The trajectory consists of one damn thing after another, with the able Mr. Walker giving it all he’s got without getting out of the vehicle to catch his breath.
There are interesting story elements and locations. But the claustrophobia of the car works against it.
30
Village VoiceAndrew Schenker
Village VoiceAndrew Schenker
Mukunda Michael Dewil's film has the makings of a taut little thriller, but the writer-director has the twin disadvantages of needing to include dialogue and to rely on the services of Paul Walker to embody his protagonist.
In Vehicle 19, Paul Walker is back behind the wheel again, but this time it’s a rented minivan and the plot is brainless even for a Paul Walker movie. Get ready for “The Slow and the Spurious.”
12
Slant MagazineChuck Bowen
Slant MagazineChuck Bowen
As one incoherent action scene follows another, one's left staring at a film with nothing to respond to, waiting for it all to be over.