I'm just going to come out and say it: 2015 has been a really disappointing year for Asian Cinema so far. I didn't get to go to Cannes, so I have yet to see promising offerings from the likes of Hou Hsiao Hsien, Jia Zhangke, Koreeda Hirokazu and Apichatpong Weerasethakul among others, but what has made its way to screens in Hong Kong so far in 2015 has been a meagre selection of notable works.Before I dive into my Top 10 for the first half of the year, I will give special mentions to Jiang Wen's Gone With The Bullets, Herman Yau's Sara, Yoo Ha's Gangnam Blues, Adrian Kwan's Little Big Master and Narushima Izuru's Solomon's Perjury - all of which displayed elements of interest,...
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- 7/6/2015
- Screen Anarchy
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