The legendary filmmaker has passed away at the age of 91.
Here is the Notebook's coverage of Alain Resnais, over the years:
Glenn Kenny on Muriel Alain Resnais on the set of Wild Grass Daniel Kasman on Wild Grass David Phelps on meeting Alain Resnais Adrian Curry on the poster for Wild Grass Miriam Bale's The Game Adrian Curry on the posters of films by Alain Resnais Daniel Kasman on You Ain't Seen Nothin' Yet Ehsan Khoshbakht's Ten Photographs by Alain Resnais: Mise en scène of Memory, Aesthetics of Silence David Phelps' Virtual Refractions 2.0: Notes on Alain Resnais' Vous n'avez encore rien vu Boris Nelepo on You Ain't Seen Nothin' Yet Alain Resnais on the set of Life of Riley Adrian Curry on the posters for Je T'aime, je t'aime...
Here is the Notebook's coverage of Alain Resnais, over the years:
Glenn Kenny on Muriel Alain Resnais on the set of Wild Grass Daniel Kasman on Wild Grass David Phelps on meeting Alain Resnais Adrian Curry on the poster for Wild Grass Miriam Bale's The Game Adrian Curry on the posters of films by Alain Resnais Daniel Kasman on You Ain't Seen Nothin' Yet Ehsan Khoshbakht's Ten Photographs by Alain Resnais: Mise en scène of Memory, Aesthetics of Silence David Phelps' Virtual Refractions 2.0: Notes on Alain Resnais' Vous n'avez encore rien vu Boris Nelepo on You Ain't Seen Nothin' Yet Alain Resnais on the set of Life of Riley Adrian Curry on the posters for Je T'aime, je t'aime...
- 3/2/2014
- by Notebook
- MUBI
Alain Resnais arrives for the photocall of You Ain't Seen Nothing Yet! (Vous n'avez encore rien vu!) presented in competition at the 65th Cannes film festival in 2012. Photo: Vous n'avez encore rien vu © Fif/Lf (Courtesy Cannes Film Festival) French director Alain Resnais has died at aged 91.
The Last Year In Marienbad director - whose latest film The Life Of Riley won an award for innovation and the Fipresci prize at last month's Berlin Film Festival - passed away on Saturday, surrounded by his family, his producer Jean-Louis Livi told the French press agency Afp.
Born in 1922, the filmmaker enjoyed a career that spanned more than some six decades and more than 45 films, including Private Fears In Public Places, Night And Fog, Wild Grass and the BAFTA winning Hiroshima Mon Amour.
In 2009, he was given a special award from the Cannes Film Festival for his body of work.
Read our full obituary.
The Last Year In Marienbad director - whose latest film The Life Of Riley won an award for innovation and the Fipresci prize at last month's Berlin Film Festival - passed away on Saturday, surrounded by his family, his producer Jean-Louis Livi told the French press agency Afp.
Born in 1922, the filmmaker enjoyed a career that spanned more than some six decades and more than 45 films, including Private Fears In Public Places, Night And Fog, Wild Grass and the BAFTA winning Hiroshima Mon Amour.
In 2009, he was given a special award from the Cannes Film Festival for his body of work.
Read our full obituary.
- 3/2/2014
- by Amber Wilkinson
- eyeforfilm.co.uk
Resurrections: Orpheus' own; his myth as Jean Anouilh' play, Eurydice; Anouilh's play into Bruno Podalydès' video adaptation, continuously projected throughout Vous n'avez encore rien vu's screening room in a kind of mystic real-time subtending the latter's recursive chronologies; and this Podalydès adaptation into Resnais' own adaptation, or rather his characters' own, as they recite the lines of the Podalydès video they're watching, or rather the Anouilh play they've all performed, to relive old performances, or rather, as usual in Resnais, to relive the lives of characters that have never been lived in the first place. One actor's performance will in turn be resurrected by another's of the same. Either they ain't seen nothin' or they've seen it all.
Story Of Your Life!
Very academic, except that Vous, like all of Resnais' films, works opposite to academic illustrations by problematizing its "source" text only within the text's terms.
Story Of Your Life!
Very academic, except that Vous, like all of Resnais' films, works opposite to academic illustrations by problematizing its "source" text only within the text's terms.
- 10/15/2013
- by David Phelps
- MUBI
★★★☆☆ Alain Resnais has forged a hugely successful career that has had, running through it, an exploration of memory and the past. Having lost none of the experimental edge of his formative years, the French auteur returns to these themes once again for his latest film, You Ain't Seen Nothin' Yet (Vous n'avez encore rien vu, 2012), a purposely artificial adaptation of two Jean Anouilh plays; Eurydice and Dear Antoine. An intriguing opening sequence sees a variety of well-known French actors (among them Mathieu Amalric and Michel Picolli) informed that a mutual friend, Antione d'Anthac (Denis Podalydés), is dead.
Read more »...
Read more »...
- 1/8/2013
- by CineVue UK
- CineVue
The 2012 New York Film Festival announced its main slate of movies Thursday. The 32 movies draw from a healthy mix of big named directors and indie favorites.
Films From Noah Baumbach ("Frances Ha"), Roger Michell ("Hyde Park on Hudson"), Michael Haneke ("Amour," which won the Palme d'Or at Cannes this year) and Abbas Kiarostami ("Like Someone in Love") were selected.
As previously announced, Ang Lee's "Life of Pi" will open the festival, David Chase's "Not Fade Away" is the Centerpiece Gala Selection and Robert Zemeckis' "Flight," starring Denzel Washington, will close the fortnight.
"Passion," Brian De Palma's widely anticipated film, will also screen at the Venice Film Festival, which runs from Aug. 29 to Sept. 8. A number of Nyff's selections actual make their bow at the Toronto International Film Festival, which begins Sept. 6.
Nyff runs Sept. 28 to Oct. 14. The full main-slate list of films is available below, direct from...
Films From Noah Baumbach ("Frances Ha"), Roger Michell ("Hyde Park on Hudson"), Michael Haneke ("Amour," which won the Palme d'Or at Cannes this year) and Abbas Kiarostami ("Like Someone in Love") were selected.
As previously announced, Ang Lee's "Life of Pi" will open the festival, David Chase's "Not Fade Away" is the Centerpiece Gala Selection and Robert Zemeckis' "Flight," starring Denzel Washington, will close the fortnight.
"Passion," Brian De Palma's widely anticipated film, will also screen at the Venice Film Festival, which runs from Aug. 29 to Sept. 8. A number of Nyff's selections actual make their bow at the Toronto International Film Festival, which begins Sept. 6.
Nyff runs Sept. 28 to Oct. 14. The full main-slate list of films is available below, direct from...
- 8/16/2012
- by Kia Makarechi
- Huffington Post
Festival initiative “U.S. in Progress” introduces four U.S. productions in post-production to European buyers.
American Independent films, French Independent Films and Oscar Nominated Foreign Language Films will be showcased.
The Weinstein Company’s Harvey Weinstein wil receive a tribute and will host a retrospective of his films.
Donald Sutherland will host a screening of Klute and will receive a Medal of Arts and Letters bestowed by Frederic Mitterrand.
The Champs Elysees Film Festival’s U.S. President is Michael Madsen
The French Festival President is Lambert Wilson
The discussions held so often about the sustainability of arthouse theaters, about the joining of forces between them and festivals and the ownership of festivals themselves, and sometimes of theaters as well, by distributors as a way to sustain the three key players of this precious triangle of culture, continue as the first Champs Elysees Film Festival presents a jam-packed line up and full program of events at its inaugural edition.
The seven day festival, June 6-12, has been formed and is owned by the independent distributor Sophie Dulac. It is exciting for me to go to see the arthouses we have already written about in the area of the Champs Elysees - the Balzac, its rival the Lincoln, the Publicis, and the two major chains, Gaumont Champs Elysees and Ugc George V. Another interesting aspect of this upcoming event is the festival's ownership by a French distributor, Sophie Dulac. This is one of two similarities between Gutek and Dulac. The New Horizons and the American Film Festivals are owned by Roman Gutek whose distribution company Gutek is the largest arthouse distributor in Poland. Similarly Sophie Dulac seems to "own" this festival. Somewhat analagous to this is the "owning" of distribution company Tribeca Films by the Tribeca Film Festival or the Sundance Select Distribution arm owned by the Sundance Film Festival. The New York Film Festival and the Toronto International Film Festivals have yet to declare themselves distributors but do own the arthouses in which to show "their" films year round in festival settings.
Dulac explains the impetus to launch the Champs Elysees Film Festival, “As Paris’ first truly international film festival, our mission is to create a bridge between the independent American and French film industries. In the most beautiful city in the world and one with a worldwide association to cinema, the Champs Elysées Film Festival will be a celebration of film promoting the work of young filmmakers and honoring the work of established directors.” She adds, “We want to throw a spotlight on independent film from France and the U.S. We will welcome famous names, offer new films, open up discussions between members of the film industry, give short films a special showcase and invite audiences to gala previews.”
I personally hope the tourists of Champs Elysees see this as a special opportunity to share inside festival experiences with international professionals and that it brings in more business than ordinary theatrical fare brings to the same theaters, thus proving that festivals serve as a new branch of film distribution and that the joining of forces between distributor, exhibitor and festival point toward a new mode of profitability for all parties.
U.S. in Progress was first presented at the American Film Festival in Wroclaw Poland in November. This is the second similarity between Dulac and Gutek. U.S. in Progress will now be here as well. U.S. in Progress is in fact a joint initiative between the American Film Festival in Wroclaw, the Champs Elysees Film Festival in Paris and Black Rabbit Film, a company of Adeline Monzier who also created the association of European indie distributors called EuropaDistribution. It is the first and only industry event devoted to U.S. indies in Europe. Its aim is to present U.S. indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe. This presentation of American independent films in post-production to European buyers to promote the distribution of American independent films in Europe is uniquely one of the top new developments in the industry. The program works to forge inroads between the generation of talented American filmmakers emerging today and European buyers. I am so proud to be serving on its jury as I did on the first edition as well.
The other sections are: Official Selection of American Independent Films, French Galas, American Galas, Oscar Nominated Foreign Language Films and Shorts. A tribute to Harvey Weinstein will be presented on June 6 at an event to celebrate his career. Weinstein will participate in a roundtable conversation to discuss French/American co-productions and a Retrospective of 11 of his films will be shown throughout the week.
The American independent films selected as part of the inaugural program include Richard Linklater’s Bernie (Isa: Hyde Park, U.S.: Millennium) with Jack Black, Shirley Maclaine and Matthew McConaughey; Jesus Henry Christ (Isa: Im Global, U.S. E1) with Toni Collette and Michael Sheen; Bruce Beresford’s Peace, Love & Misunderstanding (Isa: Voltage, U.S. IFC) starring Jane Fonda, Catherine Keener and Elizabeth Olsen and Marina Abramovic: The Artist is Present (Isa: Submarine, U.S. Music Box). An Audience Award will be given out to the most popular American Independent. American Galas include Jennifer Westfeldt’s Friends with Kids (Isa: Red Granite, U.S. Roadside Attractions/ Lionsgate) and Wes Craven’s My Soul to Take (2010) in 3D.
French films include Comme Un Homme (Isa: Memento) directed by Safy Nebbou; Journal de France (Isa: Wild Bunch) directed by Claudine Nougaret and Raymond Depardon; Vous n'avez encore rien vu (Isa: Studiocanal) directed by Alain Resnais and Wrong (Isa: Kinology) helmed by Quentin Dupieux.
The Champs Elysees Film Festival has selected esteemed French Actor Lambert Wilson for the role of French President and Michael Madsen has accepted the role of the Festival’s U.S. President.
The festival will pay tribute to the actor Donald Sutherland who will be at the Festival to host a screening of the masterpiece Klute directed by Alan J. Pakula followed by a “Hollywood Conversation” with the iconic actor. Frederic Mitterrand will bestow Sutherland with the medal of Commander of Arts and Letters that evening.
Official Selection of American Independent Films
Blank City, a documentary directed by Celine Danhier’s
Bernie directed by Richard Linklater starring Jack Black, Shirley Maclaine and Matthew McConaughey
Jesus Henry Christ with Toni Colette, Jason Spevack and Michael Sheen
Keep The Lights On directed by Ira Sachs
Luv directed by Sheldon Candis
Marina Abramovic: The Artist Is Present, Matthew Akers acclaimed documentary
Not Waving But Drowning directed by Devyn Waitt, winner of U.S. in Progress Prize, Wroclaw, Poland.
Peace, Love & Misunderstanding directed by Bruce Beresford starring Jane Fonda, Catherine Keener and Elizabeth Olsen
Tabloid, Errol Morris fascinating documentary
The Perfect Family, directed by Anne Renton and starring Kathleen Turner, Emily Deschanel and Jason Ritter
French Galas
Adieu Berthe directed by Bruno Podalydès
Comme Un Homme directed by Safy Nebbou
Du Vent Dans Mes Mollets directed by Carine Tardieu
Journal De France directed by Claudine Nougaret and Raymond Depardon
La Clinique De L’Amour directed by Artus de Penguern
L’Air De Rien directed by Grégory Magne and Stéphane Viard
Mains Armees directed by Pierre Jolivet
Quand Je Serai Petit directed by Jean-Paul Rouve
Vous N’Avez Encore Rien Vu directed by Alain Resnais
Wrong helmed by Quentin Dupieux.
American Galas
After Life directed by Agnieszka Wojtow
Brake directed by Gabe Torres
Bitch Slap directed by Rick Jacobson
Friends With Kids directed by Jennifer Westfeldt
My Soul To Take (3D) directed by Wes Craven
Perfect Host directed by Nick Tomnay
Terri, directed by Azazel Jacobs
Summertime directed by Matthew Gordon.
The Champs Elysees Film Festival intends to reflect the diversity of international production by offering the public a selection of the 2012 Oscar nominated foreign language films, some never before seen in France:
Bullhead directed by Michael R.Roskam (Belgium)
Dans Ses Veux directed by Juan José Campanella (Spain/Argentina)(2010)
Monsieur Lazhar directed by Philippe Falardeau (Canada)
Une Separation directed by Asghar Farhadi (Iran)
72 Days directed by Danilo Serbedzija (Croatia)
Letters To Angel directed by Sulev Keedus (Estonia)
Volcano directed by Runar Runarsson (Iceland)
Films being screened as part of Harvey Weinstein’s retrospective include The Aviator, Chicago, Gangs Of New York, Jackie Brown, Kill Bill 1&2, The English Patient, Pulp Fiction, Shakespeare In Love, Good Will Hunting and The Yards.
More than thirty short films comprise the Champs Elysees Film Festival’s Official Selection of Short Films which were selected by a French industry team as well as four major film school programs: University of Southern California’s School of Cinematic Arts, New York University’s Tisch School of the Arts and Columbia University’s Columbia University Film Festival for the United States and Paris-based film school La Femis for France:
French Shorts Selection
Hurlement D’Un Poisson directed by Sébastien Carfora
It’S A Miracul’House directed by Stéphane Freiss
Les Meutes directed by Manuel Schapira
Mon Canard directed by Emmanuelle Michelet & Vincent Fouquet
Les Grossesses De Charlemagne directed by Nicolas Slomka and Matthieu Rumani,
Plume directed by Barry Purves
Personne(S) directed by Marc Fouchard
La Fille De L’Homme directed by Manuel Schapira
Kiss & Kill directed by Alain Ross
USC School of Cinematic Arts Shorts Selection
Little Spoon directed by Lauren Fash
Ellen directed by Kyle Hausmann-Stokes
Efrain directed by Matthew Breault
Fig directed by Ryan Coogler
The Nature Of Fall directed by Tomer Stolz
New York University Tisch School of the Arts Shorts Selection
Little Horse directed by Levi Abrino
Border Land directed by Alexander Smolowe
Premature directed by Rashaad Ernesto Green
Down In Number 5 directed by Kim Spurlock
Columbia University Film Festival Shorts Selection
Rolling On The Floor Laughing directed by Rusel Harbaugh
Motherland directed by Shario Siddiqui
Hatch directed by Christoph Kusching
Crossing directed by Gina Atwater
Off Season directed by Jonathan Van Tulleken
The Hirosaki Players directed by Jeff Sousa
La Femis Shorts Selection
Goose directed by Morgan Simon
Demain Ce Sera Bien directed by Pauline Gay
On Traks directed by Laurent Navarri
Bye Bye Wild Boy directed by Julie Lena...
American Independent films, French Independent Films and Oscar Nominated Foreign Language Films will be showcased.
The Weinstein Company’s Harvey Weinstein wil receive a tribute and will host a retrospective of his films.
Donald Sutherland will host a screening of Klute and will receive a Medal of Arts and Letters bestowed by Frederic Mitterrand.
The Champs Elysees Film Festival’s U.S. President is Michael Madsen
The French Festival President is Lambert Wilson
The discussions held so often about the sustainability of arthouse theaters, about the joining of forces between them and festivals and the ownership of festivals themselves, and sometimes of theaters as well, by distributors as a way to sustain the three key players of this precious triangle of culture, continue as the first Champs Elysees Film Festival presents a jam-packed line up and full program of events at its inaugural edition.
The seven day festival, June 6-12, has been formed and is owned by the independent distributor Sophie Dulac. It is exciting for me to go to see the arthouses we have already written about in the area of the Champs Elysees - the Balzac, its rival the Lincoln, the Publicis, and the two major chains, Gaumont Champs Elysees and Ugc George V. Another interesting aspect of this upcoming event is the festival's ownership by a French distributor, Sophie Dulac. This is one of two similarities between Gutek and Dulac. The New Horizons and the American Film Festivals are owned by Roman Gutek whose distribution company Gutek is the largest arthouse distributor in Poland. Similarly Sophie Dulac seems to "own" this festival. Somewhat analagous to this is the "owning" of distribution company Tribeca Films by the Tribeca Film Festival or the Sundance Select Distribution arm owned by the Sundance Film Festival. The New York Film Festival and the Toronto International Film Festivals have yet to declare themselves distributors but do own the arthouses in which to show "their" films year round in festival settings.
Dulac explains the impetus to launch the Champs Elysees Film Festival, “As Paris’ first truly international film festival, our mission is to create a bridge between the independent American and French film industries. In the most beautiful city in the world and one with a worldwide association to cinema, the Champs Elysées Film Festival will be a celebration of film promoting the work of young filmmakers and honoring the work of established directors.” She adds, “We want to throw a spotlight on independent film from France and the U.S. We will welcome famous names, offer new films, open up discussions between members of the film industry, give short films a special showcase and invite audiences to gala previews.”
I personally hope the tourists of Champs Elysees see this as a special opportunity to share inside festival experiences with international professionals and that it brings in more business than ordinary theatrical fare brings to the same theaters, thus proving that festivals serve as a new branch of film distribution and that the joining of forces between distributor, exhibitor and festival point toward a new mode of profitability for all parties.
U.S. in Progress was first presented at the American Film Festival in Wroclaw Poland in November. This is the second similarity between Dulac and Gutek. U.S. in Progress will now be here as well. U.S. in Progress is in fact a joint initiative between the American Film Festival in Wroclaw, the Champs Elysees Film Festival in Paris and Black Rabbit Film, a company of Adeline Monzier who also created the association of European indie distributors called EuropaDistribution. It is the first and only industry event devoted to U.S. indies in Europe. Its aim is to present U.S. indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe. This presentation of American independent films in post-production to European buyers to promote the distribution of American independent films in Europe is uniquely one of the top new developments in the industry. The program works to forge inroads between the generation of talented American filmmakers emerging today and European buyers. I am so proud to be serving on its jury as I did on the first edition as well.
The other sections are: Official Selection of American Independent Films, French Galas, American Galas, Oscar Nominated Foreign Language Films and Shorts. A tribute to Harvey Weinstein will be presented on June 6 at an event to celebrate his career. Weinstein will participate in a roundtable conversation to discuss French/American co-productions and a Retrospective of 11 of his films will be shown throughout the week.
The American independent films selected as part of the inaugural program include Richard Linklater’s Bernie (Isa: Hyde Park, U.S.: Millennium) with Jack Black, Shirley Maclaine and Matthew McConaughey; Jesus Henry Christ (Isa: Im Global, U.S. E1) with Toni Collette and Michael Sheen; Bruce Beresford’s Peace, Love & Misunderstanding (Isa: Voltage, U.S. IFC) starring Jane Fonda, Catherine Keener and Elizabeth Olsen and Marina Abramovic: The Artist is Present (Isa: Submarine, U.S. Music Box). An Audience Award will be given out to the most popular American Independent. American Galas include Jennifer Westfeldt’s Friends with Kids (Isa: Red Granite, U.S. Roadside Attractions/ Lionsgate) and Wes Craven’s My Soul to Take (2010) in 3D.
French films include Comme Un Homme (Isa: Memento) directed by Safy Nebbou; Journal de France (Isa: Wild Bunch) directed by Claudine Nougaret and Raymond Depardon; Vous n'avez encore rien vu (Isa: Studiocanal) directed by Alain Resnais and Wrong (Isa: Kinology) helmed by Quentin Dupieux.
The Champs Elysees Film Festival has selected esteemed French Actor Lambert Wilson for the role of French President and Michael Madsen has accepted the role of the Festival’s U.S. President.
The festival will pay tribute to the actor Donald Sutherland who will be at the Festival to host a screening of the masterpiece Klute directed by Alan J. Pakula followed by a “Hollywood Conversation” with the iconic actor. Frederic Mitterrand will bestow Sutherland with the medal of Commander of Arts and Letters that evening.
Official Selection of American Independent Films
Blank City, a documentary directed by Celine Danhier’s
Bernie directed by Richard Linklater starring Jack Black, Shirley Maclaine and Matthew McConaughey
Jesus Henry Christ with Toni Colette, Jason Spevack and Michael Sheen
Keep The Lights On directed by Ira Sachs
Luv directed by Sheldon Candis
Marina Abramovic: The Artist Is Present, Matthew Akers acclaimed documentary
Not Waving But Drowning directed by Devyn Waitt, winner of U.S. in Progress Prize, Wroclaw, Poland.
Peace, Love & Misunderstanding directed by Bruce Beresford starring Jane Fonda, Catherine Keener and Elizabeth Olsen
Tabloid, Errol Morris fascinating documentary
The Perfect Family, directed by Anne Renton and starring Kathleen Turner, Emily Deschanel and Jason Ritter
French Galas
Adieu Berthe directed by Bruno Podalydès
Comme Un Homme directed by Safy Nebbou
Du Vent Dans Mes Mollets directed by Carine Tardieu
Journal De France directed by Claudine Nougaret and Raymond Depardon
La Clinique De L’Amour directed by Artus de Penguern
L’Air De Rien directed by Grégory Magne and Stéphane Viard
Mains Armees directed by Pierre Jolivet
Quand Je Serai Petit directed by Jean-Paul Rouve
Vous N’Avez Encore Rien Vu directed by Alain Resnais
Wrong helmed by Quentin Dupieux.
American Galas
After Life directed by Agnieszka Wojtow
Brake directed by Gabe Torres
Bitch Slap directed by Rick Jacobson
Friends With Kids directed by Jennifer Westfeldt
My Soul To Take (3D) directed by Wes Craven
Perfect Host directed by Nick Tomnay
Terri, directed by Azazel Jacobs
Summertime directed by Matthew Gordon.
The Champs Elysees Film Festival intends to reflect the diversity of international production by offering the public a selection of the 2012 Oscar nominated foreign language films, some never before seen in France:
Bullhead directed by Michael R.Roskam (Belgium)
Dans Ses Veux directed by Juan José Campanella (Spain/Argentina)(2010)
Monsieur Lazhar directed by Philippe Falardeau (Canada)
Une Separation directed by Asghar Farhadi (Iran)
72 Days directed by Danilo Serbedzija (Croatia)
Letters To Angel directed by Sulev Keedus (Estonia)
Volcano directed by Runar Runarsson (Iceland)
Films being screened as part of Harvey Weinstein’s retrospective include The Aviator, Chicago, Gangs Of New York, Jackie Brown, Kill Bill 1&2, The English Patient, Pulp Fiction, Shakespeare In Love, Good Will Hunting and The Yards.
More than thirty short films comprise the Champs Elysees Film Festival’s Official Selection of Short Films which were selected by a French industry team as well as four major film school programs: University of Southern California’s School of Cinematic Arts, New York University’s Tisch School of the Arts and Columbia University’s Columbia University Film Festival for the United States and Paris-based film school La Femis for France:
French Shorts Selection
Hurlement D’Un Poisson directed by Sébastien Carfora
It’S A Miracul’House directed by Stéphane Freiss
Les Meutes directed by Manuel Schapira
Mon Canard directed by Emmanuelle Michelet & Vincent Fouquet
Les Grossesses De Charlemagne directed by Nicolas Slomka and Matthieu Rumani,
Plume directed by Barry Purves
Personne(S) directed by Marc Fouchard
La Fille De L’Homme directed by Manuel Schapira
Kiss & Kill directed by Alain Ross
USC School of Cinematic Arts Shorts Selection
Little Spoon directed by Lauren Fash
Ellen directed by Kyle Hausmann-Stokes
Efrain directed by Matthew Breault
Fig directed by Ryan Coogler
The Nature Of Fall directed by Tomer Stolz
New York University Tisch School of the Arts Shorts Selection
Little Horse directed by Levi Abrino
Border Land directed by Alexander Smolowe
Premature directed by Rashaad Ernesto Green
Down In Number 5 directed by Kim Spurlock
Columbia University Film Festival Shorts Selection
Rolling On The Floor Laughing directed by Rusel Harbaugh
Motherland directed by Shario Siddiqui
Hatch directed by Christoph Kusching
Crossing directed by Gina Atwater
Off Season directed by Jonathan Van Tulleken
The Hirosaki Players directed by Jeff Sousa
La Femis Shorts Selection
Goose directed by Morgan Simon
Demain Ce Sera Bien directed by Pauline Gay
On Traks directed by Laurent Navarri
Bye Bye Wild Boy directed by Julie Lena...
- 6/7/2012
- by Sydney Levine
- Sydney's Buzz
A week from today, the 65th annual Cannes Film Festival will be getting underway on the south coast of France, opening with Wes Anderson's "Moonrise Kingdom," and as ever, it's possibly the biggest date in the cinephile calendar, with a host of hotly anticipated films set to premiere over the ten days that follow. A jury headed up by Nanni Moretti, and also including Andrea Arnold, Ewan McGregor, Alexander Payne, Diane Kruger and Jean-Paul Gaultier will have to decide which of over twenty films to award the Palme d'Or to. But while the In Competition category will be typically fierce in competition, there's plenty of gems to find in the Directors' Fortnight, Un Certain Regard and Critics' Week sidebars too.
Once again, The Playlist are packing our suntan lotion and shorts to hit the Croisette, and we'll be bringing our extensive coverage from next week. But to get you warmed up,...
Once again, The Playlist are packing our suntan lotion and shorts to hit the Croisette, and we'll be bringing our extensive coverage from next week. But to get you warmed up,...
- 5/9/2012
- by Oliver Lyttelton
- The Playlist
The Champs Elysees Film Festival has announced the complete lineup for its inaugural edition. Highlights of American indepenent film include screenings of Richard Linklater's "Bernie"; Dennis Lee's "Jesus Henry Christ"; Bruce Beresford's "Peace, Love & Misunderstanding"; and the documentary "Marina Abramovic: The Artist Is Present." Screenings will be separated into four categories: Official Selection of American Independent Films; French Galas; American Galas; and Oscar Nominated Foreign Language Films & Shorts. Festival President Sophie Dulac says the festival aims to bridge the gap between the worlds of American and French independent film. Among the French films that will be screening at the festival are Safy Nebbous's "Comme Un Homme"; Claudine Nougaret & Raymond Depardon's "Journal de France"; Alain Resnais's "Vous N'avez Encore Rien Vu";...
- 4/26/2012
- by Aaron Bogert
- Indiewire
With new offerings from Audiard, Haneke and Loach, this year's festival will be another feast of quality film-making. Could have done with a few more women directors, mind
Once again, the Cannes film festival has unveiled a gorgeous list. The only disappointments, for some, will be the fact that Paul Thomas Anderson's The Master and Terrence Malick's new project were not included, reportedly because they were not ready in time – although the idea of Malick actually having a new film completed just one year after the last head-spinning epic is fantastically improbable: as if he had moved up to a Roger Corman level of productivity. Some observers will be disappointed that Stoker, by the South Korean director Park Chan-wook has not been selected, likewise Wong Kar-wai's The Grand Master – although the festival could sneak in a late entry here and there.
The relative absence of women in the list of directors is,...
Once again, the Cannes film festival has unveiled a gorgeous list. The only disappointments, for some, will be the fact that Paul Thomas Anderson's The Master and Terrence Malick's new project were not included, reportedly because they were not ready in time – although the idea of Malick actually having a new film completed just one year after the last head-spinning epic is fantastically improbable: as if he had moved up to a Roger Corman level of productivity. Some observers will be disappointed that Stoker, by the South Korean director Park Chan-wook has not been selected, likewise Wong Kar-wai's The Grand Master – although the festival could sneak in a late entry here and there.
The relative absence of women in the list of directors is,...
- 4/19/2012
- by Peter Bradshaw
- The Guardian - Film News
Marion Cotillard in Jacques Audiard's Rust & Bone In Competition Jagten (The Hunt) by Thomas Vinterberg Paradies: Liebe by Ulrich Seidl On The Road by Walter Salles Post Tenebras Lux by Carlos Reygadas Vous N'avez Encore Rien Vu by Alain Resnais Mud by Jeff Nichols Baad El Mawkeaa (Apres La Bataille) by Yousry Nasrallah Beyond The Hills by Cristian Mungiu Like Someone In Love by Abbas Kiarostami Da-reun Na-ra-e-suh by Sangsoo Hong Amour by Michael Haneke Lawless by John Hillcoat Reality by Matteo Garrone Im Nebel (Dans La Brume) by Sergei Loznitsa Cosmopolis by David Cronenberg Holy Motors by Leos Carax Killing Them Softly by Andrew Dominik The Paperboy by Lee Daniels De Rouille Et D'Os by Jacques Audiard Moonrise Kingdom by Wes Anderson Out of Competition Une Journee Particuliere by Gilles Jacob and Samuel Faure Io E Te by Bernardo Bertolucci Madagascar 3, Europe's Most Wanted by Eric Darnell...
- 4/19/2012
- by Andre Soares
- Alt Film Guide
Kristen Stewart, Garrett Hedlund, Sam Riley (back), On the Road Woody Allen/Abbas Kiarostami/Robert Pattinson/Kylie Minogue: Cannes 2012 Possibilities Pt.1 Below are a few more strong Cannes 2012 possibilities: Alain Resnais' Vous n'avez encore rien vu / You've Seen Nothing Yet. The veteran Resnais — who turns 90 next June — completed his version of Jean Anouilh's Eurydice last April. The film's all-star cast includes Mathieu Amalric, Lambert Wilson (as Orpheus), Michel Piccoli, Anne Consigny (as Eurydice), Sabine Azéma (also as Eurydice), Hippolyte Girardot, Michel Robin, Pierre Arditi (also as Orpheus), Denis Podalydès, and Anny Duperey. Terrence Malick's The Funeral (possibly a provisory title), supposedly about an American man whose marriage to an European woman flounders. He then begins a relationship with a woman from his own hometown. Malick's drama features Ben Affleck, Jessica Chastain, Rachel McAdams, Rachel Weisz, Javier Bardem, Michael Sheen, Olga Kurylenko, Amanda Peet, and Barry Pepper.
- 3/22/2012
- by Andre Soares
- Alt Film Guide
Seventy-one-year-old provocateur Bertrand Blier is still going strong – and ushering in cancer as a character in his latest film
At the start of Bertrand Blier's new film, The Clink of Ice, a sinister-eyed man walks up to the security gates of an alcoholic writer's high-end country house. "I'm your cancer!" he says by way of introduction. "I thought it would be a good idea if we got to know each other." Like a malevolent version of a daemon from a Philip Pullman novel or like Eric Morecambe two steps behind Ernie Wise, Cancer becomes the writer's shadow. There's a scene in which the two lie in bed together like a bad taste Laurel and Hardy.
I know what you're thinking: sounds like an ideal date movie. So how on earth did Blier get anyone to bankroll this film? "With great difficulty," giggles the 71-year-old. "The original funders abandoned me...
At the start of Bertrand Blier's new film, The Clink of Ice, a sinister-eyed man walks up to the security gates of an alcoholic writer's high-end country house. "I'm your cancer!" he says by way of introduction. "I thought it would be a good idea if we got to know each other." Like a malevolent version of a daemon from a Philip Pullman novel or like Eric Morecambe two steps behind Ernie Wise, Cancer becomes the writer's shadow. There's a scene in which the two lie in bed together like a bad taste Laurel and Hardy.
I know what you're thinking: sounds like an ideal date movie. So how on earth did Blier get anyone to bankroll this film? "With great difficulty," giggles the 71-year-old. "The original funders abandoned me...
- 2/4/2011
- by Stuart Jeffries
- The Guardian - Film News
Sabine Azema, Anne Cosigny, Lambert Wilson, Claude Rich Also On Board Clint Eastwood may have hit 80 this year, but he's positively youthful compared to veteran French director Alain Resnais, who'll turn 89 next June. With a directorial career stretching back to 1936, and taking in stone-cold classics like "Hiroshima Mon Amour" and "Last Year in Marienbad," it's a feat that he's still up and about, let alone prepping another directorial feature. But that's exactly what Resnais is doing, with "Vous N'avez Encore Rien Vu," his follow up to last year's "Wild Grass," which will start shooting in January. Ion…...
- 11/23/2010
- The Playlist
Note: this is not some casting news headline from a couple of years back. Wild Grass featured ensemble of André Dussollier, Sabine Azéma, Mathieu Amalric and Anne Consigny are joining Alain Resnais' next feature, which will begin lensing in January of next year. Also joining the cast of Vous N'avez Encore Rien Vu, we have Jean-Pierre Bacri, Isabelle Nanty and trio Pierre Arditi, Lambert Wilson and Claude Rich who all appeared in Resnais' 2006 film Private Fears in Public Places. Filming begins in January and will last for. Gist: Co-written by Resnais and Laurent Herbiet, this is adapted from Jean Anouilh’s stage play Eurydice, where a violinist Orphée and touring actress Eurydice leave everything behind to fulfill their love. But jealousy takes hold of Orphée. Worth Noting: For a French filmmaker who has made very little amount of films, he sure if cranking them out in the late stages of his career.
- 11/23/2010
- IONCINEMA.com
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