In 1973 S.F. Brownrigg directed a low-budget horror flick called Don't Look in the Basement, which oftentimes hit theaters alongside Last House on the Left on a double-bill. Now, 40 years later, Brownrigg's son, Anthony, is intent on continuing the story, and we have the trailer for you right here. Dig it!
Andrew Sensenig, Frank Mosley, Arianne Margot, Willie Minor, Jr., Camilla Carr, and Megan Emerick star in Id: Don't Look in the Basement Part 2. Anthony Brownrigg and Megan Emerick wrote the script. Look for it sometime this fall.
The film will pick up after the events of Don't Look in the Basement, following the character of Sam around 40 years after he and his fellow asylum inmates ran amok. Sam is moved to a new asylum, where strange things begin happening once more.
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Don't...
Andrew Sensenig, Frank Mosley, Arianne Margot, Willie Minor, Jr., Camilla Carr, and Megan Emerick star in Id: Don't Look in the Basement Part 2. Anthony Brownrigg and Megan Emerick wrote the script. Look for it sometime this fall.
The film will pick up after the events of Don't Look in the Basement, following the character of Sam around 40 years after he and his fellow asylum inmates ran amok. Sam is moved to a new asylum, where strange things begin happening once more.
Visit The Evilshop @ Amazon!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Don't...
- 5/5/2014
- by Steve Barton
- DreadCentral.com
Some fourty years after the original film was released, Anthony Brownrigg – son of the original films director S.F. Brownrigg – brings us the long-awaited sequel Don’t Look in the Basement 2, featuring special effects from the ever-reliable Marcus Koch (100 Tears) and starring Andrew Sensenig, Frank Mosely, Arianne Margot, Camilla Carr, Megan Emerick, Scott Tepperman, Jim O’Rear, Brady McInnes, Chester Rushing, Carolyn King, Kim Foster, Libby Hall and Willie Minor as Sam.
In 1973, in a small town in Texas, Stephens Sanitarium was the site of a grizzly tragedy. Doctor Stephens was brutally murdered, and with no one else in charge, the patients took over control of the asylum. The result was mayhem, and the eventual death of almost all the patients as well. The only surviving patient was found a week later alone in the building. And since then has been moved to a state institution and labeled a dangerous murderer.
In 1973, in a small town in Texas, Stephens Sanitarium was the site of a grizzly tragedy. Doctor Stephens was brutally murdered, and with no one else in charge, the patients took over control of the asylum. The result was mayhem, and the eventual death of almost all the patients as well. The only surviving patient was found a week later alone in the building. And since then has been moved to a state institution and labeled a dangerous murderer.
- 5/5/2014
- by Phil Wheat
- Nerdly
We return with another edition of the Indie Spotlight, highlighting recent independent horror news sent our way. Today’s feature includes details on a Wes Craven art exhibition, the first sighting of Megafoot, a 100 zombie films graphical print, first photos from Australian Horror film, Barrow, an interview with actor, writer, and filmmaker Sean Stone, and much more:
The Horror Legacy of Wes Craven Exhibit Details: “Wes Craven has been feeding our collective horror consciousness since 1972, when his first feature, “The Last House on the Left,” debuted. That film was gritty, raw and terrifying, it still causes a guttural reaction some 40 years later. In his career, Wes has created some of the most memorable moments in horror cinema, from the torture scene in “The Serpent and the Rainbow,” to the Johnny Depp’s explosive scene in “A Nightmare on Elm Street,” to the first glimpse of Michael Berryman’s savagery in “The Hills Have Eyes.
The Horror Legacy of Wes Craven Exhibit Details: “Wes Craven has been feeding our collective horror consciousness since 1972, when his first feature, “The Last House on the Left,” debuted. That film was gritty, raw and terrifying, it still causes a guttural reaction some 40 years later. In his career, Wes has created some of the most memorable moments in horror cinema, from the torture scene in “The Serpent and the Rainbow,” to the Johnny Depp’s explosive scene in “A Nightmare on Elm Street,” to the first glimpse of Michael Berryman’s savagery in “The Hills Have Eyes.
- 3/9/2014
- by Tamika Jones
- DailyDead
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