- (2001-2002 season) He was lighting designer for Dael Orlandersmith's play, "Yellowman," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Blanka Zizka was director. Klara Zieglerova was set designer. Janus Stefanowicz was costume designer. Elliott Sharp was composer.
- (2002-2003 season) He was lighting designer for PIerre Carlet De Chamblain De Marivaux's play, "The Triumph of Love," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Thomas Lynch was set designer. Martin Pakledinaz was costume designer. Christopher Walker was sound designer. Stephen Wadsworth was adapter, translator and director.
- (March 28 to April 20, 2008) He was lighting designer for Lydia Diamond's adaptation of Toni Morrison's novel, "The Bluest Eye," in a Hartford Stage production at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Eric Ting was director. Scott Bradley was scenic designer. Toni-Leslie James was costume designer. Michael Bodeen and Rob Milburn were composers and sound designers. M. Akil Davis was movement consultant. Deborah Hecth was dialect coach. Mark Olsen was fight director.
- (April 28 to May 23, 2010) He was lighting designer for Henrik Ibsen's play, "A Doll's House," in a world premiere adaptation at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director and adapter. Michael Yeargan was set designer. Jessica Ford was costume designer. David Brudies was sound designer. Lisa Ann Chernoff was stage manager. Amy Patricia Stern was assistant stage manager. Jorge J. Rodriguez and Tanya Dean were Co-Dramaturgs. Elizabeth Roxas was choreographer.
- (April 27 to May 22, 2011) He was lighting designer for John Patrick Shanley's play, "Italian American Reconciliation," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Eric Ting was director. Scott Bradley was set designer. Linda Cho was costume designer. Sarah Pickett was sound designer. James Calleri was casting director. Megan Schwarz Dickert was stage manager.
- (March 25 to April 19, 2015) He was lighting designer for Kimber Lee's play, "brownsville song (b-side for tray)," at the Long Wharf Theatre on Claire Tow Stage in the C. Newton Schenck Theatre in New Haven, Connecticut. Eric Ting was director. Scott Bradley was set designer. Toni-Leslie James was costume designer. Ryan Rumery was sound designer. Kathy Snyder was production stage manager. Amy Patricia Stern and Theresa Stark were assistant stage managers.
- (1992 to 1993 season) He was lighting designer for Terence McNally's play, "Lips Together, Teeth Apart," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Anne Scurria, Fred Sullivan Jr., Ed Shea and Cynthia Strickland in the cast. Leonard Foglia was director. Michael McGarty was set designer. WIlliam Lane was costume designer. Anthony PM Ricci was audio designer.
- (1993 to 1994 season) He was lighting designer for Brian Friel's play, "Dancing at Lughnasa," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Kurt Rhoads, Anne Scurria, Nance Williamson, Phyllis Kay, Janice Duclos, Linda Amendola, Fred Sullivan Jr and Barry Press in the cast. Barbara Damashek was director. Michael McGarty was set designer. William Lane was costume designer. Tori Haring-Smith was Dramaturge.
- (1993 to 1994 season) He was lighting designer for Tori Haring-Smith's translation of Moliere's play, "The Miser," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Ed Shea, William Damkoehler, Phyllis Kay, Dan Welch, Timothy Crowe, Janice Duclos, Allen Oliver, Anne Scurria, Chris Turner, Jillian Rosenbach and Robert J. Colonna in the cast. Richard Jenkins was director and artistic director. Eugene Lee was set designer. Willian Lane was costume designer. Tori Haring-Smith was also Dramaturge. Chris Turner was music director.
- (1994 to 1995 season) He was lighting designer for Lisa Loomer's play, "The Waiting Room," at the Trinity Repertory Company Theatre in Providence, Rhode Island with June Kyokolu, Anne Scurria, Rose Weaver, Janice Duclos, William Damkoehler, Ed Shea, Stephen Berenson, Dan Welch, Chil King, Gabriel Diamond and Robert Grady in the cast. Davis Schweizer was director. Michael McGarty was set designer. William Lane was costume designer. Jon Gottlieb and Mitchell Greenwhill were sound designers. Deborah Nadoolman was Chinese costume designer. Mitchell Greenhill was composer. Tori Haring-Smith was Dramaturge.
- (1994 to 1995 season) He was lighting designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Robert J. Colonna, Timothy Crowe, Viola Davis, Dolores Dermody, Frank Enos, Matt Fagin, Jonathan Fried, Phyllis Kay, Lisa Lane, Brian McEleney, Allen Oliver, Kurt Rhoads, Candice Rose, Fred Sullivan Jr. and Nance Williamson in the cast. Amanda Dehnert, Kevin Fallon, Rachel Maloney and Chris Turner played the musicians. Heather Baron, Alexandra Bolotow, Rosanna Campbell, Jevon Coelho, Sharah Connor-Johnson, Jared Danielian, Amy Dziobeck, Elise Faragnoli, Fiona Gerety, Anna Henderson, David Kane, Cedric Lilly, Frankie O'Brien, Alex Newby, Jed Pilkington and Benjamin Simon played the children. Peter Gerety was director. David Rotondo was set designer. William Lane was costume designer. Chris Turner and Rachel Maloney were also music directors. Sharon Jenkins and Flying Foy were dance directors.
- (1995 to 1996 season) He was lighting designer for George S. Kaufman and Moss Hart's play, "Once in a Lifetime," at the Trinity Repertory Company Theatre in Providence, Rhode Island. David Schweizer was director. Eugene Lee was set designer. William Lane was costume designer. Mark Bennett was sound designer.
- (1995 to 1996 season) He was lighting designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Kent Gash was director. Michael McGarty was set designer. William Lane was costume designer.
- (1995 to 1996 season) He was lighting designer for Joe Sutton's play, "Voir Dire," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Oskar Eustis was director. Edward Haynes Jr. was set designer. William Lane was costume designer.
- (1996 to 1997 season) He was lighting designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. Michael McGarty was set designer. William Lane was costume designer.
- (1997 to 1998 season) He was lighting designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Amanda Dehnert was director. Michael McGarty was set designer. William Lane was costume designer.
- (1998 to 1999 season) He was lighting designer for Terrence McNally's play, "Master Class," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. Michael McGarty was set designer. WIlliam Lane was costume designer. Peter Sasha Hurowitz was sound designer.
- (1999 to 2000) He was lighting designer for George Bernard Shaw's play, "Mrs. Warren's Profession," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. Michael McGarty was set designer. William Lane was costume designer.
- (1999 to 2000 season) He was lighting designer for Martin McDonagh's play, "The Beauty Queen of Leenane," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. Michael McGarty was set designer. William Lane was costume designer. Peter Sasha Hurowitz was sound designer.
- (2000 to 2001 season) He was lighting designer for Christopher Hampton's translation of Yasmina Reza's play, "Art," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Lenny Foglia was director. Michael McGarty was set designer. William Lane was costume designer. Russell Champa was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2001 to 2002 season) He was lighting designer for Margaret Edson's play, "Wit," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Peter Sampieri was director. Christine Jones was set designer. Marilyn Salvatore was costume designer. Peter Sasha Hurowitz was sound designer.
- (2008 to 2009 season) He was lighting designer for Oscar Wilde's play, "The Importance of Being Earnest," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Beth F. Milles was director. Michael McGarty was set designer. William Lane was costume designer. Peter Sasha Hurowitz was sound designer.
- (2009 to 2010 season) He was lighting designer for the musical, "Cabaret," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Curt Columbus was director. Joe Masteroff wrote the book. John Kander was composer. Fred Ebb was lyricist. Michael McGarty was set designer. William Lane was costume designer. Peter Sasha Hurowitz was sound designer. Michael Rice was music director. Sharon Jenkins was choreographer.
- (2009 to 2010 season) He was lighting designer for Sarah Ruhl's play, "Dead Man's Cell Phone," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Beth F. Milles was director. Michael McGarty was set designer. William Lane was costume designer. Peter Sasha Hurowitz was sound designer.
Contribute to this page
Suggest an edit or add missing content