Family fare was evidently the preferred choice during the U.K. and Ireland school half-term holidays as Paramount’s “If” bounced up the charts to the top spot.
In its third weekend, “If” collected £1.5 million ($2 million) for a total of £9.5 million ($12.2 million). In its second weekend, in second place, Sony’s “The Garfield Movie” clawed another £1.3 million and now has a total of £6.2 million.
In third place, in its fourth weekend, Disney’s “Kingdom of the Planet of the Apes” chest thumped to a further £1 million for a total of £13.2 million.
Warner Bros.’ “Furiosa: A Mad Max Saga,” which was neck-and-neck with “Garfield” in its opening weekend, earned £963,976 in its second weekend in fourth place and now has a total of £4.5 million.
Rounding off the top five was Universal’s “The Fall Guy” that took in £524,320 in its fifth weekend for a total of £11.1 million.
There were three new entries in the Top 10. Warner Bros.
In its third weekend, “If” collected £1.5 million ($2 million) for a total of £9.5 million ($12.2 million). In its second weekend, in second place, Sony’s “The Garfield Movie” clawed another £1.3 million and now has a total of £6.2 million.
In third place, in its fourth weekend, Disney’s “Kingdom of the Planet of the Apes” chest thumped to a further £1 million for a total of £13.2 million.
Warner Bros.’ “Furiosa: A Mad Max Saga,” which was neck-and-neck with “Garfield” in its opening weekend, earned £963,976 in its second weekend in fourth place and now has a total of £4.5 million.
Rounding off the top five was Universal’s “The Fall Guy” that took in £524,320 in its fifth weekend for a total of £11.1 million.
There were three new entries in the Top 10. Warner Bros.
- 6/4/2024
- by Naman Ramachandran
- Variety Film + TV
Back in March, Vicky Krieps returned to her hometown to serve as jury president at the 14th edition of the Luxembourg City Film Festival. “I did one in Deauville and one in Munich,” Krieps explained to me one recent morning around the festival’s halfway point, “so all these small festivals, and I love film festivals. To me, film festivals are the whole point of everything right now. It’s all going away, and if we don’t have the festivals, we don’t have all the dishes on the table. Like, there’s no colors. Right now, festivals are the only place you get all the colors, you know?”
The most famous Luxembourger of her generation rose to prominence after being cast in Paul Thomas Anderson’s Phantom Thread and has gone on to appear in Bergman Island for Mia Hansen-Løve and, in perhaps her greatest role so far,...
The most famous Luxembourger of her generation rose to prominence after being cast in Paul Thomas Anderson’s Phantom Thread and has gone on to appear in Bergman Island for Mia Hansen-Løve and, in perhaps her greatest role so far,...
- 6/4/2024
- by Rory O'Connor
- The Film Stage
In the heart of Western Europe, above the gorge of the Alzette river, sits Luxembourg City, a trash-free Eurotopia where the trams are free and the streets are ranked amongst the safest in the world. It’s a long way away from the frontier justice of The Dead Don’t Hurt, a revisionist Western about love in a lawless place written and directed by, and also starring Viggo Mortensen, who––never one to slouch––also composed the film’s score. “I did the score for my first movie as well,” the endearingly polite and casually plaid-shirted polymath explained to me on a recent morning at the Lux Film Fest, “that one took a long time to get financed, longer than this one, and while I was waiting, I was trying to think, ‘What can I do?’ I’ve got the script where I want it, I have the main actor, Lance Henriksen,...
- 6/3/2024
- by Rory O'Connor
- The Film Stage
Just under a year ago, we saw Viggo Mortensen’s The Dead Don’t Hurt at the Toronto International Film Festival. We loved this old-school western, which was written and directed by Mortensen, who also stars along with Vicky Krieps!
Today on our JoBlo Celebrity Interview Channel, our very own Eric Walkuski sits down with the two stars as Viggo discusses writing the story and how all the classic westerns he grew up watching played a crucial influence in bringing his vision of this film to life. Vicky Krieps also discusses her character, working alongside Viggo, and more!
Eric also sat down with the villain of the film Solly McLeod as he talks about the struggle of making his character empathetic given all the horrendous things he does. He also shares the experience of working with Viggo Mortensen on and off camera. Finally, be sure to stick around as we also...
Today on our JoBlo Celebrity Interview Channel, our very own Eric Walkuski sits down with the two stars as Viggo discusses writing the story and how all the classic westerns he grew up watching played a crucial influence in bringing his vision of this film to life. Vicky Krieps also discusses her character, working alongside Viggo, and more!
Eric also sat down with the villain of the film Solly McLeod as he talks about the struggle of making his character empathetic given all the horrendous things he does. He also shares the experience of working with Viggo Mortensen on and off camera. Finally, be sure to stick around as we also...
- 6/3/2024
- by Chris Bumbray
- JoBlo.com
In A Violent Nature, an undead murderous monster’s slow striding through the woods, has generated IFC Films’ second-best opening ever since its indie horror hit Late Night With The Devil in March.
The artsy slasher written and directed by Chris Nash will see an estimated weekend gross of $2.1 million on 1,426 screens, IFC’s widest opening ever, and a no. 8 spot at the domestic box office.
Late Night, by Cameron and Colin Cairnes, which opened to $2.8 million at 1,034 locations, is pushing $10 million. It returns to theaters June 6 and runs through the weekend on about 500 screens.
In A Violent Nature “has been steadily making waves for redefining the classic slasher genre” since its Sundance premiere, said Scott Shooman, head of AMC Networks Film Group, calling Nash’s feature debut “a film that will have a lasting impact in the horror space.”
At 87% with critics on Rotten Tomatoes, the film is one...
The artsy slasher written and directed by Chris Nash will see an estimated weekend gross of $2.1 million on 1,426 screens, IFC’s widest opening ever, and a no. 8 spot at the domestic box office.
Late Night, by Cameron and Colin Cairnes, which opened to $2.8 million at 1,034 locations, is pushing $10 million. It returns to theaters June 6 and runs through the weekend on about 500 screens.
In A Violent Nature “has been steadily making waves for redefining the classic slasher genre” since its Sundance premiere, said Scott Shooman, head of AMC Networks Film Group, calling Nash’s feature debut “a film that will have a lasting impact in the horror space.”
At 87% with critics on Rotten Tomatoes, the film is one...
- 6/2/2024
- by Jill Goldsmith
- Deadline Film + TV
The Un Certain Regard jury of five in Xavier Dolan, Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy offered a total of seven awards/mentions this year and as per our tradition, we were front row at the ceremony on the day before the closing of the 77th edition. This year, it is sixth generation Chinese filmmaker Guan Hu who landed the top prize of the section with Black Dog. Of the eighteen feature films in competition, a total of eight were up for the running for the Caméra d’or (Best Debut Feature) which was also claimed by Halfdan Ullmann Tøndel’s Armand.…...
- 6/1/2024
- by Eric Lavallée
- IONCINEMA.com
Few big new studio wide releases, yes, but Viggo Mortensen’s latest is on 700 screens, plus limited openings for Chris Wilcha’s Flipside, Judd Apatow EP, and Spanish animated, Oscar-nominated Robot Dreams from Neon. Bleecker Street’s family drama Ezra and IFC Films’ arthouse slasher In A Violent Nature are technically wide but both well under 1,500 screens.
Viggo Mortensen directed, wrote and stars in Western The Dead Don’t Hurt presented by Shout! Studios on 730 screens. The story of star-crossed lovers on the western U.S. frontier in the 1860s sees Vivienne Le Coudy (Vicky Krieps), a fiercely independent woman, settle in Nevada with Danish immigrant Holger Olsen (Mortensen). But the outbreak of the Civil War separates them as Olsen goes to fight with the Union army, leaving Vivienne alone in a town full of corrupt officials. Premiered in Toronto, see Deadline review. It’s Mortensen’s second outing behind the camera since 2020’s Falling.
Viggo Mortensen directed, wrote and stars in Western The Dead Don’t Hurt presented by Shout! Studios on 730 screens. The story of star-crossed lovers on the western U.S. frontier in the 1860s sees Vivienne Le Coudy (Vicky Krieps), a fiercely independent woman, settle in Nevada with Danish immigrant Holger Olsen (Mortensen). But the outbreak of the Civil War separates them as Olsen goes to fight with the Union army, leaving Vivienne alone in a town full of corrupt officials. Premiered in Toronto, see Deadline review. It’s Mortensen’s second outing behind the camera since 2020’s Falling.
- 5/31/2024
- by Jill Goldsmith
- Deadline Film + TV
Viggo Mortenson’s sophomore directorial offering features some exceptional performances from the actor-turned-director and his cast. The Dead Don’t Hurt follows the story of two pioneers (Mortensen and Vicky Krieps) as they fight for their lives and their love on the American frontier during a deadly Civil War.
HeyUGuys spoke to Mortensen and his cast about the importance of telling the story of how the West was made from the stand point of those who have never been given a voice before in the Western genre.
Krieps talked of her love for the character of Vivienne, a woman more than capable to stand on her own two feet in a man’s world. We also spoke to actor Danny Huston – son of legendary Hollywood filmmaker John Huston – about his love for the western genre and what it meant to him to be part of such an exciting project.
Elsewhere, British...
HeyUGuys spoke to Mortensen and his cast about the importance of telling the story of how the West was made from the stand point of those who have never been given a voice before in the Western genre.
Krieps talked of her love for the character of Vivienne, a woman more than capable to stand on her own two feet in a man’s world. We also spoke to actor Danny Huston – son of legendary Hollywood filmmaker John Huston – about his love for the western genre and what it meant to him to be part of such an exciting project.
Elsewhere, British...
- 5/31/2024
- by Linda Marric
- HeyUGuys.co.uk
On Friday, May 31, ABC’s The View welcomes U.S. Representative Jasmine Crockett, actor and director Viggo Mortensen, and actor Vicky Krieps to the show. U.S. Representative Jasmine Crockett, a Democrat from Texas, joins the show to discuss the latest political developments and share her insights on current affairs. Viggo Mortensen, an actor known for his […]
The View: U.S. Rep. Jasmine Crockett, Viggo Mortensen, Vicky Krieps...
The View: U.S. Rep. Jasmine Crockett, Viggo Mortensen, Vicky Krieps...
- 5/31/2024
- by Riley Avery
- MemorableTV
From the second scene of Mortensen’s second feature, “The Dead Don’t Hurt” (following 2020’s excellent father-son drama “Following”), audiences know the fate of Vivienne LeCoudy (Vicky Krieps). A resilient French Canadian pioneer woman left alone for years, Vivienne dies at home in bed, a single tear making tracks on her dusty cheek. For no good reason, Mortensen opts to tell her story out of order, flashing back to Vivienne’s childhood (to show the character-defining disappearance of her fur-trapper father) and carrying on past her death to reveal whether her absentee partner (played by Mortensen) manages to avenge what happened to her.
That nonlinear narrative choice in an otherwise understated art-house Western serves to confuse more than it reveals, complicating things for the meat-and-potatoes crowd that regularly turn out for cowboy stories. Set during the Civil War but made with a mindset more in line with the #MeToo era,...
That nonlinear narrative choice in an otherwise understated art-house Western serves to confuse more than it reveals, complicating things for the meat-and-potatoes crowd that regularly turn out for cowboy stories. Set during the Civil War but made with a mindset more in line with the #MeToo era,...
- 5/31/2024
- by Peter Debruge
- Variety Film + TV
Plot: In the Old West, a Danish carpenter (Viggo Mortensen) falls in love with a French Canadian flower seller (Vicky Krieps). They resettle in a Nevada town, but when he goes off to fight in the Civil War, she must find a way to exist in their corrupt and violent environment, with the town lorded over by a land baron (Garret Dillahunt), his psychotic son (Solly McLeod) and a weasely mayor (Danny Huston).
Review: Just when you thought you’d seen every variation on the Western comes Viggo Mortensen‘s The Dead Don’t Hurt, which marks his second film as a director following the Sundance hit Falling. Mortensen, who also produced, wrote, and composed the music, co-stars with Vicky Krieps in what could best be called a deconstructed western. The premise is pretty old school in that Mortensen is a sheriff seeking to avenge the brutal rape of his lover...
Review: Just when you thought you’d seen every variation on the Western comes Viggo Mortensen‘s The Dead Don’t Hurt, which marks his second film as a director following the Sundance hit Falling. Mortensen, who also produced, wrote, and composed the music, co-stars with Vicky Krieps in what could best be called a deconstructed western. The premise is pretty old school in that Mortensen is a sheriff seeking to avenge the brutal rape of his lover...
- 5/30/2024
- by Chris Bumbray
- JoBlo.com
The American Western may have long passed its heyday, but the genre has endured throughout the years. While the visuals and ideas it addresses may change, the basic foundation continues to draw fans. After all, where else can you pit man versus man versus the environment on such a large scale? The Dead Don’t Hurt seeks to continue this legacy. The sophomore feature from Viggo Mortensen finally debuts in America after hitting the fall festival circuit. Featuring an excellent performance from Vicky Krieps as its face, The Dead Don’t Hurt mostly plays like a traditional genre exercise. However, using an immigrant couple at its center speaks to the changing landscape in American life.
The Dead Don’t Hurt Plot
Vivienne Le Coudy (Krieps) passes away with her husband, Holger (Mortensen), at her side. At the same time, Mayor Rudolph Schiller (Danny Huston) requests Holger help bring a local crime to justice.
The Dead Don’t Hurt Plot
Vivienne Le Coudy (Krieps) passes away with her husband, Holger (Mortensen), at her side. At the same time, Mayor Rudolph Schiller (Danny Huston) requests Holger help bring a local crime to justice.
- 5/30/2024
- by Alan French
- FandomWire
Viggo Mortensen needed just the right sword. Then he realized he had the perfect one at home.
Mortensen’s latest film is The Dead Don’t Hurt, a Western set in the 1860s that follows free-spirited Vivienne (Vicky Krieps), a Franco-Canadian who falls in love with Holger (Mortensen), a Danish rancher. When Holger goes off to fight in the American Civil War, Vivienne is left alone to fight in her own war at home.
Mortensen spoke to British GQ to discuss his new film. It was mentioned that in one fantasy sequence, you can see what looks like his sword, Andúril, from Lord of the Rings.
“We had everything for this sequence with a knight. We had found this great, spirited horse, the right kind of saddle, and we made a medieval kind of blanket, and we had the costume for the knight,” Mortensen said. “Everything was right, and then I said,...
Mortensen’s latest film is The Dead Don’t Hurt, a Western set in the 1860s that follows free-spirited Vivienne (Vicky Krieps), a Franco-Canadian who falls in love with Holger (Mortensen), a Danish rancher. When Holger goes off to fight in the American Civil War, Vivienne is left alone to fight in her own war at home.
Mortensen spoke to British GQ to discuss his new film. It was mentioned that in one fantasy sequence, you can see what looks like his sword, Andúril, from Lord of the Rings.
“We had everything for this sequence with a knight. We had found this great, spirited horse, the right kind of saddle, and we made a medieval kind of blanket, and we had the costume for the knight,” Mortensen said. “Everything was right, and then I said,...
- 5/30/2024
- by Bruce Haring
- Deadline Film + TV
Viggo Mortensen revealed in an interview with GQ UK magazine that he used Aragorn’s iconic sword Andúril from “Lord of the Rings” in his latest movie, “The Dead Don’t Hurt.” Mortensen wrote and directed the 19th century Western, in which he stars as a Danish immigrant separated from his love (Vicky Krieps) during the Civil War.
For one fantasy sequence in the film, Mortensen asked his “Lord of the Rings” director Peter Jackson if he had his permission to use Aragorn’s sword again on screen. Mortensen played the character in Jackson’s original “Rings” trilogy and kept the sword after production wrapped.
“We had everything for this sequence with a knight. We had found this great, spirited horse, the right kind of saddle, and we made a medieval kind of blanket, and we had the costume for the knight,” Mortensen explained. “Everything was right, and then I said,...
For one fantasy sequence in the film, Mortensen asked his “Lord of the Rings” director Peter Jackson if he had his permission to use Aragorn’s sword again on screen. Mortensen played the character in Jackson’s original “Rings” trilogy and kept the sword after production wrapped.
“We had everything for this sequence with a knight. We had found this great, spirited horse, the right kind of saddle, and we made a medieval kind of blanket, and we had the costume for the knight,” Mortensen explained. “Everything was right, and then I said,...
- 5/30/2024
- by Zack Sharf
- Variety Film + TV
“I’ve been to Cannes with films that won the Palme D’or; others have done quite well, and some have really not done well. I know the A to Z of Cannes emotions — but it’s always such a pleasure to be there. And it’s very important to this art form that we all love.”
Important words from Kinds of Kindness star Willem Dafoe about how it really feels to attend the world’s most iconic film festival as a veteran who has fielded varying levels of kindness from the Cannes crowd over the years — not to mention differing durations of those much buzzed-about standing ovations.
As the 77th edition comes to a close, emotions were high and the love for the art form seemed stronger than ever as auteurs, stars, glitterati and industry insiders converged in the South of France for nearly two weeks of cinematic adventures...
Important words from Kinds of Kindness star Willem Dafoe about how it really feels to attend the world’s most iconic film festival as a veteran who has fielded varying levels of kindness from the Cannes crowd over the years — not to mention differing durations of those much buzzed-about standing ovations.
As the 77th edition comes to a close, emotions were high and the love for the art form seemed stronger than ever as auteurs, stars, glitterati and industry insiders converged in the South of France for nearly two weeks of cinematic adventures...
- 5/29/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
May comes to a close with a quieter weekend full of odds and ends and nothing particularly wide in terms of studio releases. Read on for Gold Derby’s box office preview.
After a fairly disappointing Memorial Day weekend, the month ends with a number of moderately wide releases. Since most of these new films are smaller, few theater counts have been reported, making it tougher to determine how some of them might perform, though it’s likely that only one will be getting a wide enough release to potentially break into the Top 5. Otherwise, we’re looking at a repeat of the Top 4 with the slightest chance that “The Garfield Movie” might pass “Furiosa: A Mad Max Saga” with few of the new releases targeting family audiences.
The one movie that has the best chance at cracking the Top 5 would probably be Crunchyroll’s latest Anime feature “Haikyu!! The Dumpster Battle,...
After a fairly disappointing Memorial Day weekend, the month ends with a number of moderately wide releases. Since most of these new films are smaller, few theater counts have been reported, making it tougher to determine how some of them might perform, though it’s likely that only one will be getting a wide enough release to potentially break into the Top 5. Otherwise, we’re looking at a repeat of the Top 4 with the slightest chance that “The Garfield Movie” might pass “Furiosa: A Mad Max Saga” with few of the new releases targeting family audiences.
The one movie that has the best chance at cracking the Top 5 would probably be Crunchyroll’s latest Anime feature “Haikyu!! The Dumpster Battle,...
- 5/29/2024
- by Edward Douglas
- Gold Derby
As revisionist westerns go, Viggo Mortensen’s The Dead Don’t Hurt is more contemplative than most. The film has its share of violence, brutality, and injustice, but its protagonists respond stoically to life’s misfortunes, where lust for revenge animates other heroes of the genre. And with a clearly defined focus on the lives of women and immigrants against the backdrop of the Civil War, Mortensen develops thematic material introduced in his directorial debut, 2020’s Falling, which pitted a relentlessly bigoted patriarch against his gay son.
The Dead Don’t Hurt also employs a fragmented timeline like the earlier film. In Falling, frequent flashbacks effectively rendered the confusion of the film’s dementia-suffering father. In The Dead Don’t Hurt, Mortensen has dialed back the aggressive cross-cutting in favor of a more straightforward editorial grammar. But the non-linear construction here serves both to generate dramatic irony and to ensure that the story...
The Dead Don’t Hurt also employs a fragmented timeline like the earlier film. In Falling, frequent flashbacks effectively rendered the confusion of the film’s dementia-suffering father. In The Dead Don’t Hurt, Mortensen has dialed back the aggressive cross-cutting in favor of a more straightforward editorial grammar. But the non-linear construction here serves both to generate dramatic irony and to ensure that the story...
- 5/26/2024
- by Seth Katz
- Slant Magazine
The 2024 Cannes Film Festival was officially closed yesterday, on May 25, 2024, as the prizes for the movies and the actors were awarded at the closing ceremony. It was a very exciting and content-filled event, and we have also reported on numerous movies that had their premiere at Cannes, some of which were received well, while others… not so much. But, naturally, everyone wants to know who won and who lost at Cannes, and that is what we are going to report about in this article.
The article will be divided into two main sections. The first one will list all the juries at Cannes, since they are the ones who chose the winners at the film festival, so we think that it is only fair that you know who picked the winners. After that, we are going to list all the winners in each of the categories.
As we have said,...
The article will be divided into two main sections. The first one will list all the juries at Cannes, since they are the ones who chose the winners at the film festival, so we think that it is only fair that you know who picked the winners. After that, we are going to list all the winners in each of the categories.
As we have said,...
- 5/26/2024
- by Arthur S. Poe
- Fiction Horizon
The 77th edition of the Cannes Film Festival concludes today with the Closing Ceremony and presentation of the coveted award, the Palme d’Or which was awarded to Sean Baker’s Anora, on Saturday, May 25.
The Jury, chaired by director Greta Gerwig was tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: Cannes Film Festival: ‘Anora’ Wins Palme D’Or; ‘All We Imagine As Light’ Takes Grand Prize; ‘Emilia Perez’ Jury Prize & Best Actresses
The jury included Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino, Japanese director Kore-eda Hirokazu, and French actor and producer Omar Sy.
Related: ‘Emilia Pérez’ Cannes Film Festival Premiere Photos: Édgar Ramírez, Selena Gomez, Zoe Saldaña & More
Hu Guan’s drama Black Dog...
The Jury, chaired by director Greta Gerwig was tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: Cannes Film Festival: ‘Anora’ Wins Palme D’Or; ‘All We Imagine As Light’ Takes Grand Prize; ‘Emilia Perez’ Jury Prize & Best Actresses
The jury included Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino, Japanese director Kore-eda Hirokazu, and French actor and producer Omar Sy.
Related: ‘Emilia Pérez’ Cannes Film Festival Premiere Photos: Édgar Ramírez, Selena Gomez, Zoe Saldaña & More
Hu Guan’s drama Black Dog...
- 5/25/2024
- by Robert Lang
- Deadline Film + TV
The hype out of the 2024 Cannes Film Festival, for those far-flung and on the ground, tells one story: This was among the weaker lineups in recent memory.
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
- 5/25/2024
- by Harrison Richlin
- Indiewire
Guan Hu’s Black Dog has won the top prize in the Un Certain Regard section of this year’s Cannes Film Festival (May 14-25).
It is the Cannes debut for Mr. Six director Guan and follows a former convict who forms an unlikely connection with the titular animal, as he clears stray dogs in his remote hometown on the edge of the Gobi desert before the 2008 Olympic Games. Playtime are handling international sales.
The jury prize went to The Story Of Souleymane from Boris Lojkine, back at the festival 10 years after his 2014 feature Hope, with the story of a...
It is the Cannes debut for Mr. Six director Guan and follows a former convict who forms an unlikely connection with the titular animal, as he clears stray dogs in his remote hometown on the edge of the Gobi desert before the 2008 Olympic Games. Playtime are handling international sales.
The jury prize went to The Story Of Souleymane from Boris Lojkine, back at the festival 10 years after his 2014 feature Hope, with the story of a...
- 5/24/2024
- ScreenDaily
Chinese director Hu Guan’s drama Black Dog snagged the top prize in Cannes’ Un Certain Regard sidebar on Friday night.
The drama, set on the edge of the Gobi desert in Northwest China, follows a man who returns home after a stint in jail and gets a job clearing a town of stray dogs before the Olympic Games. But he forms an unexpected bond with a black dog, and together, they embark on a new journey.
The film’s canine star won a pooch prize earlier in the day, scooping up the Grand Jury award at the Palm Dog.
For Un Certain Regard, the Jury Prize went to The Story Of Souleymane, Boris Lojkine’s Paris-set story of an African immigrant struggling to make a living and get legalized in the city of lights. Lead Abou Sangare also clinched one of the Un Certain Regard performance awards. The other...
The drama, set on the edge of the Gobi desert in Northwest China, follows a man who returns home after a stint in jail and gets a job clearing a town of stray dogs before the Olympic Games. But he forms an unexpected bond with a black dog, and together, they embark on a new journey.
The film’s canine star won a pooch prize earlier in the day, scooping up the Grand Jury award at the Palm Dog.
For Un Certain Regard, the Jury Prize went to The Story Of Souleymane, Boris Lojkine’s Paris-set story of an African immigrant struggling to make a living and get legalized in the city of lights. Lead Abou Sangare also clinched one of the Un Certain Regard performance awards. The other...
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Chinese director Hu Guan’s drama Black Dog won the top prize in Cannes Un Certain Regard on Friday evening.
The Jury Prize went to Boris Lojkine’s Paris-set asylum-seeker tale The Story Of Souleymane.
Best Director went to in ex aequo to Roberto Minervini for U.S. civil war drama The Damned and Rungano Nyoni for On Becoming a Guinea Fowl.
The Performance award went to Anasuya Sengupta for her performance as a young sex worker on the run in Bulgarian director Konstantin Bojanov’s India-set drama The Shameless, and Abou Sangare for his performance in Boris Lojkine’s The Story Of Souleymane as a young asylum seeker.
In other prizes, French director Louise Courvoisier won the Youth Prize for Holy Cow, while Saudi director Tawfik Alzaidi was feted with a Special Mention for Nora.
This year’s jury was presided over by Canadian actor, director, screenwriter and producer Xavier Dolan,...
The Jury Prize went to Boris Lojkine’s Paris-set asylum-seeker tale The Story Of Souleymane.
Best Director went to in ex aequo to Roberto Minervini for U.S. civil war drama The Damned and Rungano Nyoni for On Becoming a Guinea Fowl.
The Performance award went to Anasuya Sengupta for her performance as a young sex worker on the run in Bulgarian director Konstantin Bojanov’s India-set drama The Shameless, and Abou Sangare for his performance in Boris Lojkine’s The Story Of Souleymane as a young asylum seeker.
In other prizes, French director Louise Courvoisier won the Youth Prize for Holy Cow, while Saudi director Tawfik Alzaidi was feted with a Special Mention for Nora.
This year’s jury was presided over by Canadian actor, director, screenwriter and producer Xavier Dolan,...
- 5/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
Exactly ten years after the genre-mixing, canine-driven Hungarian thriller “White God” landed the Prix Un Certain Regard at the Cannes Film Festival, this year’s ceremony culminated in the same prize going to a somewhat corresponding title: Chinese director Guan Hu’s “Black Dog,” a fusion of western, film noir and offbeat comedy with a highly lovable mutt at its center. The film, about a damaged loner returning to his desert hometown after a spell in prison and finding a kindred spirit in an equally world-weary greyhound, beat 17 other titles to take the top prize in the festival’s second-most prestigious competitive section. (The festival’s Official Competition awards will be handed out tomorrow night.)
Jury president Xavier Dolan, the actor-auteur behind such films as “Mommy” and “Laurence Anyways,” commended Guan’s film for “its breathtaking poetry, its imagination, its precision [and] its masterful direction.” He echoed the enthusiasm of Variety critic Jessica Kiang,...
Jury president Xavier Dolan, the actor-auteur behind such films as “Mommy” and “Laurence Anyways,” commended Guan’s film for “its breathtaking poetry, its imagination, its precision [and] its masterful direction.” He echoed the enthusiasm of Variety critic Jessica Kiang,...
- 5/24/2024
- by Guy Lodge
- Variety Film + TV
French producer Dimitri Rassam is enjoying a high-profile Cannes Film Festival as producer of Competition title Limonov: The Ballad and The Count Of Monte Cristo, which scored a rousing 12-minute ovation at its Out of Competition debut.
“It’s my first film in Competition, it has been a tremendous ride,” says Rassam, who is a producer on Limonov under his Paris-based Chapter 2 banner, alongside Italy’s Lorenzo Gangarossa and Mario Gianani as well as director Kirill Serebrennikov’s long-time collaborator Ilya Stewart.
Rassam is no stranger to the Cannes red carpet having regularly accompanied his actress mother Carole Bouquet in his early 20s, before mounting the festival’s famed steps in his own right as the producer of The Little Prince and co-producer of L’Immensità.
Cinema is also in his blood on his paternal side through late producer father Jean-Pierre Rassam, and uncle Paul Rassam, the long-time friend and collaborator...
“It’s my first film in Competition, it has been a tremendous ride,” says Rassam, who is a producer on Limonov under his Paris-based Chapter 2 banner, alongside Italy’s Lorenzo Gangarossa and Mario Gianani as well as director Kirill Serebrennikov’s long-time collaborator Ilya Stewart.
Rassam is no stranger to the Cannes red carpet having regularly accompanied his actress mother Carole Bouquet in his early 20s, before mounting the festival’s famed steps in his own right as the producer of The Little Prince and co-producer of L’Immensità.
Cinema is also in his blood on his paternal side through late producer father Jean-Pierre Rassam, and uncle Paul Rassam, the long-time friend and collaborator...
- 5/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/22/2024
- by Wilson Chapman
- Indiewire
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThe Little Mermaid.A generative AI start-up has been accused of stealing the voices of actors for its subscription service.IATSE expects to schedule additional days of bargaining with AMPTP in June, but has vowed not to extend its contract past July 31.With Incaa defunded by Argentine president Javier Milei, Ventana Sur is in talks to relocate from Buenos Aires to Uruguay for its sixteenth edition.As the Italian film industry continues to wait on a divided government to make production tax credits available, anticipating modest cuts, a new law in the Czech Parliament would more than double the existing cap on their incentives. Meanwhile, industry insiders in Poland urge a newly elected government to increase their rebate...
- 5/22/2024
- MUBI
Colm Meaney and Aidan Gillen have joined Vicky Krieps in the cast of six-time Oscar nominee Jim Sheridan’s upcoming true crime drama “Re-creation.”
Meaney has appeared in dozens of high-profile films and series over the past forty-plus years but is best known as Star Trek’s Chief Miles O’Brien in “Star Trek: Deep Space Nine” and “Star Trek: The Next Generation.” Gillen boasts a similarly impressive resume, with his most memorable turns coming in HBO’s “Game of Thrones” and “The Wire.”
Sheridan said of the newly-announced castings, “I am delighted to have two icons of Irish cinema join the cast.”
“Re-creation” co-writer and co-director David Merriman added, “Colm and Aidan both have starred in some of my favorite films and shows. As artists, they both elevate any project, and we are so grateful to have them onboard.”
“Re-creation” looks back at one of the most famous murders in Irish history.
Meaney has appeared in dozens of high-profile films and series over the past forty-plus years but is best known as Star Trek’s Chief Miles O’Brien in “Star Trek: Deep Space Nine” and “Star Trek: The Next Generation.” Gillen boasts a similarly impressive resume, with his most memorable turns coming in HBO’s “Game of Thrones” and “The Wire.”
Sheridan said of the newly-announced castings, “I am delighted to have two icons of Irish cinema join the cast.”
“Re-creation” co-writer and co-director David Merriman added, “Colm and Aidan both have starred in some of my favorite films and shows. As artists, they both elevate any project, and we are so grateful to have them onboard.”
“Re-creation” looks back at one of the most famous murders in Irish history.
- 5/21/2024
- by Jamie Lang
- Variety Film + TV
Adam Driver, Tom Waits, Mayim Balik, and more have joined Cate Blanchett in the cast of Jim Jarmusch’s new film, Father Mother Sister Brother.
Per Variety, the film recently wrapped production in Paris after previous shoots in Dublin and New Jersey, and will be completed later this year. The film is a triptych that follows three separate stories between parents and their adult children — one in Paris, one in Dublin, and one in the American Northeast.
The film’s description deems Father Mother Sister Brother as a “comedy interwoven with threads of melancholy,” with “character studies, quiet, observational and non-judgmental.” Jarmusch had hinted that the film will have a musical component, but it’s unknown whether the film will feature original songs or not. In addition to Driver, Waits, and Balik, Vicky Krieps, Charlotte Rampling, Indya Moore, and Luka Sabbat have also joined the cast.
Adam Driver previously teamed...
Per Variety, the film recently wrapped production in Paris after previous shoots in Dublin and New Jersey, and will be completed later this year. The film is a triptych that follows three separate stories between parents and their adult children — one in Paris, one in Dublin, and one in the American Northeast.
The film’s description deems Father Mother Sister Brother as a “comedy interwoven with threads of melancholy,” with “character studies, quiet, observational and non-judgmental.” Jarmusch had hinted that the film will have a musical component, but it’s unknown whether the film will feature original songs or not. In addition to Driver, Waits, and Balik, Vicky Krieps, Charlotte Rampling, Indya Moore, and Luka Sabbat have also joined the cast.
Adam Driver previously teamed...
- 5/16/2024
- by Paolo Ragusa
- Consequence - Film News
The main cast of Jim Jarmusch‘s first film since 2019’s “The Dead Don’t Die” has been revealed, and what a cast it is. Variety reports that Adam Driver, Mayim Bialik, Jarmusch regular Tom Waits, Charlotte Rampling, Indya Moore, and Luka Sabbat join Cate Blanchett and Vicky Krieps on “Father Mother Sister Brother.” Jarmusch has already wrapped shooting, with post-production underway in NYC, so expect the film to be ready for a premiere later this year.
Continue reading ‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More at The Playlist.
Continue reading ‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More at The Playlist.
- 5/16/2024
- by Ned Booth
- The Playlist
Jim Jarmusch is back behind the camera after five years.
The auteur has formally announced his latest film “Father Mother Sister Brother,” his first since 2019’s “The Dead Don’t Die.” Jarmusch is reuniting with “The Dead Don’t Die” and “Paterson” actor Adam Driver, who is also leading Francis Ford Coppola’s buzzy Cannes debut “Megalopolis,” as well as his “Coffee & Cigarettes” star Cate Blanchett and frequent collaborator Tom Waits.
“Father Mother Sister Brother” is described as an anthology film following three separate stories centered on strained relationships between adult children and their parents. Each of the trio of plotlines take place in different countries: “Father” is set in the Northeast U.S., “Mother” takes place in Dublin, Ireland, and “Sister Brother” is based in Paris, France.
The film is a “series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy,” the synopsis continues.
Vicky Krieps,...
The auteur has formally announced his latest film “Father Mother Sister Brother,” his first since 2019’s “The Dead Don’t Die.” Jarmusch is reuniting with “The Dead Don’t Die” and “Paterson” actor Adam Driver, who is also leading Francis Ford Coppola’s buzzy Cannes debut “Megalopolis,” as well as his “Coffee & Cigarettes” star Cate Blanchett and frequent collaborator Tom Waits.
“Father Mother Sister Brother” is described as an anthology film following three separate stories centered on strained relationships between adult children and their parents. Each of the trio of plotlines take place in different countries: “Father” is set in the Northeast U.S., “Mother” takes place in Dublin, Ireland, and “Sister Brother” is based in Paris, France.
The film is a “series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy,” the synopsis continues.
Vicky Krieps,...
- 5/16/2024
- by Samantha Bergeson
- Indiewire
Adam Driver, Mayim Bialik, Tom Waits, Charlotte Rampling, Indya Moore and Luka Sabbat have been added to the cast of Jim Jarmusch’s ‘Father Mother Sister Brother.’
Driver, Bialik, Waits, Rampling, Moore and Sabbat join the previously cast Cate Blanchett and Vicky Krieps.
The story is to be presented in 3-parts, following three separate stories set in different countries and revolving around relationships between adult children, their somewhat distant parents and each other. The first part, ‘Father,’ is set in the east coast in Northeastern U.S., ‘Mother’ in Dublin, Ireland, and ‘Sister Brother’ in Paris, France.#
Also in news – Nicolas Cage to reprise role as Spider-Man Noir for live-action series
It is stated that it will be Jarmusch’s most personal of films with “comedy interwoven with threads of melancholy,” and “character studies, quiet, observational and non-judgmental.” Jarmusch has also previously said that the movie will have a strong musical component.
Driver, Bialik, Waits, Rampling, Moore and Sabbat join the previously cast Cate Blanchett and Vicky Krieps.
The story is to be presented in 3-parts, following three separate stories set in different countries and revolving around relationships between adult children, their somewhat distant parents and each other. The first part, ‘Father,’ is set in the east coast in Northeastern U.S., ‘Mother’ in Dublin, Ireland, and ‘Sister Brother’ in Paris, France.#
Also in news – Nicolas Cage to reprise role as Spider-Man Noir for live-action series
It is stated that it will be Jarmusch’s most personal of films with “comedy interwoven with threads of melancholy,” and “character studies, quiet, observational and non-judgmental.” Jarmusch has also previously said that the movie will have a strong musical component.
- 5/16/2024
- by Zehra Phelan
- HeyUGuys.co.uk
While Jim Jarmusch kicked off Cannes five years ago with his last feature, The Dead Don’t Die, the filmmaker is now revealing the first details on his next film during the festival. As we’ve already known, Father Mother Sister Brother features a cast including Cate Blanchett, Vicky Krieps, and Charlotte Rampling. Now, with production wrapped, more news has arrived.
Revealed to be part of the cast are Jarmusch’s frequent collaborators Adam Driver and Tom Waits, along with Mayim Bialik, Indya Moore, and Luka Sabbat. Described as a triptych, like Yorgos Lanthimos’ forthcoming Kinds of Kindness, here’s the official synopsis per THR:
Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin,...
Revealed to be part of the cast are Jarmusch’s frequent collaborators Adam Driver and Tom Waits, along with Mayim Bialik, Indya Moore, and Luka Sabbat. Described as a triptych, like Yorgos Lanthimos’ forthcoming Kinds of Kindness, here’s the official synopsis per THR:
Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin,...
- 5/16/2024
- by Jordan Raup
- The Film Stage
Details on Jim Jarmusch‘s surprise new film project have finally been revealed, and it’s a family affair.
Paparazzi photos from the set made the rounds in January, showing Cate Blanchett filming an outdoor scene with Vicky Krieps (in a pink wig) but little was known about the project at the time as Jarmusch tends to keep things closely guarded. However, on Thursday in Cannes the Match Factory confirmed that it had boarded the project and will handle international sales during the film festival while Jarmusch completes postproduction back in New York.
The film is titled Father Mother Sister Brother and features some of his trusted collaborators. The cast includes Blanchett, Krieps, Adam Driver, Mayim Bialik, Tom Waits, Charlotte Rampling, Indya Moore and Luka Sabbat. Per official intel received by The Hollywood Reporter, Father Mother Sister Brother is described as “a feature film in the form of a triptych.
Paparazzi photos from the set made the rounds in January, showing Cate Blanchett filming an outdoor scene with Vicky Krieps (in a pink wig) but little was known about the project at the time as Jarmusch tends to keep things closely guarded. However, on Thursday in Cannes the Match Factory confirmed that it had boarded the project and will handle international sales during the film festival while Jarmusch completes postproduction back in New York.
The film is titled Father Mother Sister Brother and features some of his trusted collaborators. The cast includes Blanchett, Krieps, Adam Driver, Mayim Bialik, Tom Waits, Charlotte Rampling, Indya Moore and Luka Sabbat. Per official intel received by The Hollywood Reporter, Father Mother Sister Brother is described as “a feature film in the form of a triptych.
- 5/16/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Sophomore slump? Not for Saint Laurent Productions.
One year after a high-profile splash with its debut film project — Pedro Almodóvar’s gay cowboy Western Strange Way of Life — the luxury house’s production division returns to the Cannes Film Festival with three starry films in the main competition: Jacques Audiard’s Emilia Perez, David Cronenberg’s The Shrouds and Paolo Sorrentino’s Parthenope.
Saint Laurent creative director Anthony Vaccarello is credited as a producer on the pics, and he and his team delivered cast wardrobes. Emilia Perez stars Zoe Saldaña, Selena Gomez and Édgar Ramírez in the story of a lawyer who receives an unexpected offer to help a feared cartel boss disappear by becoming the woman he’s always dreamed of being.
The Shrouds stars Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt, and follows a businessman who, after the death of his wife, copes by inventing a...
One year after a high-profile splash with its debut film project — Pedro Almodóvar’s gay cowboy Western Strange Way of Life — the luxury house’s production division returns to the Cannes Film Festival with three starry films in the main competition: Jacques Audiard’s Emilia Perez, David Cronenberg’s The Shrouds and Paolo Sorrentino’s Parthenope.
Saint Laurent creative director Anthony Vaccarello is credited as a producer on the pics, and he and his team delivered cast wardrobes. Emilia Perez stars Zoe Saldaña, Selena Gomez and Édgar Ramírez in the story of a lawyer who receives an unexpected offer to help a feared cartel boss disappear by becoming the woman he’s always dreamed of being.
The Shrouds stars Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt, and follows a businessman who, after the death of his wife, copes by inventing a...
- 5/16/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Adam Driver, Mayim Bialik, Tom Waits, Charlotte Rampling, Indya Moore and Luka Sabbat have joined the cast of Jim Jarmusch’s anticipated next film, “Father Mother Sister Brother.”
They’re joining Cate Blanchett and Vicky Krieps, who were previously rumored to be starring after being photographed on set. “Father Mother Sister Brother” recently wrapped production in Paris following shoots in Dublin, Ireland and in the Northeastern U.S. Post-production has begun New York, and the film is expected to be finished later this year.
“Father Mother Sister Brother” is a triptych, following three separate stories set in different countries and revolving around relationships between adult children, their somewhat distant parents and each other. The first part, “Father,” is set in the east coast in Northeastern U.S., “Mother” in Dublin, Ireland, and “Sister Brother” in Paris, France.
Possibly one of Jarmusch’s most personal films, “Father Mother Sister Brother” is...
They’re joining Cate Blanchett and Vicky Krieps, who were previously rumored to be starring after being photographed on set. “Father Mother Sister Brother” recently wrapped production in Paris following shoots in Dublin, Ireland and in the Northeastern U.S. Post-production has begun New York, and the film is expected to be finished later this year.
“Father Mother Sister Brother” is a triptych, following three separate stories set in different countries and revolving around relationships between adult children, their somewhat distant parents and each other. The first part, “Father,” is set in the east coast in Northeastern U.S., “Mother” in Dublin, Ireland, and “Sister Brother” in Paris, France.
Possibly one of Jarmusch’s most personal films, “Father Mother Sister Brother” is...
- 5/16/2024
- by Elsa Keslassy and Alex Ritman
- Variety Film + TV
Spanish sales agents are on some kind of roll. The European Film Market during the Berlinale proved robust, and Malaga Film Festival better still.
“Malaga was great for our movies,” Latido Films’ Antonio Saura reported at its conclusion. “We have one of the best lineups in our history covering all genres and all very marketable.”
That lineup includes Jim Sheridan’s drama “Recreation,” starring Vicky Krieps, and “La Casa” and “Saturn Return,” both Malaga standouts that together won seven awards.
With the market more receptive to Spanish projects, it’s important to pick the right genre mix. “Definitely for thrillers, for animated films, things are good. Spanish thrillers are prestigious now. They’ve performed well theatrically in many countries,” says Filmax’s head of international Iván Diaz. But for comedies, dramas or romantic comedies, it’s a bit more arduous. “If you’re trying to sell Spanish romantic comedies, however,...
“Malaga was great for our movies,” Latido Films’ Antonio Saura reported at its conclusion. “We have one of the best lineups in our history covering all genres and all very marketable.”
That lineup includes Jim Sheridan’s drama “Recreation,” starring Vicky Krieps, and “La Casa” and “Saturn Return,” both Malaga standouts that together won seven awards.
With the market more receptive to Spanish projects, it’s important to pick the right genre mix. “Definitely for thrillers, for animated films, things are good. Spanish thrillers are prestigious now. They’ve performed well theatrically in many countries,” says Filmax’s head of international Iván Diaz. But for comedies, dramas or romantic comedies, it’s a bit more arduous. “If you’re trying to sell Spanish romantic comedies, however,...
- 5/15/2024
- by Callum McLennan
- Variety Film + TV
Despite the glass-ceiling-smashing success of Greta Gerwig’s Barbie, gender parity in the global film sector remains a distant goal. Re-Framing the Picture, a recent study from an international and multidisciplinary research team looking at the German, British and Canadian film industries, projects that, at the current rate of progress, true 50-50 equality in key creative positions won’t be reached until 2041 in Germany, 2085 in the U.K., and 2215 (!) in Canada. It’s not an optimistic forecast for the producers, managers, film executives and talents picked by THR as the most influential women in international cinema, but they continue to find new models to produce, finance and distribute movies that amplify diverse voices. More than ever, it’s their efforts that are required if the promise of a more representative and inclusive film industry is ever to be realized.
Mo Abudu
CEO, EbonyLife Media (Nigeria)
Africa’s production industry was...
Mo Abudu
CEO, EbonyLife Media (Nigeria)
Africa’s production industry was...
- 5/13/2024
- by Patrick Brzeski, Scott Roxborough and Georg Szalai
- The Hollywood Reporter - Movie News
Exclusive: Megan Brophy Young, Matt Haberman and Chase Lehner have been promoted to Vice President of Talent at the leading PR firm Narrative.
Lehner will work out of the company’s Los Angeles office, with Brophy Young and Haberman continuing to co-lead the company’s New York City outpost, as Brophy Young splits her time between Texas and New York.
Young has spent more than a decade curating an impressive client roster including prominent actors, athletes, musicians, thought leaders and industry innovators. Beginning her career in-house at AMC Networks, she developed a passion for talent representation and transitioned to personal publicity in 2012. In 2017, Brophy took her expertise to Nashville where she immersed herself in the country music industry, working at Big Machine Label Group before landing at Narrative in 2018, closely after its inception. To date, she’s been the driving force for campaigns for the likes of Lily Allen, Lucy Boynton,...
Lehner will work out of the company’s Los Angeles office, with Brophy Young and Haberman continuing to co-lead the company’s New York City outpost, as Brophy Young splits her time between Texas and New York.
Young has spent more than a decade curating an impressive client roster including prominent actors, athletes, musicians, thought leaders and industry innovators. Beginning her career in-house at AMC Networks, she developed a passion for talent representation and transitioned to personal publicity in 2012. In 2017, Brophy took her expertise to Nashville where she immersed herself in the country music industry, working at Big Machine Label Group before landing at Narrative in 2018, closely after its inception. To date, she’s been the driving force for campaigns for the likes of Lily Allen, Lucy Boynton,...
- 5/9/2024
- by Matt Grobar
- Deadline Film + TV
Guy Nattiv’s “Harmonia” has cast Naomi Watts, Vicky Krieps, Bella Ramsey and Odessa Young as Embankment Films, Range Media Partners and CAA Media Finance launch pre-sales ahead of Cannes.
Inspired by a real-life events, the film is based on Nattiv’s grandmother and her involvement in an insidious cult.
The synopsis reads: “Set in the 1980s, Rita (Watts) is entranced by the mesmeric leader (Krieps) and renounces her family to embrace the world of the enigmatic Harmonia commune. Her daughters, Ella (Ramsey), and Jo (Young), put everything on the line to infiltrate the cult and bring their mother back home. Yet, once immersed in the commune, they find themselves inexorably drawn into the leader’s labyrinthine web of psycho-spiritual manipulation.”
Producers for the film are Julia Lebedev and Eddie Vaisman for Sight Unseen, Jaime Ray Newman for New Native Pictures, and Oren Moverman.
In a statement, Nattiv said, “I...
Inspired by a real-life events, the film is based on Nattiv’s grandmother and her involvement in an insidious cult.
The synopsis reads: “Set in the 1980s, Rita (Watts) is entranced by the mesmeric leader (Krieps) and renounces her family to embrace the world of the enigmatic Harmonia commune. Her daughters, Ella (Ramsey), and Jo (Young), put everything on the line to infiltrate the cult and bring their mother back home. Yet, once immersed in the commune, they find themselves inexorably drawn into the leader’s labyrinthine web of psycho-spiritual manipulation.”
Producers for the film are Julia Lebedev and Eddie Vaisman for Sight Unseen, Jaime Ray Newman for New Native Pictures, and Oren Moverman.
In a statement, Nattiv said, “I...
- 5/8/2024
- by Jazz Tangcay
- Variety Film + TV
The Cannes Film Festival has unveiled the eight jurors who will be joining jury president Greta Gerwig for the event’s 2024 edition (May 14-25).
They are American actress Lily Gladstone, French actress Eva Green, French actor and producer Omar Sy, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter Juan Antonio Bayona, Japanese director Hirokazu Kore-eda, Turkish screenwriter and photographer Ebru Ceylan, and Italian actor Pierfrancisco Favino.
The jury will award the Palme d’Or to one of the 22 films in competition at the closing ceremony on May 25. Anatomy Of A Fall picked up the top prize last year.
They are American actress Lily Gladstone, French actress Eva Green, French actor and producer Omar Sy, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter Juan Antonio Bayona, Japanese director Hirokazu Kore-eda, Turkish screenwriter and photographer Ebru Ceylan, and Italian actor Pierfrancisco Favino.
The jury will award the Palme d’Or to one of the 22 films in competition at the closing ceremony on May 25. Anatomy Of A Fall picked up the top prize last year.
- 4/29/2024
- ScreenDaily
Update: Canadian filmmaker Xavier Dolan, whose film “Mommy” received the Cannes Jury Prize in 2014, will head the jury of Un Certain Regard at the Cannes Film Festival.
Joining him on the jury will be “Cuties” director Maïmouna Doucouré, “The Mother of All Lies” helmer Asmae El Moudir, “Phantom Thread” actor Vicky Krieps and film critic Todd McCarthy.
“I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” he said in a statement. “Even more than making films myself, discovering the work of talented filmmakers has always been at the very heart of both my personal and professional journeys. I see, in this responsibility I’m assigned, the opportunity to focus with the members of the Un Certain Regard Jury on an essential aspect of the art of film : stories told truthfully.”
Dolan wrote, directed, produced and starred in his first feature “I Killed My Mother...
Joining him on the jury will be “Cuties” director Maïmouna Doucouré, “The Mother of All Lies” helmer Asmae El Moudir, “Phantom Thread” actor Vicky Krieps and film critic Todd McCarthy.
“I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” he said in a statement. “Even more than making films myself, discovering the work of talented filmmakers has always been at the very heart of both my personal and professional journeys. I see, in this responsibility I’m assigned, the opportunity to focus with the members of the Un Certain Regard Jury on an essential aspect of the art of film : stories told truthfully.”
Dolan wrote, directed, produced and starred in his first feature “I Killed My Mother...
- 4/24/2024
- by Pat Saperstein
- Variety Film + TV
Canadian actor and filmmaker Xavier Dolan will be joined on this year’s Un Certain Regard Jury by French-Senegalese filmmaker Maïmouna Doucouré, Moroccan director Asmae El Moudir, German-Luxembourg actress Vicky Krieps, and American film critic and writer Todd McCarthy.
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
Actress Vicky Krieps and filmmaker Maimouna Doucoure are among the jury members for the Un Certain Regard section of the 2024 Cannes Film Festival.
Also joining are Moroccan filmmaker Asmae El Moudir, and American film critic and writer Todd McCarthy.
Xavier Dolan was announced as jury president earlier this year.
The quintet will watch 18 films as part of the Un Certain Regard selection, including eight debut films.
Last year’s Un Certain Regard jury, headed by John C. Reilly, awarded six prizes including the main award to Molly Manning Walker’s How To Have Sex.
This year’s Un Certain Regard...
Also joining are Moroccan filmmaker Asmae El Moudir, and American film critic and writer Todd McCarthy.
Xavier Dolan was announced as jury president earlier this year.
The quintet will watch 18 films as part of the Un Certain Regard selection, including eight debut films.
Last year’s Un Certain Regard jury, headed by John C. Reilly, awarded six prizes including the main award to Molly Manning Walker’s How To Have Sex.
This year’s Un Certain Regard...
- 4/24/2024
- ScreenDaily
Actor Viggo Mortensen goes back behind the camera for the upcoming western, The Dead Don’t Hurt. Here’s a new trailer:
Viggo Mortensen made his directorial debut in 2020 with Falling, a drama about a fractious relationship between a father and son. He wrote the script and also starred alongside Lance Henriksen and Laura Linney.
Mortensen may be better known for intense performances in films like A History Of Violence, Eastern Promises, A Dangerous Method (all made with director David Cronenberg) and The Lord Of The Rings trilogy, but in recent years he’s built up a career behind the camera.
He’s now set to direct his second film, a western called The Dead Don’t Hurt. The synopsis reads as follows:
A story of star-crossed lovers on the western U.S. frontier in the 1860s. Vivienne Le Coudy (Vicky Krieps) is a fiercely independent woman who embarks on a relationship...
Viggo Mortensen made his directorial debut in 2020 with Falling, a drama about a fractious relationship between a father and son. He wrote the script and also starred alongside Lance Henriksen and Laura Linney.
Mortensen may be better known for intense performances in films like A History Of Violence, Eastern Promises, A Dangerous Method (all made with director David Cronenberg) and The Lord Of The Rings trilogy, but in recent years he’s built up a career behind the camera.
He’s now set to direct his second film, a western called The Dead Don’t Hurt. The synopsis reads as follows:
A story of star-crossed lovers on the western U.S. frontier in the 1860s. Vivienne Le Coudy (Vicky Krieps) is a fiercely independent woman who embarks on a relationship...
- 3/26/2024
- by Jake Godfrey
- Film Stories
The Dead Don’t Hurt: Viggo Mortensen is out for vengeance in trailer for Western he wrote & directed
Shout! Studios have released the first trailer for The Dead Don’t Hurt, a Western starring Viggo Mortensen, who also wrote, directed, produced, and composed the music for the film.
As a big Western fan, I’m always eager to check out a new entry in the genre, and it looks like I’ll have to check out The Dead Don’t Hurt, as the trailer paints a dark, gritty story with some powerful performances. The film follows Vivienne Le Coudy (Vicky Krieps), a fiercely independent woman who starts a relationship with Holgen Olsen (Mortenson), a Danish immigrant. They start a life together, but when Olsen leaves to fight in the Civil War, Vivenne is left to fend for herself.
This marks Mortenson’s second time behind the camera, as he made his feature directorial debut with Falling, a 2020 drama which followed a middle-aged gay man who moves his homophobic father (Lance Henriksen...
As a big Western fan, I’m always eager to check out a new entry in the genre, and it looks like I’ll have to check out The Dead Don’t Hurt, as the trailer paints a dark, gritty story with some powerful performances. The film follows Vivienne Le Coudy (Vicky Krieps), a fiercely independent woman who starts a relationship with Holgen Olsen (Mortenson), a Danish immigrant. They start a life together, but when Olsen leaves to fight in the Civil War, Vivenne is left to fend for herself.
This marks Mortenson’s second time behind the camera, as he made his feature directorial debut with Falling, a 2020 drama which followed a middle-aged gay man who moves his homophobic father (Lance Henriksen...
- 3/25/2024
- by Kevin Fraser
- JoBlo.com
"I never wanted to be saved..." Shout Studios has revealed an official trailer for an indie western titled The Dead Don't Hurt, written and directed by and also starring Viggo Mortensen (directing his second film following Falling). This first premiered at the 2023 Toronto Film Festival last year, and it also played at the Festival Internacional de Cine de Morelia in Mexico. Set in the 1860s, fiercely independent French Canadian Vivienne Le Coudy embarks on a relationship with Danish immigrant Holger Olsen. When he leaves to fight in the Civil War, she must fend for herself in lawless town run by ruthless criminals. Vicky Krieps stars as Vivienne, joined by Viggo Mortensen, Danny Huston, Garrett Dillahunt, and Solly McLeod. Both a tragic love story and a nuanced depiction of the conflict between revenge and forgiveness, Mortensen's The Dead Don’t Hurt is a portrait of a passionate woman determined to stand up...
- 3/25/2024
- by Alex Billington
- firstshowing.net
Viggo Mortensen loves him a good Western. The actor has starred in several of them, 2008’s “Appaloosa,” 2004’s “Hidalgo,” and even more recent arthouse international films like “Jauja” and “Far from Men” employ elements of this genre. Mortensen has also moved into writing and directing features in recent years, following the critically-acclaimed “Falling,” and so his next directorial effort, “The Dead Don’t Hurt,” is also returning to the dangerous Western frontier.
Continue reading ‘The Dead Don’t Hurt’ Trailer: Viggo Mortensen’s Latest Western Stars Vicky Krieps & Arrives In May at The Playlist.
Continue reading ‘The Dead Don’t Hurt’ Trailer: Viggo Mortensen’s Latest Western Stars Vicky Krieps & Arrives In May at The Playlist.
- 3/25/2024
- by Edward Davis
- The Playlist
With Ari Aster now in production on Eddington and Kevin Costner soon debuting 50% of his four-part Horizon, it looks like the western is back in style just as the superhero craze finally fades out. Before those arrive, Viggo Mortensen is debuting his 1860s-set western The Dead Don’t Hurt, in which he stars alongside Vicky Krieps. Following its TIFF premiere, the first trailer has now arrived from Shout! Studios ahead of a May 31 release.
Here’s the synopsis: “Vivienne Le Coudy (Vicky Krieps) is a fiercely independent woman who embarks on a relationship with Danish immigrant Holger Olsen (Viggo Mortensen). After meeting Olsen in San Francisco, she agrees to travel with him to his home near the quiet town of Elk Flats, Nevada, where they start a life together. The outbreak of the civil war separates them when Olsen makes a fateful decision to fight for the Union. This leaves Vivienne...
Here’s the synopsis: “Vivienne Le Coudy (Vicky Krieps) is a fiercely independent woman who embarks on a relationship with Danish immigrant Holger Olsen (Viggo Mortensen). After meeting Olsen in San Francisco, she agrees to travel with him to his home near the quiet town of Elk Flats, Nevada, where they start a life together. The outbreak of the civil war separates them when Olsen makes a fateful decision to fight for the Union. This leaves Vivienne...
- 3/25/2024
- by Leonard Pearce
- The Film Stage
"Where is she? I know you abducted her." Samuel Goldwyn Films has debuted their full official trailer for The Three Musketeers - Part II: Milady, arriving in theaters in the US in April (here's the teaser). This is the sequel to the new French version of The Three Musketeers story by Alexandre Dumas. Part II already opened in France last year, though it has taken a long time for it to show up in the US. Milady is the second film of the two-part epic saga, wrapping up their story. D'Artagnan is forced to join forces with Milady to save Constance, who was kidnapped before his eyes. But as war is declared and Athos, Porthos and Aramis have already joined the front, a secret from the past shatters old alliances. The cast again features François Civil as D'Artagnan, Vincent Cassel as Athos, Romain Duris as Aramis, Pio Marmaï as Porthos,...
- 3/19/2024
- by Alex Billington
- firstshowing.net
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