It feels unbelievable that I decided to watch a movie with 4.8 grade on IMBD but I still gave it a try as it seemed to gather rather polarized reviews and I wanted to have my own opinion. Some call this movie pure crap, some perceive it as a new word in horror genre. And I don't believe that I am saying that... but I actually belong to the second category. Yes, I enjoyed very much the film with 4.8 grade on IMBD.
First of all, if you are into mainstream, story driven movies, don't even bother to try "Skinamarink". The film is pure impressionism on a screen with a very thin plot. Ever tried to define secret meanings of abstract figures on Malevich or Kandisnkiy paintings? This is pretty much the experience movie provides you with. Repetitive, hypnotic shots of lurking shadows spiced up with some Lynchian vibes from "Eraserhead". This, on a surface, tiring experience of observing dream like sequences with nonlinear plot provides with some serious pay off as you are falling down the rabbit hole towards nightmarish culmination. It is the matter of question whether the audience will have patience to reach it to the end, making this trip not for everyone. However, hate it or love it, you can't deny how atmospheric this experience is.
On a surface it is the story about demon tormenting kids in locked house. Sublimely it is also story of anxiety from alienation, inability to control events around you and even abuse. Torments grounded in more relatable horrors of real life where supernatural exists as a coping mechanism in fractured children minds. The degree of abuse is left to audience's imagination which is gut-wrenching as disturbing imagery particularly towards the end of the movie doesn't leave much space for anything hopeful.
Most of us have been there at least at least mildly at some point in life. Parents having an argument in the next room, sounds of TV in your bedroom are suppressing the shouts. You lay on a bed covered up with the blanket and the shadows in the corners start to feel more alive and real than anything around you. Kyle Ball nailed this feeling so well and atmosphere of nightmarish sequences from old, forgotten childhood are crafted to such skillful extent which even experienced directors often don't reach in their cinematic techniques. From directional perspective, this film debut is surely a success.
Its only sensible drawback is, as many mentioned, the length. As much as I adored experimental style, even I couldn't help but feel that the movie was stretched in the middle. I am sure director would be able to defend every single shot, however the cinematic style he picked suited badly for a full feature movie. The film dangerously balances between hypnotic and repetitively boring. For me it mostly didn't cross the edge, but for many it did.
With a 40 min length the movie for sure would get a much warmer welcome from general audience. I also think that a bit more variety of camera work here or there would shake the things up without spoiling movie's concept. Nevertheless, this $15k film from amateur director stirring some serious noise within horror fan community means something.
I can only hope that "Skinamarink" will follow "Eraserhead" not only in style but in fate as well - being the first film in long filmography of new successful movie director. Because talent of Kyle Ball, his ability to manage experimental imagery and effectively portray on screen challenging material are obvious.
For me it is 7/10 however, as the movie is severely underrated, I will mark it as 10/10.
First of all, if you are into mainstream, story driven movies, don't even bother to try "Skinamarink". The film is pure impressionism on a screen with a very thin plot. Ever tried to define secret meanings of abstract figures on Malevich or Kandisnkiy paintings? This is pretty much the experience movie provides you with. Repetitive, hypnotic shots of lurking shadows spiced up with some Lynchian vibes from "Eraserhead". This, on a surface, tiring experience of observing dream like sequences with nonlinear plot provides with some serious pay off as you are falling down the rabbit hole towards nightmarish culmination. It is the matter of question whether the audience will have patience to reach it to the end, making this trip not for everyone. However, hate it or love it, you can't deny how atmospheric this experience is.
On a surface it is the story about demon tormenting kids in locked house. Sublimely it is also story of anxiety from alienation, inability to control events around you and even abuse. Torments grounded in more relatable horrors of real life where supernatural exists as a coping mechanism in fractured children minds. The degree of abuse is left to audience's imagination which is gut-wrenching as disturbing imagery particularly towards the end of the movie doesn't leave much space for anything hopeful.
Most of us have been there at least at least mildly at some point in life. Parents having an argument in the next room, sounds of TV in your bedroom are suppressing the shouts. You lay on a bed covered up with the blanket and the shadows in the corners start to feel more alive and real than anything around you. Kyle Ball nailed this feeling so well and atmosphere of nightmarish sequences from old, forgotten childhood are crafted to such skillful extent which even experienced directors often don't reach in their cinematic techniques. From directional perspective, this film debut is surely a success.
Its only sensible drawback is, as many mentioned, the length. As much as I adored experimental style, even I couldn't help but feel that the movie was stretched in the middle. I am sure director would be able to defend every single shot, however the cinematic style he picked suited badly for a full feature movie. The film dangerously balances between hypnotic and repetitively boring. For me it mostly didn't cross the edge, but for many it did.
With a 40 min length the movie for sure would get a much warmer welcome from general audience. I also think that a bit more variety of camera work here or there would shake the things up without spoiling movie's concept. Nevertheless, this $15k film from amateur director stirring some serious noise within horror fan community means something.
I can only hope that "Skinamarink" will follow "Eraserhead" not only in style but in fate as well - being the first film in long filmography of new successful movie director. Because talent of Kyle Ball, his ability to manage experimental imagery and effectively portray on screen challenging material are obvious.
For me it is 7/10 however, as the movie is severely underrated, I will mark it as 10/10.
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