Brian Weinstein is leaving Bad Robot as their President and COO and heading over to Lionsgate in what is a dual role: He’ll be the Co-CEO of the studio’s majority owned 3 Arts Entertainment, while serving as a Senior Advisor to Lionsgate CEO Jon Feltheimer.
Weinstein joins 3 Arts’ leadership team, led by CEO Michael Rotenberg, in managing the firm’s operations and extending their capabilities into synergistic new areas that will benefit its client roster.
In Weinstein’s role as Senior Advisor to the Office of the CEO, he will also work closely with Feltheimer and the studio’s exec team to help spearhead growth initiatives for its other verticals.
“Brian is an entrepreneurial executive with the background and skills to work with 3 Arts leadership in continuing their company’s dynamic growth,” said Feltheimer. “3 Arts is an integral part of our talent strategy and a driver of content creation.
Weinstein joins 3 Arts’ leadership team, led by CEO Michael Rotenberg, in managing the firm’s operations and extending their capabilities into synergistic new areas that will benefit its client roster.
In Weinstein’s role as Senior Advisor to the Office of the CEO, he will also work closely with Feltheimer and the studio’s exec team to help spearhead growth initiatives for its other verticals.
“Brian is an entrepreneurial executive with the background and skills to work with 3 Arts leadership in continuing their company’s dynamic growth,” said Feltheimer. “3 Arts is an integral part of our talent strategy and a driver of content creation.
- 5/30/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics and programmers to share their thoughts on one moment from a film they've seen at the festival so far.Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Miriam BaleElizabeth Taylor: The Lost Tapes by Nanette Burstein (co-director of The Kid Stays in the Picture) is in some ways a straightforward chronological documentary of the movie star's fascinating, tabloid-centric life. What makes the film formally interesting, though, is the separation of voice and image. Burstein’s reliance on audio recordings of Taylor made in 1964 and 1985 foregrounds her remarkable voice over her blinding beauty, seen in stills and film clips. Taylor's voice, even at ages 32 and 53, can range from girlish and flirtatious to bawdy and shrill, sometimes within the same statement. When she describes how the AIDS crisis led...
- 5/29/2024
- MUBI
Being away from home allows room for perspective, and for a group of U.S.-based documentary experts who made the trip to Cannes, the glass remains half full, despite the headwinds. The closure of Participant, Showtime Docs, CNN Films scaling back and belt-tightening across the board have led many to posit that a Golden Age of documentary films has ended. A discussion in the American Pavilion at the Cannes Film Festival begged the question: If the Golden Age is over, what comes next?
For the assembled speakers, there was an acceptance of the challenges, but also a desire to take a long view and to look to the future.
“With the market retracting and some distribution outlets not being replaced by others, we’re forced to be creative again about how we get these films out to market, how we find audiences,” said Cinetic Media’s Jason Ishikawa during the Deadline-hosted panel.
For the assembled speakers, there was an acceptance of the challenges, but also a desire to take a long view and to look to the future.
“With the market retracting and some distribution outlets not being replaced by others, we’re forced to be creative again about how we get these films out to market, how we find audiences,” said Cinetic Media’s Jason Ishikawa during the Deadline-hosted panel.
- 5/24/2024
- by Stewart Clarke
- Deadline Film + TV
A celebrity from the age of 11, Elizabeth Taylor was practiced at public relations for almost all her life, so there aren’t many personal revelations in Elizabeth Taylor: The Lost Tapes. But Nanette Burstein’s elegantly constructed documentary, mostly in Taylor’s own words backed by illuminating archival images, works as a lively bit of film history about movie stardom in the volatile 1960s as the studio system was fading and the media exploding.
The film — which premiered at Cannes in the Cannes Classics sidebar — is based on 40 hours of recently rediscovered audiotapes, recordings Taylor made in the mid-1960s for a ghost-written memoir (long out of print). It was the most frenzied moment of her fame, when she was coming off the paparazzi-fueled scandal that was Cleopatra. Taylor, who died in 2011, recalls her many marriages — four when she made these recordings, since she was on the first of two...
The film — which premiered at Cannes in the Cannes Classics sidebar — is based on 40 hours of recently rediscovered audiotapes, recordings Taylor made in the mid-1960s for a ghost-written memoir (long out of print). It was the most frenzied moment of her fame, when she was coming off the paparazzi-fueled scandal that was Cleopatra. Taylor, who died in 2011, recalls her many marriages — four when she made these recordings, since she was on the first of two...
- 5/17/2024
- by Caryn James
- The Hollywood Reporter - Movie News
There have been countless books written about the immortal star Elizabeth Taylor, even some credited to her as both memoir or autobiography including 1989’s Elizabeth On Elizabeth. But a book released on January 1, 1965, probably comes closest to a pure autobiography, and the cover simply says, Elizabeth Taylor by Elizabeth Taylor. It is a by-the-numbers account of her life through her own words up until that point, but it actually was written by Richard Meryman, a journalist credited with among other things the last interview with Marilyn Monroe.
Meryman got Taylor to sit for some tape-recorded sessions in 1964, so he would be able to write the book as if Taylor did it herself. Sixty years later, those presumed “lost” recordings have been found and cleared for release by Taylor’s and Meryman’s estates. They have been in Meryman’s wife’s possession all these years,...
Meryman got Taylor to sit for some tape-recorded sessions in 1964, so he would be able to write the book as if Taylor did it herself. Sixty years later, those presumed “lost” recordings have been found and cleared for release by Taylor’s and Meryman’s estates. They have been in Meryman’s wife’s possession all these years,...
- 5/17/2024
- by Pete Hammond
- Deadline Film + TV
The British Film Institute has partnered with film animation studio Laika to start its event series Stop Motion: Celebrating Hand-Crafted Animation On The Big Screen, which will offer free screenings for children under 16 and include Laika’s five films to date: “Coraline” (2009), “Paranorman” (2012), “The Boxtrolls” (2014), “Kubo and the Two Strings” (2016) and “Missing Link” (2019), all of which were nominated for the Academy Award for outstanding animated feature.
The season, curated by BFI Southbank Lead Programmer Justin Johnson, will take place from Aug. 1 through Oct. 9. Additional titles playing on the big screen throughout the season will include “King Kong” (1933), “Jason and the Argonauts” (1963), “Chicken Run” (2001), “Corpse Bride” (2005), “Coraline” (2009), “Fantastic Mr. Fox” (2009) and “Anomalisa” (2015).
A free exhibition at BFI Southbank, Laika: Frame x Frame, will also run and showcase the art, science and innovation of the studio’s films. The exhibition will allow visitors an exclusive look at puppets, sets and artifacts from...
The season, curated by BFI Southbank Lead Programmer Justin Johnson, will take place from Aug. 1 through Oct. 9. Additional titles playing on the big screen throughout the season will include “King Kong” (1933), “Jason and the Argonauts” (1963), “Chicken Run” (2001), “Corpse Bride” (2005), “Coraline” (2009), “Fantastic Mr. Fox” (2009) and “Anomalisa” (2015).
A free exhibition at BFI Southbank, Laika: Frame x Frame, will also run and showcase the art, science and innovation of the studio’s films. The exhibition will allow visitors an exclusive look at puppets, sets and artifacts from...
- 5/15/2024
- by Jazz Tangcay, Lexi Carson, Jack Dunn and Selena Kuznikov
- Variety Film + TV
Cannes is not lacking for glamor this year, even in the documentary lineup.
Among the films premiering at the festival is Elizabeth Taylor: The Lost Tapes, an HBO feature documentary directed by Nanette Burstein and produced by J.J. Abrams, Glen Zipper, Sean M. Stuart, and Bill Gerber. The documentary draws on conversations with the star recorded decades ago for an autobiography.
“Entirely through the efforts of the [Taylor] estate, they were able to track those tapes down and reclaim them,” Zipper explained in an interview just before he flew to Cannes. “I remember getting an email from one of the trustees of the estate of a picture of the tapes in a box on a private jet on their way back to Los Angeles, strapped in with a seatbelt.”
Director Nanette Burstein
Zipper tells Deadline his production company, Zipper Bros Films, brought Burstein onto the project, a filmmaker known for Hulu’s 2020 docuseries about Hillary Clinton,...
Among the films premiering at the festival is Elizabeth Taylor: The Lost Tapes, an HBO feature documentary directed by Nanette Burstein and produced by J.J. Abrams, Glen Zipper, Sean M. Stuart, and Bill Gerber. The documentary draws on conversations with the star recorded decades ago for an autobiography.
“Entirely through the efforts of the [Taylor] estate, they were able to track those tapes down and reclaim them,” Zipper explained in an interview just before he flew to Cannes. “I remember getting an email from one of the trustees of the estate of a picture of the tapes in a box on a private jet on their way back to Los Angeles, strapped in with a seatbelt.”
Director Nanette Burstein
Zipper tells Deadline his production company, Zipper Bros Films, brought Burstein onto the project, a filmmaker known for Hulu’s 2020 docuseries about Hillary Clinton,...
- 5/15/2024
- by Matthew Carey
- Deadline Film + TV
The 2024 Tribeca Festival has added even more films, including eight world premieres, to its lineup.
The annual New York event will now include the world premieres of two sports documentaries: Roger Federer’s Twelve Final Days, directed by Asif Kapadia and Joe Sabia, about the 20-time Grand Slam tennis champion’s decision to retire from the sport, and Dawn Porter’s Power of the Dream, about the WNBA’s fights for fair pay, better airtime and social justice. Both docs are set to stream on Amazon’s Prime Video.
And it’s adding the North American premiere of Nanette Burstein’s Elizabeth Taylor: The Lost Tapes as well as the world premiere of Sabrina Van Tassel’s Missing From Fire Trail Road, about the efforts to find out what happened to missing Native American woman Mary Ellen Johnson-Davis, who disappeared more than two years ago from the Tulalip Indian reservation near Seattle.
The annual New York event will now include the world premieres of two sports documentaries: Roger Federer’s Twelve Final Days, directed by Asif Kapadia and Joe Sabia, about the 20-time Grand Slam tennis champion’s decision to retire from the sport, and Dawn Porter’s Power of the Dream, about the WNBA’s fights for fair pay, better airtime and social justice. Both docs are set to stream on Amazon’s Prime Video.
And it’s adding the North American premiere of Nanette Burstein’s Elizabeth Taylor: The Lost Tapes as well as the world premiere of Sabrina Van Tassel’s Missing From Fire Trail Road, about the efforts to find out what happened to missing Native American woman Mary Ellen Johnson-Davis, who disappeared more than two years ago from the Tulalip Indian reservation near Seattle.
- 5/14/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
New York’s Tribeca Festival has added eight world premieres to its 2024 line-up, including Asif Kapadia and Joe Sabia’s Federer: Twelve Final Days.
The behind-the-scenes sports documentary, which will screen in Tribeca’s Spotlight Documentary section, is about tennis champion Roger Federer and his decision to retire from the sport.
Also set for the festival, which runs June 5-16, is the world premiere, in the International Narrative Competition, of The Freshly Cut Grass, a dramedy directed by Celina Murga and executive produced by Martin Scorsese.
Other world premieres joining the programme are: Power of the Dream, a documentary about women’s professional basketball,...
The behind-the-scenes sports documentary, which will screen in Tribeca’s Spotlight Documentary section, is about tennis champion Roger Federer and his decision to retire from the sport.
Also set for the festival, which runs June 5-16, is the world premiere, in the International Narrative Competition, of The Freshly Cut Grass, a dramedy directed by Celina Murga and executive produced by Martin Scorsese.
Other world premieres joining the programme are: Power of the Dream, a documentary about women’s professional basketball,...
- 5/14/2024
- ScreenDaily
The 2024 Tribeca Festival has added 11 new feature films to its lineup — including a Hannah Einbinder standup special from Max — and has also set a world premiere of Michael Sarnoski’s A Quiet Place: Day One on June 26 in partnership with Paramount Pictures and Imax just ahead of the film’s theatrical release. The red carpet event is for Tribeca members as part of the organization’s push into year-round programming. It’s after the festival, which runs June 5-16.
Hannah Einbinder: Everything Must Go, features the actress and comedian best known for her role as Ava Daniels in the HBO hit Hacks with Jean Smart.
Other new word premieres include sports documentaries Federer: Twelve Final Days, directed by Asif Kapadia and Joe Sabia — a behind-the-scenes film of the 20-time Grand Slam tennis champion Roger Federer and his emotional decision to retire from the sport — as well as Power of the Dream,...
Hannah Einbinder: Everything Must Go, features the actress and comedian best known for her role as Ava Daniels in the HBO hit Hacks with Jean Smart.
Other new word premieres include sports documentaries Federer: Twelve Final Days, directed by Asif Kapadia and Joe Sabia — a behind-the-scenes film of the 20-time Grand Slam tennis champion Roger Federer and his emotional decision to retire from the sport — as well as Power of the Dream,...
- 5/14/2024
- by Jill Goldsmith
- Deadline Film + TV
The 2024 Tribeca Festival has just unveiled new additions to its already star-studded lineup.
IndieWire can confirm that the New York premiere of “A Quiet Place: Day One” will take place as part of the festival, which runs June 5 through 16. The film will have a special screening June 26 in partnership with Paramount Pictures in IMAX.
The festival, presented by Okx, announced the addition of 11 new feature films, including eight world premieres. Documentaries “Federer: Twelve Final Days” and “Elizabeth Taylor: The Lost Tapes,” produced by J.J. Abrams, are among the highlights, plus Dawn Porter’s “Power of the Dream.”
Hannah Einbinder’s first-ever stand-up comedy special “Hannah Einbinder: Everything Must Go” will also have its world premiere at the festival.
“At our core, we are an activist festival, united by the belief that art can inspire change,” Tribeca Co-Founder and CEO Jane Rosenthal. “We’re excited to add 11 new films to our Festival lineup,...
IndieWire can confirm that the New York premiere of “A Quiet Place: Day One” will take place as part of the festival, which runs June 5 through 16. The film will have a special screening June 26 in partnership with Paramount Pictures in IMAX.
The festival, presented by Okx, announced the addition of 11 new feature films, including eight world premieres. Documentaries “Federer: Twelve Final Days” and “Elizabeth Taylor: The Lost Tapes,” produced by J.J. Abrams, are among the highlights, plus Dawn Porter’s “Power of the Dream.”
Hannah Einbinder’s first-ever stand-up comedy special “Hannah Einbinder: Everything Must Go” will also have its world premiere at the festival.
“At our core, we are an activist festival, united by the belief that art can inspire change,” Tribeca Co-Founder and CEO Jane Rosenthal. “We’re excited to add 11 new films to our Festival lineup,...
- 5/14/2024
- by Samantha Bergeson
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.