In 2020’s Bad Boys for Life, Marcus Burnett (Martin Lawrence) says the quiet part out loud about how he and Mike Lowery (Will Smith) had “more days behind them than in front,” and wondered if playing cops and robbers was how they wanted to spend their remaining time. Granted, that film still ended wildly, with Mike fighting his own son and his ex, an actual witch, in a building on fire, but that’s neither here nor there. Adil & Bilall’s Bad Boys: Ride or Die, as it turns out, takes the question a bit more seriously, especially after Mike finds himself finally getting hitched to a beautiful woman (Melanie Liburd) and, in the wake of the death of Joe Pantoliano’s Captain Howard, has Anakin Skywalker-esque nightmares about losing her.
That’s only just barely a joke. With the filmmakers desperate to keep Joey Pants in the film,...
That’s only just barely a joke. With the filmmakers desperate to keep Joey Pants in the film,...
- 6/4/2024
- by Justin Clark
- Slant Magazine
The Substance: Demi Moore body horror film earns 11 minute standing ovation and rave first reactions
Seven years have gone by since director Coralie Fargeat made her feature directorial debut with a very cool revenge movie that was appropriately titled Revenge – you can read our 8/10 review of the film at This Link. Now Fargeat is back with an “explosive feminist take on body horror” called The Substance, which stars Demi Moore (Ghost) and Margaret Qualley (Once Upon a Time in Hollywood). The film had its premiere at the Cannes Film Festival over the weekend, earning rave first reactions and an 11-minute standing ovation from the audience. (While also catching media attention with its scenes of Moore and Qualley displaying full frontal nudity.) We have assembled some of the reactions here:
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
- 5/20/2024
- by Cody Hamman
- JoBlo.com
Tom Rothman, the Sony Motion Pictures Group chairman and CEO, wined and dined a select few at a splendidly swish soirée Friday at Mamo Michelangelo in Antibes, hosted by Charles Finch as part of his annual Filmmakers Dinner honoring 100 years of Columbia Pictures, and there was something he said about why movies matter that has stuck with me.
Hours earlier, Rothman had introduced a gloriously restored print of Charles Vidor’s 1946 movie Gilda, starring Rita Hayworth as the eponymous nightclub temptress and Glenn Ford as the hardboiled gambler from her past.
They hate each other, but as we all know, that’s often a prelude on the road to love both in real and reel life.
Related: Cannes Film Festival 2024 Photos
Vidor also uses the vocabulary of dance to signal Gilda’s emotional temperature.
The great choreographer Jack Cole, who later coached Marilyn Monroe on her moves in Gentlemen Prefer Blondes,...
Hours earlier, Rothman had introduced a gloriously restored print of Charles Vidor’s 1946 movie Gilda, starring Rita Hayworth as the eponymous nightclub temptress and Glenn Ford as the hardboiled gambler from her past.
They hate each other, but as we all know, that’s often a prelude on the road to love both in real and reel life.
Related: Cannes Film Festival 2024 Photos
Vidor also uses the vocabulary of dance to signal Gilda’s emotional temperature.
The great choreographer Jack Cole, who later coached Marilyn Monroe on her moves in Gentlemen Prefer Blondes,...
- 5/18/2024
- by Baz Bamigboye
- Deadline Film + TV
Whether you like Quentin Tarantino's wild and idiosyncratic approach to filmmaking or not, it's hard to deny that his work has made an immeasurable contribution to the development of pop culture as we know it today. But none of this would be the case if Tarantino weren't arguably one of the biggest movie buffs in the modern film industry. So if you haven't seen these 20 movies personally recommended by Quentin Tarantino, we suggest you do so as soon as possible!
20 Great Movies Tarantino Recommends Watching
20. Abbott and Costello Meet Frankenstein
19. Apocalypse Now
18. The Bad News Bears
17. Black Sabbath
16. Dazed and Confused
15. Deep Red
14. Easy Rider
13. Enter the Void
12. Frances Ha
11. The Great Escape
10. Mad Max: Fury Road
9. Rio Bravo
8. The Skin I Live In
7. The Social Network
6. Sorcerer
5. There Will Be Blood
4. Top Gun: Maverick
3. Toy Story 3
2. Unfaithfully Yours
1. West Side Story
The filmmaker's oeuvre is characterized by...
20 Great Movies Tarantino Recommends Watching
20. Abbott and Costello Meet Frankenstein
19. Apocalypse Now
18. The Bad News Bears
17. Black Sabbath
16. Dazed and Confused
15. Deep Red
14. Easy Rider
13. Enter the Void
12. Frances Ha
11. The Great Escape
10. Mad Max: Fury Road
9. Rio Bravo
8. The Skin I Live In
7. The Social Network
6. Sorcerer
5. There Will Be Blood
4. Top Gun: Maverick
3. Toy Story 3
2. Unfaithfully Yours
1. West Side Story
The filmmaker's oeuvre is characterized by...
- 5/16/2024
- by louise.everitt@startefacts.com (Louise Everitt)
- STartefacts.com
Sophomore slump? Not for Saint Laurent Productions.
One year after a high-profile splash with its debut film project — Pedro Almodóvar’s gay cowboy Western Strange Way of Life — the luxury house’s production division returns to the Cannes Film Festival with three starry films in the main competition: Jacques Audiard’s Emilia Perez, David Cronenberg’s The Shrouds and Paolo Sorrentino’s Parthenope.
Saint Laurent creative director Anthony Vaccarello is credited as a producer on the pics, and he and his team delivered cast wardrobes. Emilia Perez stars Zoe Saldaña, Selena Gomez and Édgar Ramírez in the story of a lawyer who receives an unexpected offer to help a feared cartel boss disappear by becoming the woman he’s always dreamed of being.
The Shrouds stars Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt, and follows a businessman who, after the death of his wife, copes by inventing a...
One year after a high-profile splash with its debut film project — Pedro Almodóvar’s gay cowboy Western Strange Way of Life — the luxury house’s production division returns to the Cannes Film Festival with three starry films in the main competition: Jacques Audiard’s Emilia Perez, David Cronenberg’s The Shrouds and Paolo Sorrentino’s Parthenope.
Saint Laurent creative director Anthony Vaccarello is credited as a producer on the pics, and he and his team delivered cast wardrobes. Emilia Perez stars Zoe Saldaña, Selena Gomez and Édgar Ramírez in the story of a lawyer who receives an unexpected offer to help a feared cartel boss disappear by becoming the woman he’s always dreamed of being.
The Shrouds stars Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt, and follows a businessman who, after the death of his wife, copes by inventing a...
- 5/16/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Exclusive: Nicolas Cage, FKA twigs, Noah Jupe and Souheila Yacoub are set to star in Egyptian-American director Lotfy Nathan’s The Carpenter’s Son exploring the rarely told story of the childhood of Jesus with a horror take.
Paris-based Cinenovo and L.A.-based Spacemaker are producing. Goodfellas is overseeing international sales apart from in North America, which it will co-rep with Anonymous Content and WME.
Nathan has taken inspiration from the apocryphal Infancy Gospel of Thomas for the screenplay. Dating back to the 2nd Century Ad, the text recounts the childhood of Jesus.
Per the official synopsis, “The Carpenter’s Son tells the dark story of a family hiding out in Roman Egypt. The son, known only as ‘the Boy’, is driven to doubt by another mysterious child and rebels against his guardian, the Carpenter, revealing inherent powers and a fate beyond his comprehension. As he exercises his own power,...
Paris-based Cinenovo and L.A.-based Spacemaker are producing. Goodfellas is overseeing international sales apart from in North America, which it will co-rep with Anonymous Content and WME.
Nathan has taken inspiration from the apocryphal Infancy Gospel of Thomas for the screenplay. Dating back to the 2nd Century Ad, the text recounts the childhood of Jesus.
Per the official synopsis, “The Carpenter’s Son tells the dark story of a family hiding out in Roman Egypt. The son, known only as ‘the Boy’, is driven to doubt by another mysterious child and rebels against his guardian, the Carpenter, revealing inherent powers and a fate beyond his comprehension. As he exercises his own power,...
- 5/6/2024
- by Melanie Goodfellow
- Deadline Film + TV
Sometimes we can’t help but start binging the movies of a single genre one by one, having some sort of a marathon. And while I can relate to those who binge rom-coms because they’re sweet and innocent, it seems that horror nights are getting more popular among others.
For example, redditors quite often get together online to happily share their favorite horrors and discuss them. So here are three horror movies that are considered their all-time favorites.
1. Audition (1999)
Audition is a psychological horror film directed by Takashi Miike featuring Ryo Ishibashi and Eihi Shiina. The movie revolves around a hopeless widower who is trying to come back in the dating game again. With the help of his friend, he stages a phony audition to find a perfect girl for him. And so he thinks he does.
His chosen one is Asami, a girl with a dark past who...
For example, redditors quite often get together online to happily share their favorite horrors and discuss them. So here are three horror movies that are considered their all-time favorites.
1. Audition (1999)
Audition is a psychological horror film directed by Takashi Miike featuring Ryo Ishibashi and Eihi Shiina. The movie revolves around a hopeless widower who is trying to come back in the dating game again. With the help of his friend, he stages a phony audition to find a perfect girl for him. And so he thinks he does.
His chosen one is Asami, a girl with a dark past who...
- 5/4/2024
- by info@startefacts.com (Rachel Bailey)
- STartefacts.com
French director Laurent Cantet, who won the Cannes Palme d’Or in 2008 for The Class, has died at the age of 63.
Based on the semi-autobiographical book by writer François Bégaudeau about his experiences working as a literature teacher in an inner city school in Paris, The Class featured a mainly unprofessional cast including the author.
Cantet had been due to shoot his next film Enzo, with Elodie Bouchez and Pierfrancesco Favino in the cast, this August
His second collaboration with Anatomy of a Fall producer Marie-Angle Luciani, after 2021 film Arthur Rambo, it revolved around a teenager who embarks on a mason apprenticeship in the South of France to escape a controlling father.
Cantet studied film at the Institut des Hautes Études Cinématographiques (Idhec) in Paris in the mid-1980s, where his contemporaries were Dominik Moll, Gilles Marchand and Robin Campillo.
They would continue to collaborate on one another’s projects throughout their careers,...
Based on the semi-autobiographical book by writer François Bégaudeau about his experiences working as a literature teacher in an inner city school in Paris, The Class featured a mainly unprofessional cast including the author.
Cantet had been due to shoot his next film Enzo, with Elodie Bouchez and Pierfrancesco Favino in the cast, this August
His second collaboration with Anatomy of a Fall producer Marie-Angle Luciani, after 2021 film Arthur Rambo, it revolved around a teenager who embarks on a mason apprenticeship in the South of France to escape a controlling father.
Cantet studied film at the Institut des Hautes Études Cinématographiques (Idhec) in Paris in the mid-1980s, where his contemporaries were Dominik Moll, Gilles Marchand and Robin Campillo.
They would continue to collaborate on one another’s projects throughout their careers,...
- 4/25/2024
- by Melanie Goodfellow
- Deadline Film + TV
1. Always hire Anthony Hopkins to deliver exposition. The man is an Oscar-winner, he’s played everybody from Hamlet to Hannibal Lecter, he’s got the best butter-melting British purr in the business. So if you’re Zack Snyder — or even if you’re not Zack Snyder, but are dropping the second chapter of a needlessly complicated space saga and need to get folks back up to speed — you enlist Sir Anthony to say things like: “On the far edges of the Motherworld’s reach, circling the gas giant Mara, was the small moon of Veldt…...
- 4/20/2024
- by David Fear
- Rollingstone.com
Stars: Emily Durchholz, Leland Morrow, Devin McBride, Kevin Roach, Kara Gray | Written by Jakob Bilinski, Peter Matsoukas | Directed by Jakob Bilinski
Compression is the latest film from Jakob Bilinski who directed, edited, shot and co-wrote the film with Peter Matsoukas. It’s certainly grabbed some attention, debuting a couple of weeks ago at the HorrorHound Weekend, where it picked up eleven nominations and won in seven of those categories, Judges Choice, Best Feature Film, Best Directing, Best Lead Performance, Best Supporting Performance, Best Writing, and Best Editing.
Now, as regular readers will know, I’m a bit cynical when it comes to awards from festivals and conventions. But HorrorHound is a well-known event with a track record, not some unknown festival that’s there to collect entry fees and sell trophies. All of which is a long-winded way of saying I was more than a little interested when I was...
Compression is the latest film from Jakob Bilinski who directed, edited, shot and co-wrote the film with Peter Matsoukas. It’s certainly grabbed some attention, debuting a couple of weeks ago at the HorrorHound Weekend, where it picked up eleven nominations and won in seven of those categories, Judges Choice, Best Feature Film, Best Directing, Best Lead Performance, Best Supporting Performance, Best Writing, and Best Editing.
Now, as regular readers will know, I’m a bit cynical when it comes to awards from festivals and conventions. But HorrorHound is a well-known event with a track record, not some unknown festival that’s there to collect entry fees and sell trophies. All of which is a long-winded way of saying I was more than a little interested when I was...
- 4/18/2024
- by Jim Morazzini
- Nerdly
Civil War is an extremely powerful, effective movie that thrusts you into the middle of an American civil war seen through the eyes of a war photographer. It’s brutal. It’s extraordinarily violent. The sound design is bordering on abusive. And if you watch it in IMAX you can reasonably expect to leave the theater with more than a little motion sickness. It is, however, excellent, with great performances from Kirsten Dunst as the older, jaded photographer and Cailee Spaeny as the reckless youngster new to the game. So see it. But we’d be very surprised if you decide to rush back for a second viewing.
Here’s our celebration of the wonderful, must-see movies where once is quite enough, thank you very much.
Hereditary
To no one’s surprise, Ari Aster’s harrowing debut immediately makes the top of this list. You might think the early, shocking...
Here’s our celebration of the wonderful, must-see movies where once is quite enough, thank you very much.
Hereditary
To no one’s surprise, Ari Aster’s harrowing debut immediately makes the top of this list. You might think the early, shocking...
- 4/15/2024
- by Rosie Fletcher
- Den of Geek
[This story contains spoilers for Ghostbusters: Frozen Empire.]
You’ve got questions and Emily Alyn Lind has answers.
In Ghostbusters: Frozen Empire, when Mckenna Grace’s Phoebe Spengler was sidelined by the Ghostbusters’ longtime bureaucratic nemesis, Walter Peck (William Atherton), the young Ghostbusting hero went on an unexpected journey that quickly introduced her to Lind’s surprise character, Melody.
Melody was nowhere to be found in the marketing for the film, but as soon as she’s introduced opposite Phoebe during a park-based chess match, it becomes clear why director Gil Kenan and Sony played their cards close to their vest. Melody is not only a ghost in the form of a 16-year-old girl, but she also interacts with Phoebe on a very human and relatable level. In other words, she’s a far cry from the typical apparitions that the franchise has offered up, and she further expands on how Ghost Egon was utilized in Ghostbusters: Afterlife (2021).
Naturally,...
You’ve got questions and Emily Alyn Lind has answers.
In Ghostbusters: Frozen Empire, when Mckenna Grace’s Phoebe Spengler was sidelined by the Ghostbusters’ longtime bureaucratic nemesis, Walter Peck (William Atherton), the young Ghostbusting hero went on an unexpected journey that quickly introduced her to Lind’s surprise character, Melody.
Melody was nowhere to be found in the marketing for the film, but as soon as she’s introduced opposite Phoebe during a park-based chess match, it becomes clear why director Gil Kenan and Sony played their cards close to their vest. Melody is not only a ghost in the form of a 16-year-old girl, but she also interacts with Phoebe on a very human and relatable level. In other words, she’s a far cry from the typical apparitions that the franchise has offered up, and she further expands on how Ghost Egon was utilized in Ghostbusters: Afterlife (2021).
Naturally,...
- 4/5/2024
- by Brian Davids
- The Hollywood Reporter - Movie News
As most connoisseurs of cinema already know, the end credit roll is a relatively recent addition to the medium. The reasons for this are too lengthy to go into here, but suffice to say that films used to end very definitively and, at least for those of us raised in a world where end credits were already a thing, quite abruptly, sending audiences out of the theater with a brusqueness not unlike a train disembarking.
Ever since end credit rolls became commonplace, filmmakers have experimented with finding ways of extending the cinematic experience throughout their duration rather than treating them the way so many moviegoers tend to: as mere legally-mandated appendages to a movie. While even the most basic film includes music during the end credits so as to help keep the roll a part of the movie, some go above and beyond that, including deleted material, bloopers, or entire...
Ever since end credit rolls became commonplace, filmmakers have experimented with finding ways of extending the cinematic experience throughout their duration rather than treating them the way so many moviegoers tend to: as mere legally-mandated appendages to a movie. While even the most basic film includes music during the end credits so as to help keep the roll a part of the movie, some go above and beyond that, including deleted material, bloopers, or entire...
- 4/1/2024
- by Bill Bria
- Slash Film
Veteran French distributor Rezo Films is closing its doors after more than 32 years and nearly 400 films after struggling to stay afloat in an increasingly competitive distribution landscape.
Founded in 1992 by Jean-Michel Rey and Nadia Lassoujade, Rezo Films helped to launch the careers of several French auteurs including Abdellatif Kechiche, Pascal Bonitzer, Catherine Corsini, Xavier Dolan, Gaspar Noé, Stéphane Brizé and Jeremy Clapin.
Several of those films performed well for arthouse titles in the territory including Clapin’s debut feature I Lost My Body in 2019, Brizé’s Mademoiselle Chambon in 2009, and Kechiche’s Games Of Love And Chance (L’Esquive) with 373,618 tickets...
Founded in 1992 by Jean-Michel Rey and Nadia Lassoujade, Rezo Films helped to launch the careers of several French auteurs including Abdellatif Kechiche, Pascal Bonitzer, Catherine Corsini, Xavier Dolan, Gaspar Noé, Stéphane Brizé and Jeremy Clapin.
Several of those films performed well for arthouse titles in the territory including Clapin’s debut feature I Lost My Body in 2019, Brizé’s Mademoiselle Chambon in 2009, and Kechiche’s Games Of Love And Chance (L’Esquive) with 373,618 tickets...
- 3/19/2024
- ScreenDaily
The greatest cinema is often an exciting cocktail for the senses: sound and image in perfect harmony, intricately woven to create an immersive experience that transports us to another world. But what happens when one of those senses is numbed? Silent movies formed the foundations of visual grammar for audiences, and sound was a luxury audiences lived without for many years. Few films have attempted the inverse, plunging the viewer into darkness and relying on sound alone to guide them from one experience to another. Enter Galician filmmaker Lois Patiño's bold and beautiful “Samsara”, a meditative drama set between Laos and Zanzibar that tracks a soul moving between states of existence, and the lives that are touched in big and small ways by this cosmic rite of passage. The term ‘samsara' itself is the cycle of death and reincarnation as seen by Buddhism, and while it may sound familiar...
- 3/9/2024
- by Simon Ramshaw
- AsianMoviePulse
Exclusive: Karl Glusman (Civil War) has been set as the male lead opposite Samara Weaving in 20th Century Studios’ heist thriller Eenie Meanie, from writer-director Shawn Simmons (Wayne).
Produced by the Deadpool franchise’s Rhett Reese and Paul Wernick, the film follows Edie (Weaving), a former teenage getaway driver who is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend.
Glusman plays Edie’s on-again-off-again boyfriend, John. Sources tell Deadline the project is likely to premiere on Hulu.
Best known for roles in films including Gaspar Noé’s Love, Nicolas Winding Refn’s The Neon Demon, and Chloe Okuno’s breakout horror Watcher, as well as Alex Garland’s FX series Devs, Glusman has more recently been seen in Netflix’s #1-debuting crime pic Reptile, Nick Cassavetes’ God Is a Bullet, and HBO’s The Idol from creators Sam Levinson,...
Produced by the Deadpool franchise’s Rhett Reese and Paul Wernick, the film follows Edie (Weaving), a former teenage getaway driver who is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend.
Glusman plays Edie’s on-again-off-again boyfriend, John. Sources tell Deadline the project is likely to premiere on Hulu.
Best known for roles in films including Gaspar Noé’s Love, Nicolas Winding Refn’s The Neon Demon, and Chloe Okuno’s breakout horror Watcher, as well as Alex Garland’s FX series Devs, Glusman has more recently been seen in Netflix’s #1-debuting crime pic Reptile, Nick Cassavetes’ God Is a Bullet, and HBO’s The Idol from creators Sam Levinson,...
- 3/6/2024
- by Matt Grobar and Andreas Wiseman
- Deadline Film + TV
Dune: Part Two is set to hit theaters globally on March 1. The sequel film will continue from the events of Dune (2021) and explore the mythic journey of Timothée Chalamet’s Paul Atreides as he seeks revenge against the conspirators who destroyed his family. In his pursuit, Paul will encounter several new characters in the film, including a future wife and a sociopathic villain. A bunch of talented cast has joined Denis Villeneuve’s second film to portray these characters.
Timothée Chalamet in a still from Dune: Part Two
Oppenheimer actress Florence Pugh and Elvis actor Austin Butler were the first new additions to join Dune 2 in March 2022. Tim Blake Nelson, who joined the film in January 2023 in an undisclosed role, was not included in this list as his scenes were reportedly cut from the theatrical cut.
Léa Seydoux – Lady Margot Fenring Léa Seydoux as Lady Margot Fenring in Dune 2
According to Deadline,...
Timothée Chalamet in a still from Dune: Part Two
Oppenheimer actress Florence Pugh and Elvis actor Austin Butler were the first new additions to join Dune 2 in March 2022. Tim Blake Nelson, who joined the film in January 2023 in an undisclosed role, was not included in this list as his scenes were reportedly cut from the theatrical cut.
Léa Seydoux – Lady Margot Fenring Léa Seydoux as Lady Margot Fenring in Dune 2
According to Deadline,...
- 2/29/2024
- by Hashim Asraff
- FandomWire
The first time I interviewed Valgur it was in their Mexico City living room, surrounded by piles of broken synthesizers. It was 2019 and the band’s debut album Zapandú was gaining underground buzz for its unusual collage of electronic sounds and esoteric motifs, which included eerie vampire aesthetics and dreamy Zapotec poetry. But underneath their otherworldly creations, universally human questions of religion, family, and indigenous identity have always reigned supreme.
During that initial chat, the sibling duo of Elizabeth and Hugo Valdivieso expressed a growing fascination with jazzy prog ensembles,...
During that initial chat, the sibling duo of Elizabeth and Hugo Valdivieso expressed a growing fascination with jazzy prog ensembles,...
- 2/21/2024
- by Richard Villegas
- Rollingstone.com
Over three hours and five different chapters, Matthias Glasner’s “Dying” chronicles the travails of an estranged family of four: an elderly couple on the brink of death, their successful composer son and their alcoholic, ne’er-do-well daughter. The film casts a wide net over their experiences, and every leading performance is as impeccable as the last. However, Glasner’s formal rigidity prevents their stories from feeling intrinsically bound, leaving each of them with little to say.
The film opens in the German countryside with elderly couple Lissy (Corinna Harfouch) and Gerd Lunies (Hans-Uwe Bauer) being found helpless by a neighbor. Lissy’s litany of ailments render her only semi-mobile, and she often ends the day by soiling herself, while Gerd’s dementia leads him to wander naked into people’s homes. They can’t help each other, and their adult children are too preoccupied with their own metropolitan lives to get involved.
The film opens in the German countryside with elderly couple Lissy (Corinna Harfouch) and Gerd Lunies (Hans-Uwe Bauer) being found helpless by a neighbor. Lissy’s litany of ailments render her only semi-mobile, and she often ends the day by soiling herself, while Gerd’s dementia leads him to wander naked into people’s homes. They can’t help each other, and their adult children are too preoccupied with their own metropolitan lives to get involved.
- 2/18/2024
- by Siddhant Adlakha
- Variety Film + TV
Based on a true story, “Maria” is an Iranian noir thriller that will remind many of Gaspar Noe's films, despite the fact that in the end, it is a rather different animal. The movie premiered in Tokyo where it won the Asian Future Best Film Award.
Maria is screening at Vesoul International Film Festival of Asian Cinema
A young woman falls from a footbridge onto the car of Farhad, a young film director, on his wedding day. As his mother, Zohreh, pressures him to ask the family of the girl for some compensation, he gets to know the background of the girl a bit more, while it is soon revealed that she was supposed to play the role his wife-to-be, Parisa, eventually had in an upcoming movie. Soon, Farhad becomes obsessed with finding out why the girl committed suicide, and eventually everyone around him are sucked into his research.
Maria is screening at Vesoul International Film Festival of Asian Cinema
A young woman falls from a footbridge onto the car of Farhad, a young film director, on his wedding day. As his mother, Zohreh, pressures him to ask the family of the girl for some compensation, he gets to know the background of the girl a bit more, while it is soon revealed that she was supposed to play the role his wife-to-be, Parisa, eventually had in an upcoming movie. Soon, Farhad becomes obsessed with finding out why the girl committed suicide, and eventually everyone around him are sucked into his research.
- 2/15/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Featuring: Dario Argento, Marisa Casale, Fiore Argento, Cristina Marsillach, Michele Soavi, Lamberto Bava, Luigi Cozzi, Asia Argento | Written by Simone Scafidi, Giada Mazzoleni, Davide Pulici | Directed by Simone Scafidi
Dario Argento Panico takes its title from an old interview where he said he didn’t want to create a sense of fear in viewers, he wanted to go beyond it and leave them in a state of panic. Its form is also taken from its subject’s past, following him as he isolates himself in a hotel to finish his latest script, something he frequently did early in his career.
I’m not sure that you really can isolate yourself with a film crew looking over your shoulder, but director Simone Scafidi uses this to frame his questions for the interview portions of the film. We actually only see about three seconds of him writing, and are never told what script he’s finishing,...
Dario Argento Panico takes its title from an old interview where he said he didn’t want to create a sense of fear in viewers, he wanted to go beyond it and leave them in a state of panic. Its form is also taken from its subject’s past, following him as he isolates himself in a hotel to finish his latest script, something he frequently did early in his career.
I’m not sure that you really can isolate yourself with a film crew looking over your shoulder, but director Simone Scafidi uses this to frame his questions for the interview portions of the film. We actually only see about three seconds of him writing, and are never told what script he’s finishing,...
- 2/5/2024
- by Jim Morazzini
- Nerdly
“You don’t have to be so strong,” chants the singer Romy over a trance beat, leading viewers of How to Have Sex out of the film and into the closing credits. The irony is that after viewing Molly Manning Walker’s tale of adolescent exploration, it’s hard to come to any other conclusion than today’s youth must indeed steel themselves for an unforgiving landscape of choices and consequences. As teenaged Tara (Mia McKenna Bruce) learns on the big fat Greek quest to lose her virginity, childhood friendships and romantic relationships alike come under serious strain when the specter of sexuality enters the equation.
In How to Have Sex, Walker filters the bacchanalia of films like Spring Breakers through a lens of social realism reminiscent of Andrea Arnold’s work. Her background as a cinematographer, most notably for Charlotte Regan’s Scrapper, emerges most clearly in how she...
In How to Have Sex, Walker filters the bacchanalia of films like Spring Breakers through a lens of social realism reminiscent of Andrea Arnold’s work. Her background as a cinematographer, most notably for Charlotte Regan’s Scrapper, emerges most clearly in how she...
- 2/3/2024
- by Marshall Shaffer
- Slant Magazine
After celebrating the endlessly innovative Lucio Fulci in 2019's Fulci for Fake, director Simone Scafidi shines a spotlight on another legendary Italian filmmaker in his new documentary, Dario Argento Panico. Featuring insightful interviews with Dario Argento, his family and friends, as well as renowned filmmakers who have been influenced by the Master of Horror, Dario Argento Panico is now streaming on Shudder, and we had the great pleasure of speaking with Simone in a new video interview!
Below, you can watch our full video interview with Simone (as well as the trailer for Dario Argento Panico), and if you live around New York City, it's worth noting that Shudder and the IFC Center have teamed up for "Panic Attacks: The Films of Dario Argento," screening through February 8th at the IFC Center.
The post Video Interview: Director Simone Scafidi Discusses Celebrating a Master of Horror in New Documentary Dario Argento...
Below, you can watch our full video interview with Simone (as well as the trailer for Dario Argento Panico), and if you live around New York City, it's worth noting that Shudder and the IFC Center have teamed up for "Panic Attacks: The Films of Dario Argento," screening through February 8th at the IFC Center.
The post Video Interview: Director Simone Scafidi Discusses Celebrating a Master of Horror in New Documentary Dario Argento...
- 2/3/2024
- by Derek Anderson
- DailyDead
You don’t need to have lived in the proverbial middle of nowhere to understand the kind of terror Alexandre Bustillo and Julien Maury’s The Soul Eater mines from the fictional Roquenoix. As shot by Simon Roca, this remote hamlet in northeastern France isn’t a ghost town so much as a burial ground where humans and buildings alike are waiting to rot. A grandiose sanatorium once towered over the tree-shrouded hills, bringing in enough cash and tourists to fill the village’s coffers. But when a motorway was built across the valley, the tourists disappeared, the sanatorium was abandoned; and the few who stayed behind were left to wrestle with an ancestral legend and a series of murders that may or may not be connected with it.
The single most terrifying thing in The Soul Eater isn’t the titular devourer, but that spectral, lifeless town where its victims are stranded.
The single most terrifying thing in The Soul Eater isn’t the titular devourer, but that spectral, lifeless town where its victims are stranded.
- 2/2/2024
- by Leonardo Goi
- The Film Stage
After the cinematic doldrums of January, February brings surprisingly packed, varied offerings, from Oscar-contending international features to biographical documentaries of legendary film artists to some electrifying genre outings. Check out my picks to see below, and catch up with our Sundance coverage ahead of our Berlinale reviews here.
16. The Monk and the Gun (Pawo Choyning Dorji; Feb. 9)
Returning after his Oscar-nominated directorial debut Lunana: A Yak in the Classroom, Pawo Choyning Dorji’s Ifsn Advocate Award-shortlisted The Monk and the Gun premiered at Telluride and TIFF to much acclaim and will now be released this month. Selected by Bhutan as their Oscar entry, the heartwarming film is about an American in search of a long-lost, vintage gun in Bhutan as the country’s launching a democracy.
15. Ennio (Giuseppe Tornatore; Feb. 9)
The film world lost perhaps its most legendary musician when Ennio Morricone died at the age of 91 in July 2020. Cinema Paradiso director Giuseppe Tornatore,...
16. The Monk and the Gun (Pawo Choyning Dorji; Feb. 9)
Returning after his Oscar-nominated directorial debut Lunana: A Yak in the Classroom, Pawo Choyning Dorji’s Ifsn Advocate Award-shortlisted The Monk and the Gun premiered at Telluride and TIFF to much acclaim and will now be released this month. Selected by Bhutan as their Oscar entry, the heartwarming film is about an American in search of a long-lost, vintage gun in Bhutan as the country’s launching a democracy.
15. Ennio (Giuseppe Tornatore; Feb. 9)
The film world lost perhaps its most legendary musician when Ennio Morricone died at the age of 91 in July 2020. Cinema Paradiso director Giuseppe Tornatore,...
- 2/1/2024
- by Jordan Raup
- The Film Stage
The final week of January is also the first week of February, and it’s a slow week for the horror genre in terms of new releases. But that doesn’t mean we’re not getting new horror this week.
Here’s all the new horror releasing January 29 – February 4, 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
Real-life serial killer John Wayne Gacy has been the subject of a handful of horror movies over the years, played by Brian Dennehy in To Catch a Killer (1992), Mark Holton in Gacy (2003), and William Forsythe in Dear Mr. Gacy (2010). Quiver Distribution brings their own Gacy movie to the table this week, with Gacy: Serial Killer Next Door now available on VOD.
In director Michael Feifer’s horror movie, “A teenager’s life in a quiet suburb changes drastically when John Wayne Gacy, a famed serial killer, becomes his neighbor.
Here’s all the new horror releasing January 29 – February 4, 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
Real-life serial killer John Wayne Gacy has been the subject of a handful of horror movies over the years, played by Brian Dennehy in To Catch a Killer (1992), Mark Holton in Gacy (2003), and William Forsythe in Dear Mr. Gacy (2010). Quiver Distribution brings their own Gacy movie to the table this week, with Gacy: Serial Killer Next Door now available on VOD.
In director Michael Feifer’s horror movie, “A teenager’s life in a quiet suburb changes drastically when John Wayne Gacy, a famed serial killer, becomes his neighbor.
- 1/31/2024
- by John Squires
- bloody-disgusting.com
There are really three Dario Argentos in Simone Scafidi’s new documentary, Dario Argento Panico, and together they form a kind of Unholy Trinity. There is Dario Argento the artist (Father)––passionate, industrious, destructive; Dario Argento the man (Son)––generous, bookish, vulnerable; and Dario Argento the cinematic style (Holy Spirit)––savage, operatic, phantasmagorical. And perhaps the most enjoyable––and certainly the most novel––part of Scafidi’s film is that he allows these three personas to co-exist, creating a disguised giallo whose central question is not “Who committed the murder?” but “Who is Dario Argento?”
Scafidi’s portrait of Argento the man is, for the most part, sympathetic and in many ways rather ordinary, though there are occasional flashes of insight. We hear about his life in Rome during World War II; about his relationship with his father, the producer Salvatore Argento; and about how he used to sit quietly...
Scafidi’s portrait of Argento the man is, for the most part, sympathetic and in many ways rather ordinary, though there are occasional flashes of insight. We hear about his life in Rome during World War II; about his relationship with his father, the producer Salvatore Argento; and about how he used to sit quietly...
- 1/31/2024
- by Oliver Weir
- The Film Stage
Shudder documentary restrospective Dario Argento Panico highlights the influential work of Giallo maestro Dario Argento, and it’s assembled a Murderers’ Row of talent discussing the filmmaker’s works. That includes Italian composer and Goblin founder Claudio Simonetti and acclaimed filmmaker Nicolas Winding Refn.
In an exclusive clip below, Claudio Simonetti and Nicolas Winding Refn discuss Argento’s bloody Giallo film Tenebrae. Watch for insight on the film’s music and its enduring influence.
The documentary will arrive on Shudder on February 2, 2024.
The official Dario Argento Panico synopsis: “In the secluded ambiance of hotel rooms, Dario Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed by a film...
In an exclusive clip below, Claudio Simonetti and Nicolas Winding Refn discuss Argento’s bloody Giallo film Tenebrae. Watch for insight on the film’s music and its enduring influence.
The documentary will arrive on Shudder on February 2, 2024.
The official Dario Argento Panico synopsis: “In the secluded ambiance of hotel rooms, Dario Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed by a film...
- 1/30/2024
- by Meagan Navarro
- bloody-disgusting.com
There’s a reason that home invasion horror films like The Strangers, Them, The Purge, Hush, Don’t Breathe, Funny Games, and more rank highly among horror fans. The very concept of your private sanctuary getting corrupted and invaded by an unhinged intruder who means you grave harm is inherently terrifying. The realistic thrills of home invasion films can offer some of the most intense horror, and some of the biggest surprises when the formula is subverted.
This week’s streaming picks are dedicated to home invasion horror movies that unleash suspense, chills, violence, and stalker thrills. Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Angst – Kanopy, Midnight Pulp, Mubi, Tubi
An unconventional, stylized Austrian horror movie that largely influenced Gaspar Noe’s work, Angst follows a psychopath as he’s released from prison and eager to commit crime again. After a botched murder attempt,...
This week’s streaming picks are dedicated to home invasion horror movies that unleash suspense, chills, violence, and stalker thrills. Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Angst – Kanopy, Midnight Pulp, Mubi, Tubi
An unconventional, stylized Austrian horror movie that largely influenced Gaspar Noe’s work, Angst follows a psychopath as he’s released from prison and eager to commit crime again. After a botched murder attempt,...
- 1/29/2024
- by Meagan Navarro
- bloody-disgusting.com
For a documentary about tension and fear, it’s ironic that Dario Argento Panico is anxious about how to best pay homage to the Italian auteur. Director Simone Scafidi initially presents the film as something of a remixed take on the filmography-appraisal documentary, especially as Argento makes his way to a hotel where he plans to hole up and write his next film. In this moment, it seems as if we’re about to spend the majority of Panico with Argento playing a version of himself in a mockumentary of sorts. But this, alas, is mostly a tease, as Panico eventually settles into a steady collage of talking-head interviews, albeit mostly engaging ones, rattling off recollections and appreciations of Argento’s work.
Panico neither caters to newcomers to Argento’s work nor preaches to the converted. Instead, Scafidi positions Argento as subject, prompting the auteur to reflect on aspects of...
Panico neither caters to newcomers to Argento’s work nor preaches to the converted. Instead, Scafidi positions Argento as subject, prompting the auteur to reflect on aspects of...
- 1/28/2024
- by Clayton Dillard
- Slant Magazine
There is no shortage nowadays of movies with interesting ideas, but it’s generally in the execution that they falter. Trunk: Locked In is a German film directed by Marc Schieber that not only has an intriguing premise but a fantastic execution as well. The idea is not entirely new. Films like Buried and Guilty have had a go at it in their own ways, but Trunk: Locked In gets the best of both worlds. It has the claustrophobia from Buried coupled with the thrilling investigation by a police officer from their control room, as seen in “Guilty.” The economy of characters allowed Scheiber to experiment with shot composition and weird cinematography that seem inspired by Gaspar Noe. Everything works in this claustrophobic thriller, and the smartest thing about it is the exposition, which does not give the audience too much time to apply their analytical minds to assess the plot.
- 1/26/2024
- by Ayush Awasthi
- Film Fugitives
Two years ago, Souheila Yacoub took a call from an unknown number – and on the other end of line was Denis Villeneuve.
“I was so blacked out thinking how unreal it all was that I didn’t really understand everything that happened,” the actor tells Variety. “All I know is he asked me to read for ‘Dune: Part Two’ and shortly thereafter he offered me the part – and I was trying to stay professional, but on the inside I was crying, ‘This is so surreal!’”
One question the Swiss-born, Paris-based gymnast-turned-actor thought best not to ask was how she found her way onto Villeneuve’s radar to begin with.
“I was so nervous that he’d made mistake – that he was actually thinking of someone else – that I never dared to ask,” she laughs. “So I just signed the contract and showed up on set.”
With a pedigree that includes...
“I was so blacked out thinking how unreal it all was that I didn’t really understand everything that happened,” the actor tells Variety. “All I know is he asked me to read for ‘Dune: Part Two’ and shortly thereafter he offered me the part – and I was trying to stay professional, but on the inside I was crying, ‘This is so surreal!’”
One question the Swiss-born, Paris-based gymnast-turned-actor thought best not to ask was how she found her way onto Villeneuve’s radar to begin with.
“I was so nervous that he’d made mistake – that he was actually thinking of someone else – that I never dared to ask,” she laughs. “So I just signed the contract and showed up on set.”
With a pedigree that includes...
- 1/23/2024
- by Ben Croll
- Variety Film + TV
There was a time, in the ’90s, when indie film noir thought it was being hip by imitating the trappings of ’40s thrillers — the dark shadows, Venetian blinds, and “slinky” femme fatales. But a true noir never really looks back; it’s always pushing forward, toward fresh new varieties of desire and dread. “Love Lies Bleeding” is like that. It’s the second feature directed by Rose Glass, the British director of “Saint Maud” (2019), and though it’s made with a powerful sense of style, there’s nothing retro or mannered about it. It’s set in a small desert town in rural grunge New Mexico in 1989, and from the opening moments, which unfold at the warehouse workout gym where Lou (Kristen Stewart) toils away as a manager, the movie lets you taste the scuzzy deadbeat Western sleaze as surely as Mailer’s “The Executioner’s Song” did.
As Lou, Kristen...
As Lou, Kristen...
- 1/21/2024
- by Owen Gleiberman
- Variety Film + TV
Directed by Steven Soderbergh and penned by David Koepp, the haunting psychological thriller Presence follows a fractured family as a mysterious supernatural force infiltrates their new home and takes interest in their daughter, Chloe. The film stars Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland and Julia Fox.
An unsettling presence permeates the home of Chris (Sullivan) and Ruth (Liu) before they even move in. This supernatural entity is a witness to the family’s most vulnerable moments. It has a particular focus on the couple’s young daughter, Chloe (Liang), who is always at odds with her mother and brother Tyler (Maday). However, the young girl is in mourning because of her two girls, one of them — her best friend, Nadia — died recently.
Ruth thinks the key is letting her daughter deal with her own problems, while Chris thinks it needs to be addressed. With Tyler having little empathy for her,...
An unsettling presence permeates the home of Chris (Sullivan) and Ruth (Liu) before they even move in. This supernatural entity is a witness to the family’s most vulnerable moments. It has a particular focus on the couple’s young daughter, Chloe (Liang), who is always at odds with her mother and brother Tyler (Maday). However, the young girl is in mourning because of her two girls, one of them — her best friend, Nadia — died recently.
Ruth thinks the key is letting her daughter deal with her own problems, while Chris thinks it needs to be addressed. With Tyler having little empathy for her,...
- 1/20/2024
- by Valerie Complex
- Deadline Film + TV
"I do what I do because I want to be loved!" Shudder has revealed an official US trailer for the documentary film titled Dario Argento Panico (also called just Panico). "Experience the world of Dario Argento like never before." This originally premiered at the 2023 Venice Film Festival last year in the "Venice Classics" section. It is the first biopic doc ever dedicated to Argento. The film zooms in on titular Italian filmmaker Dario Argento as he finishes writing the script for his last feature in a hotel as a film crew shoots a movie about him. "It is an immersive deep dive into the creative process and life of Argento and features exclusive interviews with the legendary filmmaker and insight from other acclaimed directors like Gaspar Noé, Guillermo del Toro and Nicolas Winding Refn about his impact on the horror genre and generations of other directors." Argento is now 83 years...
- 1/5/2024
- by Alex Billington
- firstshowing.net
Mario Bava, Lucio Fulci, or even Sergio Martino may pop into cinephile’s heads when thinking of Giallo’s greatest directors. But only one name is truly synonymous with the Italian sub-genre, and that’s Dario Argento. Don’t believe us? Maybe “Dario Argento Panico,” a new doc about the director that premieres on Shudder next month, will convince the uninitiated.
Read More: The 100 Most Anticipated Films Of 2024
Simone Scafidi‘s doc takes a retrospective look at Argento’s life and career, from his early days making classic Giallos like “The Girl Who Knew Too Much” to his aesthetically daring apex of “Suspiria,” “Inferno,” and “Tenebrae.” “Dario Argento Panico” features interview with Argento, his daughter Asia Argento, as well as filmmakers like Guillermo Del Toro, Gaspar Noé, and Nicolas Winding Refn, and screenwriter Franco Ferrini.
Continue reading ‘Dario Argento Panico’ Trailer: Doc About The Giallo Master Premieres On Shudder On February 2 at The Playlist.
Read More: The 100 Most Anticipated Films Of 2024
Simone Scafidi‘s doc takes a retrospective look at Argento’s life and career, from his early days making classic Giallos like “The Girl Who Knew Too Much” to his aesthetically daring apex of “Suspiria,” “Inferno,” and “Tenebrae.” “Dario Argento Panico” features interview with Argento, his daughter Asia Argento, as well as filmmakers like Guillermo Del Toro, Gaspar Noé, and Nicolas Winding Refn, and screenwriter Franco Ferrini.
Continue reading ‘Dario Argento Panico’ Trailer: Doc About The Giallo Master Premieres On Shudder On February 2 at The Playlist.
- 1/5/2024
- by Ned Booth
- The Playlist
Among the greatest theatrical experiences I’ve had across the last few years is during our Dario Argento retrospective at Film at Lincoln Center, in which the Italian horror maestro visited to present new restorations of his classics. 2024 now brings another opportunity to celebrate his legendary career as Simone Scafidi’s documentary Dario Argento Panico will arrive on Shudder on February 2. Featuring interviews with Dario Argento, Asia Argento, Fiore Argento, Nicolas Winding Refn, Gaspar Noè, Guillermo Del Toro, Michele Soavi, Lamberto Bava, and Franco Ferrini, the first teaser has now arrived providing a little peek at some highlights.
Here’s the synopsis: “In the secluded ambiance of hotel rooms, Dario Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest...
Here’s the synopsis: “In the secluded ambiance of hotel rooms, Dario Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest...
- 1/5/2024
- by Jordan Raup
- The Film Stage
The first trailer has dropped for the documentary Dario Argento Panico, set to stream on Shudder Feb. 2nd.
In the secluded ambiance of hotel rooms, Dario Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed by a film crew documenting his life for a movie about his illustrious career.
From director Simone Scafidi, check out the filmmaker’s exploration of the Giallo Horror Maestro.
To commemorate the release of Dario Argento Panico, Shudder and the IFC Center will present “Panic Attack: The Films Of Dario Argento,” a series of films celebrating the works of the Giallo horror maestro, revealing his profound impact on horror and his lasting influence on cinema.
In the secluded ambiance of hotel rooms, Dario Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed by a film crew documenting his life for a movie about his illustrious career.
From director Simone Scafidi, check out the filmmaker’s exploration of the Giallo Horror Maestro.
To commemorate the release of Dario Argento Panico, Shudder and the IFC Center will present “Panic Attack: The Films Of Dario Argento,” a series of films celebrating the works of the Giallo horror maestro, revealing his profound impact on horror and his lasting influence on cinema.
- 1/4/2024
- by Michelle McCue
- WeAreMovieGeeks.com
Giallo Maestro Dario Argento will be featured in Dario Argento Panico, a documentary retrospective acquired by Shudder. A new trailer debuted today that teases the notable talking heads featured in the personal portrait of the acclaimed fimmaker.
The documentary will arrive on Shudder on February 2, 2024, after making its world premiere at the 2023 Venice Film Festival.
Watch the trailer and get a peek at the new poster, a fun nod to the yellow “giallo” translation, below.
The official Dario Argento Panico synopsis: “In the secluded ambiance of hotel rooms, Dario Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed by a film crew documenting his life for a movie about his illustrious career.
The documentary will arrive on Shudder on February 2, 2024, after making its world premiere at the 2023 Venice Film Festival.
Watch the trailer and get a peek at the new poster, a fun nod to the yellow “giallo” translation, below.
The official Dario Argento Panico synopsis: “In the secluded ambiance of hotel rooms, Dario Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed by a film crew documenting his life for a movie about his illustrious career.
- 1/4/2024
- by Meagan Navarro
- bloody-disgusting.com
Genre icon Dario Argento is the focus on the documentary Dario Argento Panico, which had its world premiere at the Venice Film Festival back in September – the same time we got our hands on the trailer embedded above. Today, Deadline reports that Dario Argento Panico has been acquired by the Shudder streaming service, and they’re planning to start streaming the in film the U.S., Canada, the UK, Ireland, Australia, and New Zealand on February 2nd.
Before we reach that date, the documentary is set to have its U.S. premiere at the IFC Center in New York during their theatrical retrospective Panic Attacks: The Films of Dario Argento, which is set to run from January 31st through February 8th.
Directed by Simone Scafidi and produced by Paguro Film, Dario Argento Panico is said to offer an insightful journey through the life and legacy of the legendary Italian filmmaker,...
Before we reach that date, the documentary is set to have its U.S. premiere at the IFC Center in New York during their theatrical retrospective Panic Attacks: The Films of Dario Argento, which is set to run from January 31st through February 8th.
Directed by Simone Scafidi and produced by Paguro Film, Dario Argento Panico is said to offer an insightful journey through the life and legacy of the legendary Italian filmmaker,...
- 12/19/2023
- by Cody Hamman
- JoBlo.com
Of all the leading Italian horror filmmakers, including auteurs like Mario Bava and Lucio Fulci, Dario Argento is the most recognized and widely renowned. Per Deadline, the Giallo Maestro will be featured in Dario Argento Panico, a documentary retrospective acquired by Shudder.
The documentary will arrive on Shudder on February 2, 2024, after making its world premiere at the 2023 Venice Film Festival.
Dario Argento Panico follows “an insightful journey through the life and legacy of the legendary Italian filmmaker, revealing his profound impact on horror and his lasting influence on cinema. It was in the secluded ambience of hotel rooms that Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed...
The documentary will arrive on Shudder on February 2, 2024, after making its world premiere at the 2023 Venice Film Festival.
Dario Argento Panico follows “an insightful journey through the life and legacy of the legendary Italian filmmaker, revealing his profound impact on horror and his lasting influence on cinema. It was in the secluded ambience of hotel rooms that Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed...
- 12/19/2023
- by Meagan Navarro
- bloody-disgusting.com
Some of the most powerful figures in Saudi film gathered at the Ritz Carlton in Jeddah for a cocktail party hosted by Film AlUla and Stampede Ventures in partnership with Variety last night. Figures such as Saudi producer and film industry pioneer Faisal Baltyuor and Egyptian producer Mohamed Hefzy were spotted along with Zeinab Abu Alsamh, general manager of Mbc Studios Saudi Arabia.
Stampede Ventures head Greg Silverman was celebrating the $350 million three-year deal just signed with Film AlUla, which will bring 10 projects to the region. He told Variety: “As somebody who loves film, coming here and seeing films celebrated this way is excellent. We’ve been looking for a home for our slate of films and we’re so excited to have the possibility of working with AlUla. They have state-of-the-art studios and, for our talent, it’s an incredible place for them to be when they’re not on set.
Stampede Ventures head Greg Silverman was celebrating the $350 million three-year deal just signed with Film AlUla, which will bring 10 projects to the region. He told Variety: “As somebody who loves film, coming here and seeing films celebrated this way is excellent. We’ve been looking for a home for our slate of films and we’re so excited to have the possibility of working with AlUla. They have state-of-the-art studios and, for our talent, it’s an incredible place for them to be when they’re not on set.
- 12/4/2023
- by John Bleasdale
- Variety Film + TV
Jonathan Ogilvie’s post-punk coming-of-age comedy “Head South” will open the 53rd International Film Festival Rotterdam on Jan. 25, with the festival running until Feb. 4.
Ogilvie’s semi-autobiographical film is set in Christchurch, New Zealand in 1979 where a private schoolboy becomes desperately enamored with all things post-punk. The director’s last film, thriller “Lone Wolf,” screened in the festival’s Big Screen competition section in 2021.
Vanja Kaludjercic, IFFR festival director, said: “With ‘Head South,’ Jonathan Ogilvie returns to the festival with an unpredictable coming-of-age story that delights in its shifting tone. Quirkiness and nostalgia become sober and thoughtful, only to turn exuberant and then something else again, in a fitting tribute to post-punk subculture. Ogilvie is the kind of filmmaker we cherish at IFFR: those for whom the art is, above all, an adventure of discovery.”
Other films to have their world premieres at the Dutch festival include Indian filmmaker Ishan Shukla...
Ogilvie’s semi-autobiographical film is set in Christchurch, New Zealand in 1979 where a private schoolboy becomes desperately enamored with all things post-punk. The director’s last film, thriller “Lone Wolf,” screened in the festival’s Big Screen competition section in 2021.
Vanja Kaludjercic, IFFR festival director, said: “With ‘Head South,’ Jonathan Ogilvie returns to the festival with an unpredictable coming-of-age story that delights in its shifting tone. Quirkiness and nostalgia become sober and thoughtful, only to turn exuberant and then something else again, in a fitting tribute to post-punk subculture. Ogilvie is the kind of filmmaker we cherish at IFFR: those for whom the art is, above all, an adventure of discovery.”
Other films to have their world premieres at the Dutch festival include Indian filmmaker Ishan Shukla...
- 11/23/2023
- by Leo Barraclough
- Variety Film + TV
The pioneering French-Iranian producer and sales agent leaves behind a long-lasting legacy
Pioneering producer and celebrated Celluloid Dreams founder Hengameh Panahi died on November 5 following a long illness, sending shockwaves of sadness throughout the international film community and leaving a long-lasting legacy of both championing auteur cinema and shaking up the status quo in her wake.
The revered French-Iranian industry executive was known for finding and following emerging directors and accompanying their films to festival glory and international acclaim. Her career spanned four decades and more than 800 films.
She worked alongside iconic directors from across the globe including Jacques Audiard,...
Pioneering producer and celebrated Celluloid Dreams founder Hengameh Panahi died on November 5 following a long illness, sending shockwaves of sadness throughout the international film community and leaving a long-lasting legacy of both championing auteur cinema and shaking up the status quo in her wake.
The revered French-Iranian industry executive was known for finding and following emerging directors and accompanying their films to festival glory and international acclaim. Her career spanned four decades and more than 800 films.
She worked alongside iconic directors from across the globe including Jacques Audiard,...
- 11/10/2023
- by Rebecca Leffler
- ScreenDaily
News of the death of Celluloid Dreams CEO Hengameh Panahi has sparked an outpouring of admiration and tributes from the independent film community.
Panahi, a pivotal figure in the global art house scene, died Nov. 5, aged 67. In her decades in the business — as a producer, co-financier and sales agent — Panahi introduced the world to international auteurs from Iran (Jafar Panahi, Marjane Satrapi), Europe (Jacques Audiard, François Ozon, Gaspar Noé, Marco Bellocchio, Aleksandr Sokurov, the Dardenne brothers) and across Asia (Takeshi Kitano, Naomi Kawase, Jia Zanghke, Hirokazu Kore-eda).
“She took films that were challenging, that were difficult to make, to sell, to promote, and she fought for them,” says Oscar-winning producer Jeremy Thomas (The Last Emperor) who knew and worked with Panahi for more than 30 years. “She was a unique part of the film ecosystem. She was really inspirational, with the films that she enabled to be made, and seen.”
Celluloid Dreams,...
Panahi, a pivotal figure in the global art house scene, died Nov. 5, aged 67. In her decades in the business — as a producer, co-financier and sales agent — Panahi introduced the world to international auteurs from Iran (Jafar Panahi, Marjane Satrapi), Europe (Jacques Audiard, François Ozon, Gaspar Noé, Marco Bellocchio, Aleksandr Sokurov, the Dardenne brothers) and across Asia (Takeshi Kitano, Naomi Kawase, Jia Zanghke, Hirokazu Kore-eda).
“She took films that were challenging, that were difficult to make, to sell, to promote, and she fought for them,” says Oscar-winning producer Jeremy Thomas (The Last Emperor) who knew and worked with Panahi for more than 30 years. “She was a unique part of the film ecosystem. She was really inspirational, with the films that she enabled to be made, and seen.”
Celluloid Dreams,...
- 11/10/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Hengameh Panahi, the French-Iranian producer and sales agent who founded Celluloid Dreams and was a pivotal figure in bringing works from such auteurs as Jacques Audiard, Jafar Panahi (no relation), François Ozon, Marjane Satrapi and Todd Haynes to the world, has died. She was 67.
Viviana Andriani, a press attaché who had worked with Panahi for many years, confirmed Thursday that Panahi died on November 5 after battling a long illness.
Celluloid Dreams, which Panahi launched in 1985, was a groundbreaking sales and production company that helped build the global market for international arthouse films. Over the course of three decades, Paris-based Celluloid helped package and sell more than 800 films, including the first works from François Ozon (See The Sea), Gaspar Noé (I Stand Alone), Marjane Satrapi (Persepolis) and Bruno Dumont (The Life of Jesus), among many others.
Alongside many European talents, Panahi, who was born in Iran but moved to Europe aged...
Viviana Andriani, a press attaché who had worked with Panahi for many years, confirmed Thursday that Panahi died on November 5 after battling a long illness.
Celluloid Dreams, which Panahi launched in 1985, was a groundbreaking sales and production company that helped build the global market for international arthouse films. Over the course of three decades, Paris-based Celluloid helped package and sell more than 800 films, including the first works from François Ozon (See The Sea), Gaspar Noé (I Stand Alone), Marjane Satrapi (Persepolis) and Bruno Dumont (The Life of Jesus), among many others.
Alongside many European talents, Panahi, who was born in Iran but moved to Europe aged...
- 11/9/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Close to 40 years after Wim Wenders won the Cannes Palme d’Or for Paris, Texas, its enigmatic ending continues to spark debate in cinephile circles.
Talking about his career in a Lumière Film Festival masterclass over the weekend, the German director stood by his decision to have Harry Dean Stanton’s reclusive character Travis drive off into night, leaving behind his reunited estranged wife and young son.
“I was very, very convinced that the ending of Paris, Texas was right. For me, it was an heroic act by Travis to leave the mother and son together,” said Wenders.
“He knew he had done so much harm that they were never going to make it as a family, while the son and the mother had a good chance of making a life together if he left.”
Wenders revealed he received pushback around the final scene, including from the U.S. distributor 20th Century Fox,...
Talking about his career in a Lumière Film Festival masterclass over the weekend, the German director stood by his decision to have Harry Dean Stanton’s reclusive character Travis drive off into night, leaving behind his reunited estranged wife and young son.
“I was very, very convinced that the ending of Paris, Texas was right. For me, it was an heroic act by Travis to leave the mother and son together,” said Wenders.
“He knew he had done so much harm that they were never going to make it as a family, while the son and the mother had a good chance of making a life together if he left.”
Wenders revealed he received pushback around the final scene, including from the U.S. distributor 20th Century Fox,...
- 10/23/2023
- by Melanie Goodfellow
- Deadline Film + TV
Wim Wenders and Thierry Frémaux signalled their support on Saturday for the Hollywood actors strike as the industrial action hits its 100th day.
“I understand the actors who all want to profit a little more… rather than there being just a dozen big names who have high salaries… while all the others earn nothing or very little,” Wenders told a press conference at the Lumière Film Festival.
The German director is guest of honor at the 15th edition of the festival, spearheaded by double-hatted Cannes Delegate General Frémaux in his role of director of the Institut Lumière in Lyon, preserving the legacy of cinema pioneers Auguste and Louis Lumière.
Frémaux seconded Wenders’s words.
“The universal dimension of this strike is perhaps a bit underestimated… France, which has a reputation for struggle and putting up a fight, can also look with admiration at what is happening in Hollywood for something that touches us all,...
“I understand the actors who all want to profit a little more… rather than there being just a dozen big names who have high salaries… while all the others earn nothing or very little,” Wenders told a press conference at the Lumière Film Festival.
The German director is guest of honor at the 15th edition of the festival, spearheaded by double-hatted Cannes Delegate General Frémaux in his role of director of the Institut Lumière in Lyon, preserving the legacy of cinema pioneers Auguste and Louis Lumière.
Frémaux seconded Wenders’s words.
“The universal dimension of this strike is perhaps a bit underestimated… France, which has a reputation for struggle and putting up a fight, can also look with admiration at what is happening in Hollywood for something that touches us all,...
- 10/21/2023
- by Melanie Goodfellow
- Deadline Film + TV
Exclusive: Reptile co-stars Alicia Silverstone and Karl Glusman have been set to lead The Bird and the Bee, a sexually charged thriller that marks Justin Kelly’s third film for Yale Productions, on the heels of Welcome the Stranger and gay porn world-set crime drama King Cobra.
Written by Atlantis actor Jack Donnelly, the film was shot under a SAG-AFTRA Interim Agreement and wrapped production this week. Pic follows a successful executive (Silverstone) as she fights back a scorned younger lover (Glusman) who takes his obsession too far.
Producers included Jordan Yale Levine, Jordan Beckerman, and Jesse Korman of Yale Productions, as well as Scott Levenson and Lexi Tannenholtz. Exec producers included Jason Kringstein, John Wollman, Michael J. Rothstein, Jeffrey Tussi, Jeremy Rothstein, and Jodie Lazar, as well as Brian Unger, Gigi Lacks,...
Written by Atlantis actor Jack Donnelly, the film was shot under a SAG-AFTRA Interim Agreement and wrapped production this week. Pic follows a successful executive (Silverstone) as she fights back a scorned younger lover (Glusman) who takes his obsession too far.
Producers included Jordan Yale Levine, Jordan Beckerman, and Jesse Korman of Yale Productions, as well as Scott Levenson and Lexi Tannenholtz. Exec producers included Jason Kringstein, John Wollman, Michael J. Rothstein, Jeffrey Tussi, Jeremy Rothstein, and Jodie Lazar, as well as Brian Unger, Gigi Lacks,...
- 10/11/2023
- by Matt Grobar
- Deadline Film + TV
Dear Jassi arrives with echoes of Madonna’s 1989 hit “Dear Jessie” and its sugary promise of pink elephants and lemonade, but none of that turns out to be forthcoming in Tarsem Singh Dhandwar’s beautiful and brutal sixth feature. Instead, we have perhaps the most disturbing bait-and-switch since George Sluizer’s original iteration of The Vanishing, a Punjabi Juliet-meets-Romeo story that’s much harsher that any so-far-filmed version of West Side Story and a whole lot funnier. This dissonance takes a while to reveal itself, but when it does, the shock is visceral. The fact that almost everything is true is the killer blow, and the shockwave of that reverberates through the poignant final credits, a static shot that forces the audience, or maybe just simply dares them, to think about what they’ve just seen.
Immigrant stories have been big in 2023, but the troubling core of Dear Jassi is actually an emigrant story,...
Immigrant stories have been big in 2023, but the troubling core of Dear Jassi is actually an emigrant story,...
- 10/9/2023
- by Damon Wise
- Deadline Film + TV
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