John Ford’s favorite western of his own work is a curiously gentle, endearingly simple hark-back to the verities of silent filmmaking. Mormons crossing the desert are encumbered by show people and beset by a nasty outlaw family — but don’t worry ’cause the Sons of the Pioneers will still be singing backup for ‘The Chuckawalla Swing.’ Ford rodeo discovery Ben Johnson returns with Harry Carey Jr. and every other Ford stock player not nailed down, and the marvelously direct cinematography is keyed to Ford’s idealized vision of life on the frontier.
Wagon Master
Blu-ray
Warner Archive Collection
1950 / B&w / 1:37 flat Academy / 86 min. / Street Date August 13, 2019 / available through the WBshop / 21.99
Starring: Ben Johnson, Joanne Dru, Harry Carey Jr., Ward Bond, Charles Kemper, Alan Mowbray, Jane Darwell, Ruth Clifford, Russell Simpson, Kathleen O’Malley, James Arness, Francis Ford, Hank Worden.
Cinematography: Bert Glennon
Film Editor: Jack Murray
Original Music:...
Wagon Master
Blu-ray
Warner Archive Collection
1950 / B&w / 1:37 flat Academy / 86 min. / Street Date August 13, 2019 / available through the WBshop / 21.99
Starring: Ben Johnson, Joanne Dru, Harry Carey Jr., Ward Bond, Charles Kemper, Alan Mowbray, Jane Darwell, Ruth Clifford, Russell Simpson, Kathleen O’Malley, James Arness, Francis Ford, Hank Worden.
Cinematography: Bert Glennon
Film Editor: Jack Murray
Original Music:...
- 8/31/2019
- by Glenn Erickson
- Trailers from Hell
Warners knocks us out with a beautifully remastered Rko noir. Nicholas Ray's crime tale is like no other, a meditation on human need and loneliness. It's a noir with a cautiously positive, hopeful twist. On Dangerous Ground Blu-ray Warner Archive Collection 1952 / B&W / 1:37 flat Academy / 82 min. / Street Date October 11, 2016 / available through the WBshop / 21.99 Starring Ida Lupino, Robert Ryan, Ward Bond, Charles Kemper, Anthony Ross, Ed Begley, Ian Wolfe, Sumner Williams. Cinematography George E. Diskant Art Direction Ralph Berger, Albert S. D'Agostino Film Editor Roland Gross Original Music Bernard Herrmann Written by A.I. Bezzerides, Nicholas Ray from the novel Mad with Much Heart by Gerald Butler Produced by John Houseman, Sid Rogell Directed by Nicholas Ray
Reviewed by Glenn Erickson
The Warner Archive is known for pleasant surprises, but this one is a real thrill -- one of the very best Rko films noir, reissued in a much-needed beautiful restoration.
Reviewed by Glenn Erickson
The Warner Archive is known for pleasant surprises, but this one is a real thrill -- one of the very best Rko films noir, reissued in a much-needed beautiful restoration.
- 10/8/2016
- by Glenn Erickson
- Trailers from Hell
Looking to discover a top-quality film that honors lasting values? Jean Renoir gives Zachary Scott and Betty Field as Texas sharecroppers trying to survive a rough first year. It's beautifully written by Hugo Butler, with given realistic, earthy touches not found in Hollywood pix. And the transfer is a new UCLA restoration. With two impressive short subjects in equal good quality. The Southerner Blu-ray Kino Classics 1945 / B&W / 1:37 flat Academy / 92 min. / Street Date February 9, 2016 / available through Kino Lorber / 29.95 Starring Betty Field, Beulah Bondi, Carol Naish, Norman Lloyd, Zachary Scott, Percy Kilbride, Charles Kemper, Blanche Yurka, Estelle Taylor, Paul Harvey, Noreen Nash, Nestor Paiva, Almira Sessions. Cinematography Lucien Andriot Film Editor Gregg C. Tallas Production Designer Eugène Lourié Assistant Director Robert Aldrich Original Music Werner Janssen Written by Hugo Butler, Jean Renoir from a novel by George Sessions Perry Produced by Robert Hakim, David L. Loew Directed by Jean Renoir...
- 1/26/2016
- by Glenn Erickson
- Trailers from Hell
Where Danger Lives
Directed by John Farrow
Screenplay by Charles Bennett
U.S.A., 1950
Infatuation is a funny thing. On the spur of the moment, its symptoms exude nothing less than immeasurable positivity. One’s attraction to particular individual feels good, feels right, feels like it must be satisfied. Despite however powerful its hold may be, everyone arrives at the conclusion that infatuation and love are not one and the same. Love is lasting, whereas infatuation, even if it holds the possibility of evolving into something deeper, is a short term effect. That does not prevent people from acting out on it, convinced that it is in fact love guiding them. In some cases, regret is all that follows. Robert Mitchum is unfortunate enough to experience that first hand in the 1950 film, Where Danger Lives.
San Franciscan doctor Jeff Cameron (Robert Mitchum) has been working some long, long hours. Just...
Directed by John Farrow
Screenplay by Charles Bennett
U.S.A., 1950
Infatuation is a funny thing. On the spur of the moment, its symptoms exude nothing less than immeasurable positivity. One’s attraction to particular individual feels good, feels right, feels like it must be satisfied. Despite however powerful its hold may be, everyone arrives at the conclusion that infatuation and love are not one and the same. Love is lasting, whereas infatuation, even if it holds the possibility of evolving into something deeper, is a short term effect. That does not prevent people from acting out on it, convinced that it is in fact love guiding them. In some cases, regret is all that follows. Robert Mitchum is unfortunate enough to experience that first hand in the 1950 film, Where Danger Lives.
San Franciscan doctor Jeff Cameron (Robert Mitchum) has been working some long, long hours. Just...
- 2/17/2012
- by Edgar Chaput
- SoundOnSight
"It's all in the eyes," Robert Ryan once said of film acting. "That's where you do most of your work."
But was it true of Ryan himself? His own narrow and heavily lidded brown eyes often registered as black disks in the lighting schemes of the late 40s and early 50s—that is, when they weren't overwhelmed by his massive forehead and his thick tangle of dark hair, or a pair of tragic eyebrows that threatened to merge with the numerous crags in his face as he entered middle age. Not to mention his lanky, extremely powerful physique. Take a close look at Ryan in The Set-Up or On Dangerous Ground and you'll get a sense of the relative frailty and delicacy of most male movie stars. In the post-war era, only Burt Lancaster was as physically imposing (Kirk Douglas was always fit but he was self-contained and self-motivated, even...
But was it true of Ryan himself? His own narrow and heavily lidded brown eyes often registered as black disks in the lighting schemes of the late 40s and early 50s—that is, when they weren't overwhelmed by his massive forehead and his thick tangle of dark hair, or a pair of tragic eyebrows that threatened to merge with the numerous crags in his face as he entered middle age. Not to mention his lanky, extremely powerful physique. Take a close look at Ryan in The Set-Up or On Dangerous Ground and you'll get a sense of the relative frailty and delicacy of most male movie stars. In the post-war era, only Burt Lancaster was as physically imposing (Kirk Douglas was always fit but he was self-contained and self-motivated, even...
- 8/13/2011
- MUBI
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