Spider-Man Noir may have spent the past few years off somewhere staring at matches as they burn, but the hilariously melodramatic Spider-Verse character played by Nicolas Cage will officially return in a new show on MGM+ and Amazon's Prime Video, according to Variety. What's wilder: the show will be live action.
The new show will be called "Noir," and this isn't the first time we've heard about it: the show was first announced back in February 2023, but Cage's casting wasn't confirmed at that time. In fact, a month earlier the beloved actor actually told ScreenRant that he wasn't going to be included in "Spider-Man: Across The Spider-Verse," a decision he seemed bummed about. "You'd have to ask Sony," he told the outlet when asked about the future of his character. "No one's spoken to me about that ... I wish they would. I love Spider-Man Noir, too. I think that's a great character.
The new show will be called "Noir," and this isn't the first time we've heard about it: the show was first announced back in February 2023, but Cage's casting wasn't confirmed at that time. In fact, a month earlier the beloved actor actually told ScreenRant that he wasn't going to be included in "Spider-Man: Across The Spider-Verse," a decision he seemed bummed about. "You'd have to ask Sony," he told the outlet when asked about the future of his character. "No one's spoken to me about that ... I wish they would. I love Spider-Man Noir, too. I think that's a great character.
- 5/14/2024
- by Valerie Ettenhofer
- Slash Film
Synopsis: As an intimate portrait of William Shatner’s personal journey across nine decades of a boldly lived and fully realized life, William Shatner: You Can Call Me Bill strips away all the masks he has worn during his storied career to reveal the man behind it all.
Review: William Shatner is a legendary actor better known for his iconic performance as Captain James T. Kirk in the original Star Trek television series and films. He holds a unique place in Hollywood history. A fan favorite for over sixty years with a career on stage and screen as a writer and singer, and having traveled to space, Shatner’s legacy has built him a dedicated fanbase worldwide. Having written memoirs and shared his life story in many forms of media, You Can Call Me Bill is a unique documentary that does not follow the conventional format we have come to...
Review: William Shatner is a legendary actor better known for his iconic performance as Captain James T. Kirk in the original Star Trek television series and films. He holds a unique place in Hollywood history. A fan favorite for over sixty years with a career on stage and screen as a writer and singer, and having traveled to space, Shatner’s legacy has built him a dedicated fanbase worldwide. Having written memoirs and shared his life story in many forms of media, You Can Call Me Bill is a unique documentary that does not follow the conventional format we have come to...
- 4/25/2024
- by Alex Maidy
- JoBlo.com
On Blue Lips, Schoolboy Q’s first album since 2019’s utterly unremarkable Crash Talk, there’s a sense that the Los Angeles rapper is trying to make up for lost time. He exudes an assured confidence throughout that, unlike past releases like 2016’s Black Face LP, makes it feel like he has something to prove. He’s able to whip up an endless amount of versatile and oddball flows, and does so with an equally fresh and flippant demeanor.
Schoolboy delivers each word on “Pop” with a tossed-off precision that’s both laser-focused to fit the track’s rhyme scheme and casual in its cadence. He punctuates the word “pop” with a snickering snarl, accompanied by the sound of a pistol being fired. Later in the track, he lowers his voice to a scruffy register, furiously spitting his words out. The entire song, including a notably batshit Rico Nasty feature,...
Schoolboy delivers each word on “Pop” with a tossed-off precision that’s both laser-focused to fit the track’s rhyme scheme and casual in its cadence. He punctuates the word “pop” with a snickering snarl, accompanied by the sound of a pistol being fired. Later in the track, he lowers his voice to a scruffy register, furiously spitting his words out. The entire song, including a notably batshit Rico Nasty feature,...
- 3/4/2024
- by Paul Attard
- Slant Magazine
Planet of the Apes is one of the most successful and durable science fiction franchises in Hollywood history. Starting in 1968 with the original film, the Apes series has generated more than $2.1 billion in box office grosses over the course of just nine movies, with a highly-anticipated 10th entry, Kingdom of the Planet of the Apes, due for release this May. The property has also spawned both a live-action and animated TV series, books, comics, video games, and toys – the latter produced in the wake of the first film’s success and arguably the template for future movie merchandising campaigns.
And yet, as we’ve seen over and over again with blockbuster pop culture milestones like Star Wars, The Lord of the Rings, and numerous others, Hollywood at the beginning was loathe to touch the property. After publicist-turned-producer Arthur P. Jacobs secured the rights to the novel upon which the original film was based,...
And yet, as we’ve seen over and over again with blockbuster pop culture milestones like Star Wars, The Lord of the Rings, and numerous others, Hollywood at the beginning was loathe to touch the property. After publicist-turned-producer Arthur P. Jacobs secured the rights to the novel upon which the original film was based,...
- 2/15/2024
- by Don Kaye
- Den of Geek
The Screen Actors Guild has been presenting its annual life achievement award for many decades. The most recent recipient for 2024 was double Oscar winner Barbra Streisand.
For the 2023 event, Sally Field was the latest veteran performer to receive the Screen Actor’s Guild life achievement award. Starting in 1995, audiences around the world have been able to enjoy this celebration of a beloved thespian’s work, crammed right in the middle of a nail-biting awards telecast. In honor of De Niro’s accomplishment, let’s take a look back at every person to be given this prize since the event was first televised. Our gallery includes Helen Mirren, Robert De Niro, Alan Alda, Morgan Freeman, Carol Burnett, Rita Moreno, Betty White, Shirley Temple and more.
SAG began handing out a career achievement prize to actors who left their mark on both the big screen and small in 1962. It wasn’t until...
For the 2023 event, Sally Field was the latest veteran performer to receive the Screen Actor’s Guild life achievement award. Starting in 1995, audiences around the world have been able to enjoy this celebration of a beloved thespian’s work, crammed right in the middle of a nail-biting awards telecast. In honor of De Niro’s accomplishment, let’s take a look back at every person to be given this prize since the event was first televised. Our gallery includes Helen Mirren, Robert De Niro, Alan Alda, Morgan Freeman, Carol Burnett, Rita Moreno, Betty White, Shirley Temple and more.
SAG began handing out a career achievement prize to actors who left their mark on both the big screen and small in 1962. It wasn’t until...
- 2/14/2024
- by Zach Laws and Chris Beachum
- Gold Derby
For most of us, the Planet of the Apes movies have always been around. Spanning five decades and ten movies – and counting – it’s hard to imagine a world without that race of hyper-intelligent monkeys and their everlasting war against man. We take this extended universe for granted, but it wasn’t always this way. It’s probably not hard to believe that at one time, the concept of a world populated by talking apes wasn’t thought of as a box office draw, and if it hadn’t been for the determination of a handful of true believers in the material, we may never have gotten one movie, let alone an entire franchise. So let’s go back in time a bit to a world without Dr. Zaius and the gang and find out Wtf Happened to Planet of the Apes?
We’re going back as far as 1963, when...
We’re going back as far as 1963, when...
- 1/31/2024
- by Chris Bumbray
- JoBlo.com
Norman Jewison, who directed Best Picture Oscar winner In the Heat of the Night and nominees Fiddler on the Roof, A Soldier’s Story, Moonstruck and The Russians Are Coming, The Russians Are Coming, also producing the latter four, died peacefully Saturday, January 20. He was 97.
Jewison’s film career spanned more than four decades and seven Oscar nominations — three for Best Director and the four for Best Picture. His films received a total of 46 nominations and 12 Academy Awards. In 1999, Jewison was honored with the prestigious Irving G. Thalberg Award at the Academy Awards. He also collected three Emmy Awards for his work in television.
A smattering of his other wide-ranging work includes The Hurricane, Agnes of God, Rollerball (1975) and Jesus Christ Superstar, all of which he also produced. As a producer, Jewison had an eye for talent, as well.
Jewison’s film career spanned more than four decades and seven Oscar nominations — three for Best Director and the four for Best Picture. His films received a total of 46 nominations and 12 Academy Awards. In 1999, Jewison was honored with the prestigious Irving G. Thalberg Award at the Academy Awards. He also collected three Emmy Awards for his work in television.
A smattering of his other wide-ranging work includes The Hurricane, Agnes of God, Rollerball (1975) and Jesus Christ Superstar, all of which he also produced. As a producer, Jewison had an eye for talent, as well.
- 1/22/2024
- by Tom Tapp
- Deadline Film + TV
The moment Elvis Presley stepped in front of the camera for his second appearance on "The Milton Berle Show" in 1956, there was no doubt that this young man was destined for more than pop music superstardom. Much more.
Conversationally, he was downright adorable with his boyish good looks and aw-shucks Southern shyness, but once the music kicked in he was transformed into a hunk of burning lust. That gyrating pelvis and run-riot voice spurred sexual awakenings in living rooms across the country (in full view of outraged parents). To teenagers, Elvis belted out a call to rebellion. To parents, he was a pompadoured incubus. To Hollywood, he was singing, swaggering box-office gold.
Between 1956 and 1972, Elvis starred in 31 features and two concert films. There were lulls (particularly when his popularity faded prior to his 1968 comeback special), but for the most part Elvis reliably packed 'em in. According to producer Hal B. Wallis...
Conversationally, he was downright adorable with his boyish good looks and aw-shucks Southern shyness, but once the music kicked in he was transformed into a hunk of burning lust. That gyrating pelvis and run-riot voice spurred sexual awakenings in living rooms across the country (in full view of outraged parents). To teenagers, Elvis belted out a call to rebellion. To parents, he was a pompadoured incubus. To Hollywood, he was singing, swaggering box-office gold.
Between 1956 and 1972, Elvis starred in 31 features and two concert films. There were lulls (particularly when his popularity faded prior to his 1968 comeback special), but for the most part Elvis reliably packed 'em in. According to producer Hal B. Wallis...
- 1/20/2024
- by Jeremy Smith
- Slash Film
In real life, cigarettes and cigars are a nasty vice that assail the olfactory nerve with a thick, pungent odor capable of leaving clothes, car interiors, and whole rooms smelling like ashtrays. They're also incredibly addictive and, when one's habit stretches out over decades, ruinous to an individual's health.
In movies, however, they're instant atmosphere machines that can, when wielded by an actor who knows how to smoke with style, heighten a character's sense of sophistication or sex appeal. Marlene Dietrich defined pre-code cinematic carnality with her wickedly sensuous French inhale in "Shanghai Express," while Humphrey Bogart conveyed marrow-deep weariness with every heavy exhale in "Casablanca." As for cigars, conjure up an image of Edward G. Robinson, and you'll invariably see the sawed-off star with a stogie clenched between his sausage-thick fingers.
Though the entire world has long been tragically aware of how deadly a nicotine addiction can be, films...
In movies, however, they're instant atmosphere machines that can, when wielded by an actor who knows how to smoke with style, heighten a character's sense of sophistication or sex appeal. Marlene Dietrich defined pre-code cinematic carnality with her wickedly sensuous French inhale in "Shanghai Express," while Humphrey Bogart conveyed marrow-deep weariness with every heavy exhale in "Casablanca." As for cigars, conjure up an image of Edward G. Robinson, and you'll invariably see the sawed-off star with a stogie clenched between his sausage-thick fingers.
Though the entire world has long been tragically aware of how deadly a nicotine addiction can be, films...
- 12/20/2023
- by Jeremy Smith
- Slash Film
Hollywood, with its lengthy list of Jewish founders, flourished during an era of rampant antisemitism. In recent years, the Anti-Defamation League has said anti-Jewish sentiment has hit levels unseen since after the Great Depression, a time when Jewish studio moguls had difficulty securing bank loans as many lenders would not work with Jews. Now, in Los Angeles specifically, an Adl report (released months before the Israel-Hamas conflict) found harassment and vandalism increasing to highs.
On Nov. 8, the Los Angeles Museum of Tolerance hosted a screening of footage produced by Hamas to brag about murdering Jews. During the screening, the head of the Museum of Tolerance, Rabbi Marvin Hier, reminded viewers that if not for atrocities like the one on Oct. 7, the Jewish global population should be 200 million today, but “there are only 14 million because we are the leftovers of pogroms.” The screening, organized in part by Gal Gadot, saw protestors...
On Nov. 8, the Los Angeles Museum of Tolerance hosted a screening of footage produced by Hamas to brag about murdering Jews. During the screening, the head of the Museum of Tolerance, Rabbi Marvin Hier, reminded viewers that if not for atrocities like the one on Oct. 7, the Jewish global population should be 200 million today, but “there are only 14 million because we are the leftovers of pogroms.” The screening, organized in part by Gal Gadot, saw protestors...
- 11/27/2023
- by Chris Yogerst
- The Hollywood Reporter - Movie News
Locked In is a mystery thriller film directed by Alex Baranowski, from a screenplay by Rowan Joffé. The Netflix film revolves around Lina, an unhappy newlywed woman who has a hostile relationship with her mother-in-law Katherine. An affair starts a chain reaction that ends up in betrayal and murder. Locked In stars Famke Janssen, Rose Williams, Anna Friel, Finn Cole, and Alex Hassell. So, if you loved the Netflix film here are some similar movies you could watch next.
Gone Girl (Max & Prime Video Add-On) Credit – 20th Century Fox
Synopsis: Gone Girl, directed by David Fincher and based upon the global bestseller by Gillian Flynn, unearths the secrets at the heart of a modern marriage. On the occasion of his fifth wedding anniversary, Nick Dunne (Ben Affleck) reports that his beautiful wife, Amy (Rosamund Pike), has gone missing. Under pressure from the police and a growing media frenzy, Nick’s...
Gone Girl (Max & Prime Video Add-On) Credit – 20th Century Fox
Synopsis: Gone Girl, directed by David Fincher and based upon the global bestseller by Gillian Flynn, unearths the secrets at the heart of a modern marriage. On the occasion of his fifth wedding anniversary, Nick Dunne (Ben Affleck) reports that his beautiful wife, Amy (Rosamund Pike), has gone missing. Under pressure from the police and a growing media frenzy, Nick’s...
- 11/2/2023
- by Kulwant Singh
- Cinema Blind
Gangsters, mobsters, thugs, and mugs. Organized crime holds the upper tier of the international cinematic commission. “Crime pays,” Edward G. Robinson, who played Rico Bandello in the seminal gangster film Little Caesar (1931), is famous for saying. “But only in the movies.” When a good mob movie is on the table, it is an offer no filmmaker can refuse. There is more intrigue, suspense, violence, mayhem, and madness to be found in the criminal element than any other genre.
“Gone are the days of the gangsters,” audiences heard for years, usually in movies about mobsters. They always rise up, even if they are splattered across the ornate fountains of their gangland mansions in the last frame, like Al Pacino’s Tony Montana in Brian DePalma’s Scarface (1983), or rolling down the steps of a church, dead from a hail of bullets. That’s how James Cagney’s Eddie Bartlett went out in The Roaring Twenties (1939). Now,...
“Gone are the days of the gangsters,” audiences heard for years, usually in movies about mobsters. They always rise up, even if they are splattered across the ornate fountains of their gangland mansions in the last frame, like Al Pacino’s Tony Montana in Brian DePalma’s Scarface (1983), or rolling down the steps of a church, dead from a hail of bullets. That’s how James Cagney’s Eddie Bartlett went out in The Roaring Twenties (1939). Now,...
- 9/16/2023
- by David Crow
- Den of Geek
Peter Gonzales Falcon, the Texan who starred as a young Federico Fellini in the director’s semi-autobiographical Roma, has died, according to his friend Aurelio Montemayor. He was 75.
Gonzales Falcon got his start with a bit part in Viva Max (1969), a satirical film about a modern-day Mexican general (Peter Ustinov) who retakes the Alamo.
The actor went on to model for a year in London before he landed the role that would make his career.
In 2018, Gonzales Falcon related the story of auditioning for Fellini after being recommended by actor Eugene Walter, a friend of a friend:
I went to Cinecittà where there was a line about a block long with young men wanting to meet Fellini. I went around the line to the main door and buzzed. The door was opened by Liliana [Fellini’s longtime assistant] who looked like a little Edward G. Robinson and even had a cigar in her mouth.
Gonzales Falcon got his start with a bit part in Viva Max (1969), a satirical film about a modern-day Mexican general (Peter Ustinov) who retakes the Alamo.
The actor went on to model for a year in London before he landed the role that would make his career.
In 2018, Gonzales Falcon related the story of auditioning for Fellini after being recommended by actor Eugene Walter, a friend of a friend:
I went to Cinecittà where there was a line about a block long with young men wanting to meet Fellini. I went around the line to the main door and buzzed. The door was opened by Liliana [Fellini’s longtime assistant] who looked like a little Edward G. Robinson and even had a cigar in her mouth.
- 8/24/2023
- by Tom Tapp
- Deadline Film + TV
Nicolas Cage, Joel Kinnaman in Sympathy For The DevilPhoto: Rlje Films
In 2013, it was mostly serious cinephiles who saw the movie Locke, in which Tom Hardy traverses the highways at night, trying to get to his mistress who’s going into labor. It’s pretty much a one-man show, with...
In 2013, it was mostly serious cinephiles who saw the movie Locke, in which Tom Hardy traverses the highways at night, trying to get to his mistress who’s going into labor. It’s pretty much a one-man show, with...
- 7/28/2023
- by Luke Y. Thompson
- avclub.com
This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the movie being reviewed here wouldn't exist.
There are two types of Nicolas Cage movies. There are legitimately good films that remind us he's a genuinely good, even great, actor — films like "Mandy" and "Pig." And then there's everything else. We're talking smaller films in which Cage and his wacko performance are usually the only interesting things to grab hold of. "Sympathy For the Devil" is more the latter than the former. No one is going to accuse this of being one of Cage's better films, but it is a good delivery system for Cage's usual wild man antics. He's once again given free rein to do what he wants, and what he wants to do, at least here, is to go off the deep end.
Which is fine!
There are two types of Nicolas Cage movies. There are legitimately good films that remind us he's a genuinely good, even great, actor — films like "Mandy" and "Pig." And then there's everything else. We're talking smaller films in which Cage and his wacko performance are usually the only interesting things to grab hold of. "Sympathy For the Devil" is more the latter than the former. No one is going to accuse this of being one of Cage's better films, but it is a good delivery system for Cage's usual wild man antics. He's once again given free rein to do what he wants, and what he wants to do, at least here, is to go off the deep end.
Which is fine!
- 7/24/2023
- by Chris Evangelista
- Slash Film
Here’s looking at Warner Bros. which is celebrating its 100th anniversary. Earlier this year, Turner Classic Movies, which is a member of the Warner Bros. Discovery family, celebrated the centennial with a monthlong tribute to the studio that gave the world such landmark films as 1927’s “The Jazz Singer,” the first feature with synchronized recorded singing and some dialogue; the ultimate gangster flick 1931’s “Public Enemy,: the glorious 1938 swashbuckler “The Adventures of Robin Hood”; and the beloved 1942 “Casablanca.
And during its Golden Age, its roster of stars included such legends as Rin-Tin-Tin, John Barrymore, Edward G. Robinson, James Cagney, Humphrey Bogart, Bette Davis, Kay Francis, Joan Blondell, Ruby Keeler, Dick Powell, Paul Muni, John Garfield and Sydney Greenstreet.
Max is currently streaming the four-part documentary series “100 Years of Warner Bros.” (the first two episodes premiered at Cannes). And also arriving this week is the lavish coffee table book “Warner Bros.
And during its Golden Age, its roster of stars included such legends as Rin-Tin-Tin, John Barrymore, Edward G. Robinson, James Cagney, Humphrey Bogart, Bette Davis, Kay Francis, Joan Blondell, Ruby Keeler, Dick Powell, Paul Muni, John Garfield and Sydney Greenstreet.
Max is currently streaming the four-part documentary series “100 Years of Warner Bros.” (the first two episodes premiered at Cannes). And also arriving this week is the lavish coffee table book “Warner Bros.
- 5/30/2023
- by Susan King
- Gold Derby
I’ve loved gangster movies since I was four years old and saw Humphrey Bogart and Sylvia Sidney in Dead End (1937) on TV, and Warren Beatty and Faye Dunaway in Bonnie and Clyde (1967) at the movies (My dad pinched a lobby card for me). Every Friday night, a local NYC station ran old crime flicks on a slot called “Tough Guys.” Bogart, James Cagney, Edward G. Robinson, and George Raft were the faces over the title. Today that might be Al Pacino, Robert De Niro, Wesley Snipes, and James Gandolfini.
The gangster and crime genre produced some of the most influential films in cinema history. Mervyn LeRoy’s Little Caesar (1931), William A. Wellman’s The Public Enemy (1931), and Howard Hawks’ Scarface (1932), get a lot of credit for breaking ground in topics beyond criminality, shattering sexual taboos as well as the boundaries of acceptable visual violence. High Sierra (1941) and White Heat...
The gangster and crime genre produced some of the most influential films in cinema history. Mervyn LeRoy’s Little Caesar (1931), William A. Wellman’s The Public Enemy (1931), and Howard Hawks’ Scarface (1932), get a lot of credit for breaking ground in topics beyond criminality, shattering sexual taboos as well as the boundaries of acceptable visual violence. High Sierra (1941) and White Heat...
- 5/6/2023
- by David Crow
- Den of Geek
This post contains spoilers for the seventh episode of "Perry Mason" season 2.
The latest episode of "Perry Mason" has this season's mystery close to wrapping up, and in doing so has given us insight into one of the show's meanest characters -- the hardboiled, sometimes-violent businessman, Lydell McCutcheon, played by Paul Raci ("Sound of Metal").
I had the chance to talk with Raci about playing Lydell, including what he used for inspiration. "I had to look to my grandfather, who was a racist S.O.B.," he told me about one of the major influences on his performance. "I grew up in the '50s and he was trying very hard to teach me how to be a racist [...] He wore the same clothes, the same hat in the '50s, and was a racist because he was full of fear. Just like Lydell is."
Our conversation delved deeper into...
The latest episode of "Perry Mason" has this season's mystery close to wrapping up, and in doing so has given us insight into one of the show's meanest characters -- the hardboiled, sometimes-violent businessman, Lydell McCutcheon, played by Paul Raci ("Sound of Metal").
I had the chance to talk with Raci about playing Lydell, including what he used for inspiration. "I had to look to my grandfather, who was a racist S.O.B.," he told me about one of the major influences on his performance. "I grew up in the '50s and he was trying very hard to teach me how to be a racist [...] He wore the same clothes, the same hat in the '50s, and was a racist because he was full of fear. Just like Lydell is."
Our conversation delved deeper into...
- 4/18/2023
- by Vanessa Armstrong
- Slash Film
Hmmm, now this is a strange bit of film release synergy. Now the big studio-wide release this weekend is Renfield which can be called a horror/comedy hybrid (though it’s also an action thriller satire). The other small studio flick also blends comedy with another very popular genre, crime. To be more specific it’s a crime-family comedy, hence the use of that “reviled” (to some) word. Oh, and there’s a “gender-switch” as a woman takes the seat at the head of the table for the “sit-down”. Hey, if there can be a godfather, then why not a Mafia Mamma?
The story kicks into high gear “across the pond” in the “old country”, Italy, soon after a gun battle that produces lots of casualties for both warring factions. This prompts a long-distance phone call from the Balbano family “advisor” Bianca (Monica Bellucci) to a relative in the States,...
The story kicks into high gear “across the pond” in the “old country”, Italy, soon after a gun battle that produces lots of casualties for both warring factions. This prompts a long-distance phone call from the Balbano family “advisor” Bianca (Monica Bellucci) to a relative in the States,...
- 4/14/2023
- by Jim Batts
- WeAreMovieGeeks.com
“The Ten Commandments” is the 1956 epic religious drama feature produced, directed and narrated by Cecil B. DeMille, based on the 1949 novel “Prince of Egypt” by Dorothy Clarke Wilson, the 1859 novel “Pillar of Fire” by J. H. Ingraham, the 1937 novel “On Eagle's Wings” by A. E. Southon and the “Book of Exodus”, found in the ‘Bible’, starring Charlton Heston (“Planet of the Apes”):
“…the ‘Ten Commandments’ dramatizes the biblical story of the life of ‘Moses, an adopted Egyptian prince who becomes the deliverer of the enslaved ‘Hebrews’ and leads the ‘Exodus’ to ‘Mount Sinai’, where he receives the ‘Ten Commandments’…”
Cast also includes Yul Brynner (“Westworld”) as ‘Rameses’, Anne Baxter as ‘Nefretiri’, Edward G. Robinson as ‘Dathan’…
…Yvonne De Carlo (“The Munsters”) as ‘Sephora’, Debra Paget as ‘Lilia’, John Derek as ‘Joshua, Sir Cedric Hardwicke as ‘Seti I, Nina Foch as ‘Bithiah’, Martha Scott as ‘Yochabel’, Judith Anderson as ‘Memnet...
“…the ‘Ten Commandments’ dramatizes the biblical story of the life of ‘Moses, an adopted Egyptian prince who becomes the deliverer of the enslaved ‘Hebrews’ and leads the ‘Exodus’ to ‘Mount Sinai’, where he receives the ‘Ten Commandments’…”
Cast also includes Yul Brynner (“Westworld”) as ‘Rameses’, Anne Baxter as ‘Nefretiri’, Edward G. Robinson as ‘Dathan’…
…Yvonne De Carlo (“The Munsters”) as ‘Sephora’, Debra Paget as ‘Lilia’, John Derek as ‘Joshua, Sir Cedric Hardwicke as ‘Seti I, Nina Foch as ‘Bithiah’, Martha Scott as ‘Yochabel’, Judith Anderson as ‘Memnet...
- 4/7/2023
- by Unknown
- SneakPeek
David Zaslav went office-furniture shopping when he moved into the executive building on the Warner Bros. lot last year. The new CEO of Warner Bros. Discovery had Jack L. Warner’s large dark-wood desk pulled out of storage for his use. He also found a leather legal pad holder once clutched by another of his predecessors at the storied studio: Steven J. Ross.
Zaslav wanted these totems in his sunken workspace overlooking Olive Avenue in Burbank to show the formidable legacy, in business and in popular culture, he has inherited.
“I wanted them to remind me that we need to show as much courage now in leading this business as the Warner brothers did in launching it one hundred years ago,” Zaslav says. As the studio marks the centennial of its incorporation as Warner Bros. Pictures Inc., the company has never been more focused on using the wealth of intellectual property assets,...
Zaslav wanted these totems in his sunken workspace overlooking Olive Avenue in Burbank to show the formidable legacy, in business and in popular culture, he has inherited.
“I wanted them to remind me that we need to show as much courage now in leading this business as the Warner brothers did in launching it one hundred years ago,” Zaslav says. As the studio marks the centennial of its incorporation as Warner Bros. Pictures Inc., the company has never been more focused on using the wealth of intellectual property assets,...
- 4/6/2023
- by Cynthia Littleton
- Variety Film + TV
This post contains spoilers for "John Wick: Chapter 4."
The label "direct-to-video" used to be a death knell for filmmakers and movie fans alike. In the early days of home video, the term typically referred to features that weren't good enough to get theatrical distribution, causing studios to subsequently dump them onto the shelves of Blockbusters and Hollywood Videos, where — via gaudy box art, ridiculous taglines and/or highlighting the name of a slumming movie star or a legit celebrity (who would likely only have a cameo role) — they would try to entice naïve renters to check it out.
It can be exceedingly difficult for a subgenre to change a poor reputation, but everything started to change once theatrical distribution was no longer the only game in Hollywood as video, cable, and streaming services became more ubiquitous. One of the people who has been dragging the name of direct-to-video B-movies out...
The label "direct-to-video" used to be a death knell for filmmakers and movie fans alike. In the early days of home video, the term typically referred to features that weren't good enough to get theatrical distribution, causing studios to subsequently dump them onto the shelves of Blockbusters and Hollywood Videos, where — via gaudy box art, ridiculous taglines and/or highlighting the name of a slumming movie star or a legit celebrity (who would likely only have a cameo role) — they would try to entice naïve renters to check it out.
It can be exceedingly difficult for a subgenre to change a poor reputation, but everything started to change once theatrical distribution was no longer the only game in Hollywood as video, cable, and streaming services became more ubiquitous. One of the people who has been dragging the name of direct-to-video B-movies out...
- 3/25/2023
- by Bill Bria
- Slash Film
One of the most time-consuming aspects of being a cinephile is worrying about the health and longevity of TCM. The venerable broadcast television channel dedicated to classic Hollywood cinema has grown since its 1994 launch into a kind of preservationist and enthusiast's empire that includes an annual film festival, an original film distribution arm, a releasing imprint, and a slew of diverse programming initiatives (not to mention a wine club). TCM certainly seems to be in better health than most entities dedicated segments of the film ecosystem that are -- by virtue of not being focused on the biggest, brightest, latest thing -- not exactly profit drivers. It has survived both a massive merger between AT&T and its parent company, Time Warner, and a subsequent divestment of AT&T and acquisition by Discovery in all but five years, after all.
But the brand's new overlord, Warner Bros. Discovery, shelving completed films...
But the brand's new overlord, Warner Bros. Discovery, shelving completed films...
- 3/23/2023
- by Ryan Coleman
- Slash Film
This story is part of The Hollywood Reporter’s 2023 Sustainability Issue (click here to read more).
In 1970, 20 million Americans participated in the first Earth Day. One of the more alarming predictions that day was from Stanford biologist Paul Ehrlich, who foresaw a future in which “population will inevitably and completely outstrip whatever small increases in food supplies we make,” resulting in the starvation death of hundreds of millions.
Hollywood took notice and released a string of eco-disaster films in the years to follow.
In 1972’s Silent Running, a science fiction film starring Bruce Dern — and directed by 2001: A Space Odyssey effects master Douglas Trumbull — all plant life on Earth has gone extinct. And 1973’s Soylent Green, with Charlton Heston (who had starred in two other sci-fi hits, 1968’s Planet of the Apes and 1971’s The Omega Man), took Ehrlich’s ideas to scary, if campy, extremes.
Helmed by Richard Fleischer...
In 1970, 20 million Americans participated in the first Earth Day. One of the more alarming predictions that day was from Stanford biologist Paul Ehrlich, who foresaw a future in which “population will inevitably and completely outstrip whatever small increases in food supplies we make,” resulting in the starvation death of hundreds of millions.
Hollywood took notice and released a string of eco-disaster films in the years to follow.
In 1972’s Silent Running, a science fiction film starring Bruce Dern — and directed by 2001: A Space Odyssey effects master Douglas Trumbull — all plant life on Earth has gone extinct. And 1973’s Soylent Green, with Charlton Heston (who had starred in two other sci-fi hits, 1968’s Planet of the Apes and 1971’s The Omega Man), took Ehrlich’s ideas to scary, if campy, extremes.
Helmed by Richard Fleischer...
- 3/22/2023
- by Seth Abramovitch
- The Hollywood Reporter - Movie News
Gambling and casinos have always been popular themes in movies, and there have been many great films made on this subject over the years. From tense poker games to high-stakes heists, the world of gambling has provided plenty of material for filmmakers to work with. Here are some of the greatest films with gambling and casino themes ever made.
Casino (1995)
Martin Scorsese’s epic tale of the rise and fall of a casino boss, Casino, is a classic film that is often cited as one of the greatest gambling movies ever made. The film follows the story of Sam “Ace” Rothstein, played by Robert De Niro, who is hired by the Mob to run the Tangiers casino in Las Vegas. With his best friend, Nicky Santoro, played by Joe Pesci, at his side, Ace builds an empire but finds himself struggling to maintain control as his personal and professional life spiral out of control.
Casino (1995)
Martin Scorsese’s epic tale of the rise and fall of a casino boss, Casino, is a classic film that is often cited as one of the greatest gambling movies ever made. The film follows the story of Sam “Ace” Rothstein, played by Robert De Niro, who is hired by the Mob to run the Tangiers casino in Las Vegas. With his best friend, Nicky Santoro, played by Joe Pesci, at his side, Ace builds an empire but finds himself struggling to maintain control as his personal and professional life spiral out of control.
- 3/16/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
Ted Donaldson, who starred as Bud Anderson on the original radio version of Father Knows Best and as Neely Nolan in the beloved family drama A Tree Grows in Brooklyn, the first feature directed by Elia Kazan, has died. He was 89.
Donaldson died Wednesday of complications from a fall in his Echo Park apartment in January, his friend Thomas Bruno told The Hollywood Reporter.
In his big-screen debut, Donaldson portrayed a boy who gets his pet caterpillar Curly to dance when he plays “Yes Sir, That’s My Baby” on the harmonica in the comedy fantasy Once Upon a Time (1944), starring Cary Grant and Janet Blair.
He also starred as Danny Mitchell in eight B-movies from Columbia Pictures that revolved around a German shepherd named Rusty. The first one, Adventures of Rusty (1945), featured Ace the Wonder Dog.
An only child, Donaldson was born in Brooklyn on Aug. 20, 1933. His father was...
Donaldson died Wednesday of complications from a fall in his Echo Park apartment in January, his friend Thomas Bruno told The Hollywood Reporter.
In his big-screen debut, Donaldson portrayed a boy who gets his pet caterpillar Curly to dance when he plays “Yes Sir, That’s My Baby” on the harmonica in the comedy fantasy Once Upon a Time (1944), starring Cary Grant and Janet Blair.
He also starred as Danny Mitchell in eight B-movies from Columbia Pictures that revolved around a German shepherd named Rusty. The first one, Adventures of Rusty (1945), featured Ace the Wonder Dog.
An only child, Donaldson was born in Brooklyn on Aug. 20, 1933. His father was...
- 3/3/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Raquel Welch had a 50-plus year career in film and television, starring opposite Marcello Mastroianni, Edward G. Robinson, Robin Williams, Jimmy Stewart, Faye Dunaway, Dean Martin, Frank Sinatra, Farrah Fawcett, Jim Brown, Burt Reynolds, Dyan Cannon, James Coburn and many others.
Her breakout role came as Cora in the wild 1966 sci-fi pic Fantastic Voyage, opposite Stephen Boyd, Edmund O’Brien and Arthur Kennedy. Welch then starred as a cavewoman in the 1966 film One Million Years B.C. Her next major film was with Mae West and John Huston in the title role of Myra Breckinridge. She later starred opposite Richard Chamberlain, Oliver Reed and Michael York in 1973’s The Three Musketeers, for which she won a Golden Globe.
Related: Raquel Welch Dies: ‘Fantastic Voyage’, ‘One Million Years B.C.’, & ‘Myra Breckinridge’ Star Was 82
While often celebrated for her appearance, Welch also essayed more serious roles such as the 1987 television drama Right to Die,...
Her breakout role came as Cora in the wild 1966 sci-fi pic Fantastic Voyage, opposite Stephen Boyd, Edmund O’Brien and Arthur Kennedy. Welch then starred as a cavewoman in the 1966 film One Million Years B.C. Her next major film was with Mae West and John Huston in the title role of Myra Breckinridge. She later starred opposite Richard Chamberlain, Oliver Reed and Michael York in 1973’s The Three Musketeers, for which she won a Golden Globe.
Related: Raquel Welch Dies: ‘Fantastic Voyage’, ‘One Million Years B.C.’, & ‘Myra Breckinridge’ Star Was 82
While often celebrated for her appearance, Welch also essayed more serious roles such as the 1987 television drama Right to Die,...
- 2/15/2023
- by Robert Lang
- Deadline Film + TV
The period Los Angeles film noir makes a return courtesy of director Neil Jordan. Liam Neeson makes a turn as Raymond Chandler’s famous gumshoe detective, Philip Marlowe, in what initially looks like a slight departure from his second career as an action star. However, this detective can still scrap with the best of Neeson’s other characters with a particular set of skills. The trailer has just been unveiled via the production company Open Road. Neeson is joined by an all-star cast including Diane Kruger, Jessica Lange, Alan Cumming, Danny Huston, Adewale Akinnuoye-Agbaje, and Colm Meaney.
The official synopsis from Open Road reads,
Marlowe, a gripping noir crime thriller set in late 1930’s Los Angeles, centers around a street-wise, down on his luck detective; Philip Marlowe, played by Liam Neeson, who is hired to find the ex-lover of a glamorous heiress (Diane Kruger), daughter of a well-known movie star...
The official synopsis from Open Road reads,
Marlowe, a gripping noir crime thriller set in late 1930’s Los Angeles, centers around a street-wise, down on his luck detective; Philip Marlowe, played by Liam Neeson, who is hired to find the ex-lover of a glamorous heiress (Diane Kruger), daughter of a well-known movie star...
- 1/13/2023
- by EJ Tangonan
- JoBlo.com
After bearing his fangs as Dracula yesterday in Chris McKay’s Renfield trailer, Nicolas Cage is ready to give an update about his Spider-Man Noir character from Spider-Man: Into the Spider-Verse. With so many Spider-people swinging in for Sony and Marvel’s animated sequel, Spider-Man Noir will be among them. Wrong. According to an exclusive report from Screen Rant, Cage says his moody and monochromatic version of the wall-crawler will not appear in the sequel, Spider-Man: Across the Spider-Verse.
While talking about Cage’s new (and first) Western film, The Old Way, Screen Rant’s Caitlin Tyrrell asked if the unpredictable actor was involved in the upcoming animated film. Sadly, the answer is no.
“You’d have to ask Sony,” Cage confessed to Tyrrell. “I don’t know what’s going on with that. No one’s spoken to me about that. Ask them. I don’t know. I really don’t.
While talking about Cage’s new (and first) Western film, The Old Way, Screen Rant’s Caitlin Tyrrell asked if the unpredictable actor was involved in the upcoming animated film. Sadly, the answer is no.
“You’d have to ask Sony,” Cage confessed to Tyrrell. “I don’t know what’s going on with that. No one’s spoken to me about that. Ask them. I don’t know. I really don’t.
- 1/6/2023
- by Steve Seigh
- JoBlo.com
When 2018's "Spider-Man: Into the Spider-Verse" burst onto the scene and instantly established itself as a new fan-favorite spin on the classic superhero, many considered it to be the result of a perfect storm of timing, inspiration, and creativity. For one thing, remember just how uncertain and pieced-together the entire production of the film really was. Had it come out just a few years later, the multiverse novelty of it all might have worn thin already. And incredibly enough, it came at a time when the casting of Nicolas Cage as Spider-Man Noir (of all characters!) could be properly appreciated for the stroke of genius that it was.
Now that Cage's stock has risen ever higher, thanks to projects like "Pig," "The Unbearable Weight Of Massive Talent," and most recently the inspired choice to have him embody Dracula himself in "Renfield," one would have assumed that his involvement in the "Spider-Verse" sequel,...
Now that Cage's stock has risen ever higher, thanks to projects like "Pig," "The Unbearable Weight Of Massive Talent," and most recently the inspired choice to have him embody Dracula himself in "Renfield," one would have assumed that his involvement in the "Spider-Verse" sequel,...
- 1/6/2023
- by Jeremy Mathai
- Slash Film
Home video label Vinegar Syndrome is celebrating its 10th anniversary this week, and today brings along with it the launch of a brand new sub-label from the company.
Titled Vinegar Syndrome Labs (Vsl), the aim of the sub-label is to expand and defy expectations with the diversity of films the company restores and releases. The team explains, “As the name implies, Vsl will serve as a kind of testing area for releasing genres and eras of film that one might not immediately expect to come from Vs.
“The ultimate objective of Vsl will be to see if these types of films will find an audience, and if so, pursue and release more of them…and even if not, still serve as a means of restoring more of the weird, rare, and unusual movies you might not expect from Vinegar Syndrome.”
The first release from the new label, now available for pre-order,...
Titled Vinegar Syndrome Labs (Vsl), the aim of the sub-label is to expand and defy expectations with the diversity of films the company restores and releases. The team explains, “As the name implies, Vsl will serve as a kind of testing area for releasing genres and eras of film that one might not immediately expect to come from Vs.
“The ultimate objective of Vsl will be to see if these types of films will find an audience, and if so, pursue and release more of them…and even if not, still serve as a means of restoring more of the weird, rare, and unusual movies you might not expect from Vinegar Syndrome.”
The first release from the new label, now available for pre-order,...
- 1/3/2023
- by John Squires
- bloody-disgusting.com
Click here to read the full article.
In 2022, Hollywood said goodbye to many actors, singers, performers, creatives, executives and all-around industry icons who had a great impact on the entertainment world during their lifetimes.
The Hollywood Reporter is highlighting some of the most well-known names who died in 2022.
Below are this year’s most notable deaths in Hollywood.
Kirstie Alley Kirstie Alley
Kirstie Alley, the Emmy-winning comic actress known for her turns on Cheers, Veronica’s Closet and the three Look Who’s Talking films, died in December. She was 71. Full obituary.
Louie Anderson
Louie Anderson, the big-hearted everyman who rose to fame as a stand-up comic, then channeled the spirit of his late mother for his Emmy-winning turn as Christine Baskets on the FX series Baskets, died on Jan. 21. He was 68. Read his obituary.
Peter Bogdanovich Peter Bogdanovich
Peter Bogdanovich, the Oscar-nominated writer-director of The Last Picture Show whose career, which...
In 2022, Hollywood said goodbye to many actors, singers, performers, creatives, executives and all-around industry icons who had a great impact on the entertainment world during their lifetimes.
The Hollywood Reporter is highlighting some of the most well-known names who died in 2022.
Below are this year’s most notable deaths in Hollywood.
Kirstie Alley Kirstie Alley
Kirstie Alley, the Emmy-winning comic actress known for her turns on Cheers, Veronica’s Closet and the three Look Who’s Talking films, died in December. She was 71. Full obituary.
Louie Anderson
Louie Anderson, the big-hearted everyman who rose to fame as a stand-up comic, then channeled the spirit of his late mother for his Emmy-winning turn as Christine Baskets on the FX series Baskets, died on Jan. 21. He was 68. Read his obituary.
Peter Bogdanovich Peter Bogdanovich
Peter Bogdanovich, the Oscar-nominated writer-director of The Last Picture Show whose career, which...
- 12/31/2022
- by Carly Thomas, Editor
- The Hollywood Reporter - Movie News
Here’s something we’re not allowed to say about Ye/Kanye West’s recent series of antisemitic tirades: there’s a small grain of truth in them.
No, obviously not the conspiracy theories, Holocaust denial, or downright fascistic claims that people who don’t believe in Christ shouldn’t hold public office. Ye has clearly crossed over into either profound mental illness, or hatred, or both.
But it is true that Hollywood has a lot of Jewish people in it, right?
It should not be controversial to admit this.
No, obviously not the conspiracy theories, Holocaust denial, or downright fascistic claims that people who don’t believe in Christ shouldn’t hold public office. Ye has clearly crossed over into either profound mental illness, or hatred, or both.
But it is true that Hollywood has a lot of Jewish people in it, right?
It should not be controversial to admit this.
- 12/11/2022
- by Jay Michaelson
- Rollingstone.com
Back in June, when this series covered Wild Things, I introduced neo-noirs as a response in the 70s and 80s to the noirs of the 40s and 50s. Historical film buffs will know that the Hays Code, which censored Hollywood films based on moral grounds, dictated edits to plot and character until it was abolished in 1968. This is one of the main reasons why films of the 70s began to lean into more gory, salacious and, yes, sexy material.
The 70s and 80s were ripe with remakes of film noirs because the coded violence and sexuality could finally be brought to the fore instead of hiding it in metaphor and innuendo. We’ll talk about several of these films in later entries of this column, but since it is Noirvember, why not use this opportunity to explore a text that cemented several erotic thriller conventions and tropes?
The Noir film...
The 70s and 80s were ripe with remakes of film noirs because the coded violence and sexuality could finally be brought to the fore instead of hiding it in metaphor and innuendo. We’ll talk about several of these films in later entries of this column, but since it is Noirvember, why not use this opportunity to explore a text that cemented several erotic thriller conventions and tropes?
The Noir film...
- 11/29/2022
- by Joe Lipsett
- bloody-disgusting.com
Humphrey Bogart is one of the great icons of classic Hollywood. His trademark snarl and surprising romantic heroism sealed his legendary status in pop culture at large. For how inescapable his impact was, it's hard to imagine a period in sound film before him. But his rise to stardom took time. He wasn't exactly gunning down Nazis in Casablanca in his first year on the Warner Bros. lot.
What he was doing for most of his '30s performances was playing the background gangster in the studio's many crime melodramas. In movies with titles like "Bullets or Ballots" and "Racket Busters," audiences could rely on him showing up, grimacing, and probably dying in a moral way by movie's end. If he wasn't in a gangster movie, he could be oddly miscast, such as his appearance as an Irish stable master in the Bette Davis weepie "Dark Victory." No role was...
What he was doing for most of his '30s performances was playing the background gangster in the studio's many crime melodramas. In movies with titles like "Bullets or Ballots" and "Racket Busters," audiences could rely on him showing up, grimacing, and probably dying in a moral way by movie's end. If he wasn't in a gangster movie, he could be oddly miscast, such as his appearance as an Irish stable master in the Bette Davis weepie "Dark Victory." No role was...
- 11/25/2022
- by Anthony Crislip
- Slash Film
When Guillermo del Toro walks out of the darkness to introduce his “Cabinet of Curiosities,” he’s also walking directly out of the year 1969.
The eight-episode horror anthology has been in Netflix’s top 10 since its release Oct. 25. Each beautifully crafted episode begins with creator and host del Toro pulling an objet d’art from his elaborate cabinet to introduce the tale and its director, as well as a chess-piece-sized carving of each director.
In a tweet, del Toro explained some of the inspiration of his Cabinet: “First night: EC vibes,” he wrote, referring to the massively influential EC horror comics of the ‘50s such as Tales from the Crypt and The Vault of Horror. “Second night: unsettling and ‘now’, Third night: period/pulp classics and Final night: voices that, in my estimation, are clear and loud in the symphony of our genre.”
But del Toro goes much deeper in his introduction to the upcoming,...
The eight-episode horror anthology has been in Netflix’s top 10 since its release Oct. 25. Each beautifully crafted episode begins with creator and host del Toro pulling an objet d’art from his elaborate cabinet to introduce the tale and its director, as well as a chess-piece-sized carving of each director.
In a tweet, del Toro explained some of the inspiration of his Cabinet: “First night: EC vibes,” he wrote, referring to the massively influential EC horror comics of the ‘50s such as Tales from the Crypt and The Vault of Horror. “Second night: unsettling and ‘now’, Third night: period/pulp classics and Final night: voices that, in my estimation, are clear and loud in the symphony of our genre.”
But del Toro goes much deeper in his introduction to the upcoming,...
- 11/11/2022
- by Mark Rahner
- The Wrap
Hollywood actors, writers and executives gathered at a memorial on Sunday in Santa Monica to remember power attorney Bert Fields with a string of stories about his legal prowess and sometimes unorthodox way of helping clients.
The larger-than-life litigator — with clients that included The Beatles, Warren Beatty, Tom Cruise, Edward G. Robinson and Michael Jackson — knew a lot of the secrets behind Hollywood scandals that happened throughout his six-decade-long career. Not to mention, he was yanked into a federal wiretapping and conspiracy probe into notorious private investigator Anthony Pellicano in the early 2000s.
The video that played to kick off the tribute addressed the controversies head-on — putting up a fake tabloid cover with the word “escandalo.” It also included a 1967 clip of his appearance on “Dragnet” (Jack Webb was a client) and a tribute from Tom Cruise.
“He’s a very unique adventure, someone I knew we could always count on.
The larger-than-life litigator — with clients that included The Beatles, Warren Beatty, Tom Cruise, Edward G. Robinson and Michael Jackson — knew a lot of the secrets behind Hollywood scandals that happened throughout his six-decade-long career. Not to mention, he was yanked into a federal wiretapping and conspiracy probe into notorious private investigator Anthony Pellicano in the early 2000s.
The video that played to kick off the tribute addressed the controversies head-on — putting up a fake tabloid cover with the word “escandalo.” It also included a 1967 clip of his appearance on “Dragnet” (Jack Webb was a client) and a tribute from Tom Cruise.
“He’s a very unique adventure, someone I knew we could always count on.
- 10/2/2022
- by Joe Bel Bruno
- The Wrap
This article contains Blonde spoilers.
Throughout Blonde, writer-director Andrew Dominik’s surreal, dreamlike, and often downbeat film based on Joyce Carol Oates’ fictionalized novel of the same name, the woman named Norma Jeane Mortensen—known to the world as Marilyn Monroe—is haunted by the almost spectral presence of her unseen father.
Played by Ana de Armas, Norma Jeane never gets to meet her father, who her mother (Julianne Nicholson) hints is a reputable figure in Hollywood whose life and career cannot be tarnished by the existence of an illegitimate daughter. But as Norma Jeane gets older and becomes famous as Marilyn Monroe, she does get phone calls and letters, some loving, others scolding, from the man. He’s a mysterious voice in an unsigned letter who nevertheless insists that they will meet up one day soon.
The absence of her father is an overwhelming weight in Marilyn’s life.
Throughout Blonde, writer-director Andrew Dominik’s surreal, dreamlike, and often downbeat film based on Joyce Carol Oates’ fictionalized novel of the same name, the woman named Norma Jeane Mortensen—known to the world as Marilyn Monroe—is haunted by the almost spectral presence of her unseen father.
Played by Ana de Armas, Norma Jeane never gets to meet her father, who her mother (Julianne Nicholson) hints is a reputable figure in Hollywood whose life and career cannot be tarnished by the existence of an illegitimate daughter. But as Norma Jeane gets older and becomes famous as Marilyn Monroe, she does get phone calls and letters, some loving, others scolding, from the man. He’s a mysterious voice in an unsigned letter who nevertheless insists that they will meet up one day soon.
The absence of her father is an overwhelming weight in Marilyn’s life.
- 9/30/2022
- by Don Kaye
- Den of Geek
A mood of theatricality prevailed at this year’s edition – a bleak but furiously cinematic Marilyn Monroe biopic and a forbiddingly austere French courtroom drama being the most distinctive offerings
However stressful Venice can get – the sweat, the coffee queues, the ticketing system – it’s hard to feel disgruntled here for long. For a start, Venice has the world’s jolliest festival trailer, a gorgeously coloured animation of King Kong, acrobats and flying cowboys, all set to jangling ukulele. It puts you in a joyous mood at the start of every film, although it might not last when you’re confronted by something as brutally bleak as Andrew Dominik’s Blonde. Absolutely the hot ticket in the Venice competition, this is the much-awaited biopic of Marilyn Monroe, as imagined in the novel by Joyce Carol Oates.
Or, rather, it’s the story of “Marilyn Monroe”, the alter ego of a...
However stressful Venice can get – the sweat, the coffee queues, the ticketing system – it’s hard to feel disgruntled here for long. For a start, Venice has the world’s jolliest festival trailer, a gorgeously coloured animation of King Kong, acrobats and flying cowboys, all set to jangling ukulele. It puts you in a joyous mood at the start of every film, although it might not last when you’re confronted by something as brutally bleak as Andrew Dominik’s Blonde. Absolutely the hot ticket in the Venice competition, this is the much-awaited biopic of Marilyn Monroe, as imagined in the novel by Joyce Carol Oates.
Or, rather, it’s the story of “Marilyn Monroe”, the alter ego of a...
- 9/10/2022
- by Jonathan Romney
- The Guardian - Film News
During the casting of "The Godfather," Paramount executives did not agree with director Francis Ford Coppola's choice of Marlon Brando for the iron-willed Vito Corleone. After a string of box office failures, on-set conflicts, and personal issues, they saw him as a temperamental has-been and prima donna. In his autobiography "Songs My Mother Taught Me," Brando admits even he thought he wasn't right for the part:
"I had never played an Italian before, and I didn't think I could do it successfully. They had to be convinced that he, not someone like Ernest Borgnine or Carlo Ponti, was perfect for the role."
But Brando proved he was the ideal choice, giving a hypnotic performance of sheer intensity and measured wisdom that went on to become his most iconic and earned him the Academy Award for Best Actor (though he famously declined the trophy and sent indigenous American rights activist...
"I had never played an Italian before, and I didn't think I could do it successfully. They had to be convinced that he, not someone like Ernest Borgnine or Carlo Ponti, was perfect for the role."
But Brando proved he was the ideal choice, giving a hypnotic performance of sheer intensity and measured wisdom that went on to become his most iconic and earned him the Academy Award for Best Actor (though he famously declined the trophy and sent indigenous American rights activist...
- 9/9/2022
- by Caroline Madden
- Slash Film
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Before we highlight this week’s picks, I want to give a special shout-out to our newly-launched Twitter account for Michael Snydel’s podcast Intermission. He’s sharing daily, well-curated streaming recommendations, so be sure to give it a follow!
Burial (Ben Parker)
From Tarantino to Mann to Marvel, mining Word War II for fictional storytelling purposes is nothing new in cinema. The latest to take the leap is Ben Parker’s Burial, a staid action thriller following Russian soldiers who are transporting the corpse of Hitler back to their homeland, per Stalin’s request. While Parker suggests some interesting ideas about conflicted nationalism at the end of a war, and he gets the table-setting right when it comes to mood, Burial...
Before we highlight this week’s picks, I want to give a special shout-out to our newly-launched Twitter account for Michael Snydel’s podcast Intermission. He’s sharing daily, well-curated streaming recommendations, so be sure to give it a follow!
Burial (Ben Parker)
From Tarantino to Mann to Marvel, mining Word War II for fictional storytelling purposes is nothing new in cinema. The latest to take the leap is Ben Parker’s Burial, a staid action thriller following Russian soldiers who are transporting the corpse of Hitler back to their homeland, per Stalin’s request. While Parker suggests some interesting ideas about conflicted nationalism at the end of a war, and he gets the table-setting right when it comes to mood, Burial...
- 9/2/2022
- by Jordan Raup
- The Film Stage
"Peaky Blinders" is part of a continuum of gangster movies and TV shows that dates back to the early 1930s when actors like James Cagney and Edward G. Robinson were making black-and-white films such as "The Public Enemy" and "Little Caesar." Even on television, "Peaky Blinders" was predated by prestige dramas like "The Sopranos" and "Boardwalk Empire," but one thing that set it apart from the bulk of its predecessors was its focus on a street gang in Birmingham, England, as opposed to the Italian mafia in America.
When Cillian Murphy donned his razor blade cap to play series protagonist Thomas Shelby in "Peaky Blinders," he was aware, as any actor would be, of those genre conventions, which "The Godfather" and "Goodfellas" helped popularize. In an interview with Deadline just before the final season of "Peaky Blinders" hit Netflix in June 2022, the actor said, "I think you make a gangster show,...
When Cillian Murphy donned his razor blade cap to play series protagonist Thomas Shelby in "Peaky Blinders," he was aware, as any actor would be, of those genre conventions, which "The Godfather" and "Goodfellas" helped popularize. In an interview with Deadline just before the final season of "Peaky Blinders" hit Netflix in June 2022, the actor said, "I think you make a gangster show,...
- 8/30/2022
- by Joshua Meyer
- Slash Film
Click here to read the full article.
Hollywood lost one of its most revered litigators when Bert Fields died Aug. 7 at the age of 93. Looking back on his six-decade legal career — which included taking on Disney to get Jeffrey Katzenberg nine figures, helping actor Edward G. Robinson sneak a Degas painting out of his house in the middle of the night, and representing the most famous and most notorious people in entertainment — it’s hard to imagine Fields doing anything else.
But after the death of his second wife in the mid-’80s, he almost pivoted to running production at a studio. “I was sad at the time and friends who owned a studio thought that a change would be good for me,” he told THR in 2019 in a wide-ranging interview for his “Power Lawyers: Legal Legends” profile. “I thought long and hard, but I was having too much fun as a lawyer.
Hollywood lost one of its most revered litigators when Bert Fields died Aug. 7 at the age of 93. Looking back on his six-decade legal career — which included taking on Disney to get Jeffrey Katzenberg nine figures, helping actor Edward G. Robinson sneak a Degas painting out of his house in the middle of the night, and representing the most famous and most notorious people in entertainment — it’s hard to imagine Fields doing anything else.
But after the death of his second wife in the mid-’80s, he almost pivoted to running production at a studio. “I was sad at the time and friends who owned a studio thought that a change would be good for me,” he told THR in 2019 in a wide-ranging interview for his “Power Lawyers: Legal Legends” profile. “I thought long and hard, but I was having too much fun as a lawyer.
- 8/18/2022
- by Ashley Cullins
- The Hollywood Reporter - Movie News
Bert Fields, a highly respected entertainment lawyer who throughout his career represented Hollywood heavyweights including Tom Cruise, The Beatles, Edward G. Robinson, Jeffrey Katzenberg and more, has died. He was 93.
The Harvard-educated lawyer with his firm Greenberg Glusker Fields Claman & Machtinger died Sunday night at his home in Malibu with his wife Barbara Guggenheim by his side, a family friend and a representative for his firm told TheWrap.
Guggenheim told TheWrap that Fields had been working up until about three weeks ago, but ultimately succumbed to the long-term effects of Covid, which he contracted in March 2020. Fields, she said, had Bell’s Palsy as an aftereffect of the virus, which led to gradual paralysis of his body, starting from his larynx downward.
“Bert led 10 lives,” she told TheWrap. “All interesting.”
A “who’s who” of an entertainment lawyer, some of Fields’ other clients included Mel Brooks, Dustin Hoffman, Warren Beatty and many more.
The Harvard-educated lawyer with his firm Greenberg Glusker Fields Claman & Machtinger died Sunday night at his home in Malibu with his wife Barbara Guggenheim by his side, a family friend and a representative for his firm told TheWrap.
Guggenheim told TheWrap that Fields had been working up until about three weeks ago, but ultimately succumbed to the long-term effects of Covid, which he contracted in March 2020. Fields, she said, had Bell’s Palsy as an aftereffect of the virus, which led to gradual paralysis of his body, starting from his larynx downward.
“Bert led 10 lives,” she told TheWrap. “All interesting.”
A “who’s who” of an entertainment lawyer, some of Fields’ other clients included Mel Brooks, Dustin Hoffman, Warren Beatty and many more.
- 8/8/2022
- by Brian Welk
- The Wrap
Bertram “Bert” Fields, the larger-than-life entertainment lawyer whose roster of star clients and studios spoke to a penchant for doling out legal threats with a rhetorical flourish, along with a capacity for winning lucrative settlements, has died at his Malibu home, his rep confirmed to Variety. He was 93.
Fields thrived on the notion that he never lost a trial, and even if the Perry Mason-like reputation wasn’t exactly true, he was a relentless litigator who defined some of the industry’s most heralded cases of the 1980s and ’90s, with clients that included Warren Beatty, Tom Cruise, the Beatles, Edward G. Robinson, Michael Jackson, Rupert Murdoch and, at one time or another, just about all of the major studios.
Cruise said in a statement, “Bert Fields was a gentleman; an extraordinary human being. He had a powerful intellect, a keen wit, and charm that made one enjoy every minute of his company.
Fields thrived on the notion that he never lost a trial, and even if the Perry Mason-like reputation wasn’t exactly true, he was a relentless litigator who defined some of the industry’s most heralded cases of the 1980s and ’90s, with clients that included Warren Beatty, Tom Cruise, the Beatles, Edward G. Robinson, Michael Jackson, Rupert Murdoch and, at one time or another, just about all of the major studios.
Cruise said in a statement, “Bert Fields was a gentleman; an extraordinary human being. He had a powerful intellect, a keen wit, and charm that made one enjoy every minute of his company.
- 8/8/2022
- by Ted Johnson
- Variety Film + TV
Click here to read the full article.
Bert Fields, the renowned entertainment litigator whose clients included Edward G. Robinson, Jeffrey Katzenberg, Tom Cruise, Warren Beatty, The Beatles and a host of other luminaries, studios and talent agencies, has died. He was 93.
Fields died peacefully late Sunday night at his Malibu home, a spokesperson for his law firm, Greenberg Glusker Fields Claman & Machtinger Llp., announced.
“For forty years, we were graced with Bert’s brilliance, decency and charm,” said Bob Baradaran, managing partner of Greenberg Glusker. “Bert was a beloved colleague, friend and mentor who trained a generation of outstanding lawyers. We were blessed to know and work with such a truly remarkable lawyer and human being.”
A longtime partner at Greenberg Glusker and mainstay on THR‘s annual Power Lawyer list, Fields during his six-decade career also represented the likes of David Geffen, James Cameron, Dustin Hoffman, Michael Jackson, Mike Nichols,...
Bert Fields, the renowned entertainment litigator whose clients included Edward G. Robinson, Jeffrey Katzenberg, Tom Cruise, Warren Beatty, The Beatles and a host of other luminaries, studios and talent agencies, has died. He was 93.
Fields died peacefully late Sunday night at his Malibu home, a spokesperson for his law firm, Greenberg Glusker Fields Claman & Machtinger Llp., announced.
“For forty years, we were graced with Bert’s brilliance, decency and charm,” said Bob Baradaran, managing partner of Greenberg Glusker. “Bert was a beloved colleague, friend and mentor who trained a generation of outstanding lawyers. We were blessed to know and work with such a truly remarkable lawyer and human being.”
A longtime partner at Greenberg Glusker and mainstay on THR‘s annual Power Lawyer list, Fields during his six-decade career also represented the likes of David Geffen, James Cameron, Dustin Hoffman, Michael Jackson, Mike Nichols,...
- 8/8/2022
- by Jonathan Handel
- The Hollywood Reporter - Movie News
Director Sergio Sollima sets the template for twenty years of violent action cinema for Rough Tough Charles Bronson. Precise stunt scenes and clever direction are at the service of a script that can’t produce a convincing line of dialogue. It’s a mishmosh of sex, bullets and car chases. Bronson is betrayed by his love for Jill Ireland, and Telly Savalas is shoehorned in as a (surprise!) nasty gangster. Much of it does play like gangbusters — the opening and closing especially — and the dynamic title instrumental is one of maestro Ennio Morricone’s best.
Violent City
Blu-ray
Kl Studio Classics
1970 / Color / 2:35 widescreen / 109 + 96 min. / Città violenta, The Family, Final Shot / Street Date May 17, 2022 / available through Kino Lorber / 29.95
Starring: Charles Bronson, Jill Ireland, Michel Constantin, Telly Savalas, Umberto Orsini.
Cinematography: Aldo Tonti
Production Design: Francesco Bronzi
Art Director: Franco Fumigalli
Film Editor: Nino Baragli
Stunts: Rémy Julienne, Goffredo Unger
Original...
Violent City
Blu-ray
Kl Studio Classics
1970 / Color / 2:35 widescreen / 109 + 96 min. / Città violenta, The Family, Final Shot / Street Date May 17, 2022 / available through Kino Lorber / 29.95
Starring: Charles Bronson, Jill Ireland, Michel Constantin, Telly Savalas, Umberto Orsini.
Cinematography: Aldo Tonti
Production Design: Francesco Bronzi
Art Director: Franco Fumigalli
Film Editor: Nino Baragli
Stunts: Rémy Julienne, Goffredo Unger
Original...
- 7/5/2022
- by Glenn Erickson
- Trailers from Hell
Click here to read the full article.
On July 2, 1946, director-star Orson Welles unveiled noir film The Stranger in Los Angeles. The film went on to earn a nomination in the writing category at the 19th Academy Awards. The Hollywood Reporter’s original review, titled “‘The Stranger’ Will Know High Boxoffice Returns,” is below:
In The Stranger, International Pictures delivers the sixth and final feature for release through Rko-Radio. It is an entertainment of the same high quality that has distinguished previous product by the Leo Spitz-William Goetz organization which will schedule future releases through United World Pictures. Produced by S. P. Eagle and directed by Orson Welles, who with Edward C. Robinson and Loretta Young comprise the trio of stars, boxoffice expectancies are exceptionally strong for this tense and suspenseful melodrama. It starts out on the note of a chase, thoughtfully develops every possible punch, builds legitimate interest in the...
On July 2, 1946, director-star Orson Welles unveiled noir film The Stranger in Los Angeles. The film went on to earn a nomination in the writing category at the 19th Academy Awards. The Hollywood Reporter’s original review, titled “‘The Stranger’ Will Know High Boxoffice Returns,” is below:
In The Stranger, International Pictures delivers the sixth and final feature for release through Rko-Radio. It is an entertainment of the same high quality that has distinguished previous product by the Leo Spitz-William Goetz organization which will schedule future releases through United World Pictures. Produced by S. P. Eagle and directed by Orson Welles, who with Edward C. Robinson and Loretta Young comprise the trio of stars, boxoffice expectancies are exceptionally strong for this tense and suspenseful melodrama. It starts out on the note of a chase, thoughtfully develops every possible punch, builds legitimate interest in the...
- 7/2/2022
- by Jack D. Grant
- The Hollywood Reporter - Movie News
It’s back and Criterion’s got it, so be prepared for sharp-talking insights on Billy Wilder’s nearly flawless, cinema-changing ode to cold-blooded murder, Los Angeles style. Edward G. Robinson wants Fred MacMurray but Barbara Stanwyck has him wrapped around her trigger finger. James M. Cain tapped into our city’s domestic malaise — who doesn’t know somebody they’d like to trade in for some extra cash? What about the extras? The Big C has Noah Isenberg, Imogen Sara Smith, Eddie Muller, Angelica Jade Bastién. Plus, we get the legendary Wilder interviews with Volker Schlöndorff, uncut and völlig ungeklärt. Revolver under the sofa cushion, anyone?
Double Indemnity
4K Ultra-hd + Blu-ray
The Criterion Collection 1126
1944 / B&w / 1:37 Academy / 108 min. / available through The Criterion Collection / Street Date May 31, 2022 / 39.95
Starring: Barbara Stanwyck, Fred MacMurray, Edward G. Robinson, Porter Hall, Tom Powers, Jean Heather, Byron Barr, Richard Gaines, Fortunio Bonanova, Mona Freeman,...
Double Indemnity
4K Ultra-hd + Blu-ray
The Criterion Collection 1126
1944 / B&w / 1:37 Academy / 108 min. / available through The Criterion Collection / Street Date May 31, 2022 / 39.95
Starring: Barbara Stanwyck, Fred MacMurray, Edward G. Robinson, Porter Hall, Tom Powers, Jean Heather, Byron Barr, Richard Gaines, Fortunio Bonanova, Mona Freeman,...
- 5/17/2022
- by Glenn Erickson
- Trailers from Hell
Set in the distant future of 2022, Soylent Green is an ecological thriller with a twist ready-made for The Twilight Zone. Charlton Heston is a detective who discovers the synthetic food produced by the omniscient Soylent Corporation features a stomach-churning special ingredient. Richard Fleischer directs a terrific supporting cast including Chuck Conners, Joseph Cotten, and, most movingly, Edward G. Robinson in his final film appearance.
The post Soylent Green appeared first on Trailers From Hell.
The post Soylent Green appeared first on Trailers From Hell.
- 5/16/2022
- by Charlie Largent
- Trailers from Hell
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