The Wheels on the Bus...
- Episode aired Nov 21, 2012
- TV-14
- 41m
IMDb RATING
7.3/10
2.5K
YOUR RATING
The team searches for a missing school bus filled with students in Washington, DC.The team searches for a missing school bus filled with students in Washington, DC.The team searches for a missing school bus filled with students in Washington, DC.
Photos
Reginald C. Hayes
- Detective Wiliam Richards
- (as Reggie Hayes)
Storyline
Did you know
- TriviaThis features Devon Werkheiser, the star of Ned's Declassified School Survival Guide (2004). The Fallen (2012) featured Meshach Taylor, who was also a cast member of Ned's Declassified.
- GoofsThere's no way ELF could carry high-quality audio data, analog or digital, let alone video data. It would sound like a cell phone at best.
- Quotes
Aaron Hotchner: [opening, voiceover] French novelist Jean Giraudoux said, "I'm not afraid of death. It's the stake one puts up in order to play the game of life."
- SoundtracksCriminal Minds Theme
Composed by Mark Mancina
Featured review
Loved the BAU interaction, really disliked the case
The premise for "The Wheels on the Bus" seemed intriguing and had the makings of a good episode if executed well. Unfortunately, it wasn't executed well and the episode ended up being one of the worst episodes of Season 8 along with "Magnificent Light" (the weakest), "Through the Looking Glass" and "The Replicator".
As always the production values are excellent, gritty, classy and stylish with an effective sense of claustrophobia and dread. The music conveys the right amount of moody atmosphere. The acting from the leads is very good, especially Joe Mantegna who bags all the best lines.
"The Wheels on the Bus" works best in the scenes with the BAU, and there are some lovely moments with them that one wishes there was more. The only let-downs being the underuse of Reid and the rather cold personality of Blake. Nicholas Brendan however makes a welcome return, and his chemistry with Garcia brings some heart though occasionally feeling forced and unnecessary. Also loved the exchange when it is realised that the unsubs are replicating a video game (though it did happen out of the blue and was for a while just a theory with no tangible proof) and the very sweet conversation between Rossi and Garcia about Scotch.
On the other hand, the case didn't do much for me. It could have been really creepy and suspenseful, but ended up being rather goofy and illogical with some of the actions of the hostages often being called into question even for the concept. This was not helped by the stupid decision-making and indifferent attitudes of some of the hostages, only from a couple was there a sense of terror and desperation for survival, or the rather half-hearted game set-up. Didn't find the unsubs particularly interesting or menacing and equally didn't buy their reason for the crimes (going against proved evidence), in fact they were pretty hammy with some cringe-worthy dialogue and the acting from both was nothing to write home about.
Storytelling is a bit slow and the transitions from the scenes with the team to the scenes with the unsubs very disjointed. Too much of the script, apart from some nice moments, is too much of a second draft, while there is too much unsub-and-scenes-with-victims heavy (another major problem with why the story didn't work) and with not enough of the BAU and the profiling, some of the case being solved through conclusion jumping.
All in all, nice BAU interaction but the case didn't do anything for me. 4/10 Bethany Cox
As always the production values are excellent, gritty, classy and stylish with an effective sense of claustrophobia and dread. The music conveys the right amount of moody atmosphere. The acting from the leads is very good, especially Joe Mantegna who bags all the best lines.
"The Wheels on the Bus" works best in the scenes with the BAU, and there are some lovely moments with them that one wishes there was more. The only let-downs being the underuse of Reid and the rather cold personality of Blake. Nicholas Brendan however makes a welcome return, and his chemistry with Garcia brings some heart though occasionally feeling forced and unnecessary. Also loved the exchange when it is realised that the unsubs are replicating a video game (though it did happen out of the blue and was for a while just a theory with no tangible proof) and the very sweet conversation between Rossi and Garcia about Scotch.
On the other hand, the case didn't do much for me. It could have been really creepy and suspenseful, but ended up being rather goofy and illogical with some of the actions of the hostages often being called into question even for the concept. This was not helped by the stupid decision-making and indifferent attitudes of some of the hostages, only from a couple was there a sense of terror and desperation for survival, or the rather half-hearted game set-up. Didn't find the unsubs particularly interesting or menacing and equally didn't buy their reason for the crimes (going against proved evidence), in fact they were pretty hammy with some cringe-worthy dialogue and the acting from both was nothing to write home about.
Storytelling is a bit slow and the transitions from the scenes with the team to the scenes with the unsubs very disjointed. Too much of the script, apart from some nice moments, is too much of a second draft, while there is too much unsub-and-scenes-with-victims heavy (another major problem with why the story didn't work) and with not enough of the BAU and the profiling, some of the case being solved through conclusion jumping.
All in all, nice BAU interaction but the case didn't do anything for me. 4/10 Bethany Cox
helpful•125
- TheLittleSongbird
- Nov 27, 2016
Details
- Runtime41 minutes
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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