Argentinian filmmaker also wins best director prize.
Rodrigo Grande’s At The End Of The Tunnel claimed the Golden Space Needle Award for best film as the Seattle International Film Festival (Siff) came to a close on Sunday.
Argentinian filmmaker Grande (pictured) also won best director, while Peter Bratt’s Dolores won best documentary and David Jons (I, Daniel Blake) and Lene Cecilia Sparrok (Sami Blood) claimed the acting prizes.
The Winter (El Invierno) by Emiliano Torres won the Ibero-American competition grand jury prize, while Canada’s Chloé Robichaud won the New Directors Competition for Boundaries (Pays), and Sj Chiro’s Lane 1974 won the New American Cinema Competition.
Interim artistic director Beth Barrett said: “This year at Siff, we celebrated extraordinary cinema from 80 countries over a marathon 25 days bringing to our audiences more than 750 screenings and events and introducing them to over 350 filmmakers and industry guests.
“Executive director Sarah Wilke and I were thrilled to present...
Rodrigo Grande’s At The End Of The Tunnel claimed the Golden Space Needle Award for best film as the Seattle International Film Festival (Siff) came to a close on Sunday.
Argentinian filmmaker Grande (pictured) also won best director, while Peter Bratt’s Dolores won best documentary and David Jons (I, Daniel Blake) and Lene Cecilia Sparrok (Sami Blood) claimed the acting prizes.
The Winter (El Invierno) by Emiliano Torres won the Ibero-American competition grand jury prize, while Canada’s Chloé Robichaud won the New Directors Competition for Boundaries (Pays), and Sj Chiro’s Lane 1974 won the New American Cinema Competition.
Interim artistic director Beth Barrett said: “This year at Siff, we celebrated extraordinary cinema from 80 countries over a marathon 25 days bringing to our audiences more than 750 screenings and events and introducing them to over 350 filmmakers and industry guests.
“Executive director Sarah Wilke and I were thrilled to present...
- 6/11/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Summer Is GoneOne of the greater pleasures of New Directors/New Films, the yearly collaboration in New York between the Film Society of Lincoln Center and Museum of Modern Art, is reveling in the mystery of emerging directors. Of course, many and most festivals have offerings from first (and second and third time) directors, but at none is this explicitly the point. When a minimum of information is offered, save for a brief bio, relinquished is the burden of pre-viewing research and any expectations that may arise from it. More prominent titles have been covered by the Notebook already, but here are highlights from around the globe, from directors not-yet-known, though hopefully for not much longer. The Summer Is Gone echoes the ghosts of Edward Yang by locating drama in a particular moment in history, wedding personal histories to political ones. Set in inner Mongolia, the film throws back to the ever-receding 90s,...
- 3/14/2017
- MUBI
Dedicated to the discovery of new works by emerging and dynamic filmmaking talent, this year’s New Directors/New Films festival will screen 29 features and nine short films. This year’s lineup boasts nine North American premieres, seven U.S. premieres, and two world premieres, with features and shorts from 32 countries across five continents.
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.”
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
Now in its forty-sixth year, Nd/Nf has played home early films from such heavy hitters as Steven Spielberg, Spike Lee, Chantal Akerman, Pedro Almodovar,...
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.”
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
Now in its forty-sixth year, Nd/Nf has played home early films from such heavy hitters as Steven Spielberg, Spike Lee, Chantal Akerman, Pedro Almodovar,...
- 3/14/2017
- by Chris O'Falt, Eric Kohn, Jude Dry and Kate Erbland
- Indiewire
One of the best festivals during the first half of the year is The Museum of Modern Art and the Film Society of Lincoln Center’s New Directors/New Films, which kicks off its 46th year this March, running from the 15th to the 26th. With last year’s line-up including some of the year’s best films, including Cameraperson, The Fits, Kaili Blues, Neon Bull, Weiner, and more, we can expect many more discoveries this year.
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
- 2/15/2017
- by Jordan Raup
- The Film Stage
The Museum of Modern Art and the Film Society of Lincoln Center has today announces their complete lineup for the 46th annual New Directors/New Films (Nd/Nf), running March 15 – 26. Dedicated to the discovery of new works by emerging and dynamic filmmaking talent, this year’s festival will screen 29 features and nine short films. This year’s lineup boasts nine North American premieres, seven U.S. premieres, and two world premieres, with features and shorts from 32 countries across five continents.
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
- 2/15/2017
- by Kate Erbland
- Indiewire
It's Only the End of the World and Operation Avalanche recognized among the 2017 Canadian Screen Award NominationsIt's Only the End of the World and Operation Avalanche recognized among the 2017 Canadian Screen Award NominationsAdriana Floridia1/17/2017 2:50:00 Pm
This morning the Canadian Screen Awards announced their 2017 nominations, recognizing the best of last year's Canadian films.
The awards are given out by the Academy of Canadian Cinema and Television. This year's nominees boast a diverse line up of films that tell stories not just in English and French, but also Mandarin, Atikamekw and Inuktiut.
The most high-profile of the bunch would have to be Xavier Dolan's It's Only the End of the World, which is a likely contender at the Oscars this year in the Best Foreign Language Film category. It made the shortlist of nine films that will be considered at the Oscars, which also includes Germany's Toni Erdmann and Chile's Neruda.
This morning the Canadian Screen Awards announced their 2017 nominations, recognizing the best of last year's Canadian films.
The awards are given out by the Academy of Canadian Cinema and Television. This year's nominees boast a diverse line up of films that tell stories not just in English and French, but also Mandarin, Atikamekw and Inuktiut.
The most high-profile of the bunch would have to be Xavier Dolan's It's Only the End of the World, which is a likely contender at the Oscars this year in the Best Foreign Language Film category. It made the shortlist of nine films that will be considered at the Oscars, which also includes Germany's Toni Erdmann and Chile's Neruda.
- 1/17/2017
- by Adriana Floridia
- Cineplex
Exclusive: Iffr reveals lineup and jury for programme focused on emerging filmmakers.
International Film Festival Rotterdam (Iffr) (25 Jan – 5 Feb) has announced the full line-up of its Bright Future programme, including the titles that will compete for the Bright Future Award.
Scroll down for the full lineup
The competition for the Bright Future Award 2017 consists of sixteen debut films, including Chinese documentary Children Are Not Afraid of Death, Children Are Afraid of Ghosts by Rong Guang Rong and Caroline Leone’s melancholy Brazilian road movie Pela Janela. Also competing are Belgian title Inside the Distance and German feature Self-Criticism Of A Bourgeois Dog.
The jury for the award will be made up of Italian film producer Marta Donzelli (Le Quattro Volte); Marleen Slot, Netherlands producer for Viking Film (Neon Bull) and chair of Film Producers Netherlands (Fpn); and Jean-Pierre Rehm, director of the French film festival Fid Marseille.
Outside of this competition, Bright Future also presents...
International Film Festival Rotterdam (Iffr) (25 Jan – 5 Feb) has announced the full line-up of its Bright Future programme, including the titles that will compete for the Bright Future Award.
Scroll down for the full lineup
The competition for the Bright Future Award 2017 consists of sixteen debut films, including Chinese documentary Children Are Not Afraid of Death, Children Are Afraid of Ghosts by Rong Guang Rong and Caroline Leone’s melancholy Brazilian road movie Pela Janela. Also competing are Belgian title Inside the Distance and German feature Self-Criticism Of A Bourgeois Dog.
The jury for the award will be made up of Italian film producer Marta Donzelli (Le Quattro Volte); Marleen Slot, Netherlands producer for Viking Film (Neon Bull) and chair of Film Producers Netherlands (Fpn); and Jean-Pierre Rehm, director of the French film festival Fid Marseille.
Outside of this competition, Bright Future also presents...
- 1/4/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The world premiere of Ritesh Batra’s adaptation of the Julian Barnes novel starring Jim Broadbent and Charlotte Rampling will kick off proceedings at the 28th annual Palm Springs International Film Festival on January 5.
The Sense Of An Ending (pictured) is Batra’s second film after The Lunchbox and will open through CBS films on March 10.
Taylor Hackford’s The Comedian starring Robert De Niro will close the event (Spc opens the film on January 13) as festival brass unveiled the full roster of Premieres, New Voices/New Visions, Modern Masters, True Stories and After Dark.
World premieres include Colin Hanks’s Eagles Of Death Metal: Nos Amis (Our Friends) (Us-France); Andrew Wagner’s Breakable You (Us) starring Holly Hunter, Tony Shalhoub and Alfred Molina; Catalina Aguilar Mastretta’s Everybody Loves Somebody (Mexico); and Simon Aboud’s The Beautiful Fantastic (UK-us).
Rounding out the world premieres are: The Concessionaires Must Die! (Us) by [link...
The Sense Of An Ending (pictured) is Batra’s second film after The Lunchbox and will open through CBS films on March 10.
Taylor Hackford’s The Comedian starring Robert De Niro will close the event (Spc opens the film on January 13) as festival brass unveiled the full roster of Premieres, New Voices/New Visions, Modern Masters, True Stories and After Dark.
World premieres include Colin Hanks’s Eagles Of Death Metal: Nos Amis (Our Friends) (Us-France); Andrew Wagner’s Breakable You (Us) starring Holly Hunter, Tony Shalhoub and Alfred Molina; Catalina Aguilar Mastretta’s Everybody Loves Somebody (Mexico); and Simon Aboud’s The Beautiful Fantastic (UK-us).
Rounding out the world premieres are: The Concessionaires Must Die! (Us) by [link...
- 12/15/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
This year’s Toronto International Film Festival was another dense program filled with lots of new films in need of distribution. Fortunately, many of the highlights — from awards season heavyweights like “Jackie,” which went to Fox Searchlight, to smaller-scale crowdpleasers like “Tramps,” a Netflix acquisition — are guaranteed to find audiences beyond the Tiff arena. And most buyers agreed that this was, generally speaking, a pretty healthy year. Nevertheless, as the festival came to a conclusion, several great movies in the lineup remained homeless. Here are some of the ones that IndieWire wants to bring to the attention of all the buyers out there. We hope they’re paying attention.
See MoreThe 2016 IndieWire Tiff Bible: Every Review, Interview and News Item Posted During the Festival
“Boundaries”
With her underrated debut film “Sarah Prefers to Run,” Chloé Robichaud made one of the best coming-of-age stories in recent years. For her follow-up, the Québécois writer-director widened her focus,...
See MoreThe 2016 IndieWire Tiff Bible: Every Review, Interview and News Item Posted During the Festival
“Boundaries”
With her underrated debut film “Sarah Prefers to Run,” Chloé Robichaud made one of the best coming-of-age stories in recent years. For her follow-up, the Québécois writer-director widened her focus,...
- 9/19/2016
- by Indiewire Staff
- Indiewire
The Toronto International Film Festival is mere weeks from kicking off, yet the annual fall fest is showing zero sign of slowing down when it comes to announcing the titles that will round out this year’s event. Today’s announcement brings with it a number of Cannes favorites, including Ken Loach’s Palme d’Or-winning “I, Daniel Blake,” Olivier Assayas’ divisive Kristen Stewart-starring “Personal Shopper” and Pedro Almodovar’s “Julieta.”
Read More: Tiff Reveals First Slate of 2016 Titles, Including ‘Magnificent Seven,’ ‘American Honey,’ ‘La La Land’ and ‘Birth of A Nation’
The slate will also play home to the Dardenne Brothers’ latest, “The Unknown Girl,” which has reportedly been through an edit since it debuted at Cannes earlier this year. Other standouts from Cannes include Kleber Mendonça Filho’s “Aquarius,” Boo Junfeng’s “Apprentice,” Cristian Mungiu’s “Graduation,” Brillante Ma Mendoza’s “Ma’ Rosa” and Cristi Puiu’s “Sieranevada.
Read More: Tiff Reveals First Slate of 2016 Titles, Including ‘Magnificent Seven,’ ‘American Honey,’ ‘La La Land’ and ‘Birth of A Nation’
The slate will also play home to the Dardenne Brothers’ latest, “The Unknown Girl,” which has reportedly been through an edit since it debuted at Cannes earlier this year. Other standouts from Cannes include Kleber Mendonça Filho’s “Aquarius,” Boo Junfeng’s “Apprentice,” Cristian Mungiu’s “Graduation,” Brillante Ma Mendoza’s “Ma’ Rosa” and Cristi Puiu’s “Sieranevada.
- 8/16/2016
- by Kate Erbland
- Indiewire
While Canadians are days away from hitting the polls to determine the next government, Chloé Robichaud, the filmmaker who broke out with her Cannes Un Certain Regard selected Sarah Prefers to Run is trading the athletic podium for….the political one. Among the new generation of French Canadian female filmmakers, her sophomore effort entitled Pays has its cast in place and is ready to roll. First-timer Nathalie Doummar is joined by Macha Grenon, Yves Jacques, Rémy Girard and Alexandre Landry (Louise Archambault’s Gabrielle) are among those to join the project. To be readied for 2016, the pic is produced by La Boîte à Fanny’s Fanny-Laure Malo (Sarah préfère la course), Item 7’s Pierre Even et Marie-Claude Poulin (Brooklyn) and Morag Loves Company’s Barbara Doran (The Grand Seduction).
Gist: Not imagining herself as a candidate in the federal election, 25 year-old Félixe (Nathalie Doummar) has more difficulty coming to terms after winning her riding.
Gist: Not imagining herself as a candidate in the federal election, 25 year-old Félixe (Nathalie Doummar) has more difficulty coming to terms after winning her riding.
- 10/7/2015
- by Eric Lavallee
- IONCINEMA.com
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