56
Metascore
6 reviews · Provided by Metacritic.com
- 90Screen DailySarah WardScreen DailySarah WardWhether quietly watching Nanami gain her sense of self scene-by-scene, or plunging into more dramatic territory whenever Amuro or Mashiro appear, the end result slowly builds, grows and blossoms into an astute, insightful, multi-layered character study.
- 80VarietyMaggie LeeVarietyMaggie LeeArtfully subverting the spirit of such soulful, diaphanous romances as “Love Letter” and “Hana and Alice” from earlier in his own career, Iwai exposes the desperation and deceit involved in the search for love.
- 70Los Angeles TimesRobert AbeleLos Angeles TimesRobert AbeleOverlong yet alluring.
- 50The Hollywood ReporterElizabeth KerrThe Hollywood ReporterElizabeth KerrThe three-hour runtime seems justified when Iwai lets his characters fragile, burgeoning relationships develop at a leisurely pace and revel in the little details. At other times the pic is simply self-indulgent, allowing scenes to slip from emotionally naked to embarrassingly overwrought in a flash. Iwai served as his own editor and it shows.
- 50RogerEbert.comSimon AbramsRogerEbert.comSimon AbramsI was also so disturbed by this film that I felt I had to rewatch certain scenes just to confirm that the emotional exhaustion I experienced while watching it wasn't just a personal preference, but rather a problem I had with what Iwai and his collaborators do in the film.
- 25Slant MagazineDiego SemereneSlant MagazineDiego SemereneThe film is an interminable saga full of soap-operatic plot twists involving quickly broken marriages, sexual assault, a secret porn career, terminal illness, and a quasi lesbian love affair.