His parents were Nouvelle Vague royalty and he went on to star in one of the sexiest movies ever made. Now the actor and director is refining his “banter à la française” in a scramble to get his new film finished for Cannes
For Louis Garrel, the centre of the universe is located at the Cannes film festival. “It’s like a particle accelerator, like that place in Switzerland,” he says. “Your disappointments there are bigger, and your joy is bigger.” He is calling from Paris, where he is tinkering with the edit of his latest film The Innocent; his fourth feature as a director but the first to get an airing in Cannes’s galactic-sized Louis Lumière auditorium. At the time of our conversation he’s got 10 days to nail down the finer details: “It’s like being back at school. I used to leave everything to the last minute.
For Louis Garrel, the centre of the universe is located at the Cannes film festival. “It’s like a particle accelerator, like that place in Switzerland,” he says. “Your disappointments there are bigger, and your joy is bigger.” He is calling from Paris, where he is tinkering with the edit of his latest film The Innocent; his fourth feature as a director but the first to get an airing in Cannes’s galactic-sized Louis Lumière auditorium. At the time of our conversation he’s got 10 days to nail down the finer details: “It’s like being back at school. I used to leave everything to the last minute.
- 5/18/2022
- by Phil Hoad
- The Guardian - Film News
With his intense gaze and buoyant personality, Damien Bonnard has emerged as a promising French talent since playing a conflicted rookie cop in Ladj Ly’s Cannes-prizewinning, Oscar-nominated “Les Miserables” in 2019.
Although Joachim Lafosse’s “The Restless” is the only the third film which he has headlined — alongside Leila Bekhti — his face will look familiar to anyone who has been watching French movies for the last decade. A workaholic with an insatiable curiosity, Bonnard has appeared in nearly 70 films, shorts and TV series since launching his acting career in 2009. Notable titles include Alain Guiraudie’s “Rester Vertical,” Dominik Moll’s “Only The Animals” and Christopher Nolan’s “Dunkirk.”
“The Restless,” in which he plays a father and husband suffering from bipolar disorder, was his most physical and challenging role to date.
The film was well-received in its Cannes competition slot and is currently playing at the Colcoa festival in Los Angeles.
Although Joachim Lafosse’s “The Restless” is the only the third film which he has headlined — alongside Leila Bekhti — his face will look familiar to anyone who has been watching French movies for the last decade. A workaholic with an insatiable curiosity, Bonnard has appeared in nearly 70 films, shorts and TV series since launching his acting career in 2009. Notable titles include Alain Guiraudie’s “Rester Vertical,” Dominik Moll’s “Only The Animals” and Christopher Nolan’s “Dunkirk.”
“The Restless,” in which he plays a father and husband suffering from bipolar disorder, was his most physical and challenging role to date.
The film was well-received in its Cannes competition slot and is currently playing at the Colcoa festival in Los Angeles.
- 11/5/2021
- by Elsa Keslassy
- Variety Film + TV
Close-Up is a feature that spotlights films now playing on Mubi. Philippe Garrel's L'enfant secret is exclusively showing October and November 2019 in the United Kingdom and United States in Mubi's Rediscovered series.To engage in Philippe Garrel’s autopoetic world is not a task; instead, the viewer’s participation fuses with a spellbinding mood. Garrel is a filmmaker who seems to be forever working on the periphery, yet he is treasured whenever he is discovered. His body of work, which spans over six decades, is remarkably self-complementary and bracingly emotionally consistent. Across it can be found an unmissable thread of thematic preoccupations, as well as typified characters drawn from Garrel’s biography, such as a consistent filmmaker protagonist (Garrel shot his first film age sixteen) and tumultuous relationships (mirroring his own with the singer Nico), electroshock and heroin abuse. A son of an actor himself, he often explored familial...
- 10/27/2019
- MUBI
France's Cnc is throwing its weight behind the new opus by the director of Coming Home, as well as films being helmed by Brigitte Sy, Isild Le Besco and Sonia Kronlund. Four projects have been accepted during the fourth 2019 session of the Cnc’s second advance on receipts committee. Standing out among them is Selon la police by Frédéric Videau, which will be the director’s third feature, following Variété Française (unveiled in the Venice International Film Critics’ Week in 2003) and Coming Home (first revealed in competition at the Berlinale in 2012). Featuring among the cast are Patrick d'Assumçao, Lætitia Casta (nominated for the César Award for Best Supporting Actress in 2011 for Gainsbourg: A Heroic Life, popular in such titles as A Faithful Man and Beyond...
- 10/15/2019
- Cineuropa - The Best of European Cinema
Mubi will be showing the retrospective Philippe Garrel: Fight for Eternity from May 1 - July 5, 2017 in most countries around the world.Les enfants désaccordésQuestion: I must ask you here about one concept you discuss in your book, one that also might be thought of, next to the structural work, as another way to break from the story in the film. The concept is muzan, and I find it quite difficult to think of a proper translation of it into English. How do you employ this concept into your films, and does it, in fact, have anything to do with the way you wish to break away from the story?
Yoshishige Yoshida: I understand the word in itself, as you would understand the literal meaning of the kanji: something which expresses the impossibility of attaining stability or change for the better. Yes, I believe this is the meaning of the concept that I use.
Yoshishige Yoshida: I understand the word in itself, as you would understand the literal meaning of the kanji: something which expresses the impossibility of attaining stability or change for the better. Yes, I believe this is the meaning of the concept that I use.
- 5/30/2017
- MUBI
The Cannes Film festival was an exceptional edition for French films this year. A focus on the rising generation of French actors and directors that have been highlighted in Cannes and will most certainly be the stars of tomorrow was compiled by Unifrance chief Isabelle Giordano.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
- 7/5/2015
- by Sydney Levine
- Sydney's Buzz
Thierry Frémaux to provide live commentary on restored films by Louis Lumière.
Cannes Film Festival general delegate Thierry Frémaux is to present a screening of Lumière! - and will provide live commentary himself - at the 6th Odessa International Film Festival (July 10-18).
The selection of 98 restored films, directed by movie pioneer Louis Lumière and his cameramen, will be screened internationally for the first time following its Cannes premiere.
It forms part of the line-up of the festival, which also announced the 12 films in the international competition and six features (and 18 shorts) in the national competition.
Two Ukrainian films will participate in both competitions.
Oiff president Viktoriya Tigipko said there had been a trend this year for submissions by female directors.
“During this year’s selection we have noticed an interesting trend: 30% of the entries submitted to the International Competition were from female directors,” said Tigipko.
“As a result, four out of the 12 films selected are directed...
Cannes Film Festival general delegate Thierry Frémaux is to present a screening of Lumière! - and will provide live commentary himself - at the 6th Odessa International Film Festival (July 10-18).
The selection of 98 restored films, directed by movie pioneer Louis Lumière and his cameramen, will be screened internationally for the first time following its Cannes premiere.
It forms part of the line-up of the festival, which also announced the 12 films in the international competition and six features (and 18 shorts) in the national competition.
Two Ukrainian films will participate in both competitions.
Oiff president Viktoriya Tigipko said there had been a trend this year for submissions by female directors.
“During this year’s selection we have noticed an interesting trend: 30% of the entries submitted to the International Competition were from female directors,” said Tigipko.
“As a result, four out of the 12 films selected are directed...
- 6/18/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Respectively coming off red-hot Cannes’ Directors’ Fortnight titles in big winner Les Combattants and Alleluia, actresses Adèle Haenel and Lola Dueñas are reteaming (they both appeared in Katell Quillévéré’s Suzanne) on Léa Fehner’s sophomore film which begins lensing next month. According to Cineuropa, Marion Bouvarel, Marc Barbé and the filmmaker’s own father and sister in François and Inès Fehner are also joining the project. Les Ogres digs into the filmmaker’s family background - François Fehner knows a thing or two about pitching up a tent. Bus Films’ Philippe Liégeois is producing.
Gist: Written by Fehner, Catherine Paillé and Brigitte Sy, this revolves around an aging troupe belonging to a traveling theatre company.
Worth Noting: Fehner’s Venice Film Fest selected debut film Silent Voice (see trailer below), won the prestigious Louis Delluc Prize for Best First Film.
Do We Care?: Moving away from prison walls...
Gist: Written by Fehner, Catherine Paillé and Brigitte Sy, this revolves around an aging troupe belonging to a traveling theatre company.
Worth Noting: Fehner’s Venice Film Fest selected debut film Silent Voice (see trailer below), won the prestigious Louis Delluc Prize for Best First Film.
Do We Care?: Moving away from prison walls...
- 7/17/2014
- by Eric Lavallee
- IONCINEMA.com
Exclusive: Veteran producer to adapt Joseph Conrad’s novel.
Veteran Portuguese producer Paulo Branco is planning a big screen adaptation of Joseph Conrad’s An Outpost of Progress.
After backing an adaptation of Conrad’s Almayer’s Folly in 2011, made by Chantal Ackerman, Branco is now working on a film version of the novelist’s short story.
Written in 1897 and drawing on his own experience in the Congo, it deals with two European men who are assigned to a trading post in a remote part of the African jungle. But as isolation demoralises the pair and diseases weaken them, the story ultimately ends in tragedy.
The film will shoot in Angola, close to the location in which Conrad wrote the story, and will be directed by Hugo Vieira Da Silva. The cast is led by Nuno Lopes. It will be made through Leopardo Filmes and Amour Fou Vienna as a Portuguese-Austrian coproduction.
Meanwhile, together...
Veteran Portuguese producer Paulo Branco is planning a big screen adaptation of Joseph Conrad’s An Outpost of Progress.
After backing an adaptation of Conrad’s Almayer’s Folly in 2011, made by Chantal Ackerman, Branco is now working on a film version of the novelist’s short story.
Written in 1897 and drawing on his own experience in the Congo, it deals with two European men who are assigned to a trading post in a remote part of the African jungle. But as isolation demoralises the pair and diseases weaken them, the story ultimately ends in tragedy.
The film will shoot in Angola, close to the location in which Conrad wrote the story, and will be directed by Hugo Vieira Da Silva. The cast is led by Nuno Lopes. It will be made through Leopardo Filmes and Amour Fou Vienna as a Portuguese-Austrian coproduction.
Meanwhile, together...
- 5/18/2014
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
Films Boutique is a sales agent from Germany with a penchant for international film items. This year they rep a pair of Cannes selected titles in the Directors' Fortnight selected director's cut version of Guilty of Romance from Sion Sono (see pic above) and Valérie Mrejen's En Ville. Among the big titles for art-house lovers they are repping Alexander Sokurov's Faust -- which I guess finally wasn't ready for a Cannes inclusion. Here is their slate: Faust by Alexander Sokurov - Post-Production Guilty Of Romance (Koi No Tsumi) by Sion Sono - Completed Iris In Bloom (En Ville) by Valérie Mrejen - Completed Free Hands (Les Mains Libres) by Brigitte Sy - Completed Intimate Grammar (Hadikduk Hapnimi) by Nir Bergman - Completed Jo For Jonathan by Maxime Giroux - Completed Little Voices (PEQUEÑAS Voces 3D) by Jairo Carrillo - Completed No More Fear (Plus Jamais Peur) by Mourad...
- 5/13/2011
- IONCINEMA.com
Berlinale 2011 poster
Patang (The Kite), a feature film written and directed by Prashant Bhargava, will be screened as part of the 41st Forum in Berlinale 2011. The film, a co-production between India and USA, is a drama set in the backdrop of India’s largest kite festival in Ahmedabad.
Forum will present a total of 39 films in the main programme and 6 films as special screenings, 24 of which are world premieres and 12 international premieres. It is considered to be the most experimental section of the Berlinale which presents original, provocative and disturbing cinema.
In addition, 8 films will be shown from the creative period of the Japanese director Shibuya Minoru. The 61st Berlinale will take place from February 10-20, 2011.
The complete Programme of Forum:
Main Programme
Amnesty by Bujar Alimani, Albania/Greece/France
Auf der Suche (Looking for Simon) by Jan Krüger, Germany/France
Ausente (Absent) by Marco Berger, Argentina
The Ballad of...
Patang (The Kite), a feature film written and directed by Prashant Bhargava, will be screened as part of the 41st Forum in Berlinale 2011. The film, a co-production between India and USA, is a drama set in the backdrop of India’s largest kite festival in Ahmedabad.
Forum will present a total of 39 films in the main programme and 6 films as special screenings, 24 of which are world premieres and 12 international premieres. It is considered to be the most experimental section of the Berlinale which presents original, provocative and disturbing cinema.
In addition, 8 films will be shown from the creative period of the Japanese director Shibuya Minoru. The 61st Berlinale will take place from February 10-20, 2011.
The complete Programme of Forum:
Main Programme
Amnesty by Bujar Alimani, Albania/Greece/France
Auf der Suche (Looking for Simon) by Jan Krüger, Germany/France
Ausente (Absent) by Marco Berger, Argentina
The Ballad of...
- 1/18/2011
- by NewsDesk
- DearCinema.com
The Berlin International Film Festival (German: Internationale Filmfestspiele Berlin), one of the world’s leading film festivals and most reputable media events has just announced their complete lineup for the Forum program this year, and it looks incredible once again.
With 274,000 tickets sold and 487,000 admissions, it is considered the largest publicly-attended film festival worldwide. Up to 400 films are shown in several sections, representing a comprehensive array of the cinematic world. Around twenty films compete for the awards called the Golden and Silver Bears. Basically it is the place to be if you work in the business. The European Film Market (Efm), a film trade fair held simultaneously to the Berlinale, is a major industry meeting for the international film circuit once a year. The trade fair serves distributors, film buyers, producers, financiers and co-production agents. The festival has established a cosmopolitan character integrating art, glamour, commerce and a global media attention.
With 274,000 tickets sold and 487,000 admissions, it is considered the largest publicly-attended film festival worldwide. Up to 400 films are shown in several sections, representing a comprehensive array of the cinematic world. Around twenty films compete for the awards called the Golden and Silver Bears. Basically it is the place to be if you work in the business. The European Film Market (Efm), a film trade fair held simultaneously to the Berlinale, is a major industry meeting for the international film circuit once a year. The trade fair serves distributors, film buyers, producers, financiers and co-production agents. The festival has established a cosmopolitan character integrating art, glamour, commerce and a global media attention.
- 1/18/2011
- by Ricky
- SoundOnSight
Philippe Garrel, now in his 60s, is semi-famous for being semi-obscure, even in France, though he remains one of the last stragglers to have fallen under the New Wave umbrella. (When he was 20, he trailed Godard, who in Jonathan Rosenbaum's phrase "virtually adopted him in May '68, when both were cruising the Latin Quarter student demonstrations with their cameras.") Here, Garrel had to wait until "Regular Lovers" (2005) for a film of his to find stateside distribution. But it's a small wonder: Garrel's career project is resolutely personal and self-examining, to a degree that makes Cassavetes and even Godard look like rangy entertainers. His approach is observational and so intimate you begin to sweat the bell jar effect of the locations. Garrel's life has been tumultuous -- including a decade spent with Nico, making impromptu experimental films and doing heroin, on and off Ibiza -- and it's his life that's onscreen,...
- 5/26/2009
- by Michael Atkinson
- ifc.com
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