by Elisa Giudici
Megalopolis © 2024 Caesar Film LLC.
Francis Ford Coppola returns with a film that is already legendary even before its release, featuring a story that spans decades and a production so infamous and troubled that it warrants a film of its own. That nonexistent feature could have outshone Megalopolis, which, despite its high expectations, will be remembered in this year's Cannes Film Festival history as a major disappointment...
Megalopolis © 2024 Caesar Film LLC.
Francis Ford Coppola returns with a film that is already legendary even before its release, featuring a story that spans decades and a production so infamous and troubled that it warrants a film of its own. That nonexistent feature could have outshone Megalopolis, which, despite its high expectations, will be remembered in this year's Cannes Film Festival history as a major disappointment...
- 5/25/2024
- by Elisa Giudici
- FilmExperience
Lady Gaga has been born a star but now, she’s transforming into DC comic book character Harley Quinn for “Joker: Folie à Deux.”
The Oscar and Grammy winner teased her upcoming role alongside fellow Academy Award winner Joaquin Phoenix in the sequel to 2019 Batman prequel “Joker.” As Phoenix reprises his titular role as Arthur Fleck Aka the Joker, Gaga will play Harley from the “Batman the Animated Series” origins, as a bit different from Margot Robbie’s version of the character.
“You know my version of Harley is mine and it’s very authentic to this movie and these characters,” Gaga told Access Hollywood. “I’ve never done anything like I’ve done in this movie before, so it’s all going to be completely brand new and really fun.”
Margot Robbie brought Harley to life first in “Suicide Squad,” followed by spinoff “Birds of Prey” and quasi-reboot “The Suicide Squad.
The Oscar and Grammy winner teased her upcoming role alongside fellow Academy Award winner Joaquin Phoenix in the sequel to 2019 Batman prequel “Joker.” As Phoenix reprises his titular role as Arthur Fleck Aka the Joker, Gaga will play Harley from the “Batman the Animated Series” origins, as a bit different from Margot Robbie’s version of the character.
“You know my version of Harley is mine and it’s very authentic to this movie and these characters,” Gaga told Access Hollywood. “I’ve never done anything like I’ve done in this movie before, so it’s all going to be completely brand new and really fun.”
Margot Robbie brought Harley to life first in “Suicide Squad,” followed by spinoff “Birds of Prey” and quasi-reboot “The Suicide Squad.
- 5/24/2024
- by Samantha Bergeson
- Indiewire
The Cannes Film Festival is nearing its conclusion, with plenty of films making a splash on the starry Croisette on the French Riviera. However, one studio executive tells Variety, “There aren’t many Oscar-buzzy titles to be excited about, not even in the international feature space.”
This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.
It was looking like a foregone conclusion that the Palme d’Or win would be bestowed upon Jacques Audiard’s Spanish-language musical “Emilia Pérez,” starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón, which was picked up by Netflix. However, on Friday, Mohammad Rasoulof’s “The Seed of the Sacred Fig” garnered the most enthusiastic reactions on social media from attendees and the longest-standing ovation at 12 minutes. One awards publicist says,...
This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.
It was looking like a foregone conclusion that the Palme d’Or win would be bestowed upon Jacques Audiard’s Spanish-language musical “Emilia Pérez,” starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón, which was picked up by Netflix. However, on Friday, Mohammad Rasoulof’s “The Seed of the Sacred Fig” garnered the most enthusiastic reactions on social media from attendees and the longest-standing ovation at 12 minutes. One awards publicist says,...
- 5/24/2024
- by Clayton Davis
- Variety Film + TV
The 70s class of filmmakers who re-shaped cinema with their culture-defining works are seemingly getting some recognition recently. After Killers of the Flower Moon, Martin Scorsese’s stock is as high as ever. Steven Spielberg was recently announced to be revisiting a classic concept with him once again tackling a UFO film. Francis Ford Coppola is back in the spotlight with his ambitious passion project, Megalopolis. And George Lucas is getting honored at the Cannes Film Festival with a Palme d’Or for his contribution to cinema.
According to The Hollywood Reporter, Lucas would offer some retrospective about his career while accepting the award. He felt nostalgic about attending Cannes, which is where he presented his first feature, Thx-1138, at the Directors’ Fortnight in 1971. He would also, of course, talk about the very film series that is synonymous with him — Star Wars. When speaking about Disney’s purchase of the brand,...
According to The Hollywood Reporter, Lucas would offer some retrospective about his career while accepting the award. He felt nostalgic about attending Cannes, which is where he presented his first feature, Thx-1138, at the Directors’ Fortnight in 1971. He would also, of course, talk about the very film series that is synonymous with him — Star Wars. When speaking about Disney’s purchase of the brand,...
- 5/24/2024
- by EJ Tangonan
- JoBlo.com
“I’m a stubborn guy and I didn’t want people to tell me how to make my movies,” is how Star Wars creator George Lucas summed up the secret to his success, speaking to a crowd of fans at a packed Debussy theater in Cannes on Friday afternoon.
The 80-year-old filmmaker was being honored at the 77th Cannes festival with a Palme d’Or for his contribution to cinema, and the crowd, a much younger cohort than is usually seen at these events, whooped and hollered as Lucas walked on the stage. They were rapt as he sat down for a wide-ranging discussion of his life in the movie business.
Lucas said he felt “nostalgic” to be back in Cannes, where he presented his first feature, Thx-1138, at the Directors’ Fortnight back in 1971. His Thx-1138 co-writer and sound designer Walter Murch was in the audience as Lucas recalled how...
The 80-year-old filmmaker was being honored at the 77th Cannes festival with a Palme d’Or for his contribution to cinema, and the crowd, a much younger cohort than is usually seen at these events, whooped and hollered as Lucas walked on the stage. They were rapt as he sat down for a wide-ranging discussion of his life in the movie business.
Lucas said he felt “nostalgic” to be back in Cannes, where he presented his first feature, Thx-1138, at the Directors’ Fortnight back in 1971. His Thx-1138 co-writer and sound designer Walter Murch was in the audience as Lucas recalled how...
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
French producer Dimitri Rassam is enjoying a high-profile Cannes Film Festival as producer of Competition title Limonov: The Ballad and The Count Of Monte Cristo, which scored a rousing 12-minute ovation at its Out of Competition debut.
“It’s my first film in Competition, it has been a tremendous ride,” says Rassam, who is a producer on Limonov under his Paris-based Chapter 2 banner, alongside Italy’s Lorenzo Gangarossa, Mario Gianani and director Kirill Serebrennikov’s long-time collaborator Ilya Stewart.
Rassam is no stranger to the Cannes red carpet having regularly accompanied his actress mother Carole Bouquet in his early 20s, before mounting the festival’s famed steps in his own right as the producer of The Little Prince and co-producer of L’Immensità.
Cinema is also in his blood on his paternal side through his late producer father Jean-Pierre Rassam, and uncle Paul Rassam, the long-time friend and collaborator of Francis Ford Coppola...
“It’s my first film in Competition, it has been a tremendous ride,” says Rassam, who is a producer on Limonov under his Paris-based Chapter 2 banner, alongside Italy’s Lorenzo Gangarossa, Mario Gianani and director Kirill Serebrennikov’s long-time collaborator Ilya Stewart.
Rassam is no stranger to the Cannes red carpet having regularly accompanied his actress mother Carole Bouquet in his early 20s, before mounting the festival’s famed steps in his own right as the producer of The Little Prince and co-producer of L’Immensità.
Cinema is also in his blood on his paternal side through his late producer father Jean-Pierre Rassam, and uncle Paul Rassam, the long-time friend and collaborator of Francis Ford Coppola...
- 5/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
George Lucas got candid about criticism of the first six “Star Wars” films during a conversation at the Cannes Film Festival on Friday.
When speaking about the success of the franchise ahead of receiving the festival’s honorary Palme d’Or, Lucas reflected on some of the negative comments he’s received over the years.
“They would say, ‘It’s all white men,'” Lucas said of the films’ critics. “Most of the people are aliens! The idea is you’re supposed to accept people for what they are, whether they’re big and furry or whether they’re green or whatever. The idea is all people are equal.”
Lucas went on to say that the only beings in the “Star Wars” universe who were discriminated against were the robots.
“That was a way of saying, you know, people are always discriminating against something and sooner or later, that’s what’s going to happen,...
When speaking about the success of the franchise ahead of receiving the festival’s honorary Palme d’Or, Lucas reflected on some of the negative comments he’s received over the years.
“They would say, ‘It’s all white men,'” Lucas said of the films’ critics. “Most of the people are aliens! The idea is you’re supposed to accept people for what they are, whether they’re big and furry or whether they’re green or whatever. The idea is all people are equal.”
Lucas went on to say that the only beings in the “Star Wars” universe who were discriminated against were the robots.
“That was a way of saying, you know, people are always discriminating against something and sooner or later, that’s what’s going to happen,...
- 5/24/2024
- by Ellise Shafer
- Variety Film + TV
“We weren’t really that interested in making money, we were interested in making movies,” said Star Wars franchise architect George Lucas about the early days of his career with mentor Francis Ford Coppola in a Cannes sit down discussion today.
In a wide-ranging chat before a packed Salle Debussy Theatre crowd, Lucas, who is here to receive an honorary Palme d’or at the 77th edition shared how his Thx-1138 was accepted into a new section at Cannes, the Director’s Fortnight, back in 1971, but Warner Bros didn’t want to send the filmmaker or his co-scribe Walter Murch to France for the premiere. The duo scraped their money together, went to their own premiere in a side street venue, but snuck in because they didn’t have tickets. Years later he was asked by the French media why he didn’t go to the press conference of Thx 1138,...
In a wide-ranging chat before a packed Salle Debussy Theatre crowd, Lucas, who is here to receive an honorary Palme d’or at the 77th edition shared how his Thx-1138 was accepted into a new section at Cannes, the Director’s Fortnight, back in 1971, but Warner Bros didn’t want to send the filmmaker or his co-scribe Walter Murch to France for the premiere. The duo scraped their money together, went to their own premiere in a side street venue, but snuck in because they didn’t have tickets. Years later he was asked by the French media why he didn’t go to the press conference of Thx 1138,...
- 5/24/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Is Messi’s reign as cinema’s current top dog over?
The Palm Dog — Cannes’ annual celebration of on-screen canine performances which was last year won by the blue-eyed border collie from “Anatomy of a Fall,” the first step in a dramatic bound toward furry fame — has crowned a new champion.
The 2024 Palm Dog, presented at a special event on May 24, has been given to Kodi, the senior stray at the heart of acclaimed Swiss-French comedy “Dog on Trial.” The Un Certain Regard title from director and star Laetitia Dosch sees Kodi — believed to be a blonde Griffon cross — plays Cosmos, an aggressive pet who’s taken on as a client by a defense lawyer in story exploring the status of dogs in society. According to Palm Dog founder Toby Rose, Kodi is nearing his 10th birthday and will soon retire from acting, but bow-wows out having delivered a “fine four-legged swan song.
The Palm Dog — Cannes’ annual celebration of on-screen canine performances which was last year won by the blue-eyed border collie from “Anatomy of a Fall,” the first step in a dramatic bound toward furry fame — has crowned a new champion.
The 2024 Palm Dog, presented at a special event on May 24, has been given to Kodi, the senior stray at the heart of acclaimed Swiss-French comedy “Dog on Trial.” The Un Certain Regard title from director and star Laetitia Dosch sees Kodi — believed to be a blonde Griffon cross — plays Cosmos, an aggressive pet who’s taken on as a client by a defense lawyer in story exploring the status of dogs in society. According to Palm Dog founder Toby Rose, Kodi is nearing his 10th birthday and will soon retire from acting, but bow-wows out having delivered a “fine four-legged swan song.
- 5/24/2024
- by Alex Ritman
- Variety Film + TV
Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
- 5/24/2024
- by Jesse Whittock
- Deadline Film + TV
The Megalopolis parties and debates last week generously fed Cannes’ appetite for media buzz. Fest-goers were reminded that Francis Coppola’s journey had been a thrill ride for those who witnessed it, invested in it or were impacted by its turmoil.
The auteur was trailed all week by fans and family, many having survived the melodramatic ordeals of One from the Heart, the operatic intrigues of Apocalypse Now and finally the utopian fever dream titled Megalopolis, which he financed by putting $120 million of his own money on the line.
All represented a defiant challenge to the pre-algorithmic definitions of risk and reward. But one long-term participant in the Coppola drama was a non-presence in Cannes last week — though he is receiving an honorary Palme d’Or on Saturday.
He’s George Lucas, the billionaire nerd from Modesto who in former years contributed a discipline and order to their company’s (Zoetrope) unruly landscape.
The auteur was trailed all week by fans and family, many having survived the melodramatic ordeals of One from the Heart, the operatic intrigues of Apocalypse Now and finally the utopian fever dream titled Megalopolis, which he financed by putting $120 million of his own money on the line.
All represented a defiant challenge to the pre-algorithmic definitions of risk and reward. But one long-term participant in the Coppola drama was a non-presence in Cannes last week — though he is receiving an honorary Palme d’Or on Saturday.
He’s George Lucas, the billionaire nerd from Modesto who in former years contributed a discipline and order to their company’s (Zoetrope) unruly landscape.
- 5/23/2024
- by Peter Bart
- Deadline Film + TV
Amazon MGM Studios has rounded out the cast of Oh. What. Fun., its all-star holiday comedy being directed by Michael Showalter, who is coming off the record-breaking success of the streamer’s romantic drama The Idea of You.
Jason Schwartzman, Eva Longoria, Joan Chen, Devery Jacobs, Havana Rose Liu and Maude Apatow have been added to the call sheet while Danielle Brooks has signed on for a cameo in the feature, which is currently shooting in Atlanta.
Michelle Pfeiffer is leading the ensemble that already include Felicity Jones, Chloë Grace Moretz, Denis Leary and The Holdovers breakout Dominic Sessa.
Described as both a love letter to moms and tonally a cross between Home for the Holidays and Planes, Trains and Automobiles, the story centers on a woman named Claire Clauster (Pfeiffer) who organizes a special Christmas outing, but her family forgets her in the shuffle. By the time they realize their mistake,...
Jason Schwartzman, Eva Longoria, Joan Chen, Devery Jacobs, Havana Rose Liu and Maude Apatow have been added to the call sheet while Danielle Brooks has signed on for a cameo in the feature, which is currently shooting in Atlanta.
Michelle Pfeiffer is leading the ensemble that already include Felicity Jones, Chloë Grace Moretz, Denis Leary and The Holdovers breakout Dominic Sessa.
Described as both a love letter to moms and tonally a cross between Home for the Holidays and Planes, Trains and Automobiles, the story centers on a woman named Claire Clauster (Pfeiffer) who organizes a special Christmas outing, but her family forgets her in the shuffle. By the time they realize their mistake,...
- 5/23/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
Movies are hot, according to Marshall McLuhan, who wasn’t paying them a compliment but placing them within his theory of hot and cool media. He was referring to the sensory richness that makes movies such a captivating and complete experience that they require little active participation from the audience. Just sit in the dark and let the magic wash over you. Arnaud Desplechin doesn’t disagree about the magic, but he puts a different slant on things in the docufiction Filmlovers! (Spectateurs!), whose focus is the moviegoer as an essential part of the equation.
Abounding in movie love, the director’s first feature since Brother and Sister cites more than 50 films in its eloquent onrush of clips and philosophizing and memory. But, in a departure from most such cinema essays, there’s no auteur namechecking (or onscreen titles ID’ing clips); it’s not those 50 films’ making-of or even their makers that matter here,...
Abounding in movie love, the director’s first feature since Brother and Sister cites more than 50 films in its eloquent onrush of clips and philosophizing and memory. But, in a departure from most such cinema essays, there’s no auteur namechecking (or onscreen titles ID’ing clips); it’s not those 50 films’ making-of or even their makers that matter here,...
- 5/23/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
The 77th edition of the Cannes Film Festival continues on Day 11 with the world premieres of The Seed of the Sacred Fig and The Most Precious of Cargoes.
As the festival comes to a close in anticipation of tomorrow’s awards ceremony, legendary filmmaker George Lucas will be honored with the prestigious Honorary Palme d’Or on the stage of the Grand Théâtre Lumière during the Closing Ceremony on Saturday, May 25.
The Jury, chaired by director Greta Gerwig will be tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino,...
As the festival comes to a close in anticipation of tomorrow’s awards ceremony, legendary filmmaker George Lucas will be honored with the prestigious Honorary Palme d’Or on the stage of the Grand Théâtre Lumière during the Closing Ceremony on Saturday, May 25.
The Jury, chaired by director Greta Gerwig will be tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino,...
- 5/23/2024
- by Robert Lang
- Deadline Film + TV
Chloe Fineman’s IMDb page just keeps growing.
Less than a week after walking the red carpet at Cannes alongside Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, and Aubrey Plaza—her co-stars in Francis Ford Coppola’s long-simmering passion project Megalopolis—the Saturday Night Live star has gotten Laid.
According to a new Deadline report, Fineman is among the impressive list of guest stars who have signed onto the upcoming Peacock project, which stars Stephanie Hsu, Zosia Mamet, and Michael Angarano.
The comedy series, which Deadline says has been “described as a f*cked-up rom-com,” is based on the Australian series of the same name. It follows the adventures of a young woman (Hsu) who is shocked to learn that her exes are dying in a series of bizarre ways, so she attempts to reconstruct her full sex timeline in order to save those who remain.
Continue reading <i>SNL</i>’s Chloe...
Less than a week after walking the red carpet at Cannes alongside Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, and Aubrey Plaza—her co-stars in Francis Ford Coppola’s long-simmering passion project Megalopolis—the Saturday Night Live star has gotten Laid.
According to a new Deadline report, Fineman is among the impressive list of guest stars who have signed onto the upcoming Peacock project, which stars Stephanie Hsu, Zosia Mamet, and Michael Angarano.
The comedy series, which Deadline says has been “described as a f*cked-up rom-com,” is based on the Australian series of the same name. It follows the adventures of a young woman (Hsu) who is shocked to learn that her exes are dying in a series of bizarre ways, so she attempts to reconstruct her full sex timeline in order to save those who remain.
Continue reading <i>SNL</i>’s Chloe...
- 5/23/2024
- by Jennifer M. Wood
- LateNighter
At this month’s Cannes Film Festival, Francis Ford Coppola and Kevin Costner each unveiled passion projects they opted to finance themselves after institutional backers initially passed. This week, three auteurs make a trend — except instead of putting his own funds toward a deeply personal, sweeping epic, comedian Shane Gillis has made a lewd, bro-y workplace comedy set at a Pennsylvania tire shop.
Since getting fired from “Saturday Night Live” — before he’d even started — for offensive jokes on his podcast, Gillis has become the poster child for a decentralized, grassroots attention economy that allows some entertainers to build thriving careers without gatekeepers’ blessings. His 2021 special “Live in Austin” blew up on YouTube; the same podcast that cost him “SNL,” co-hosted with fellow comic Matt McCusker, continues apace; Gillis even self-produced his own sketch comedy series, “Gilly and Keeves,” which culminated with a feature-length special last year. (You can stream...
Since getting fired from “Saturday Night Live” — before he’d even started — for offensive jokes on his podcast, Gillis has become the poster child for a decentralized, grassroots attention economy that allows some entertainers to build thriving careers without gatekeepers’ blessings. His 2021 special “Live in Austin” blew up on YouTube; the same podcast that cost him “SNL,” co-hosted with fellow comic Matt McCusker, continues apace; Gillis even self-produced his own sketch comedy series, “Gilly and Keeves,” which culminated with a feature-length special last year. (You can stream...
- 5/23/2024
- by Alison Herman
- Variety Film + TV
Francis Ford Coppola made one of the greatest crime films ever when he adapted Mario Puzo’s The Godfather. The Marlon Brando-starrer saw the veteran win his second Oscar for Best Actor and was a breakthrough for Al Pacino. Coppola then followed it up with The Godfather – Part II, which became the first sequel to win Best Picture.
The sequel saw Robert De Niro play the role of a younger Vito Corleone (played by Brando in the original). De Niro won the Oscar for Best Supporting Role for the film and had a breakthrough with the film. While he did a phenomenal job as Corleone, he reportedly auditioned way back for the first part and was up for the role of Sonny Corleone.
Robert De Niro Originally Auditioned For Sonny Corleone In The Godfather Marlon Brando in The Godfather | Credits: Paramount Pictures/Alfran Productions
Francis Ford Coppola’s The Godfather...
The sequel saw Robert De Niro play the role of a younger Vito Corleone (played by Brando in the original). De Niro won the Oscar for Best Supporting Role for the film and had a breakthrough with the film. While he did a phenomenal job as Corleone, he reportedly auditioned way back for the first part and was up for the role of Sonny Corleone.
Robert De Niro Originally Auditioned For Sonny Corleone In The Godfather Marlon Brando in The Godfather | Credits: Paramount Pictures/Alfran Productions
Francis Ford Coppola’s The Godfather...
- 5/23/2024
- by Nishanth A
- FandomWire
Exclusive: Francis Ford Coppola‘s $120 million passion project Megalopolis has closed a fresh raft of deals following its buzzy world premiere in Competition at the Cannes Film Festival last week.
It has sold to Australia (Madman Entertainment), Benelux (September Films), Bulgaria (Profilm), Czech Republic and Slovakia (Film Europe), Ex- Yugoslavia (McF Megacom Film), Greece (Feelgood Entertainment), Hungary (Mozinet), Israel (Lev Cinemas), Morocco (Facility Event), Portugal (Midas Filmes) Romania (Independenta Film), Scandinavia (Njutafilms) and Turkey (Bir Film).
They join five top distributors who acquired the film prior to its world premiere on May 16: Constantin Film for Germany and all German-speaking territories, including Switzerland and Austria; Eagle Pictures for Italy; Tripictures for Spain; Entertainment Film Distributors Limited for the U.K., and Le Pacte for France.
Coppola’s long-time lawyer Barry Hirsch and Vincent Maraval, president of Goodfellas (ex-Wild Bunch International), brokered the new Megalopolis deals. They are also in...
It has sold to Australia (Madman Entertainment), Benelux (September Films), Bulgaria (Profilm), Czech Republic and Slovakia (Film Europe), Ex- Yugoslavia (McF Megacom Film), Greece (Feelgood Entertainment), Hungary (Mozinet), Israel (Lev Cinemas), Morocco (Facility Event), Portugal (Midas Filmes) Romania (Independenta Film), Scandinavia (Njutafilms) and Turkey (Bir Film).
They join five top distributors who acquired the film prior to its world premiere on May 16: Constantin Film for Germany and all German-speaking territories, including Switzerland and Austria; Eagle Pictures for Italy; Tripictures for Spain; Entertainment Film Distributors Limited for the U.K., and Le Pacte for France.
Coppola’s long-time lawyer Barry Hirsch and Vincent Maraval, president of Goodfellas (ex-Wild Bunch International), brokered the new Megalopolis deals. They are also in...
- 5/22/2024
- by Melanie Goodfellow
- Deadline Film + TV
When it comes to the wild success of the film industry in Hungary, which is the largest production hub in continental Europe and second in Europe only to the U.K., film commissioner Csaba Káel is quick to credit a rich cinematic legacy dating back more than 100 years. “There is a huge tradition,” he said. “We have a special film DNA in Hungary.”
The industry’s ongoing success, however, as well as its hopes for the future, is just as reliant on sound policy and investment from the country’s National Film Institute, along with a deep pool of world-class talent that is the envy of industries twice its size.
Those were among the takeaways of a panel during the Cannes Film Festival’s Marché du Film that included Káel, Hungarian producer Ildikó Kemény (“Poor Things”), Hungarian-born and Canadian-based producer Robert Lantos (“Crimes of the Future”), and the U.K.
The industry’s ongoing success, however, as well as its hopes for the future, is just as reliant on sound policy and investment from the country’s National Film Institute, along with a deep pool of world-class talent that is the envy of industries twice its size.
Those were among the takeaways of a panel during the Cannes Film Festival’s Marché du Film that included Káel, Hungarian producer Ildikó Kemény (“Poor Things”), Hungarian-born and Canadian-based producer Robert Lantos (“Crimes of the Future”), and the U.K.
- 5/22/2024
- by Christopher Vourlias
- Variety Film + TV
Netflix viewers know for sure what old movies from the streaming’s collection need to be brought to light, and this time they opted for a Hitchcock-coded psychological thriller that initially hit the screens more than 15 years ago.
Starring young Shia Labeouf as a teenage troublemaker, Disturbia has climbed to number one position in Netflix’s top chart, according to the most recent data from FlixPatrol.
What Is the Movie About?
Initially released back in 2007, Disturbia is an homage of sorts to Alfred Hitchcock’s 1954 thriller movie Rear Window as both flicks appear to share some similarities in their storylines.
Unlike Rear Window, where everything revolves around an injured photographer, Disturbia takes a closer look at outcast teenager Kale who, being strongly affected by his father’s recent death, gets into a fight with his school teacher after the latter had something to say about Kale’s late father.
Starring young Shia Labeouf as a teenage troublemaker, Disturbia has climbed to number one position in Netflix’s top chart, according to the most recent data from FlixPatrol.
What Is the Movie About?
Initially released back in 2007, Disturbia is an homage of sorts to Alfred Hitchcock’s 1954 thriller movie Rear Window as both flicks appear to share some similarities in their storylines.
Unlike Rear Window, where everything revolves around an injured photographer, Disturbia takes a closer look at outcast teenager Kale who, being strongly affected by his father’s recent death, gets into a fight with his school teacher after the latter had something to say about Kale’s late father.
- 5/22/2024
- by benjamin-patel@startefacts.com (Benjamin Patel)
- STartefacts.com
Deadline photo studio hosted talent at the 77th annual Cannes Film Festival, as cast members of Cannes premiering films stopped by including David Cronenberg and Vincent Cassel for The Shrouds; Cayden Wyatt Costner, Jena Malone, Isabelle Fuhrman, Abbey Lee, Kevin Costner, Sienna Miller, Ella Hunt, Wase Chief, Georgia MacPhail, and Luke Wilson from Horizon: An American Saga, with Galen Johnson, Cate Blanchett, Guy Maddin and Evan Johnson attending for Rumours.
Sarocha Chankimha, Ramata-Toulaye Sy, Aseel Omran attended for Rsiff Women in Cinema; Francis Ford Coppola and Nathalie Emmanuel from Megalopolis; Willem Dafoe, Hong Chau, Hunter Schafer, Margaret Qualley and Mamoudou Athie for Kinds of Kindness; Ron Howard for Jim Henson Idea Man, George Miller, Anya Taylor-Joy, Chris Hemsworth and Tom Burke of Furiosa: A Mad Max Saga and many more.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
The Deadline Studio at Cannes will run from May 14-22, where the...
Sarocha Chankimha, Ramata-Toulaye Sy, Aseel Omran attended for Rsiff Women in Cinema; Francis Ford Coppola and Nathalie Emmanuel from Megalopolis; Willem Dafoe, Hong Chau, Hunter Schafer, Margaret Qualley and Mamoudou Athie for Kinds of Kindness; Ron Howard for Jim Henson Idea Man, George Miller, Anya Taylor-Joy, Chris Hemsworth and Tom Burke of Furiosa: A Mad Max Saga and many more.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
The Deadline Studio at Cannes will run from May 14-22, where the...
- 5/22/2024
- by Robert Lang
- Deadline Film + TV
Francis Ford Coppola is best known for his work on The Godfather trilogy. The accomplished filmmaker is one of the era-defining filmmakers of the 70s up to the 90s, where he made some of the best works of his career. Apocalypse Now, The Outsiders, Peggy Sue Got Married, Bram Stoker’s Dracula, and The Rainmaker were some of his other great works.
Adam Driver as Cesar Catilina in Megalopolis | American Zoetrope
The director is coming up with his next ambitious film, Megalopolis, his return as a director after almost 14 years. The film was recently screened at Cannes, with the cast and Coppola talking about the movie at a press conference. The director spoke about how he was able to self-finance the film after selling off his successful winery that he started in 2008.
Francis Ford Coppola Started His Own Winery Chain That Helped Fund Megalopolis Francis Ford Coppola started his winery...
Adam Driver as Cesar Catilina in Megalopolis | American Zoetrope
The director is coming up with his next ambitious film, Megalopolis, his return as a director after almost 14 years. The film was recently screened at Cannes, with the cast and Coppola talking about the movie at a press conference. The director spoke about how he was able to self-finance the film after selling off his successful winery that he started in 2008.
Francis Ford Coppola Started His Own Winery Chain That Helped Fund Megalopolis Francis Ford Coppola started his winery...
- 5/22/2024
- by Rahul Thokchom
- FandomWire
Giancarlo Esposito has gained the reputation of perfectly encapsulating the essence of complex antagonistic characters in films and TV. He gained enormous popularity as the intimidating and committed drug kingpin Gus Fring. The actor earned numerous accolades and awards for playing the character in Breaking Bad and Better Call Saul.
Giancarlo Esposito as Stan Edgar in The Boys | Amazon Studios
He has continued playing compelling grey characters in other shows like The Boys and The Mandalorian. Esposito recently revealed that he would be joining the MCU in a role that fans would be surprised by. A scooper has now revealed the possible roles that the actor could be playing, and fans are having a field day with it.
Giancarlo Esposito Reportedly Up For Two Possible Roles in the MCU The Mandalorian star recently confirmed his entry into the MCU | Lucasfilm
Ever since his breakthrough performance as Gus Fring in Breaking Bad and Better Call Saul,...
Giancarlo Esposito as Stan Edgar in The Boys | Amazon Studios
He has continued playing compelling grey characters in other shows like The Boys and The Mandalorian. Esposito recently revealed that he would be joining the MCU in a role that fans would be surprised by. A scooper has now revealed the possible roles that the actor could be playing, and fans are having a field day with it.
Giancarlo Esposito Reportedly Up For Two Possible Roles in the MCU The Mandalorian star recently confirmed his entry into the MCU | Lucasfilm
Ever since his breakthrough performance as Gus Fring in Breaking Bad and Better Call Saul,...
- 5/22/2024
- by Rahul Thokchom
- FandomWire
Paolo Sorrentino has done a wide range of films but until his most personal, The Hand of God two years ago (a prize winner in Venice), he had not returned to Naples, the land of his youth, except for the very first feature he made, 2001’s One Man Up. Since then though, he has been to Cannes with his films six times, and his impressive list of movies have included The Consequences of Love, Il Divo, Loro and his Oscar-winning The Great Beauty. There have been more mixed reactions for his starry English-language films like Youth and This Must Be the Place, but Italy seems to drive his creative mojo and may be closest to his heart in the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in Hand of God which closely reflected his own coming of age in Naples,...
- 5/21/2024
- by Pete Hammond
- Deadline Film + TV
Nathalie Emmanuel’s first trip to the Cannes Film Festival was certainly a memorable one.
The “Fast and Furious” franchise star and “Game of Thrones” alum knows what it’s like to be in the spotlight, but Cannes is unique. First, consider the fact that she’s the leading lady in legendary filmmaker Francis Ford Coppola’s longtime passion project “Megalopolis,” which made its world premiere at the festival. Then, there’s the reality of ascending the famed red steps to the Palais des Festivals.
“This whole experience has been like nothing I’ve ever had before,” Emmanuel told Variety the next day. “That moment was so much bigger and so much grander — I just had no concept of how crazy it would be, how exciting it would be, how many people there would be. … It was quite overwhelming, but really exciting and felt like a real celebration.”
“And obviously,...
The “Fast and Furious” franchise star and “Game of Thrones” alum knows what it’s like to be in the spotlight, but Cannes is unique. First, consider the fact that she’s the leading lady in legendary filmmaker Francis Ford Coppola’s longtime passion project “Megalopolis,” which made its world premiere at the festival. Then, there’s the reality of ascending the famed red steps to the Palais des Festivals.
“This whole experience has been like nothing I’ve ever had before,” Emmanuel told Variety the next day. “That moment was so much bigger and so much grander — I just had no concept of how crazy it would be, how exciting it would be, how many people there would be. … It was quite overwhelming, but really exciting and felt like a real celebration.”
“And obviously,...
- 5/21/2024
- by Angelique Jackson
- Variety Film + TV
Fred Roos, the Oscar-winning producer of The Godfather Part II and many other notable films, has died. He was 89.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
- 5/21/2024
- ScreenDaily
Fred Roos, the longtime producing and casting collaborator of Francis Ford Coppola, has died at age 89.
Roos famously found Jack Nicholson and Harrison Ford, launching both actors’ respective careers, and even helped cast Carrie Fisher alongside Ford in “Star Wars.” He is credited for also boosting the careers of Kirsten Dunst, Diane Keaton, Laurence Fishburne, Frederic Forest, Diane Lane, Nicolas Cage, Richard Dreyfuss, Rob Lowe, Tom Cruise, Patrick Swayze, Emilio Estevez, Jennifer Connelly, Billy Bob Thorton, Marshall Bell, and more.
Roos later served as the casting director for Coppola’s “The Godfather,” leading auteur Coppola to deem Roos “one of the great casting talents in the last 40 years of American movies” in a 2004 interview with the Chicago Tribune.
Roos produced follow-up film “The Godfather: Part II,” “Apocalypse Now,” and Coppola’s recent “Megalopolis,” for which he also helped cast the star-studded ensemble. In 1974, both Roos and Coppola earned two Oscar...
Roos famously found Jack Nicholson and Harrison Ford, launching both actors’ respective careers, and even helped cast Carrie Fisher alongside Ford in “Star Wars.” He is credited for also boosting the careers of Kirsten Dunst, Diane Keaton, Laurence Fishburne, Frederic Forest, Diane Lane, Nicolas Cage, Richard Dreyfuss, Rob Lowe, Tom Cruise, Patrick Swayze, Emilio Estevez, Jennifer Connelly, Billy Bob Thorton, Marshall Bell, and more.
Roos later served as the casting director for Coppola’s “The Godfather,” leading auteur Coppola to deem Roos “one of the great casting talents in the last 40 years of American movies” in a 2004 interview with the Chicago Tribune.
Roos produced follow-up film “The Godfather: Part II,” “Apocalypse Now,” and Coppola’s recent “Megalopolis,” for which he also helped cast the star-studded ensemble. In 1974, both Roos and Coppola earned two Oscar...
- 5/21/2024
- by Samantha Bergeson
- Indiewire
Mike Figgis has been shooting a behind-the-scenes documentary for the past 18 months about the making of Francis Ford Coppola’s Megalopolis. It’s called Megadoc.
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
- 5/21/2024
- by Baz Bamigboye
- Deadline Film + TV
Fred Roos, the casting director turned producer who jump-started the career of Jack Nicholson and collaborated often with Francis Ford Coppola, sharing a best picture Oscar with the filmmaker for The Godfather Part II, has died. He was 89.
Roos died Saturday at his home in Beverly Hills, a publicist announced.
It’s part of Hollywood lore that before Harrison Ford became a famous actor, he was laboring as a carpenter to make ends meet. What some might not know is that it was at Roos’ house where Ford was woodworking when the casting director befriended him, eventually pushing him for roles in George Lucas’ American Graffiti (1973) and Star Wars (1977) and Coppola’s The Conversation (1974).
And it was Roos who convinced Lucas — who had been leaning toward Amy Irving — that Carrie Fisher should portray Princess Leia in Star Wars. (Roos did not have an official role on that film.)
Roos, however,...
Roos died Saturday at his home in Beverly Hills, a publicist announced.
It’s part of Hollywood lore that before Harrison Ford became a famous actor, he was laboring as a carpenter to make ends meet. What some might not know is that it was at Roos’ house where Ford was woodworking when the casting director befriended him, eventually pushing him for roles in George Lucas’ American Graffiti (1973) and Star Wars (1977) and Coppola’s The Conversation (1974).
And it was Roos who convinced Lucas — who had been leaning toward Amy Irving — that Carrie Fisher should portray Princess Leia in Star Wars. (Roos did not have an official role on that film.)
Roos, however,...
- 5/21/2024
- by Chris Koseluk
- The Hollywood Reporter - Movie News
Fred Roos, casting director for landmark films such as “American Graffiti” and who went on to have a close relationship with Francis Ford Coppola, including producing best picture winner “Godfather Part II” and “Apocalypse Now,” died Saturday in Beverly Hills. He was 89.
Roos was both casting director and executive producer on Coppola’s most recent film “Megalopolis” which premiered last week at the Cannes Film Festival. Last year, Coppola posted a photo of Roos with Adam Driver on Instagram and thanked him for his work on the long-gestating epic.
Roos was instrumental in helping stars including Tom Cruise, Jack Nicholson, Carrie Fisher and Richard Dreyfuss get their early notable roles.
His long collaboration with Coppola as producer or co-producer included “The Conversation,” “One From the Heart,” “The Outsiders,” “Rumble Fish,” “The Cotton Club,” “The Godfather Part III,” “Tetro,” “Youth Without Youth” and “Tucker: The Man and His Dream.”
Roos was not credited,...
Roos was both casting director and executive producer on Coppola’s most recent film “Megalopolis” which premiered last week at the Cannes Film Festival. Last year, Coppola posted a photo of Roos with Adam Driver on Instagram and thanked him for his work on the long-gestating epic.
Roos was instrumental in helping stars including Tom Cruise, Jack Nicholson, Carrie Fisher and Richard Dreyfuss get their early notable roles.
His long collaboration with Coppola as producer or co-producer included “The Conversation,” “One From the Heart,” “The Outsiders,” “Rumble Fish,” “The Cotton Club,” “The Godfather Part III,” “Tetro,” “Youth Without Youth” and “Tucker: The Man and His Dream.”
Roos was not credited,...
- 5/21/2024
- by Pat Saperstein
- Variety Film + TV
Fred Roos, the Oscar-winning The Godfather Part II producer and longtime executive producer for Francis Ford Coppola and Sofia Coppola, died Saturday in Beverly Hills at 89, four days shy of his 90th birthday.
The news about Roos, who won his Godfather Part II Oscar and later was nominated for Coppola’s Apocalypse Now, comes as Francis Ford Coppola is here at the Cannes Film Festival, 45 years after winning the Palme d’Or for Apocalypse Now. Coppola is in town with his $120 million passion project Megalopolis, which had its world premiere last week. Roos is billed as producer on Megalopolis.
The news also comes after Coppola’s wife of 61 years, Eleanor, died April 12. Roos was an executive producer on Hearts of Darkness, her famed documentary about the making of Apocalypse Now that won them both an Emmy in 1992.
Roos was Francis Coppola’s co-producer on The Conversation, The Godfather Part II and Apocalypse Now,...
The news about Roos, who won his Godfather Part II Oscar and later was nominated for Coppola’s Apocalypse Now, comes as Francis Ford Coppola is here at the Cannes Film Festival, 45 years after winning the Palme d’Or for Apocalypse Now. Coppola is in town with his $120 million passion project Megalopolis, which had its world premiere last week. Roos is billed as producer on Megalopolis.
The news also comes after Coppola’s wife of 61 years, Eleanor, died April 12. Roos was an executive producer on Hearts of Darkness, her famed documentary about the making of Apocalypse Now that won them both an Emmy in 1992.
Roos was Francis Coppola’s co-producer on The Conversation, The Godfather Part II and Apocalypse Now,...
- 5/21/2024
- by Anthony D'Alessandro
- Deadline Film + TV
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
Kevin Costner feels Francis Ford Coppola’s pain. Both invested their own millions — “just shy of $100 million” for Costner, he told me, and $120 million for Coppola — in ambitious movies that no one else wanted to fund.
“Horizon: An American Saga — Chapter 1” (which debuted out-of-competition at Cannes on May 19 to the extended standing ovation that is de rigueur these days) landed New Line/Warner Bros. as its stateside theatrical distributor in what Costner said was a “very modest” deal. He added that “Horizon” sold well to foreign territories at Cannes via K5, although it was slow going at first.
Coppola is still hoping someone will pay him to release his film. Costner is concerned that the auteur is vulnerable. “There’s people that will take advantage of you and I fear people will do that to Francis,” he said. “I’m worried about him, too. I feel they will do that to him.
“Horizon: An American Saga — Chapter 1” (which debuted out-of-competition at Cannes on May 19 to the extended standing ovation that is de rigueur these days) landed New Line/Warner Bros. as its stateside theatrical distributor in what Costner said was a “very modest” deal. He added that “Horizon” sold well to foreign territories at Cannes via K5, although it was slow going at first.
Coppola is still hoping someone will pay him to release his film. Costner is concerned that the auteur is vulnerable. “There’s people that will take advantage of you and I fear people will do that to Francis,” he said. “I’m worried about him, too. I feel they will do that to him.
- 5/21/2024
- by Anne Thompson
- Indiewire
“Chances are you’ve never heard of Preston Thomas Tucker; dreamer, inventor, visionary — a man ahead of his time.”
Chances are you’ve never heard of the movie made about him either. Like the car he had created in his name, it came and went in nearly the same breath. And yet, also like the car, the film’s legacy and staying power lies in the strength of its parts, as well as the personal passion put into it by its maker, Francis Ford Coppola. In fact, it’s hard not to watch his 1988 film “Tucker: The Man and His Dream” and discern a link between Coppola and the film’s eponymous character. Played by a still boyish Jeff Bridges with a glint in his eye and a manic energy that veers between zealous enthusiasm and fevered paranoia, Tucker is a man entwined with his dreams. Much like Coppola, he is driven by family,...
Chances are you’ve never heard of the movie made about him either. Like the car he had created in his name, it came and went in nearly the same breath. And yet, also like the car, the film’s legacy and staying power lies in the strength of its parts, as well as the personal passion put into it by its maker, Francis Ford Coppola. In fact, it’s hard not to watch his 1988 film “Tucker: The Man and His Dream” and discern a link between Coppola and the film’s eponymous character. Played by a still boyish Jeff Bridges with a glint in his eye and a manic energy that veers between zealous enthusiasm and fevered paranoia, Tucker is a man entwined with his dreams. Much like Coppola, he is driven by family,...
- 5/21/2024
- by Harrison Richlin
- Indiewire
When it comes to versatility, few do it better than Jeff Daniels, who has had no problem switching between dramas and comedies throughout his illustrious career. However, for his 1993 comedy, Dumb and Dumber, which will be celebrating its 30th anniversary this year, Daniels recalled his agents being against him taking the gig in the Jim Carrey-led film.
While this proved to be the right decision, as the comedy cemented itself as a classic and made a fortune at the box office, the actor feared his career might end because of the toilet scene. But opposed to his fear, the scene was lauded by fans and critics, and it also reminded Clint Eastwood of his failed date.
An upset stomach doesn’t differentiate between people
Clint Eastwood Could Relate to Jeff Daniels’ Toilet Scene
Jeff Daniels in Dumb and Dumber | New Line Cinema
Considering the actor was coming off the...
While this proved to be the right decision, as the comedy cemented itself as a classic and made a fortune at the box office, the actor feared his career might end because of the toilet scene. But opposed to his fear, the scene was lauded by fans and critics, and it also reminded Clint Eastwood of his failed date.
An upset stomach doesn’t differentiate between people
Clint Eastwood Could Relate to Jeff Daniels’ Toilet Scene
Jeff Daniels in Dumb and Dumber | New Line Cinema
Considering the actor was coming off the...
- 5/21/2024
- by Santanu Roy
- FandomWire
Hollywood gentleman Steven Spielberg’s prowess as a director is well known to the world. The director is now one of the richest celebrities of all time, but he once went through a phase where he could not even think of dating anyone. Thanks to his endurance, the world is blessed with a legendary filmmaker who has several astonishing titles to his credit.
Steven Spielberg. Credit: CBS News/YouTube
Spielberg’s movies inherently possess the crux of unique storytelling, and the director has provided several astonishing blockbusters, including his highest-grossing movies Jurassic Park, E.T. the Extra-Terrestrial, and Indiana Jones and the Kingdom of the Crystal Skull. But before crafting his legacy and a whopping $8 billion fortune, the filmmaker was financially struggling.
Steven Spielberg Didn’t Have Enough Money To Go On A Date
Steven Spielberg. Credit: Elena Ternovaja/Wikimedia Commons.
Steven Spielberg is one of the two billionaire directors with...
Steven Spielberg. Credit: CBS News/YouTube
Spielberg’s movies inherently possess the crux of unique storytelling, and the director has provided several astonishing blockbusters, including his highest-grossing movies Jurassic Park, E.T. the Extra-Terrestrial, and Indiana Jones and the Kingdom of the Crystal Skull. But before crafting his legacy and a whopping $8 billion fortune, the filmmaker was financially struggling.
Steven Spielberg Didn’t Have Enough Money To Go On A Date
Steven Spielberg. Credit: Elena Ternovaja/Wikimedia Commons.
Steven Spielberg is one of the two billionaire directors with...
- 5/21/2024
- by Lachit Roy
- FandomWire
Kevin Costner in Cannes In common with his compatriot Francis Ford Coppola who self-financed Megalopolis, Kevin Costner isn’t afraid to put his money where is mouth is. For the first part of Horizon: An American Saga he has mortgaged his four properties to raise the funds which has enabled him to also complete Chapter Two of the epic Western.
Kevin Costner in Cannes: 'We tend to think that Westerns are simple, but they are complicated' Photo: Richard Mowe And he has already started production on the third part before he closed down the shoot after three days’ work to come to the Cannes Film Festival for the premiere of the first film. “It was so important for me to come to a place where movies are viewed in a very open way,” he said.
On his leap into the unknown he believes the risk is worth it. “I do...
Kevin Costner in Cannes: 'We tend to think that Westerns are simple, but they are complicated' Photo: Richard Mowe And he has already started production on the third part before he closed down the shoot after three days’ work to come to the Cannes Film Festival for the premiere of the first film. “It was so important for me to come to a place where movies are viewed in a very open way,” he said.
On his leap into the unknown he believes the risk is worth it. “I do...
- 5/21/2024
- by Richard Mowe
- eyeforfilm.co.uk
[Editor’s note: this list was originally published in May 2023. It has since been updated with new films to crack the Cannes 5-minute mark.]
Each Cannes Film Festival is accompanied by the annual debate about whether the length of a film’s standing ovation is an accurate measure of its quality. But whether you see the practice of tracking ovation times as a fun cinephile tradition or an oversimplified waste of time, there’s no denying that it happens every year. For certain film industry observers, the number of minutes of applause that a buzzy movie receives on the Croisette is as significant as the first wave of reviews.
Cannes audiences have long been known for their bold responses to new movies. There’s virtually no such thing as a lukewarm response at the world’s biggest film festival — or at least, nothing that an American audience would recognize as lukewarm. Virtually all films receive either a standing ovation or loud boos. The over the top responses are a ritual in and of themselves,...
Each Cannes Film Festival is accompanied by the annual debate about whether the length of a film’s standing ovation is an accurate measure of its quality. But whether you see the practice of tracking ovation times as a fun cinephile tradition or an oversimplified waste of time, there’s no denying that it happens every year. For certain film industry observers, the number of minutes of applause that a buzzy movie receives on the Croisette is as significant as the first wave of reviews.
Cannes audiences have long been known for their bold responses to new movies. There’s virtually no such thing as a lukewarm response at the world’s biggest film festival — or at least, nothing that an American audience would recognize as lukewarm. Virtually all films receive either a standing ovation or loud boos. The over the top responses are a ritual in and of themselves,...
- 5/21/2024
- by Wilson Chapman
- Indiewire
When his wife died, Karsh tells the blind date he has asked to lunch, he had an overwhelming urge to jump into the coffin with her rather than see her sent away alone. Instead, he contrived a way to straddle the worlds of the living and the dead, setting up a luxury cemetery where the dead are wrapped in metallic shrouds that are like camera blankets. Above ground, there are screens over each grave on which you can watch your loved one disintegrating.
Welcome to Gravetech, the latest of Canadian director David Cronenberg’s sinister institutions, and welcome to The Shrouds, Cronenberg’s latest feature to debut in competition at the Cannes Film Festival.
Over the four years since she died, the painfully bereaved Karsh (Vincent Cassel) has been checking in to see his wife Becca’s body – already crumbling with cancer before she passed – rot down to the bone.
Welcome to Gravetech, the latest of Canadian director David Cronenberg’s sinister institutions, and welcome to The Shrouds, Cronenberg’s latest feature to debut in competition at the Cannes Film Festival.
Over the four years since she died, the painfully bereaved Karsh (Vincent Cassel) has been checking in to see his wife Becca’s body – already crumbling with cancer before she passed – rot down to the bone.
- 5/20/2024
- by Stephanie Bunbury
- Deadline Film + TV
One of the most anticipated moments of the 77th Cannes Film Festival finally arrived Monday night with the world premiere of the Donald Trump drama The Apprentice, starring Sebastian Stan as a young version of the real estate mogul in his pre-maga days.
Only Francis Ford Coppola’s wildly ambitious swan song Megalopolis had inspired more pre-premiere chatter and curiosity at this year’s edition of the glamorous French film festival. Ahead of its unveiling, virtually no one had seen The Apprentice, as the movie reportedly was finished only days before its premiere.
Ali Abbasi, Stan, Martin Donovan and Maria Bakalova walked the Cannes red carpet for the premiere. Only Jeremy Strong, who plays notorious political fixer Roy Cohn in the film, was not in attendance.
Directed by acclaimed Iranian-Danish filmmaker Abbasi and written by Gabe Sherman, The Apprentice explores Donald Trump’s rise to power in 1980s America under...
Only Francis Ford Coppola’s wildly ambitious swan song Megalopolis had inspired more pre-premiere chatter and curiosity at this year’s edition of the glamorous French film festival. Ahead of its unveiling, virtually no one had seen The Apprentice, as the movie reportedly was finished only days before its premiere.
Ali Abbasi, Stan, Martin Donovan and Maria Bakalova walked the Cannes red carpet for the premiere. Only Jeremy Strong, who plays notorious political fixer Roy Cohn in the film, was not in attendance.
Directed by acclaimed Iranian-Danish filmmaker Abbasi and written by Gabe Sherman, The Apprentice explores Donald Trump’s rise to power in 1980s America under...
- 5/20/2024
- by Patrick Brzeski and Scott Roxborough
- The Hollywood Reporter - Movie News
The 2024 Cannes Film Festival set the tone and atmosphere for a slew of awaited movies coming this Summer. Amidst that long line, Megalopolis, from Francis Ford Coppola, has become a major talking point in recent times, especially after its seven-and-a-half-minute-long standing ovation at the fest screening. On the other side of the slate, anticipation runs equally high for The Garfield Movie starring Chris Pratt as the voice of the famed orange cat.
A still from The Garfield Movie trailer (via Sony Entertainment)
In a remarkable coincidence, the world premiere of the sci-fi flick happened in tandem with the early airings of the family comedy, making way for an interesting clash of reviews. Labeled as one of, if not the most ambitious project by the award-winning director, the Adam Driver-led movie faced some tough competition from the animated feature. Furthermore, in one direct aspect of this clash, one of them...
A still from The Garfield Movie trailer (via Sony Entertainment)
In a remarkable coincidence, the world premiere of the sci-fi flick happened in tandem with the early airings of the family comedy, making way for an interesting clash of reviews. Labeled as one of, if not the most ambitious project by the award-winning director, the Adam Driver-led movie faced some tough competition from the animated feature. Furthermore, in one direct aspect of this clash, one of them...
- 5/20/2024
- by Imteshal Karim
- FandomWire
As ever, Cannes is providing serious buzz. It’s a key part of the festival circuit – films screen, conversation proliferates, and exciting must-sees come out of it all. And amid the myriad takes on Francis Ford Coppola’s Megalopolis, the debut of Kevin Costner’s Horizon, and the arrival of another new Yorgos Lanthimos joint Kinds Of Kindness, there’s one film that’s got everybody talking: The Substance. It’s an upcoming body horror from French filmmaker Coralie Fargeat (previously behind Revenge), and has provoked all kinds of conversation – in part for giving Demi Moore her biggest role in years.
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
- 5/20/2024
- by Ben Travis
- Empire - Movies
Todd Phillips may be blessed with a keen eye when it comes to cinema but his comments on Christopher Nolan’s universally recognized classic, the Dark Knight trilogy, is a scarily contentious opinion. But as sacred as Christian Bale’s DC outing may have been, there exists a limitation to the height of the pedestal that one is allowed to be raised to.
Batman Begins (2005) [Credit: Warner Bros. Pictures]With the passage of time, it may have become easier to cope with the withdrawal of Christopher Nolan’s masterpiece. However, it is with loyalty, dedication, and love that the audience time and again returns to the Dark Knight trilogy. This shows not only an instinctive pull towards the series but also an admiration unmarred by time or repeated watching.
The Spirituality of Christopher Nolan’s Dark Knight Trilogy
It’s not every day that one can claim to live through the golden era of DC.
Batman Begins (2005) [Credit: Warner Bros. Pictures]With the passage of time, it may have become easier to cope with the withdrawal of Christopher Nolan’s masterpiece. However, it is with loyalty, dedication, and love that the audience time and again returns to the Dark Knight trilogy. This shows not only an instinctive pull towards the series but also an admiration unmarred by time or repeated watching.
The Spirituality of Christopher Nolan’s Dark Knight Trilogy
It’s not every day that one can claim to live through the golden era of DC.
- 5/20/2024
- by Diya Majumdar
- FandomWire
Scale, sweep, or schadenfreude; whatever you might be seeking in the films of Kevin Costner, you tend to walk away with the vistas. Think of the golden plains and stampeding buffalo of his directorial debut Dances with Wolves; or the jaw-dropping aerial shot of scavengers circling the atoll in Waterworld; and lest we forget The Postman, a work even the most harebrained viewers haven’t found the energy to reappraise, which still left you with an image of The Sound of Music projected onto a quarry wall, not to mention that statue of himself constructed for the film’s whacky finale. For better or worse, they aren’t easily forgotten.
The multi-hyphenate makes his long-awaited return to the director’s chair with Horizon: An American Saga – Chapter 1, a classic western told through the unhurried framework of a limited series and a vision as wide as the open sky. It...
The multi-hyphenate makes his long-awaited return to the director’s chair with Horizon: An American Saga – Chapter 1, a classic western told through the unhurried framework of a limited series and a vision as wide as the open sky. It...
- 5/20/2024
- by Rory O'Connor
- The Film Stage
Kevin Costner’s new Western epic may have gotten a 10-minute standing ovation at Cannes, but once critics got back from festival screenings to their hotel rooms, they posted reviews for Horizon: An American Saga — Chapter 1 that were far less enthusiastic.
Horizon is the first film in writer-director-star Costner’s massive four-picture gamble that he famously leveraged one of his homes to help finance (spending $38 million out of pocket for the $90 million-budgeted film). Chapter 1 is three hours and is largely focused on setting the stage — introducing a sprawling ensemble of characters, with the promise of more dramatic events to come in the remaining films.
There are not a large number of reviews for the post-Civil War Western tale so far, but some of the early critiques are pretty harsh. The most common complaint is the film doesn’t feel like cinema so much as a trio of back-to-back episodes of a new TV series,...
Horizon is the first film in writer-director-star Costner’s massive four-picture gamble that he famously leveraged one of his homes to help finance (spending $38 million out of pocket for the $90 million-budgeted film). Chapter 1 is three hours and is largely focused on setting the stage — introducing a sprawling ensemble of characters, with the promise of more dramatic events to come in the remaining films.
There are not a large number of reviews for the post-Civil War Western tale so far, but some of the early critiques are pretty harsh. The most common complaint is the film doesn’t feel like cinema so much as a trio of back-to-back episodes of a new TV series,...
- 5/20/2024
- by James Hibberd
- The Hollywood Reporter - Movie News
Youth Without YouthImage: Sony Pictures Classics
Youth Without Youth, Tetro, Twixt—years could pass without us hearing the titles of these Francis Ford Coppola movies. These digitally-shot, classically-infused “late era” films excited, baffled, and irritated 21st century audiences in equal measure, but are too readily dismissed as a bad couple...
Youth Without Youth, Tetro, Twixt—years could pass without us hearing the titles of these Francis Ford Coppola movies. These digitally-shot, classically-infused “late era” films excited, baffled, and irritated 21st century audiences in equal measure, but are too readily dismissed as a bad couple...
- 5/20/2024
- by Rory Doherty
- avclub.com
Kevin Costner’s dream project Horizon: An American Saga was finally shown to the world at the Cannes Film Festival. The film had its premiere at the prestigious festival and reportedly received a seven-minute standing ovation. The two-part saga’s first chapter was shown at the festival and reportedly received positive responses.
Costner could be seen tearing up after the end of the film. The actor reportedly promised the production of two more installments. Fans who had gone to watch the Western took to social media to express their admiration for Costner’s work after the actor-filmmaker took a huge risk and financed the $100 million project on his own by selling his ranch.
Kevin Costner’s Horizon: An American Saga Gets An Amazing Response At Cannes Kevin Costner in Horizon: An American Saga
The seven-minute standing ovation at the Cannes Film Festival is a privilege few films receive and is...
Costner could be seen tearing up after the end of the film. The actor reportedly promised the production of two more installments. Fans who had gone to watch the Western took to social media to express their admiration for Costner’s work after the actor-filmmaker took a huge risk and financed the $100 million project on his own by selling his ranch.
Kevin Costner’s Horizon: An American Saga Gets An Amazing Response At Cannes Kevin Costner in Horizon: An American Saga
The seven-minute standing ovation at the Cannes Film Festival is a privilege few films receive and is...
- 5/20/2024
- by Nishanth A
- FandomWire
Many would say the Western genre is waning, but Kevin Costner would beg to differ. The actor has brought his latest tribute to the genre with his most ambitious project of recent times, Horizon: An American Saga. Directed, produced, and starring Costner, the two-part (of four planned movies) epic Western was screened for critics. The response his movie got, however, was not what the actor previously expected.
Kevin Costner in Horizon: An American Saga. Credit: Warner Bros. Pictures
Horizon: An American Saga has an ensemble cast including Sam Worthington, Sienna Miller, and co. The movie has been in the buzz among the fans of Costner, and particularly the devout fans of Western. However, the response from critics to the movie may not be healthy as the movie is aiming for a big box office haul.
Horizon: An American Saga Has A Disastrous Rotten Tomatoes Debut
Kevin Costner in Horizon: An American Saga.
Kevin Costner in Horizon: An American Saga. Credit: Warner Bros. Pictures
Horizon: An American Saga has an ensemble cast including Sam Worthington, Sienna Miller, and co. The movie has been in the buzz among the fans of Costner, and particularly the devout fans of Western. However, the response from critics to the movie may not be healthy as the movie is aiming for a big box office haul.
Horizon: An American Saga Has A Disastrous Rotten Tomatoes Debut
Kevin Costner in Horizon: An American Saga.
- 5/20/2024
- by Lachit Roy
- FandomWire
Filming in Hungary offers everything from a massive amount of production space and a 20-year strong tax rebate to eight symphony orchestras and thermal baths.
On a panel during the Cannes Film Festival at the Marche du Film, film commissioner Csaba Kael, as well as producers Ildikó Kemeny, Robert Lantos and Mike Goodridge, spoke about the experiences of filming in Hungary.
Kael noted that commercial film production began in the country in the early 1900s. “It is built into our DNA,” he said of filmmaking. Only the U.K. has more film production than Hungary, Kael added. This year, Hungary is celebrating the 20th anniversary of its tax rebate program, which offers films produced in Hungary a 30 percent rebate based on their expenditure.
Lantos, who has been filming in the country since the 1990s prior to the tax credits, said, “Whenever I have a project that needs a European-looking city,...
On a panel during the Cannes Film Festival at the Marche du Film, film commissioner Csaba Kael, as well as producers Ildikó Kemeny, Robert Lantos and Mike Goodridge, spoke about the experiences of filming in Hungary.
Kael noted that commercial film production began in the country in the early 1900s. “It is built into our DNA,” he said of filmmaking. Only the U.K. has more film production than Hungary, Kael added. This year, Hungary is celebrating the 20th anniversary of its tax rebate program, which offers films produced in Hungary a 30 percent rebate based on their expenditure.
Lantos, who has been filming in the country since the 1990s prior to the tax credits, said, “Whenever I have a project that needs a European-looking city,...
- 5/20/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.