bridge, Iain Cooke and Catherine Grieves, four of the UK’s most esteemed film and TV music supervisors, have banded together to launch 45 Rpm, a music supervision collective that will be a “one-stop shop” for creatives.
The company, which is the first of its kind in the UK, will specialize in all aspects of music supervision for film and TV, from collaborating on the creative vision for a soundtrack, choosing a perfect song, helping to engage the best score composers, negotiate music rights and manage music budgets as well as on-camera music supervision.
The four professionals bring more than 50 years of experience across a range of eclectic projects: Angel is one of the most well-known music supervisors in Britain, having worked across projects ranging from the Bridget Jones trilogy to Paddington 2 and Hot Fuzz; Bridge has worked on The Crown and Oscar-nominated picture Theory of...
The company, which is the first of its kind in the UK, will specialize in all aspects of music supervision for film and TV, from collaborating on the creative vision for a soundtrack, choosing a perfect song, helping to engage the best score composers, negotiate music rights and manage music budgets as well as on-camera music supervision.
The four professionals bring more than 50 years of experience across a range of eclectic projects: Angel is one of the most well-known music supervisors in Britain, having worked across projects ranging from the Bridget Jones trilogy to Paddington 2 and Hot Fuzz; Bridge has worked on The Crown and Oscar-nominated picture Theory of...
- 9/11/2023
- by Diana Lodderhose
- Deadline Film + TV
The Guild of Music Supervisors released on Thursday the nominees for the group’s 12th annual awards ceremony, honoring music supervisors in film, television, advertising and video games.
Among the nominees for the film categories are “Being the Ricardos,” “Encanto,” “Barb and Star Go to Vista Del Mar,” “The Harder They Fall,” “The Tender Bar” and “Tick, Tick… Boom.” Meanwhile, some of the Television nominees include “The Crown,” “Cruel Summer,” and “Genius: Aretha.”
Nominees for music supervision in trailers include “The Matrix Resurrections” and “Spencer,” while video game nominees include “Grand Theft Auto: Online — The Contract” and “FIFA 22.”
As previously announced, Diane Warren will receive the Icon Award, while Mitchell Leib will receive the Legacy Award, which honors “music supervisors who have excelled within the craft of music supervision.”
Read the complete list of nominees below:
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – Being The Ricardos...
Among the nominees for the film categories are “Being the Ricardos,” “Encanto,” “Barb and Star Go to Vista Del Mar,” “The Harder They Fall,” “The Tender Bar” and “Tick, Tick… Boom.” Meanwhile, some of the Television nominees include “The Crown,” “Cruel Summer,” and “Genius: Aretha.”
Nominees for music supervision in trailers include “The Matrix Resurrections” and “Spencer,” while video game nominees include “Grand Theft Auto: Online — The Contract” and “FIFA 22.”
As previously announced, Diane Warren will receive the Icon Award, while Mitchell Leib will receive the Legacy Award, which honors “music supervisors who have excelled within the craft of music supervision.”
Read the complete list of nominees below:
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – Being The Ricardos...
- 2/11/2022
- by Ross A. Lincoln
- The Wrap
The Guild of Music Supervisors today unveiled the nominees for its 12th annual award ceremony, celebrating outstanding achievement in the craft of Music Supervision in film, television, games, documentaries, advertising, and trailers, with such notable songwriters and performers as Beyoncé, Jay-Z, Kid Cudi, Lin-Manuel Miranda, Eddie Vedder, Anderson .Paak, Bruno Mars, H.E.R. and Demi Lovato making the cut.
Beyoncé was among those recognized for the Oscar-nominated King Richard song “Be Alive,” with Jay-Z, Kid Cudi, filmmaker Jeymes Samuel and music supervisor Michelle Silverman noted for the song “Guns Go Bang” from The Harder They Fall, and Miranda cited for his Oscar-nominated Encanto song “Dos Oruguitas.” Vedder was nominated alongside Glen Hansard, his performer daughter Olivia and music supervisor Tracy McKnight for the Flag Day tune “My Father’s Daughter,” with Anderson .Paak and Bruno Mars among those sharing a nom for the Shang-Chi song “Fire In the Sky.” H.E.
Beyoncé was among those recognized for the Oscar-nominated King Richard song “Be Alive,” with Jay-Z, Kid Cudi, filmmaker Jeymes Samuel and music supervisor Michelle Silverman noted for the song “Guns Go Bang” from The Harder They Fall, and Miranda cited for his Oscar-nominated Encanto song “Dos Oruguitas.” Vedder was nominated alongside Glen Hansard, his performer daughter Olivia and music supervisor Tracy McKnight for the Flag Day tune “My Father’s Daughter,” with Anderson .Paak and Bruno Mars among those sharing a nom for the Shang-Chi song “Fire In the Sky.” H.E.
- 2/10/2022
- by Matt Grobar
- Deadline Film + TV
Nominees for the 12th annual Guild of Music Supervisors (Gms) Awards have been revealed, recognizing the craft of music supervision in film, television, games, advertising and trailers.
Among the film nominees for the 2022 edition of the Gms Awards are “Encanto,” “The Eyes of Tammy Faye” and “Being the Ricardos,” each of which also scored Oscar nominations this week. Television shows that scored nods include “The White Lotus,” “Blindspotting” and “Lovecraft Country.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Diane Warren will receive the organization’s prestigious Icon Award, and Mitchell Leib will receive the Legacy Award honoring those music supervisors who have excelled within the craft of music supervision.
The 12th annual ceremony will take place virtually on Sunday, March 20.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – “Being the Ricardos...
Among the film nominees for the 2022 edition of the Gms Awards are “Encanto,” “The Eyes of Tammy Faye” and “Being the Ricardos,” each of which also scored Oscar nominations this week. Television shows that scored nods include “The White Lotus,” “Blindspotting” and “Lovecraft Country.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Diane Warren will receive the organization’s prestigious Icon Award, and Mitchell Leib will receive the Legacy Award honoring those music supervisors who have excelled within the craft of music supervision.
The 12th annual ceremony will take place virtually on Sunday, March 20.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – “Being the Ricardos...
- 2/10/2022
- by Jazz Tangcay
- Variety Film + TV
It’s our favourite night of the year! The 2021 BIFA awards took place this evening at Old Billingsgate in London. Hosted by People Just Do Nothing’s Asim Chaudhry, those attending include Emma Corrin, Gugu Mbatha-Raw, Joe Cole, Lucy Boynton, Jude Law, Harris Dickinson, Paapa Essiedu, Caitriona Balfe, Morfydd Clark, Riz Ahmed, Wumni Mosaku, Ruth Wilson, Stephen Graham and James Norton.
The 24th British Independent Film Awards saw Joanna Scanlan’s After Love take home a handful of awards, Clio Barnard’s Ali & Ava also did well – and there’s something wonderful in championing the very best in British Independent film – so, hey – we’re all winners here.*
David Sztypuljak and Scott Davis were our men at the event, asking questions.
You can see our interviews below, as well as a full list of tonight’s winners and nominees.
*Actual winners are below.
The 2021 BIFA Red Carpet Interviews
The...
The 24th British Independent Film Awards saw Joanna Scanlan’s After Love take home a handful of awards, Clio Barnard’s Ali & Ava also did well – and there’s something wonderful in championing the very best in British Independent film – so, hey – we’re all winners here.*
David Sztypuljak and Scott Davis were our men at the event, asking questions.
You can see our interviews below, as well as a full list of tonight’s winners and nominees.
*Actual winners are below.
The 2021 BIFA Red Carpet Interviews
The...
- 12/6/2021
- by Jon Lyus
- HeyUGuys.co.uk
Music supervisor Iain Cooke found himself immersed in two different eras over the past year in helping craft the pop landscape of TV projects. He focused on one year for just-released AppleTV+ doc “1971: The Year That Music Changed Everything. But the bold miniseries “It’s a Sin,” with its frank depiction of AIDS ripping through the day-to-day lives of a tight-knit group of young London pals in the ’80s, proved a specific challenge.
“We were trying hard to preserve the integrity of this immensely personal story that [creator] Russell T. Davies had been trying to tell for many years, and so many of the choices were very specific and represented a time and a place”, said Cooke. “I’m a huge fan of Russell’s writing, I don’t know of many other writers that can have you laughing out loud then sobbing inconsolably within half a page, and he creates...
“We were trying hard to preserve the integrity of this immensely personal story that [creator] Russell T. Davies had been trying to tell for many years, and so many of the choices were very specific and represented a time and a place”, said Cooke. “I’m a huge fan of Russell’s writing, I don’t know of many other writers that can have you laughing out loud then sobbing inconsolably within half a page, and he creates...
- 6/12/2021
- by Jason Clark
- The Wrap
HBO Max’s “It’s a Sin” offers American audiences a glimpse into the AIDS crisis as seen through British eyes.
Russell T Davies’ four-part series, which follows the residents of the Pink Palace in the early 1980s, is anchored in love, fear, grief and shame, and the
soundtrack of the stories are iconic needle drops from the era. Among them: Culture Club’s “Karma Chameleon,” Wham’s “ Freedom,” Erasure’s “ Oh L’Amour,” Kate Bush’s “Running Up That Hill” and the Pet Shop Boys’ “It’s a Sin.”
The initial idea was for the show to rely on score rather than commercial music. “It would be used for pivotal moments,” says music supervisor Iain Cooke. But the music for the series continued to evolve and grow that by the end, Cooke says, “we ended up with three and a half times that.”
With each episode having a multitude of cues,...
Russell T Davies’ four-part series, which follows the residents of the Pink Palace in the early 1980s, is anchored in love, fear, grief and shame, and the
soundtrack of the stories are iconic needle drops from the era. Among them: Culture Club’s “Karma Chameleon,” Wham’s “ Freedom,” Erasure’s “ Oh L’Amour,” Kate Bush’s “Running Up That Hill” and the Pet Shop Boys’ “It’s a Sin.”
The initial idea was for the show to rely on score rather than commercial music. “It would be used for pivotal moments,” says music supervisor Iain Cooke. But the music for the series continued to evolve and grow that by the end, Cooke says, “we ended up with three and a half times that.”
With each episode having a multitude of cues,...
- 6/2/2021
- by Jazz Tangcay
- Variety Film + TV
When read as a single list, the sheer number of musical titans that “1971: The Year That Music Changed Everything” addresses is staggering to take in full.
But over the course of the eight-episode season — all of which are available now on Apple TV+ — one thing that stands out even more than the ambitions of scale is how the world of 50 years ago absorbed some of the enduring songs and albums that still reverberate through the present day. Anchored by a strong collection of live performances, “1971” is an archival treasure trove, a good portion of that coming in the form of TV show spots where bands and artists introduced their newest hits to a captive audience.
“Apart from The Concert for Bangladesh, which was a technical nightmare for them to film, concert footage was actually really rare at that time,” producer and director Danielle Peck said.
“It’s more intimate as well,...
But over the course of the eight-episode season — all of which are available now on Apple TV+ — one thing that stands out even more than the ambitions of scale is how the world of 50 years ago absorbed some of the enduring songs and albums that still reverberate through the present day. Anchored by a strong collection of live performances, “1971” is an archival treasure trove, a good portion of that coming in the form of TV show spots where bands and artists introduced their newest hits to a captive audience.
“Apart from The Concert for Bangladesh, which was a technical nightmare for them to film, concert footage was actually really rare at that time,” producer and director Danielle Peck said.
“It’s more intimate as well,...
- 5/21/2021
- by Steve Greene
- Indiewire
The revolution is being televised. Fifty years later. Apple TV+’s 1971: The Year That Music Changed Everything highlights how musicians were in touch with what was happening around them even as they were making things happen. Marvin Gaye lays down “What’s Going On” in the first episode, and the remainder of the eight-part docuseries builds the basic tracks which became the soundtrack to a changing world.
Solo ex-Beatles took to the streets and concert halls while The Rolling Stones, as a group, went deep into exile. Aretha Franklin went to the courthouse to post bail for former University of California philosophy professor Angela Davis, charged with “aggravated kidnapping and first-degree murder in the death of Judge Harold Haley.” Bill Withers quit his day job but held tight to his lunch box. David Bowie twisted a knife into the hippy movement, and Alice Cooper went to hell to celebrate.
Solo ex-Beatles took to the streets and concert halls while The Rolling Stones, as a group, went deep into exile. Aretha Franklin went to the courthouse to post bail for former University of California philosophy professor Angela Davis, charged with “aggravated kidnapping and first-degree murder in the death of Judge Harold Haley.” Bill Withers quit his day job but held tight to his lunch box. David Bowie twisted a knife into the hippy movement, and Alice Cooper went to hell to celebrate.
- 5/21/2021
- by Kayti Burt
- Den of Geek
Exclusive: Non-profit organisation to support music supervision across entertainment industries.
The UK & European Guild of Music Supervisors, which aims to raise awareness of the role of the music supervisor within the entertainment industries, launched today.
The non-profit organisation was announced by its president Iain Cooke [pictured], music supervisor on Amy and The Night Manager.
The newly established organisation will promote the craft of music supervision within the film, television, gaming, advertising, interactive media and theatre sectors.
It is independent of its counterpart in the Us but the two will collaborate on issues related to the worldwide industry.
The Guild, which launches at an event on Thursday, 6 April, at Metropolis Studios in London, will be open to emerging and experienced professionals and will offer networking opportunities and masterclasses.
Full membership requires four years-experience as a music supervisor. Associate membership will be reviewed on a case-by-case basis.
A professional music supervisor oversees all music related aspects of a production. This includes:...
The UK & European Guild of Music Supervisors, which aims to raise awareness of the role of the music supervisor within the entertainment industries, launched today.
The non-profit organisation was announced by its president Iain Cooke [pictured], music supervisor on Amy and The Night Manager.
The newly established organisation will promote the craft of music supervision within the film, television, gaming, advertising, interactive media and theatre sectors.
It is independent of its counterpart in the Us but the two will collaborate on issues related to the worldwide industry.
The Guild, which launches at an event on Thursday, 6 April, at Metropolis Studios in London, will be open to emerging and experienced professionals and will offer networking opportunities and masterclasses.
Full membership requires four years-experience as a music supervisor. Associate membership will be reviewed on a case-by-case basis.
A professional music supervisor oversees all music related aspects of a production. This includes:...
- 4/4/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
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