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Chevalier (2015)
7/10
A droll look on men's relationships
19 October 2016
The film is about a bunch of men overtly engaging in comparing their status and worth. This sounds as comedic a premise as any, but the director is quite restrained and doles out the funnies in a languid tempo (although there is certainly a climax to the proceedings). The writing is very good, and takes care to provide details that deftly flesh out the characters: these are not rah-rah bros, the relationships among them are subtle and fuel much of the action. The actors are quite brilliant, always shy of hamming it up, perhaps tellingly so.

This is what I found most impressive about the film, the sense of director's control of the material. You could milk this premise for a lot of cheap laughs, but the film feels free to go broad or subtle, just hint at hilarious episodes, take the time to enjoy the view from the boat, linger a while at the harbour before going back home. At all times however the perspective is assured, the characters are never made fun of, and the viewer is invited to witness as much silliness as they like.

I am docking a bunch of points because all this restraint on balance does gets a bit draining, but I think that everyone will enjoy the time spent at the company of these gentlemen.
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Haute Cuisine (2012)
1/10
How difficult can it be to make a film about food?
7 July 2013
Warning: Spoilers
The spoiler revealed in this review is that there is no dramatic tension whatsoever in this work.

This was a revoltingly bad movie. The subject matter ought to make this an easy movie to watch, with opportunities to showcase haute cuisine in a lavish environment, while celebrating some interesting characters. The incompetence of the direction, however, makes this film a slog to get through. First off, the story is told via a halting and awkward flashback device. There is absolutely no dramatic reason for that and the rhythm of the film suffers greatly for it. It only serves the need to provide some variation in the visuals (or the desire of the producers to travel to Antarctica) and to introduce a few more totally throwaway characters. Second, and more important, the movie fails spectacularly at elevating what is by rights something quite trivial - the non-problems of a chef working for a rarefied clientèle - into something worthy of a dramatic recreation. Whenever something that vaguely looks like an obstacle is introduced, the situation is immediately resolved to the protagonist's favor, although she will continue to pout and complain and be exhausted by it. The director also makes some token efforts at humor, but they are vague and they only underline the lack of anything serious to distract you from. Even in the end, when the protagonist resigns from her post, she can offer no reason for it. I can only presume that she was as bored by what happened in the previous two hours as I.
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