Disney Marvel Studios’ first R-rated release, Deadpool & Wolverine, is already heating up eight weeks before its debut, having already collected some $8M in first day ticket sales. $8M is pretty remarkable for an R-rated movie two months before release. The Ryan Reynolds and Hugh Jackman-starring threequel directed by Shawn Levy opens July 26.
While there are no direct comps on Deadpool & Wolverine ticket sales in post-Covid history, its current cash bests the 24-hour advance ticket sales of Warner Bros/DC’s The Batman ($6.5M), Disney Marvel Studio’s Guardians of the Galaxy Vol. 3 ($6M) and Lionsgate’s R-rated John Wick: Chapter 4 ($1.4M). The Batman and GOTG3 opened to respective 3-day weekends of $134M and $118.4M.
Deadpool & Wolverine has been forecasted as one of a handful of tentpoles that will truly work this summer and bring a mass audience back to theaters. The other titles include Inside Out 2,...
While there are no direct comps on Deadpool & Wolverine ticket sales in post-Covid history, its current cash bests the 24-hour advance ticket sales of Warner Bros/DC’s The Batman ($6.5M), Disney Marvel Studio’s Guardians of the Galaxy Vol. 3 ($6M) and Lionsgate’s R-rated John Wick: Chapter 4 ($1.4M). The Batman and GOTG3 opened to respective 3-day weekends of $134M and $118.4M.
Deadpool & Wolverine has been forecasted as one of a handful of tentpoles that will truly work this summer and bring a mass audience back to theaters. The other titles include Inside Out 2,...
- 5/22/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Exclusive: Ayo Edebiri (The Bear) has signed on to star alongside Julia Roberts and Andrew Garfield in Amazon MGM Studios’ upcoming film After the Hunt from director Luca Guadagnino and Imagine, Deadline has learned.
Details as to her role are under wraps.
Written by Nora Garrett, the film is an intense dramatic thriller about a college professor who finds herself at a personal and professional crossroads when a star pupil levels an accusation against one of her colleagues, and a dark secret from her own past threatens to come to light.
Imagine Entertainment’s Brian Grazer and Allan Mandelbaum are producing alongside Guadagnino via his Frenesy banner, with Imagine Entertainment’s Karen Lunder exec producing alongside Garrett. Production is scheduled to kick off this summer and the film will be released in theaters next year.
One of today’s most in-demand actors, Edebiri is best known for starring opposite Jeremy...
Details as to her role are under wraps.
Written by Nora Garrett, the film is an intense dramatic thriller about a college professor who finds herself at a personal and professional crossroads when a star pupil levels an accusation against one of her colleagues, and a dark secret from her own past threatens to come to light.
Imagine Entertainment’s Brian Grazer and Allan Mandelbaum are producing alongside Guadagnino via his Frenesy banner, with Imagine Entertainment’s Karen Lunder exec producing alongside Garrett. Production is scheduled to kick off this summer and the film will be released in theaters next year.
One of today’s most in-demand actors, Edebiri is best known for starring opposite Jeremy...
- 5/22/2024
- by Matt Grobar
- Deadline Film + TV
For decades, Memorial Day weekend has traditionally been a hugely busy weekend at the box office, often offering the biggest of franchise sequels — or in this case, two potential franchise prequels? Read on for Gold Derby’s box office preview.
The Memorial Day bump that has helped so many franchise installments before will certainly be in play for George Miller‘s return to the post-apocalyptic world of Mad Max with “Furiosa: A Mad Max Saga,” a prequel that tells the earlier story of Charlize Theron‘s character from “Mad Max: Fury Road.” This one stars Anya Taylor-Joy as the title character, joined by Chris Hemsworth as a new antagonist called Dementus, as well a mix of new characters and ones that appeared in “Fury Road.”
Miller’s career as a filmmaker pretty much began back in 1980 with “Mad Max,” a cult action movie that introduced Mel Gibson to the world,...
The Memorial Day bump that has helped so many franchise installments before will certainly be in play for George Miller‘s return to the post-apocalyptic world of Mad Max with “Furiosa: A Mad Max Saga,” a prequel that tells the earlier story of Charlize Theron‘s character from “Mad Max: Fury Road.” This one stars Anya Taylor-Joy as the title character, joined by Chris Hemsworth as a new antagonist called Dementus, as well a mix of new characters and ones that appeared in “Fury Road.”
Miller’s career as a filmmaker pretty much began back in 1980 with “Mad Max,” a cult action movie that introduced Mel Gibson to the world,...
- 5/22/2024
- by Edward Douglas
- Gold Derby
Animation studio Pixar has let go of 175 employees today, roughly 14 percent of its workforce. More on the story below.
We never enjoy writing these kinds of news stories. Pixar is the latest studio to lay off some of its staff as 175 workers were let go today (21st May).
Deadline reported in January that Pixar was looking to cut some of its workforce to reduce costs, but the layoffs still come as an unpleasant surprise, especially to the workers affected. The cuts were rumoured to affect as much as 20 percent of Pixar’s workforce, but the actual number is the equivalent of 14 percent.
Pixar, like many studios, has been struggling since the pandemic. Three Pixar films – Luca, Turning Red and Soul, all excellent – were released directly on Disney+ and audiences have somewhat come to expect quick access to films, especially as cinema ticket prices soar.
Read more: Dìdi | New, heartwarming trailer...
We never enjoy writing these kinds of news stories. Pixar is the latest studio to lay off some of its staff as 175 workers were let go today (21st May).
Deadline reported in January that Pixar was looking to cut some of its workforce to reduce costs, but the layoffs still come as an unpleasant surprise, especially to the workers affected. The cuts were rumoured to affect as much as 20 percent of Pixar’s workforce, but the actual number is the equivalent of 14 percent.
Pixar, like many studios, has been struggling since the pandemic. Three Pixar films – Luca, Turning Red and Soul, all excellent – were released directly on Disney+ and audiences have somewhat come to expect quick access to films, especially as cinema ticket prices soar.
Read more: Dìdi | New, heartwarming trailer...
- 5/21/2024
- by Maria Lattila
- Film Stories
Pixar was hit with layoffs on Tuesday as approximately 175 employees, or 14% of its workforce, were let go.
In a note to staff, Pixar president Jim Morris said that individuals who have been impacted by the layoffs will be notified on Tuesday. “Calendar invites to speak with a leader have already gone out to those individuals, and we anticipate we will have connected with everyone impacted by the end of the day,” he wrote.
Pixar employees have been bracing for layoffs since January, but cuts were smaller than the speculated 20% reduction that was reported at the time.
Once considered the gold standard of family films, Pixar has been struggling since the pandemic when its corporate overlords at Disney used the pedigree of the animation brand to prop up its new streaming service. During that period, new offerings “Soul,” “Luca” and “Turning Red” were sent directly to Disney+ and family audiences became...
In a note to staff, Pixar president Jim Morris said that individuals who have been impacted by the layoffs will be notified on Tuesday. “Calendar invites to speak with a leader have already gone out to those individuals, and we anticipate we will have connected with everyone impacted by the end of the day,” he wrote.
Pixar employees have been bracing for layoffs since January, but cuts were smaller than the speculated 20% reduction that was reported at the time.
Once considered the gold standard of family films, Pixar has been struggling since the pandemic when its corporate overlords at Disney used the pedigree of the animation brand to prop up its new streaming service. During that period, new offerings “Soul,” “Luca” and “Turning Red” were sent directly to Disney+ and family audiences became...
- 5/21/2024
- by Rebecca Rubin
- Variety Film + TV
Update: The Pixar Animation Studios cuts we previously told you about months ago are now commencing, according to sources familiar with the moves. The number of those let go is around 175, or 14% of the staff.
The pullback is largely due to Disney+ scaling back on direct-to-consumer series. Bob Iger has signaled the need for a more disciplined approach to streaming since returning as CEO in November 2022.
Since Covid, Pixar has yet to produce a bona-fide all-quadrants hit, though the animation division has also been hampered by distribution moves that sent three consecutive releases straight to streaming. Heading into summer, all eyes are on Inside Out 2, which openis over Fathers Day weekend, June 14 to 16. Director Kelsey Mann’s sequel is among a group of big movies expected to work this summer, raking in hundreds of millions of dollars.
Previous, Jan. 12: Pixar Animation Studios is planning to reduce its workforce in the coming months,...
The pullback is largely due to Disney+ scaling back on direct-to-consumer series. Bob Iger has signaled the need for a more disciplined approach to streaming since returning as CEO in November 2022.
Since Covid, Pixar has yet to produce a bona-fide all-quadrants hit, though the animation division has also been hampered by distribution moves that sent three consecutive releases straight to streaming. Heading into summer, all eyes are on Inside Out 2, which openis over Fathers Day weekend, June 14 to 16. Director Kelsey Mann’s sequel is among a group of big movies expected to work this summer, raking in hundreds of millions of dollars.
Previous, Jan. 12: Pixar Animation Studios is planning to reduce its workforce in the coming months,...
- 5/21/2024
- by Dade Hayes
- Deadline Film + TV
The long-expected layoffs at Pixar Animation Studios have begun.
Today, leadership at the storied company that traces it origins to the late Steve Jobs and was bought by Disney in 2006 will notify employees of the reductions, The Hollywood Reporter has learned. It is the biggest restructuring in Pixar’s history, although top leadership isn’t impacted.
Approximately 14 percent of Pixar’s workforce, or around 175 employees, will be let go. Before the reductions, approximately 1,300 people worked at the animation studio.
The layoffs are part of Disney chief Bob Iger’s overarching mandate to return to a focus on quality, versus churning out content for streaming which was a priority for his sort-lived successor, Bob Chapek. Disney execs have talked about returning to a focus on quality during numerous earnings calls this year, saying creative teams across the company were stretched too thin in the arms race to feed streamers.
Pixar employees...
Today, leadership at the storied company that traces it origins to the late Steve Jobs and was bought by Disney in 2006 will notify employees of the reductions, The Hollywood Reporter has learned. It is the biggest restructuring in Pixar’s history, although top leadership isn’t impacted.
Approximately 14 percent of Pixar’s workforce, or around 175 employees, will be let go. Before the reductions, approximately 1,300 people worked at the animation studio.
The layoffs are part of Disney chief Bob Iger’s overarching mandate to return to a focus on quality, versus churning out content for streaming which was a priority for his sort-lived successor, Bob Chapek. Disney execs have talked about returning to a focus on quality during numerous earnings calls this year, saying creative teams across the company were stretched too thin in the arms race to feed streamers.
Pixar employees...
- 5/21/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Entering what some may call her absurdist era, Emma Stone continues to captivate audiences, fresh off her peculiar yet heartwarming Poor Things performance that earned her a second Oscar. Now, she returns with another head-turning film titled Kinds of Kindness, which recently premiered at the Cannes Film Festival.
Emma Stone in a still from Yorgos Lanthimos’ Kinds of Kindness | Distribution: Searchlight Pictures
Labeling the film as anything less than utterly insane would fall short. Co-star Jesse Palmer’s response upon delving into the script echoed that of the audience who witnessed it unfold at Cannes. He confessed that experiencing the wide range of emotions stirred by the movie left him feeling as though his entire body was on fire.
Emma Stone’s Absurdist Film Kinds of Kindness Script Set Jesse Plemons’ Body on Fire
Kinds of Kindness is a bizarre, twisted, and dark comedy that weaves together three interconnected stories.
Emma Stone in a still from Yorgos Lanthimos’ Kinds of Kindness | Distribution: Searchlight Pictures
Labeling the film as anything less than utterly insane would fall short. Co-star Jesse Palmer’s response upon delving into the script echoed that of the audience who witnessed it unfold at Cannes. He confessed that experiencing the wide range of emotions stirred by the movie left him feeling as though his entire body was on fire.
Emma Stone’s Absurdist Film Kinds of Kindness Script Set Jesse Plemons’ Body on Fire
Kinds of Kindness is a bizarre, twisted, and dark comedy that weaves together three interconnected stories.
- 5/19/2024
- by Sampurna Banerjee
- FandomWire
Not exactly the opening weekend that dreams are made of.
Director John Krasinski’s “If,” a fantasy-comedy that promises your imaginary friends from childhood are real, fell slightly short of box office expectations with $35 million. Heading into the weekend, “If” was expected to bring in at least $40 million in its first weekend of release. Based on Friday’s turnout, it looked like “If” would open to $30 million but projections were revised up after Saturday’s strong showing. Ticket sales were enough for first place, but it’s a wobbly start for a PG family film that cost $110 million to make and many millions more to market. It collected an additional $20 million overseas for a global total of $55 million.
The good news for Paramount Pictures, which distributed “If,” is that audiences dug the film, giving it an “A” CinemaScore. Ideally, it’ll have staying power like recent original kid-friendly movies, including “Migration” and “Elemental,...
Director John Krasinski’s “If,” a fantasy-comedy that promises your imaginary friends from childhood are real, fell slightly short of box office expectations with $35 million. Heading into the weekend, “If” was expected to bring in at least $40 million in its first weekend of release. Based on Friday’s turnout, it looked like “If” would open to $30 million but projections were revised up after Saturday’s strong showing. Ticket sales were enough for first place, but it’s a wobbly start for a PG family film that cost $110 million to make and many millions more to market. It collected an additional $20 million overseas for a global total of $55 million.
The good news for Paramount Pictures, which distributed “If,” is that audiences dug the film, giving it an “A” CinemaScore. Ideally, it’ll have staying power like recent original kid-friendly movies, including “Migration” and “Elemental,...
- 5/19/2024
- by Rebecca Rubin
- Variety Film + TV
Just when you got the Spider-Pig song out of your head comes word that another Simpsons movie could be greenlit…if the circumstances are just right. But The Simpsons showrunner Al Jean says the existence of a sequel actually has nothing to do with the record-setting sitcom itself but rather another property altogether.
Speaking with Screen Rant, Al Jean said that a Simpsons Movie sequel more centers around how well animated movies can still do at the box office. “I think it’s a bigger issue than The Simpsons. On several levels, we’re really hoping for Inside Out 2 to do great this summer. I want to see the animation business completely returned to what it was before the pandemic.” (A sequel was actually formally discussed prior to the pandemic.) “And then, I think if that was the case, it would make sense to do The Simpsons theatrically.” To back up Jean’s concerns,...
Speaking with Screen Rant, Al Jean said that a Simpsons Movie sequel more centers around how well animated movies can still do at the box office. “I think it’s a bigger issue than The Simpsons. On several levels, we’re really hoping for Inside Out 2 to do great this summer. I want to see the animation business completely returned to what it was before the pandemic.” (A sequel was actually formally discussed prior to the pandemic.) “And then, I think if that was the case, it would make sense to do The Simpsons theatrically.” To back up Jean’s concerns,...
- 5/19/2024
- by Mathew Plale
- JoBlo.com
For years many fans of Pixar films have become familiar with a particular voice in their movies. That voice is actor and comedian John Ratzenberger. While many growing up in the 1980s remember him as Cliff Calvin on the popular sitcom Cheers, children from the mid-1990s to the late 2010s have heard his voice in other places.
Starting in the 1995 animated film Toy Story as Hamm the piggy bank, the actor went on to appear in 23 films for the animation studio. He was P.T. Flea in A Bug’s Life, Yeti in Monsters Inc., The Underminer in The Incredibles, Mack the Truck in Cars, and many more. In essence he became the Stan Lee of Pixar.
However, in recent years, he has been noticeably absent. His last vocal appearance was in 2020’s Onward as Fennwick the Cyclops. There was apparently a cameo in 2020’s Soul, but it was more...
Starting in the 1995 animated film Toy Story as Hamm the piggy bank, the actor went on to appear in 23 films for the animation studio. He was P.T. Flea in A Bug’s Life, Yeti in Monsters Inc., The Underminer in The Incredibles, Mack the Truck in Cars, and many more. In essence he became the Stan Lee of Pixar.
However, in recent years, he has been noticeably absent. His last vocal appearance was in 2020’s Onward as Fennwick the Cyclops. There was apparently a cameo in 2020’s Soul, but it was more...
- 5/18/2024
- by Mr. Milo
- Pirates & Princesses
This summer, detectives Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence) return for their biggest and baddest adventure yet: Bad Boys: Ride or Die!
The pair will go from Miami's finest to the city's Most Wanted when they discover that their former Captain has been posthumously framed for a crime he didn't commit, ultimately landing in enemy crosshairs themselves. With their backs now against the wall, they'll have to do whatever it takes to unravel a massive conspiracy and save the day before the clock hits zero.
In addition to Smith and Lawrence as the titular Bad Boys, the supporting cast features Vanessa Hudgens, Alexander Ludwig, Paola Nuñez, Eric Dane, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, Tasha Smith, Rhea Seehorn, Tiffany Haddish, John Salley, DJ Khaled, Dennis Greene, Joyner Lucas, and Joe Pantoliano.
Adil El Arbi and Bilall Fallah (Ms. Marvel; Snowfall; Batgirl) return to helm the upcoming sequel...
The pair will go from Miami's finest to the city's Most Wanted when they discover that their former Captain has been posthumously framed for a crime he didn't commit, ultimately landing in enemy crosshairs themselves. With their backs now against the wall, they'll have to do whatever it takes to unravel a massive conspiracy and save the day before the clock hits zero.
In addition to Smith and Lawrence as the titular Bad Boys, the supporting cast features Vanessa Hudgens, Alexander Ludwig, Paola Nuñez, Eric Dane, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, Tasha Smith, Rhea Seehorn, Tiffany Haddish, John Salley, DJ Khaled, Dennis Greene, Joyner Lucas, and Joe Pantoliano.
Adil El Arbi and Bilall Fallah (Ms. Marvel; Snowfall; Batgirl) return to helm the upcoming sequel...
- 5/17/2024
- ComicBookMovie.com
The summer movie season could use some help, and Chris Pratt might just be here to save the day. The "Guardians of the Galaxy" and "Jurassic World" actor returns to the silver screen next weekend in "The Garfield Movie," an animated take on Jim Davis' orange, Monday-hating cat. For Sony Pictures, there is one big question; can some of that Pratt magic that made "The Super Mario Bros. Movie" ($1.36 billion worldwide) such a major hit last year rub off on this one? Even a fraction of that magic would be most welcome here.
"The Garfield Movie" is opening directly against George Miller's "Furiosa: A Mad Max Saga." While the animated, family-friendly film would typically have the edge, it looks like "Furiosa" is going to win the weekend in the early going, with an opening between $46.5 and $59 million. But that doesn't mean this cat is out of luck, as Sony...
"The Garfield Movie" is opening directly against George Miller's "Furiosa: A Mad Max Saga." While the animated, family-friendly film would typically have the edge, it looks like "Furiosa" is going to win the weekend in the early going, with an opening between $46.5 and $59 million. But that doesn't mean this cat is out of luck, as Sony...
- 5/17/2024
- by Ryan Scott
- Slash Film
It’s no secret that the Covid-19 pandemic upended the movie theater business in 2020, but in the years since, the industry has slowly climbed back. In 2021, 14 movies were able to cross the coveted $100 million mark at the U.S. box office. In 2022, that number jumped up to 18 films. And in 2023, there were a whopping 25 such blockbusters. So how many features released during the current 2024 calendar year will end up becoming box office behemoths? Stay tuned.
To date, the biggest money-maker of the year is “Dune: Part Two,” the sequel to the Oscar-winning “Dune” from 2021. Scroll through our gallery below to see all of the 2024 box office hits so far that made more than $100 million in the United States. The number will continue to grow as high-profile movies like “Inside Out 2” and “Wicked” will be released later in the year.
To date, the biggest money-maker of the year is “Dune: Part Two,” the sequel to the Oscar-winning “Dune” from 2021. Scroll through our gallery below to see all of the 2024 box office hits so far that made more than $100 million in the United States. The number will continue to grow as high-profile movies like “Inside Out 2” and “Wicked” will be released later in the year.
- 5/16/2024
- by Marcus James Dixon
- Gold Derby
It’s no secret that sequel films typically send people running to movie theater seats. They’re a safe bet for a studio like Walt Disney — if audiences loved an original film, they’re sure to enjoy a new adventure with the same charismatic characters and the addition of some new ones (preferably one that can be turned into profitable theme park plushies). For better or worse, Disney has boarded the sequel train and doesn’t seem to be hopping off anytime soon. For the next solid three years, the studio has multiple sequel projects slated to drop — ranging anywhere between the second and fifth film of a franchise. While it can be nice to revisit fan-favorite universes like ‘Avatar’ and ‘Toy Story,’ there’s also a major demand for Disney to return to their original storytelling roots. Walt Disney himself was incredibly opposed to sequels, saying he always had...
- 5/16/2024
- by Kaitlyn Murphy
- Hollywood Insider - Substance & Meaningful Entertainment
Tickets went on sale for Disney and Pixar's Inside Out 2 earlier today, and we're now just one month away from watching the long-awaited sequel to the 2015 hit movie. This follow-up will welcome different Emotions to now-teenager Riley's mind, and a newly released clip shows the returning fan favourites getting acquainted with Anxiety.
Earlier this year, director Kelsey Mann promised Anxiety is going to stir things up within headquarters. "Anxiety, voiced by Maya Hawke, might be new to the crew, but she’s not really the type to take a back seat. That makes a lot of sense if you think about it in terms of what goes on inside all our minds."
Pixar has also shared some new posters for the movie featuring a mix of characters and we'd guess that one final trailer will head our way in the coming weeks.
The studio has struggled since the pandemic,...
Earlier this year, director Kelsey Mann promised Anxiety is going to stir things up within headquarters. "Anxiety, voiced by Maya Hawke, might be new to the crew, but she’s not really the type to take a back seat. That makes a lot of sense if you think about it in terms of what goes on inside all our minds."
Pixar has also shared some new posters for the movie featuring a mix of characters and we'd guess that one final trailer will head our way in the coming weeks.
The studio has struggled since the pandemic,...
- 5/15/2024
- ComicBookMovie.com
Legendary entertainer Carol Burnett will receive the Lifetime Achievement Award at this year’s 49th annual Gracie Awards. The world-renowned comedian is still going strong at 91 years of age, having just won her seventh career Emmy Award for “Carol Burnett: 90 Years Of Laughter + Love.” The event will take place on Tuesday, May 21 at the Beverly Wilshire Hotel located in Los Angeles, with the 2024 theme centered upon “Feminine Strength.” Tamera Mowry-Housley will host this year’s gala.
“Saturday Night Live” alum Kristen Wiig will present Burnett, her current “Palm Royale” co-star, with the prestigious honor. Additionally, Rachel Platten will perform during the 2024 Gracie Awards and Raegan Revord (“Young Sheldon”) will serve as the Digital Impact Ambassador for The Alliance for Women in Media Foundation (Awmf).
Every year, the Gracie Awards recognize astounding achievements for women in media, entertainment and news across diverse backgrounds and various platforms. The ceremony serves...
“Saturday Night Live” alum Kristen Wiig will present Burnett, her current “Palm Royale” co-star, with the prestigious honor. Additionally, Rachel Platten will perform during the 2024 Gracie Awards and Raegan Revord (“Young Sheldon”) will serve as the Digital Impact Ambassador for The Alliance for Women in Media Foundation (Awmf).
Every year, the Gracie Awards recognize astounding achievements for women in media, entertainment and news across diverse backgrounds and various platforms. The ceremony serves...
- 5/14/2024
- by Latasha Ford and Marcus James Dixon
- Gold Derby
The new CG-animated sequel “Inside Out 2”, directed by Kelsey Mann, stars Ayo Edebiri, Adèle Exarchopoulos and Paul Walter Hauser, releasing June 14, 2024 in theaters:
‘…the film returns to the mind of newly minted teenager ‘Riley’…
“…just as headquarters is undergoing a sudden demolition…
“…to make room for something entirely unexpected.
“New ‘Emotions’ include ‘Joy’, ‘Sadness’, ‘Anger’, ‘Fear’ and ‘Disgust’, who’ve long been running a successful operation by all accounts.
“Then ‘Anxiety’ shows up. And it looks like she’s not alone…”
Click the images to enlarge…...
‘…the film returns to the mind of newly minted teenager ‘Riley’…
“…just as headquarters is undergoing a sudden demolition…
“…to make room for something entirely unexpected.
“New ‘Emotions’ include ‘Joy’, ‘Sadness’, ‘Anger’, ‘Fear’ and ‘Disgust’, who’ve long been running a successful operation by all accounts.
“Then ‘Anxiety’ shows up. And it looks like she’s not alone…”
Click the images to enlarge…...
- 5/14/2024
- by Unknown
- SneakPeek
Pixar director Kelsey Mann pitched “Inside Out 2” (in theaters June 14) as a hostile takeover of Riley’s (Kensington Tallman) emotions during the onslaught of puberty, led by Anxiety (Maya Hawke) and cohorts Envy (Ayo Edebiri), Ennui (Adèle Exarchopoulos), and Embarrassment (Paul Walter Hauser).
“What if this version is like them going: ‘[Joy], you’re wonderful, but you need to get out of here,'” Mann said at a recent Pixar press junket. “And so I always pitched it as a takeover movie.” But there’s nothing sinister about Anxiety leading the revolt. Like Joy (Amy Poehler), she merely wants to protect Riley, but believe she’s more qualified to handle her teen angst now that she’s turned 13.
In fact, Mann found it analogous to “All About Eve,” with Anxiety as the emotional ingenue willing at first to support Joy and learn from her. That is, until she realizes that...
“What if this version is like them going: ‘[Joy], you’re wonderful, but you need to get out of here,'” Mann said at a recent Pixar press junket. “And so I always pitched it as a takeover movie.” But there’s nothing sinister about Anxiety leading the revolt. Like Joy (Amy Poehler), she merely wants to protect Riley, but believe she’s more qualified to handle her teen angst now that she’s turned 13.
In fact, Mann found it analogous to “All About Eve,” with Anxiety as the emotional ingenue willing at first to support Joy and learn from her. That is, until she realizes that...
- 5/14/2024
- by Bill Desowitz
- Indiewire
Pixar is ready to make fans emotional over its latest feature by inviting them to reconnect with Riley in the highly-anticipated sequel, Inside Out 2. The follow-up to Pete Docter’s 2015 hit follows Riley into her teens when a torrent of new emotions takes control in more ways than one. With an all-star cast of new and returning voice talent, Inside Out 2 brings heart, humor, and heightened emotions to perhaps the most curious and terrifying stage of a young person’s life: puberty.
I visited Pixar Animation Studios in late March for a Press Day Event focusing on Inside Out 2. While there, I was blown away by the artistry, dedication, patience, and creativity poured into the studio’s latest feature film. In addition to touring the Pixar campus, I and an assembly of journalists met with critical contributors for a hands-on, behind-the-scenes look at the studio’s meticulous filmmaking process.
I visited Pixar Animation Studios in late March for a Press Day Event focusing on Inside Out 2. While there, I was blown away by the artistry, dedication, patience, and creativity poured into the studio’s latest feature film. In addition to touring the Pixar campus, I and an assembly of journalists met with critical contributors for a hands-on, behind-the-scenes look at the studio’s meticulous filmmaking process.
- 5/14/2024
- by Steve Seigh
- JoBlo.com
A brand-new poster for Inside Out 2 has been created exclusively for Dolby Cinema and features Riley’s emotions inside her head, including newly unveiled characters Anxiety, Envy, Embarrassment, and Ennui. Check it out right here on CinemaNerdz! The film will be released by Disney/Pixar on Friday, June 14th!
Synopsis: Disney and Pixar’s Inside Out 2 returns to the mind of newly minted teenager Riley just as headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone. Directed by Kelsey Mann and produced by Mark Nielsen with a score by Andrea Datzman, Inside Out 2 releases only in theaters June 14, 2024.
About The Film
Genre: Animation, Adventure, Comedy Starring: Maya Hawke,...
Synopsis: Disney and Pixar’s Inside Out 2 returns to the mind of newly minted teenager Riley just as headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone. Directed by Kelsey Mann and produced by Mark Nielsen with a score by Andrea Datzman, Inside Out 2 releases only in theaters June 14, 2024.
About The Film
Genre: Animation, Adventure, Comedy Starring: Maya Hawke,...
- 5/14/2024
- by Editor
- CinemaNerdz
After pioneering feature length computer animated features with "Toy Story," Pixar Animation became the gold standard for the medium. But it wasn't just because of the innovative animation style providing a new palette for storytelling. Like the many Walt Disney Animation movies that came in the decades before Pixar rose to prominence, the filmmakers at Pixar had a knack for finding the perfect voices for their characters. Whether it was Tom Hanks and Tim Allen as Woody and Buzz Lightyear or Patton Oswalt as Remy in "Ratatoiulle," Pixar has always let the perfect voices shine in their work, even if they don't come from the biggest stars. That's especially true with "Inside Out."
In "Inside Out," a stellar ensemble came together to voice the core emotions inside the mind of an 11-year old girl named Riley. Amy Poehler delivered boundless exuberance and enthusiasm as Joy, Phyllis Smith brought an adorable melancholy to Sadness,...
In "Inside Out," a stellar ensemble came together to voice the core emotions inside the mind of an 11-year old girl named Riley. Amy Poehler delivered boundless exuberance and enthusiasm as Joy, Phyllis Smith brought an adorable melancholy to Sadness,...
- 5/14/2024
- by Ethan Anderton
- Slash Film
It takes a veritable village of vendors to make a movie theater as appealing as possible, and if ever cinemas need to sparkle — from floors to seats to bathrooms to you name it — it’s now, as the summer box office gets underway. The one-two punch of the pandemic and Hollywood’s labor wars created a perilous slowdown in content that, which means 2024 will have a very tough time matching the $9 billion grossed last year. Without a big Marvel to kick off the season over the May 5-7 weekend, revenue is lagging badly over last year. But there’s still plenty of opportunity for improvement.
Foot traffic is everything for theater owners. While their profit margin on a movie ticket will be 33 percent, that number shoots up to 56 percent on a concession, according to one industry executive with access to data. Popcorn remains king and represents 30 percent of all concession sales,...
Foot traffic is everything for theater owners. While their profit margin on a movie ticket will be 33 percent, that number shoots up to 56 percent on a concession, according to one industry executive with access to data. Popcorn remains king and represents 30 percent of all concession sales,...
- 5/13/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Is Disney about to have its own “Before” series? Just as Richard Linklater’s day-in-the-life romances touch in on the lives of Celine and Jesse at different points in their lives, Amy Poehler would like to see the “Inside Out” sequels explore main character Riley’s emotions at different stages in her aging.
“I just think that they should make these films like ‘Seven Up,’ every couple of years in Riley’s life,” she said in an interview with Empire. “A young adult, and a young mother, and I think a middle-aged person — everyone’s having these very distinct new emotions that are showing up all the time.”
Speaking to IndieWire last month for a sneak peek of “Inside Out 2,” the film’s director Kelsey Mann echoed that idea of “new emotions showing up” being central to how he looked at this new chapter.
“I hated everyone looking at me,...
“I just think that they should make these films like ‘Seven Up,’ every couple of years in Riley’s life,” she said in an interview with Empire. “A young adult, and a young mother, and I think a middle-aged person — everyone’s having these very distinct new emotions that are showing up all the time.”
Speaking to IndieWire last month for a sneak peek of “Inside Out 2,” the film’s director Kelsey Mann echoed that idea of “new emotions showing up” being central to how he looked at this new chapter.
“I hated everyone looking at me,...
- 5/12/2024
- by Harrison Richlin
- Indiewire
Updated: Primates ruled over the North American box office, as “Kingdom of the Planet of the Apes” collected $58.5 million in its first weekend of release.
That’s ahead of Sunday’s estimates of $56.8 million and enough to score the third-best opening of the year behind “Dune: Part Two” ($82 million) and “Godzilla x Kong: The New Empire” ($80 million).
Inaugural sales for “Kingdom of the Planet of the Apes” landed above early projections of $50 million to $55 million and towered over the nonexistent competition. “Kingdom of the Planet of the Apes” opened roughly even with two of the three prior installments in the rebooted franchise, landing behind only 2014’s “Dawn of the Planet of the Apes” (a series-best $72 million) and ahead of 2017’s “War for the Planet of the Apes” ($56.2 million) and 2011’s “Rise of the Planet of the Apes” ($54.8 million).
“The weekend figure is roughly average for the genre, but average here...
That’s ahead of Sunday’s estimates of $56.8 million and enough to score the third-best opening of the year behind “Dune: Part Two” ($82 million) and “Godzilla x Kong: The New Empire” ($80 million).
Inaugural sales for “Kingdom of the Planet of the Apes” landed above early projections of $50 million to $55 million and towered over the nonexistent competition. “Kingdom of the Planet of the Apes” opened roughly even with two of the three prior installments in the rebooted franchise, landing behind only 2014’s “Dawn of the Planet of the Apes” (a series-best $72 million) and ahead of 2017’s “War for the Planet of the Apes” ($56.2 million) and 2011’s “Rise of the Planet of the Apes” ($54.8 million).
“The weekend figure is roughly average for the genre, but average here...
- 5/12/2024
- by Rebecca Rubin
- Variety Film + TV
The sequel to the Oscar-winning 2015 film, Inside Out 2 is coming to theaters on June 14, 2024, as we have reported earlier. The first film became a beloved hit and although it took Disney some time, the sequel is very close to its premiere and fans are eagerly awaiting to see the new story with a larger plethora of emotions. As we know, most of the characters from the first film – including the main emotions – are coming back, and will be joined by numerous other characters who will make their debut in the sequel. But, there is one burning question that has been bugging fans for some time – could Bing Bong be coming back for the sequel?
As you might remember, Bing Bong’s story was one of the saddest moments of the first film, in which the character supposedly died. Now, Disney is not really known for killing off characters in such a way,...
As you might remember, Bing Bong’s story was one of the saddest moments of the first film, in which the character supposedly died. Now, Disney is not really known for killing off characters in such a way,...
- 5/12/2024
- by Arthur S. Poe
- Fiction Horizon
“Kingdom of the Planet of the Apes” is a more typical summer movie season-starter than last week’s disappointing “The Fall Guy” (Universal). It’s a franchise film and it’s from Disney (which usually starts things off with a Marvel film).
It’s expected to open to over $50 million this weekend and become the first to gross over $100 million domestic. Industry sources suggest that over the summer, at least eight other releases (extending to early September) will reach this mark. A week ago, that guess would gave been 10.
The same sources pegged “The Fall Guy” as likely to gross over $125 million in the U.S./Canada. This weekend will clarify its fate, but the current trajectory suggests around $80 million. That’s a disappointment for theaters as well as Universal, which spent around $140 million to make the film before marketing.
“Apes” is one of several titles now projected in the $125-$150 million range.
It’s expected to open to over $50 million this weekend and become the first to gross over $100 million domestic. Industry sources suggest that over the summer, at least eight other releases (extending to early September) will reach this mark. A week ago, that guess would gave been 10.
The same sources pegged “The Fall Guy” as likely to gross over $125 million in the U.S./Canada. This weekend will clarify its fate, but the current trajectory suggests around $80 million. That’s a disappointment for theaters as well as Universal, which spent around $140 million to make the film before marketing.
“Apes” is one of several titles now projected in the $125-$150 million range.
- 5/10/2024
- by Tom Brueggemann
- Indiewire
Today sees the release of "May the 12th Be With You," a new Mother's Day-themed short from The Simpsons, exclusively on Disney+. In that, Marge Simpson joins the moms of Disney+ on a special holiday outing that turns into an epic galactic adventure filled with heroes, villains and a surprising old friend.
Earlier this week, we sat down for a chat with The Simpsons writer, executive producer, and showrunner Al Jean, a name you'll have seen in the show's credits since 1989.
We'll bring you the full interview soon, but while we had Al on the line, we asked if there's been any talk of making a sequel to 2007's The Simpsons Movie. It was a box office hit which grossed $536.4 million worldwide and, with the franchise finding success on streaming, we wondered if a follow-up could even skip theaters and head to Disney+/Hulu instead.
"There’s talk and I think something will happen,...
Earlier this week, we sat down for a chat with The Simpsons writer, executive producer, and showrunner Al Jean, a name you'll have seen in the show's credits since 1989.
We'll bring you the full interview soon, but while we had Al on the line, we asked if there's been any talk of making a sequel to 2007's The Simpsons Movie. It was a box office hit which grossed $536.4 million worldwide and, with the franchise finding success on streaming, we wondered if a follow-up could even skip theaters and head to Disney+/Hulu instead.
"There’s talk and I think something will happen,...
- 5/10/2024
- ComicBookMovie.com
The first trailer for Thelma, the June Squibb-starring comedy about a grandma going John Wick on senior scammers, has arrived.
Thelma follows Squibb as 93-year-old Thelma Post, who is duped out of $10,000 by phone scammers pretending to be her grandson (Fred Hechinger). After the police say they can’t help her, she enlists the help of her friend Ben (Richard Roundtree), and sets out for revenge. Filling out the cast will be Parker Posey, Clark Gregg, Malcolm McDowell, and more.
The film is due in theaters on June 21st, released via Magnolia Pictures. Watch the trailer below.
Thelma first premiered this past January at the 2024 Sundance Film Festival. In her review, Consequence’s Liz Shannon Miller praised the film’s mixture of comedy and genuine depth of feeling, calling it a “love letter to grandmas.”
This is just the latest project for a still-quite-active Squibb, who appeared in Don’t Tell Mom the Babysitter’s Dead...
Thelma follows Squibb as 93-year-old Thelma Post, who is duped out of $10,000 by phone scammers pretending to be her grandson (Fred Hechinger). After the police say they can’t help her, she enlists the help of her friend Ben (Richard Roundtree), and sets out for revenge. Filling out the cast will be Parker Posey, Clark Gregg, Malcolm McDowell, and more.
The film is due in theaters on June 21st, released via Magnolia Pictures. Watch the trailer below.
Thelma first premiered this past January at the 2024 Sundance Film Festival. In her review, Consequence’s Liz Shannon Miller praised the film’s mixture of comedy and genuine depth of feeling, calling it a “love letter to grandmas.”
This is just the latest project for a still-quite-active Squibb, who appeared in Don’t Tell Mom the Babysitter’s Dead...
- 5/10/2024
- by Jo Vito
- Consequence - Film News
Everyone keeps talking about Hugh Jackman returning as Logan in the upcoming Deadpool & Wolverine flick, but where is the love for Dogpool? Empire magazine knows what I’m talking about!
The lovingly ugly pup takes center stage on not one but two covers of Empire’s May issue!
Photo Credit: Empire
“The new issue of Empire takes a major, world-exclusive dive into the Deadpooliest Deadpool movie yet, digging into the secrets of an MCU movie set to bring the X-factor. Plus, Jackman talks his journey back to the claws, Feige discusses his plan to wrangle mutants into the MCU, and Reynolds and Jackman open up on their long-time friendship. All that, and the issue is packed with never-before-seen images from the film, offering your best look yet at what’s in store when these two titans collide. Hold on to your chimichangas.“
While the first cover is adorable, it...
The lovingly ugly pup takes center stage on not one but two covers of Empire’s May issue!
Photo Credit: Empire
“The new issue of Empire takes a major, world-exclusive dive into the Deadpooliest Deadpool movie yet, digging into the secrets of an MCU movie set to bring the X-factor. Plus, Jackman talks his journey back to the claws, Feige discusses his plan to wrangle mutants into the MCU, and Reynolds and Jackman open up on their long-time friendship. All that, and the issue is packed with never-before-seen images from the film, offering your best look yet at what’s in store when these two titans collide. Hold on to your chimichangas.“
While the first cover is adorable, it...
- 5/9/2024
- by Mike Phalin
- Pirates & Princesses
Of any Pixar film to sequelise, a follow-up to Inside Out makes perhaps the most inherent sense. In fact, the ending of the first film actively invites it. While a new status quo is established in Riley’s mind – with Joy and Sadness reconciled – there’s a big ‘Puberty’ button just waiting to be pressed, and a tantalising question from Amy Poehler’s Joy: “After all, Riley’s 12 now. What could happen?” The answer is, a lot. Hence, Inside Out 2 will see the influx of several new emotions in Riley’s headquarters, set to rock her world all over again – a reflection of the total upheaval that comes with adolescence.
As Poehler tells Empire, that process of emotional evolution never really ends – and her hope is that there’ll be many more Inside Out movies to come, reflecting that journey. “I just think that they should make these films like Seven Up,...
As Poehler tells Empire, that process of emotional evolution never really ends – and her hope is that there’ll be many more Inside Out movies to come, reflecting that journey. “I just think that they should make these films like Seven Up,...
- 5/8/2024
- Empire - Movies
(Welcome to Under the Radar, a column where we spotlight specific movies, shows, trends, performances, or scenes that caught our eye and deserved more attention ... but otherwise flew under the radar. In this edition: the haunting genre-bender "The Beast," the farcical indie "Hundreds of Beavers," and HBO's "The Sympathizer" all stand out as clear highlights.)
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
- 5/8/2024
- by Jeremy Mathai
- Slash Film
The MCU is about to mutate. The arrival of Deadpool & Wolverine is set to bring an all-new flavour to the Marvel universe – teaming up Ryan Reynolds’ Merc With A Mouth and Hugh Jackman’s adamantium-clawed Logan for a mad, meta buddy movie. The new issue of Empire takes a world-exclusive deep-dive into the film speaking to its stars and filmmakers – and you’ll find it on newsstands from Thursday 9 May.
For now, take an early peek at what’s inside the magazine. Hold onto your chimichangas!
Deadpool & Wolverine
What happens when you team up two volatile agents of chaos, take them out of their respective worlds, and plunge them into the MCU? You get Wolverine & Deadpool, a no-holds-barred Marvel movie set to change the game. Empire speaks to Ryan Reynolds, Hugh Jackman, director Shawn Levy, Marvel boss Kevin Feige and more about unleashing mutant mayhem in the Marvel universe.
For now, take an early peek at what’s inside the magazine. Hold onto your chimichangas!
Deadpool & Wolverine
What happens when you team up two volatile agents of chaos, take them out of their respective worlds, and plunge them into the MCU? You get Wolverine & Deadpool, a no-holds-barred Marvel movie set to change the game. Empire speaks to Ryan Reynolds, Hugh Jackman, director Shawn Levy, Marvel boss Kevin Feige and more about unleashing mutant mayhem in the Marvel universe.
- 5/8/2024
- by Ben Travis
- Empire - Movies
Disney is reducing the annual slate of Marvel Studios films from around four to two “or a maximum three”, CEO Bob Iger said on Tuesday, echoing previous remarks about a strategy shift in the wake of superhero fatigue.
“We’ve been working hard with the studios to reduce output and focus more on quality; that’s particularly true with Marvel,” Iger told analysts during a Q2 earnings call.
“We’re slowly going to decrease volume and go to about two TV series a year instead of what had become four, and reduce our film output from maybe four a year...
“We’ve been working hard with the studios to reduce output and focus more on quality; that’s particularly true with Marvel,” Iger told analysts during a Q2 earnings call.
“We’re slowly going to decrease volume and go to about two TV series a year instead of what had become four, and reduce our film output from maybe four a year...
- 5/7/2024
- ScreenDaily
Disney is reducing the annual slate of Marvel Studios films from around four to two “or a maximum three”, CEO Bob Iger said on Tuesday, echoing previous remarks about a strategy shift in the wake of superhero fatigue.
“We’ve been working hard with the studios to reduce output and focus more on quality; that’s particularly true with Marvel,” Iger told analysts during a Q2 earnings call.
“We’re slowly going to decrease volume and go to about two TV series a year instead of what had become four, and reduce our film output from maybe four a year...
“We’ve been working hard with the studios to reduce output and focus more on quality; that’s particularly true with Marvel,” Iger told analysts during a Q2 earnings call.
“We’re slowly going to decrease volume and go to about two TV series a year instead of what had become four, and reduce our film output from maybe four a year...
- 5/7/2024
- ScreenDaily
Disney is edging closer to streaming profitability as it reported generally positive financials in its Q2 report on Tuesday – although shares plunged nearly 10% due to the ongoing decline in the linear TV business and a flat theme parks forecast for Q3.
Total Disney revenue climbed 1% year-on-year to $22.1bn, slightly below analysts’ expectations. The company said it remained on track to generate approximately $14bn in cash provided by operations and over $8bn of free cash flow this fiscal year.
Diluted earnings per share increased from 93 cents to $1.21 year-on-year and the company revised upwards its earnings per share growth target for the...
Total Disney revenue climbed 1% year-on-year to $22.1bn, slightly below analysts’ expectations. The company said it remained on track to generate approximately $14bn in cash provided by operations and over $8bn of free cash flow this fiscal year.
Diluted earnings per share increased from 93 cents to $1.21 year-on-year and the company revised upwards its earnings per share growth target for the...
- 5/7/2024
- ScreenDaily
Disney is edging closer to streaming profitability as it reported generally positive financials in its Q2 report on Tuesday – although shares plunged 10% due to the ongoing decline in the linear TV business and a flat theme parks forecast for Q3.
Total Disney revenue climbed 1% year-on-year to $22.1m, slightly below analysts’ expectations. The company said it remained on track to generate approximately $14bn in cash provided by operations and over $8bn of free cash flow this fiscal year.
Diluted earnings per share increased from 93 cents to $1.21 year-on-year and the company’s revised earnings per share growth target for the year is...
Total Disney revenue climbed 1% year-on-year to $22.1m, slightly below analysts’ expectations. The company said it remained on track to generate approximately $14bn in cash provided by operations and over $8bn of free cash flow this fiscal year.
Diluted earnings per share increased from 93 cents to $1.21 year-on-year and the company’s revised earnings per share growth target for the year is...
- 5/7/2024
- ScreenDaily
Primates will rule (the box office) again!
Disney’s “Kingdom of the Planet of the Apes” is aiming for $50 million to $55 million from 3,700 theaters in its domestic debut, which will easily be enough to tower over the box office chart. Those ticket sales are roughly even with two of the three prior installments in 20th Century’s rebooted “Planet of the Apes” franchise: 2017’s “War for the Planet of the Apes” opened to $56.2 million and 2011’s “Rise of the Planet of the Apes” opened to $54.8 million, while 2014’s “Dawn of the Planet of the Apes” notched a series-best $72 million.
At the international box office, where “Apes” movies tend to make the bulk of their revenues, this installment is tracking to collect $80 million to $90 million. Based on those projections, the film should end up on Sunday with a solid $130 million to $140 million at the global box office.
Directed by Wes Ball,...
Disney’s “Kingdom of the Planet of the Apes” is aiming for $50 million to $55 million from 3,700 theaters in its domestic debut, which will easily be enough to tower over the box office chart. Those ticket sales are roughly even with two of the three prior installments in 20th Century’s rebooted “Planet of the Apes” franchise: 2017’s “War for the Planet of the Apes” opened to $56.2 million and 2011’s “Rise of the Planet of the Apes” opened to $54.8 million, while 2014’s “Dawn of the Planet of the Apes” notched a series-best $72 million.
At the international box office, where “Apes” movies tend to make the bulk of their revenues, this installment is tracking to collect $80 million to $90 million. Based on those projections, the film should end up on Sunday with a solid $130 million to $140 million at the global box office.
Directed by Wes Ball,...
- 5/7/2024
- by Rebecca Rubin
- Variety Film + TV
The majority of Pixar films are not to be watched without tissues. From the furnace farewell in Toy Story 3, to the ‘Married Life’ sequence in Up, to the ‘Remember Me’ scene in Coco, the studio tends to have one hand placed firmly on your tear-ducts. And that’s not to mention Inside Out, perhaps the most emotionally effective of any Pixar film. The ‘death’ of Bing Bong, the first foray through young Riley’s mind, the reconciliation of Joy and Sadness… it’s a non-stop heart-squeezer. And that’s a tough act to follow for this year’s Inside Out 2, following Riley through puberty as a raft of new emotions – chiefly Anxiety, plus Envy, Embarrassment and Ennui – come into play.
According to incoming writer Dave Holstein, the newly-developed ‘Belief System’ in Riley’s mind isn’t just a cool environment for the sequel to explore – it’s going...
According to incoming writer Dave Holstein, the newly-developed ‘Belief System’ in Riley’s mind isn’t just a cool environment for the sequel to explore – it’s going...
- 5/7/2024
- by Ben Travis
- Empire - Movies
Disney CEO Bob Iger says Marvel will continue its “less is more” strategy, with two TV series released per year and a maximum of three films in cinemas.
Disney head honcho Bob Iger has said in the past that he wants the companies under his banner to operate on a quality-rather-than-quantity basis. It’s something he’s iterated again in a quarterly earnings call with investors, specifying that he wants Marvel Studios to release no more than two or three films a year. It’ll take a similarly restrained approach with its TV output, he’s said.
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four and reduce our film output from maybe four a year to two, or a maximum of three,” Iger said in quotes shared by Variety. “And we’re working hard on what that path is.
Disney head honcho Bob Iger has said in the past that he wants the companies under his banner to operate on a quality-rather-than-quantity basis. It’s something he’s iterated again in a quarterly earnings call with investors, specifying that he wants Marvel Studios to release no more than two or three films a year. It’ll take a similarly restrained approach with its TV output, he’s said.
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four and reduce our film output from maybe four a year to two, or a maximum of three,” Iger said in quotes shared by Variety. “And we’re working hard on what that path is.
- 5/7/2024
- by Ryan Lambie
- Film Stories
Pixar's "Inside Out 2" is coming to theaters this summer, bringing back the delightful emotions at the helm of a girl named Riley as she grows up and figures out life as a teenager. The original "Inside Out" not only delivered the touching and amusing personification of the emotions that drive our everyday decisions, but they also created an innovative world that created physical representations of the inner workings of our mind, such as a literal train of thought and a massive library of past experiences that make up long term memory. So the sequel will be expanding the interior of Riley's mind, not only with new emotions, but with unexplored areas.
Of course, the arrival of Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adele Exarchopoulos), and Embarrassment (Paul Walter Hauser) make things much more difficult for the seasoned emotions of Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black...
Of course, the arrival of Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adele Exarchopoulos), and Embarrassment (Paul Walter Hauser) make things much more difficult for the seasoned emotions of Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black...
- 5/7/2024
- by Ethan Anderton
- Slash Film
Bob Iger wants you to marvel more at his Marvel films and series. To make them better, he’s making fewer.
On Tuesday, the Disney CEO said Marvel is going to decrease its volume to “probably about two TV series a year” and 2-3 movies annually.
“We’ve been working hard with the studio to reduce output and focus on quality,” Iger said on Disney’s fiscal second quarter (Q2) earnings call. “That’s particularly true with Marvel.”
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four, and reduce our film output from maybe four a year to two— a maximum of three,” he continued.
Cool, so what you got? Iger said Marvel has “a couple of good films in [2025], and then we’re heading to more ‘Avengers,’ which we’re extremely excited about.”
He says...
On Tuesday, the Disney CEO said Marvel is going to decrease its volume to “probably about two TV series a year” and 2-3 movies annually.
“We’ve been working hard with the studio to reduce output and focus on quality,” Iger said on Disney’s fiscal second quarter (Q2) earnings call. “That’s particularly true with Marvel.”
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four, and reduce our film output from maybe four a year to two— a maximum of three,” he continued.
Cool, so what you got? Iger said Marvel has “a couple of good films in [2025], and then we’re heading to more ‘Avengers,’ which we’re extremely excited about.”
He says...
- 5/7/2024
- by Tony Maglio
- Indiewire
If you’re looking for new ideas from the House of Mouse, you might be waiting awhile.
During Disney’s Q2 earnings call, Disney CEO Bob Iger made comments to the effect that there was “a lot of value in sequels” as they’re easier to market. He also pointed to competitors’ doing well with sequels, likely meaning DreamWorks and Illumination.
Because God forbid the studio that innovated animation for decades tries something new.
This would explain why we’re seeing Moana 2, Frozen 3 and 4, Zootopia 2, Inside Out 2 and Toy Story 5 and not the next groundbreaking animated feature film from Disney and/or Pixar.
In fact, looking at their upcoming animated slate, only Elio is an original concept.
It’s likely that Disney is playing it safe in part due to many recent Disney and Pixar animated misfires at the box office, including Strange World, Wish,...
During Disney’s Q2 earnings call, Disney CEO Bob Iger made comments to the effect that there was “a lot of value in sequels” as they’re easier to market. He also pointed to competitors’ doing well with sequels, likely meaning DreamWorks and Illumination.
Because God forbid the studio that innovated animation for decades tries something new.
This would explain why we’re seeing Moana 2, Frozen 3 and 4, Zootopia 2, Inside Out 2 and Toy Story 5 and not the next groundbreaking animated feature film from Disney and/or Pixar.
In fact, looking at their upcoming animated slate, only Elio is an original concept.
It’s likely that Disney is playing it safe in part due to many recent Disney and Pixar animated misfires at the box office, including Strange World, Wish,...
- 5/7/2024
- by PNP Newsroom
- Pirates & Princesses
Disney CEO Bob Iger said the company will limit its output of Marvel movies to “two good films” a year — three maximum — from about four and also cut the numbers of TV series spinoffs for the franchise.
Speaking on a conference call with analysts Tuesday after quarterly numbers, Iger took questions about the studio strategy after some high-profile misses led to widespread talk of “superhero fatigue.”
Marvel shows will dip to two series a year from four. He called output “a vestige of basically a desire in the past to increase volume. We are stemmed from a desire in the past to increase volume. We are slowly going to decrease volume.”
Iger said he’s “working hard with the studio to reduce output and focus more on quality” and that “overall I feel great” about how things are shaping up.
Related: Disney Stock Dips As Theme Park Comments Rattle Market...
Speaking on a conference call with analysts Tuesday after quarterly numbers, Iger took questions about the studio strategy after some high-profile misses led to widespread talk of “superhero fatigue.”
Marvel shows will dip to two series a year from four. He called output “a vestige of basically a desire in the past to increase volume. We are stemmed from a desire in the past to increase volume. We are slowly going to decrease volume.”
Iger said he’s “working hard with the studio to reduce output and focus more on quality” and that “overall I feel great” about how things are shaping up.
Related: Disney Stock Dips As Theme Park Comments Rattle Market...
- 5/7/2024
- by Jill Goldsmith
- Deadline Film + TV
Disney CEO Bob Iger says the company is shrinking the MCU with a new mission to drop the number of Marvel TV series to two a year and the film output to no more than three movies per year.
Iger said this is part of Disney’s overall strategy to reduce output and focus on quality, a strategy “that’s particularly true with Marvel.”
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four and reduce our film output from maybe four a year to two, or a maximum of three,” the Disney CEO said during the company’s quarterly earnings call Tuesday. “And we’re working hard on what that path is.”
Iger says Marvel has “a couple of good films in ’25 and then we’re heading to more ‘Avengers,’ which we’re extremely excited about,...
Iger said this is part of Disney’s overall strategy to reduce output and focus on quality, a strategy “that’s particularly true with Marvel.”
“We’re slowly going to decrease volume and go to probably about two TV series a year instead of what had become four and reduce our film output from maybe four a year to two, or a maximum of three,” the Disney CEO said during the company’s quarterly earnings call Tuesday. “And we’re working hard on what that path is.”
Iger says Marvel has “a couple of good films in ’25 and then we’re heading to more ‘Avengers,’ which we’re extremely excited about,...
- 5/7/2024
- by Jennifer Maas
- Variety Film + TV
Disney’s entertainment streaming segment, anchored by Disney+, scored its first profitable quarter, helping to partially offset continued weakness in the media conglomerate’s linear TV business for the first three months of 2024.
To be sure, Disney’s overall streaming business was still in the red for the quarter when factoring in ESPN+, which had an operating loss of $65 million. The company reiterated its expectation that its combined streaming operations will achieve profitability in the September 2024 quarter.
Overall, Disney revenue for the quarter ended March 30 was in line with Wall Street expectations, while it beat on adjusted earnings per share. The Mouse House’s results got their biggest lift from the theme parks division, where revenue rose 10% and operating income was up 14%. Disney’s theatrical revenue dropped year over year “as there were no significant titles released” in the quarter, and revenue in the linear networks segment declined 8%.
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To be sure, Disney’s overall streaming business was still in the red for the quarter when factoring in ESPN+, which had an operating loss of $65 million. The company reiterated its expectation that its combined streaming operations will achieve profitability in the September 2024 quarter.
Overall, Disney revenue for the quarter ended March 30 was in line with Wall Street expectations, while it beat on adjusted earnings per share. The Mouse House’s results got their biggest lift from the theme parks division, where revenue rose 10% and operating income was up 14%. Disney’s theatrical revenue dropped year over year “as there were no significant titles released” in the quarter, and revenue in the linear networks segment declined 8%.
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- 5/7/2024
- by Todd Spangler
- Variety Film + TV
Universal and Illumination’s smash The Super Mario Bros Movie finishes No. 1 to make it a wrap on Deadline’s Most Valuable Blockbuster tournament for 2023. While the industry is still coming out of Covid and the aftermath of the strikes, there’s no question about the major motion picture studios’ embrace of the theatrical downstream model; steamers such as Amazon and Apple realize the power of it too.
Last year’s wild ride saw the buckling of superhero movies, though Spider-Man: Across the Spider-Verse underscored fanboys’ hunger for something different in the genre. The year also showed that longtime box office emperor Disney can lose its clothes sometimes — in 2023 it was its overextension and hasty execution of IP Wish, Indiana Jones and the Dial of Destiny, Haunted Mansion and The Marvels. Barbie and Oppenheimer, meanwhile, showed that perhaps the biggest box office weekends are best programmed with two tentpoles in the heart of summer.
Last year’s wild ride saw the buckling of superhero movies, though Spider-Man: Across the Spider-Verse underscored fanboys’ hunger for something different in the genre. The year also showed that longtime box office emperor Disney can lose its clothes sometimes — in 2023 it was its overextension and hasty execution of IP Wish, Indiana Jones and the Dial of Destiny, Haunted Mansion and The Marvels. Barbie and Oppenheimer, meanwhile, showed that perhaps the biggest box office weekends are best programmed with two tentpoles in the heart of summer.
- 5/6/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Monday Am: Universal’s The Fall Guy has tumbled to $27.7M, this after a lower-than-expected Sunday of $6.9M, -33% from Saturday. Global cume is at $64.4M, a $1M off. Some are worried as to what this lower than expected result means for star power, specifically for Gosling coming off Barbie. The 3x Oscar nominated actor did everything to promote Fall Guy, down to dressing up as Beavis at the Hollywood premiere of the film. Look, as we mentioned, Fall Guy is third highest opening of his career stateside, Barbie being an outlier. Moviegoers in a streaming age are far too sophisticated and deliberate before they leave the house and an original Hollywood stunt-set action film wasn’t worth their time. Perhaps Gosling as a different kind of astronaut than he was in First Man is worth the time in Amazon MGM Studios’ Project Hail Mary. In the end, as of late,...
- 5/6/2024
- by Anthony D'Alessandro
- Deadline Film + TV
With the release of The Fall Guy this weekend, the summer movie season is finally upon us. While it’s a thinner summer than usual due to the dual writer and actors strike bringing movies to a standstill for much of 2023, there should still be a lot of stuff worth checking out, even if the summer seems short of anything that can aspire to Barbenheimer levels of success. Yesterday, we teased some of our most anticipated horror movies, so now we’re tackling the rest of the blockbusters in our 2024 summer movie preview!
Kingdom of the Planet of the Apes (May 10)
In my opinion, there’s never been a bad Planet of the Apes movie. Going all the way back to the classic 1968 original and its four sequels, through Tim Burton’s remake and the Caesar trilogy from Fox, all of the movies have at least been interesting. With Disney now owning 20th Century Studios,...
Kingdom of the Planet of the Apes (May 10)
In my opinion, there’s never been a bad Planet of the Apes movie. Going all the way back to the classic 1968 original and its four sequels, through Tim Burton’s remake and the Caesar trilogy from Fox, all of the movies have at least been interesting. With Disney now owning 20th Century Studios,...
- 5/5/2024
- by Chris Bumbray
- JoBlo.com
“The Fall Guy,” an action-comedy starring Ryan Gosling and Emily Blunt, kicked off the summer movie season without much sizzle.
The film, backed by Universal and directed by David Leitch, fell just short of expectations with $28.5 million from 4,002 North American venues in its debut. Heading into the weekend, “The Fall Guy” was projected to earn at least $30 million to $40 million. The trouble is that the movie cost $140 million to produce, so it needs strong word of mouth and interest at the international box office to recoup its budget during its theatrical run. “The Fall Guy” opened to $25.4 million overseas, bringing its global total to $65.4 million.
“This is a fair opening for a big action-comedy,” says David A. Gross of movie consulting firm Franchise Entertainment Research. “Action comedies are solid performers overseas, and with this cast, foreign business should be good. At [its] cost, ‘The Fall Guy’ is going to need a long run.
The film, backed by Universal and directed by David Leitch, fell just short of expectations with $28.5 million from 4,002 North American venues in its debut. Heading into the weekend, “The Fall Guy” was projected to earn at least $30 million to $40 million. The trouble is that the movie cost $140 million to produce, so it needs strong word of mouth and interest at the international box office to recoup its budget during its theatrical run. “The Fall Guy” opened to $25.4 million overseas, bringing its global total to $65.4 million.
“This is a fair opening for a big action-comedy,” says David A. Gross of movie consulting firm Franchise Entertainment Research. “Action comedies are solid performers overseas, and with this cast, foreign business should be good. At [its] cost, ‘The Fall Guy’ is going to need a long run.
- 5/5/2024
- by Rebecca Rubin
- Variety Film + TV
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