Kevin Smith's new movie about Jay and Silent Bob is still in the works -- despite a delay -- according to Jay himself ... who's giving us a major update on the status of their reboot. We got Jason Mewes Tuesday night at Caroline's Comedy Club in NYC where he told us Smith's forthcoming sequel to the 'J & Sb' franchise -- "Jay and Silent Bob Get a Reboot" -- will head into preproduction early next...
- 11/7/2018
- by TMZ Staff
- TMZ
It’s a wonder movie from the 1930s, a political fantasy that imagines a Utopia of peace and kindness hidden away in a distant mountain range — or in our daydreams. Sony’s new restoration is indeed impressive. Ronald Colman is seduced by a vision of a non-sectarian Heaven on Earth, while Savant indulges his anti-Frank Capra grumblings in his admiring but hesitant review essay.
Lost Horizon (1937)
80th Anniversary Blu-ray + HD Digital
Sony
1937 / B&W / 1:37 Academy / 133 min. / Street Date October 3, 2017 / 19.99
Starring: Ronald Colman, Jane Wyatt, Edward Everett Horton, John Howard, Thomas Mitchell, Margo, Isabel Jewell, H.B. Warner, Sam Jaffe, Noble Johnson, Richard Loo.
Cinematography: Joseph Walker
Film Editors: Gene Havelick, Gene Milford
Art Direction: Stephen Goosson
Musical director: Max Steiner
Original Music: Dimitri Tiomkin
Written by Robert Riskin from the novel by James Hilton
Produced and Directed by Frank Capra
Frank Capra had a way with actors and comedy...
Lost Horizon (1937)
80th Anniversary Blu-ray + HD Digital
Sony
1937 / B&W / 1:37 Academy / 133 min. / Street Date October 3, 2017 / 19.99
Starring: Ronald Colman, Jane Wyatt, Edward Everett Horton, John Howard, Thomas Mitchell, Margo, Isabel Jewell, H.B. Warner, Sam Jaffe, Noble Johnson, Richard Loo.
Cinematography: Joseph Walker
Film Editors: Gene Havelick, Gene Milford
Art Direction: Stephen Goosson
Musical director: Max Steiner
Original Music: Dimitri Tiomkin
Written by Robert Riskin from the novel by James Hilton
Produced and Directed by Frank Capra
Frank Capra had a way with actors and comedy...
- 10/10/2017
- by Glenn Erickson
- Trailers from Hell
My mom and dad both loved animals so I’ve always had cats. When I lived in Hawaii as a young child, my first cats were Snowflake and Tiger. Snowflake was a long-haired white cat who was the toughest cat you’d ever meet. He was beautiful, but not the most friendly cat. He taught me to respect animals. Tiger was a gray tabby. He was a warm and affectionate cat. I remember that he was always nearby, and that made me feel safe. They have a protective way about them that is different than the way a dog protects you.
- 8/21/2017
- by Carrie Ann Inaba
- PEOPLE.com
Emily Ratajkowski is no stranger to showing off her body!
The 26-year-old model -- who judging based on her Instagram is on a permanent vacation -- shared more bikini pics from paradise on Friday, baring major backside, beachside in Italy.
Watch: Emily Ratajkowski Goes Topless During Italian Getaway, Says She Has 'Cannes Fomo'
Shortly after, Ratajowski donned another bikini in yet another pic from the high seas.
The swimsuit shots followed an update from the...
The 26-year-old model -- who judging based on her Instagram is on a permanent vacation -- shared more bikini pics from paradise on Friday, baring major backside, beachside in Italy.
Watch: Emily Ratajkowski Goes Topless During Italian Getaway, Says She Has 'Cannes Fomo'
Shortly after, Ratajowski donned another bikini in yet another pic from the high seas.
The swimsuit shots followed an update from the...
- 6/23/2017
- Entertainment Tonight
Commando 2
Starring Vidyut Jamwal, Freddy Daruwala, Adaah Sharma, Esha Gupta
Directed by Deven Bhojani
After a week of drudgery at the theatres when we were coaxed into wading through a self-designed epic slush on war and love, it is such a welcome relief to go to the theatres just to have a unpretentious good time. No offence meant. None taken.
Come, unwind with Vidyut Jamwal as he cracks some serious bones and Fera codes, brings India’s wealth back into the country and saves civilization from catastrophe. All done in the vein of a comic book hero who forgot his cape in transit.
Okay, Jamwal is ambitious, And sorry to say, he can’t act. He can fight like a wild untamed beast, though. His reflexes in the action scenes, specially in the hand-to-hand combat with actor Thakur Anoop Singh at the climax on the rooftop of skyscraper, are to die for.
Starring Vidyut Jamwal, Freddy Daruwala, Adaah Sharma, Esha Gupta
Directed by Deven Bhojani
After a week of drudgery at the theatres when we were coaxed into wading through a self-designed epic slush on war and love, it is such a welcome relief to go to the theatres just to have a unpretentious good time. No offence meant. None taken.
Come, unwind with Vidyut Jamwal as he cracks some serious bones and Fera codes, brings India’s wealth back into the country and saves civilization from catastrophe. All done in the vein of a comic book hero who forgot his cape in transit.
Okay, Jamwal is ambitious, And sorry to say, he can’t act. He can fight like a wild untamed beast, though. His reflexes in the action scenes, specially in the hand-to-hand combat with actor Thakur Anoop Singh at the climax on the rooftop of skyscraper, are to die for.
- 3/5/2017
- by Subhash K Jha
- Bollyspice
Catherine Pearson Feb 22, 2017
Documentary fans are well served by these 11 great documentary series and features, currently available on Netflix UK...
In recent years, even months, Netflix has upped its game. No longer just a site to instantly stream an old title you might have once picked up in Blockbuster, it's become a hub of quality new and original film and television and this is by no means limited to its vast selection of fiction.
See related The world of the Peaky Blinders
With the scope of possibility in visual effects and the boundlessness of imagination there are very few places we cannot explore in fiction nowadays… that is unless we explore stories that are stranger than fiction. There is a tangible thirst for the real; the overwhelming response to recent Netflix documentary Making A Murderer in the news and social media, as just one example, exposes the desire for and...
Documentary fans are well served by these 11 great documentary series and features, currently available on Netflix UK...
In recent years, even months, Netflix has upped its game. No longer just a site to instantly stream an old title you might have once picked up in Blockbuster, it's become a hub of quality new and original film and television and this is by no means limited to its vast selection of fiction.
See related The world of the Peaky Blinders
With the scope of possibility in visual effects and the boundlessness of imagination there are very few places we cannot explore in fiction nowadays… that is unless we explore stories that are stranger than fiction. There is a tangible thirst for the real; the overwhelming response to recent Netflix documentary Making A Murderer in the news and social media, as just one example, exposes the desire for and...
- 2/19/2017
- Den of Geek
Tony Sokol Feb 10, 2017
Kevin Smith gives an update on Clerks III and Mallrats 2 - and reveals that his next film is a Jay & Silent Bob reunion...
“This is not a drill,” Kevin Smith is going to reimagine Jay and Silent Bob in a new movie.
“My next flick will star @JayMewes and is entitled Jay And Silent Bob Reboot,” Smith wrote to Twitter.
Director Smith, of course, plays Silent Bob, one half of a dope-dealing duo that hung outside the comic book shop in his 1994 movie debut Clerks. As befitting his name, Silent Bob doesn’t have much to say, he leaves that to Jay, played by Jason Mewes. The pair reunited for Mallrats (1995), Chasing Amy (1997), Dogma (1999), and Clerks II (2006) in cameo roles before taking revenge with their own movie, Jay And Silent Bob Strike Back from 2001.
Smith wrote to his Instagram account that his planned Clerks III got sidetracked...
Kevin Smith gives an update on Clerks III and Mallrats 2 - and reveals that his next film is a Jay & Silent Bob reunion...
“This is not a drill,” Kevin Smith is going to reimagine Jay and Silent Bob in a new movie.
“My next flick will star @JayMewes and is entitled Jay And Silent Bob Reboot,” Smith wrote to Twitter.
Director Smith, of course, plays Silent Bob, one half of a dope-dealing duo that hung outside the comic book shop in his 1994 movie debut Clerks. As befitting his name, Silent Bob doesn’t have much to say, he leaves that to Jay, played by Jason Mewes. The pair reunited for Mallrats (1995), Chasing Amy (1997), Dogma (1999), and Clerks II (2006) in cameo roles before taking revenge with their own movie, Jay And Silent Bob Strike Back from 2001.
Smith wrote to his Instagram account that his planned Clerks III got sidetracked...
- 2/10/2017
- Den of Geek
You’re nothing in Hollywood unless you have a million and a half dead projects in your wake. Just look at Guillermo del Toro. The man has no less than 75 of them going on at a time, and almost all of them tend to get pushed to the wayside for one reason or another. Writer/director/podcaster/geek Kevin Smith is no exception to this rule. These past few years have been pretty busy for the creative stoner, In a relatively short amount of time, he’s put a couple films (Tusk and Yoga Hosers), developed even more films that include Moose Jaws, Clerks III and Mallrats 2 — the last of which he tried to turn into a series — and that’s not even including his directing work on shows like The Flash and Supergirl. For a stoner, the man sure knows how to stay productive.
In the film business, you...
In the film business, you...
- 2/10/2017
- by Joseph Medina
- LRMonline.com
If you are a fan of Jay and Silent Bob, you'll be happy to hear that Kevin Smith is developing a new movie called Jay and Silent Bob Reboot. He even posted a photo of his laptop showing off the title page of the script. He also posted a lengthy announcement. He decided to start working on the movie when Clerks III was canceled and no one is picking up his Mallrats sequel series. I'll let Smith explain the details of how this all came about and he even offers some details on what the story will be about:
"This is not a drill! This is an actual image from my laptop! Yes, Kids - Jay and Silent Bob are coming back! Here's the story: Sadly, Clerks III can't happen (one of our four leads opted out of the flick). So I worked on a #Mallrats movie instead... which also...
"This is not a drill! This is an actual image from my laptop! Yes, Kids - Jay and Silent Bob are coming back! Here's the story: Sadly, Clerks III can't happen (one of our four leads opted out of the flick). So I worked on a #Mallrats movie instead... which also...
- 2/10/2017
- by Joey Paur
- GeekTyrant
Amanda Seyfried is pregnant! The actress revealed she is expecting her first child with fiancé Thomas Sadoski at a press launch for Givenchy on Tuesday night. Clad in a black dress, Amanda debuted her belly while posing for photos inside. Amanda and Thomas first met in 2015 while working on the off-Broadway show The Way We Get By, but relationship rumors didn't start until earlier this March when the two were spotted making out during a lunch date in La. Five months later, news broke that the couple got engaged, and shortly after, Amanda debuted her engagement ring at the Heaven on Earth Gala in La. Congrats to the happy couple! Related:Buns in the Oven: 25 Stars Who Are Expecting Babies This Year...
- 11/30/2016
- by Monica Sisavat
- Popsugar.com
Alessandra Ambrosio definitely knows how to work a bikini. The 35-year-old supermodel’s bikini line, “Ale by Alessandra”, officially debuted on Monday, and what better way to celebrate than with a sexy campaign video? Watch: Cristiano Ronaldo and Alessandra Ambrosio Pose Nearly Nude on Sizzingly Hot ‘GQ’ Cover “Heaven on earth …...
- 11/24/2016
- by Will Reid
- ET Canada
Ever since Amanda Seyfried got engaged to her boyfriend, Thomas Sadoski, earlier this month, we've gotten brief glimpses of a stunning gold band on her ring finger, and on Saturday, the actress took her new accessory to the red carpet. While attending the 2016 Heaven on Earth Gala at The Garland in Hollywood, Amanda flashed a sweet smile as she posed for photos solo as well as with fellow actress Rachael MacFarlane. Amanda looked beautiful in a black dress and heels, but the simple yet stunning gold band was what really caught our eye. While it's definitely not what we're used to seeing as far as massive celebrity engagement rings go, it's just as beautiful and even more unique. Related Stories:Amanda Seyfried Can't Keep Her Hands to Herself During a Lunch Date With Her Boyfriend...
- 9/27/2016
- by Caitlin Hacker
- Popsugar.com
As of this article's publication only five countries have announced their official Oscar entries for the 88th Academy Awards: Hungary ("Son of Saul"), Romania ("Aferim!"), Bosnia & Herzegovina ("Our Everyday Life"), Luxembourg ("Baby(A)lone"), and Kazakhstan ("Stranger"). Taking into account last year's record number of submissions, 83 in total, there are certainly a lot more coming in the next few weeks. Several national film organization have already narrowed the field down to a shortlist of films that qualify to be considered, other countries skip the shortlist and simply announce their participant title without revealing what was being considered.
Trying to predict what a particular nation will enter is a tall order because of the numerous factors that weight in, especially when dealing with countries with a large film industry. In other cases, however, there are usually just a couple standouts that meet the standards to be submitted. Whatever the case, even with the most obvious choices there could be surprises such as Indian choosing not to submitting "The Lunchbox" or Chile choosing another film over Silva's "The Maid."
While there is no sure-fie formula to predict what films will be competing for the Best Foreign Language Film Academy Award, by looking at festivals, release dates, national awards, previous submissions, and with a hefty dose of educated speculation, I've put together a list of 35 titles that, at this point, seem like excellent choices.
Update 08/28: Several countries have announced their official submissions: Croatia ("The High Sun"), Germany ("Labyrinth of Lies"), Guatemala ("Ixcanul"), Switzerland ("Iraqi Odyssey"), and Palestine ("The Wanted 18").
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Argentine Release Date: August 13th, 2015
Coming off the success of this year’s nominee “Wild Tales,” which also did very well at the U.S. box-office for Sony Pictures Classics and became a spectacular hit back home, Argentina seems to have another strong contender this year with Pablo Trapero’s latest work “The Clan” (El Clan). Two of the director’s previous films have been submitted before (“Lion’s Den” and “Carrancho”), and this one about the Puccio family, which was criminal organization that kidnapped and murdered wealthy people, looks more than promising. “The Clan” is also produced by Almodovar’s El Deso, just as Damian Szifron’s “Tales” was. There are several other films that have enough merits to be considered, but might prove insufficient when faced with Trapero’s film. “Refugiado,” “El Patron,” “Two Shots” and, even “Jauaja,” starring Viggo Mortensen, qualify
Brazil
"The Second Mother"
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Brazilian Release Date: August 27, 2015
Undoubtedly the most awarded Brazilian film of the year is also their best bet at the Oscars. Anna Muylaert's “The Second Mother” premiered at Sundance where it won a Special Jury Prize for both of its leading actresses Regina Casé and Camila Márdila. It went on to screen in the Panorama section of the Berlinale and took home the C.I.C.A.E. Award and the Audience Award. The film tells the story of a live-in housekeeper and his daughter as they navigate the class divisions prevalent in Brazilian society. Another factor in its favor is the fact that the film has secured U.S. distribution thanks to Oscilloscope. “The Second Mother” opens in Brazil on August 27 and, in a strange turn of events, on August 28 in the U.S. While there are plenty of other great Brazilian works that qualify to be submitted, it’s unlikely that the selection committee will look elsewhere. Other films that could have a shot at being chosen are “August Winds,” “Casa Grande.” “Blue Blood,” and “White Out, Black In”
Bulgaria
"The Judgement"
Dir. Stephan Komandarev
Isa: Premium Film
U.S. Distribution: None Yet
Bulgarian Release Date: October 16, 2014
Following last year’s scandalous selection of “Bulgarian Rhapsody” over the more deserving “Viktoria,” the Eastern European country has a two-way race in which both candidates have almost equal chances at being chosen. Stephan Komandarev’s drama “The Judgement” is the larger production of the two and revolves around a desperate father trying to amend his relationship with his estrange son. At the same time the protagonist is also trying to make ends meet and decides to take on the dangerous job of smuggling illegal immigrant from Syria through a remote area of the Turkish-Greek-Bulgarian border. The other film is Kristina Grozeva & Petar Valchanov's “The Lesson,” about a devoted teacher who is faced with corrupt bureaucracy after her classroom is burglarized. Winning awards at the Sofia International Film Festival, San Sebastian, Thessaloniki, and screening at Tiff and Rotterdam, “The Lesson” should be the frontrunner. However, “The Judgement” might have the edge not only because it sports a larger budget and wider appeal, but because Komandarev is the filmmaker behind “The World is Big and Salvation Lurks Around the Corner,” which is the one Bulgarian film that has gotten the closest to Oscar glory when it was shortlisted by the Academy in 2010. Less likely to be selected but still viable possibilities are “Adultery,”"Buffer Zone," and "The Petrov File."
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
Canadian Release Date: January 30th, 2015
As of now Canada’s ideal representative would be the small, but touching, “Felix & Meir,” about a married woman from the Orthodox Jewish community who falls in love with a secular man, as way to know life beyond the restrictions of her faith. This tiny gem won the Best Canadian Feature award at last year’s Tiff and received four awards at the Whistler Film Festival including Best Film and Best Director. “Felix & Meira” was acquired by Oscilloscope for U.S. distribution and was released last April. To date it has grossed nearly $500,00, which, for a subtle and niche film like this, is a great feat. Giroux’ film should take this easily, unless the new film by Oscar-nominated director Philippe Falardeau decides to push for the opportunity. Falardeau newest film “Guibord Goes to War” (Guibord s’en va-t-en guerre) is a political dark comedy that premiered at Locarno and is scheduled to open in Canada on October 2- just two days after AMPAS’ deadline. If the distributor decides to have a one-week qualifying run ahead of the release, then it would become the new frontrunner to represent Canada. However, it’s still unknown if that is being considered or if the film will just wait till next year. Falardeau was nominated in the category for “Monsieur Lazhar” in 2012. “Chorus,” which premiered at Sundance, Berlin’s “Corbo,” Tiff’s “In Her Place,” and the “Les Loups” also qualify.
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Chilean Release Date: May 28, 2015
With Pablo Larraín’s Silver Bear-winner film, Chile has an easy choice to make. “The Club,” which was recently picked up for U.S. distribution by Music Box Films, has received universal critical acclaimed and has cemented its director as one of the most important figures in Latin American cinema. Larraín’s latest centers on a group of priests and nuns sent to a beach town to purify their sinful pasts involving everything from pedophilia to kidnapping. The only other film that truly stands a chance is Matias Lira's “El Bosque de Karadima,” which deals with similar themes regarding secrecy and crimes against children within the Catholic Church. But even if this film has been well-received at home, “The Club” has had more much more international visibility and it has the distinction of being the newest work from the director behind “No,” Chile’s only Oscar-nominated film to date. Other notable works that will be part of the conversation include historical drama “Allende en su Laberinto” by veteran director Miguel Littin, Rodrigo Sepúlveda’s touching “Aurora," and indie flick “La Voz en Off.”
China
"Mountains May Depart" (山河故人)
Dir. Zhangke Jia
Isa: MK2
U.S. Distribution: Kino Lorber
Chinese Release Date: Unknown
Censorship has always played a role in China’s decision-making process when it comes to their Oscar submissions. Some of the best Chinese films in recent years are never considered given their controversial topics or because they were made outside of the state-run system. Under this circumstances patriotic epics or lavish period dramas are often selected even when their quality is subpar. The country’s big production this year is “The Lady of the Dynasty,” which was a box-office disappointment and garnered mostly negative reviews locally. With this in mind, the hope is that they will finally look at more compelling films with greater international exposure, such as Jia Zhangke’s “Mountains May Depart.” Premiering at Cannes to mostly positive responses, the film looks at Chinese society from three perspectives scattered over three decades. The film has passed the censors' revisions and will be allowed to screen in mainland Chine, which means it’s possible one of Zhangke’s film might finally represent his homeland. His previous effort, “A Touch of Sin,” was ignored because of its thematic elements. Jean-Jacques Annaud’s stunning “Wolf Totem” is a close second choice, but given the fact that China submitted a film by a French director last, they might want to highlight a homegrown talent this time. There is also “Red Amnesia,” a thriller about a widow that compulsively needs to take careof those around her until strange incidents shake her life. Er Cheng’s “The Wasted Times,” which appears to be a delirious visual treat, but it opens just a few days after the September 30th deadline. A qualifying run prior to that date is possible, but not likely. “Mountains May Depart” is definitely the strongest candidate.
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Colombian Release Date: May 25th, 2015
The Colombian film industry has had an outstanding year and that has produced an impressive lineup of films from which their strongest Oscar entry to date will emerge. Three films that screened at the Cannes Film Festival - two of which earned prizes – are at the top of the list. Winning the Art Cinema Award at the Directors’ Fortnight Ciro Guerra’s black-and-white “Embrace of the Serpent” is the one to beat among these trio of art house wonders. Guerra’s film is a period piece about the clash between the native people of the Amazon and a European explorer, which has received stellar reviews and was picked up for U.S. distribution by Oscilloscope. Two of Guerra’s previous films, “Wandering Shadows” and “The Wind Journey,” also represented Colombia at the Academy Awards. Nevertheless, the other films that screen at the Croisette, Golden Camera-winner “Land and Shade” and war drama “Alias Maria,” shouldn’t be completely counted out of the running. Films like Franco Lolli's “Gente de Bien” (Cannes 2014), Josef Wladyka's “Manos Sucias,” "Todos Se Van," and “Ruido Rosa” qualify and testify of the great moment Colombian filmmaking is experiencing, but they will have a difficult time pulling off an upset.
Croatia
"The High Sun" (Zvizdan)
Dir. Dalibor Matanic
Isa: Cercamon
U.S. Distribution: None Yet
Croatian Release Date: Septemeber 2015
It’s not often that a Croatian feature manage to grab Cannes’ attention and take home a prestigious award like the Un Certain Regard Jury Prize. “The High Sun” achieved such feat and should be almost a lock to become the country’s Oscar entry. This intense drama, that expands over three decades and explores the Balkan region’s turbulent history, also won 7 awards at the Pula Film Festival including Best Film, Director, Leading Actress, Supporting Actor, and Supporting Actress. If there’s another film with a reasonable shot, it would be Ognjen Svilicic's “These Are the Rules” about a family questioning their moral compass after a violent incident, which did well in the festival circuit winning awards in Venice, Warsaw, Stockholm, and Pula. Svilicic’s 2007 feature “Armin” represented the country at the 80th Academy Awards. “The Bridge at the End of the World,” “Ungiven,” “The Reaper,” “Number 55” are other noteworthy Croatian films released during the past year, but Matanic’s highly praised wok should have no trouble becoming the official entry.
Dominican Republic
"Sand Dollar" (Dólares de Arena)
Dir. Israel Cárdenas & Laura Amelia Guzmán
Isa: FIGa Films
U.S. Distribution: Breaking Glass Pictures
Dominican Release Date: November 13th, 2014
Thanks to a growing film industry, Dominican films have participated every year starting in 2011 after being absent from the race since 1995. Their submissions have included romantic comedies and low-budget crime dramas that weren’t successful at getting AMPAS’ attention. Fortunately, this year they might have their strongest candidate yet with “Sand Dollars.” In Israel Cárdenas & Laura Amelia Guzmán's film starring Geraldine Chaplin, a local girl becomes the object of desire for an older French woman visiting the Caribbean country, influenced by her boyfriend the Dominican beauty decides to take advantage of the foreigner’s interest. “Sand Dollars” has screened at countless festivals around the world winning a handful of awards and has secured U.S. distribution. Guillermo Zouain's road-trip comedy “Algún Lugar” has also been well-received at a couple of international festivals, but is less likely to be picked. “Pueto Pa’ Mí,” a drama about urban music, documentary “Tu y Yo," and biopic “Maria Montez,” might be out of luck. It’s unclear if Agliberto Meléndez political film “Del Color de La Noche,” has premiered yet, so that could a contender next year given that the director was behind the country’s first ever Oscar submission.
Ethiopia
"Lamb"
Dir. Yared Zeleke
Isa: Films Distribution
U.S. Distribution: None Yet
Ethiopian Release Date: Unknown
The East African nation has only sent two films for consideration. Last year it was the Angeline Jolie-supported “Difret,” which was part of the World Cinema competition at the 2014 Sundance Film Festival. This year only two films seem to qualify. “Lamb” is the first-ever Ethiopian film to screen at Cannes, which makes it the unquestionable favorite. It’s a rural story about a boy and his beloved sheep moving in with relatives as his mother goes to work in the city. Reviews were positive praising the film’s cinematography and layered storytelling. The other film that could possibly be selected is Hermon Hailay’s “Prince of Love” about a prostitute and a cab driver struggling to get by in the capital city of Addis Ababa. “Prince of Love” represented the country at Fespaco, one of Africa’s most renowned festivals, and will screen at Tiff in September. Ethiopia might choose to send “Lamb” this time around and save Hailay’s feature for next year depending on release date.
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish Release Date: March 13th, 2015
Peculiar teen drama “They Have Escaped” won four Jussi Awards from the Finnish Academy earlier this year including Best Film and Best Director; however, it will probably face an uphill battle to become Finland’s Oscar entry. Instead, Estonian-language period piece, “The Fencer,” looks like a more feasible alternative because of its classic story, elegant cinematography, and the director behind it: Klaus Härö. The film tells the story of a young Estonian fencer who leaves his homeland to become a Pe teacher and escape persecution by the Russian authorities in the 1950s. Some critics have gone as far as to call it “the best Finnish film in a decade.” Three of Härö’s previous films (“Elina: As If I Wasn’t There,””Mother of Mine, “ and Letter to Father Jacob) were selected as Oscar entries. The only obstacle in its path is the fact that this is an Estonian story with mostly Estonian dialogue. If the selection committee can overlook that, this will be their pick. Antti Jokinen's “Wildeye,” a visually arresting war drama that opens in September is another strong option, particularly because Jokinen’s previous film, “Purge,” represent the country in 2013. “Absolution,” “Head First,” ”Homecoming,” and “Tsamo” are proof a strong year in Finnish cinema but won’t make the cut.
France
"Dheepan"
Dir. Jacques Audiard
Isa: Wild Bunch
U.S. Distribution: Sundance Selects
French Release Date: August 26th, 2015
Given the amount of films produced in France each year, this is the most difficult country to narrow down. However, this year there is a heavyweight contender among the scores of worthy productions. Surprise Palme d’Or-winner “Deephan” by the Academy Award-nominated director of “A Prophet," Jacques Audiard, is a clear favorite. Audiard is a legend and it’s hard to think France won’t support the film that took home one of cinema’s most coveted prizes. Following the relevant immigrant story of a Sri Lankan warrior in France, “Dheepan” is almost a safe bet. If for some unimaginable reason Audiard’s latest is not chosen, the most likely alternative would be well-received “My Golden Days” by Arnaud Desplechin, which has been picked up for U.S. distribution by Magnolia Pictures. While there are dozens of films that could be considered, here are some other important French films that qualify based on their release dates: “Girlhood,” “Standing Tall,” “The Measure of Man,” “The New Girlfriend,” “Valley of Love,” “Eden,”"The Connection."
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
German Release Date: November 6th, 2014
After an 8-film shortlist was released, - which sadly doesn’t include “Phoenix” because it opened late last September – things look pretty clear for the German selection committee. It’s really a 3-film race between “13 Minutes,” Labyrinth of Lies,” and “Victoria.” Unfortunately, and despite incredibly positive reviews, Sebastian Schipper's “Victoria” might be considered a risky choice because a big part of it is in English. That leaves Oliver Hirschbiegel’s “13 Minutes,” about a man who tried to assassinate Hitler in 1939. On the surface this looks like the prime title to send to AMPAS since Hirschbiegel’s “Downfall” earned him a nomination and he has worked in Hollywood for several years now. Yet, reception wasn’t as warm for his first German film in a decade. On the other “Labyrinth of Lies,” which deals with Post-World War II Germany and how the government tried to cover up its recent Nazi past, had better luck. Critical reception has been better for this film and it was a financial success in Germany and France, which gives the edge. Both “13 Minutes” and “Labyrinth of Lies” were acquired by Sony Pictures Classics for U.S. distribution. The complete list of shortlisted films can be found Here
Greece
"Xenia" (Ξενία)
Dir. Panos H. Koutras
Isa: Pyramide International
U.S. Distribution: Strand Releasing
Greek Release Date: October 2nd, 2014
Although it’s not an official rule, Greece almost-automatically selects the winner of the Best Film Prize at the Hellenic Film Awards as their Oscar submissions. This year’s winner was the Lgbt dramedy “Xenia,” which follows two Albanian brothers searching for their Greek father after their mother’s death. The film was nominated for 15 Hellenic Film Awards and won a total of six. “Xenia” premiered in the Un Certain Regard section at the Cannes Film Festival and will be released in the U.S. in October by Strand Releasing. I can’t see any other film being selected other than Koutras’ Almodovar-infused film, but if that were the case the other Best Film nominees – that meet AMPAS requirements- would be the ones to look to: “Electra,” “A Blast,” and “Forever.”
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Guatemalan Release Date: August 27th, 2015
This is a no-brainer. Guatemala has only sent a film once back in 1994, but this year director Jayro Bustamante delivered the most awarded Guatemalan film in history. That should be a good enough reason to enter the race once again. “Ixcanul” won the Alfred Bauer Award at the Berlinale and has screened across the world to great success. Bustamante’s film centers on a Mayan girl who wants to escape the arrange marriage that awaits her to see what’s beyond her village. Another Guatemalan film, which also screened in Berlin, Edgar Sajcabún's “La Casa Más Grande del Mundo,” will probably not open theatrically in time and should be considered next year.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
Icelandic Release Date: May 28th, 2015
Two middle-aged brothers in an Icelandic rural town leave their differences behind and come together to save their beloved farm animals in the Un Certain Regard Award-winner “Rams.” With such recognition under its belt and having just been picked for U.S. distribution by Cohen Media Group, Grímur Hákonarson's film is certainly the handsomest choice. Still, “Rams” is not without a strong rival. Crowd-pleaser “Virgin Mountain,” about a lonely man whose life changes when he meets a new friend, had its U.S. premiere at the Tribecca Film Festival where it won three awards: Best Narrative Feature, Best Actor, and Best Screenplay. It could go either way, but the Cannes prestige and having found a U.S. distributor give “Rams” the upper hand. Iceland produced several qualifying features this year including “Brave Men’s Blood,” “East of the Mountain, “ and “The Homecoming.”
Iran
"Muhammad: The Messenger of God"
Dir. Majid Majidi
PC: Nourtaban Film Industry
U.S. Distribution: None Yet
Iranian Release Date: August 26, 2015
Iran will have to make an incredibly difficult decision that unfortunately may have political repercussions. Majid Majidi’s latest film “Muhammad: The Messenger of God” is the most expense Iranian feature ever made. The historical epic brings to life the early years of the prophet's life with impressive locations, costumes, and cinematography courtesy of Three-time Oscar-winner Vittorio Storaro. Majidi himself is no stranger to the Academy having earned Iran’s first-ever Academy Award nomination with “Children of Heaven.” Taking these facts into consideration, “Muhammad” seems to be the obvious selection, but there are many religious and political concerns that could get in its way. Islam prohibits the depiction of the prophet and other sacred figures in any artistic work. Knowing this, Majidi shot the entire film - which is the first part in what’s to become a trilogy – without ever showing the prophet’s face by shooting most scenes from his point of view or showing him with his back to the camera. This was acceptable for Iran’s censors, as the film will open this week in theaters across the Middle Eastern country. However, other Muslim countries, particularly Sunni Muslims, have been outspoken about their discontent with the film. Whether Iran will still choose to submit the film to AMPAS is a mystery, but it will certainly have more to do with outside influences rather than artistic merit. “Muhammad” will have its North American premiere at the Montreal World Film Festival.
“Nahid” by Ida Panahandeh, about a woman’s journey from divorce to remarrying, won the Avenir Prize in the Un Certain Regard section at Cannes, but - although censors have said the film will be allowed the screen in Iran - it might not open theatrically in time. It also deals with a controversial subject and that might limit it chances. A third, and much safer option, is romantic drama “What’s the Time in Your World?” starring Leila Hatami (“A Speration”) and Ali Mosaffa (“The Past”). Directed by Safi Yazdanian, the film looks beautifully done and sports two of the most talented Iranian actors working today. It could definitely be a good alternative. Other films include “Borderless,” “Track 143,” "Tales” and “Confessions of a Dangerous Mind.” Perhaps Iran will ignore the risk and submit their most lavish film to date by one of their most celebrated filmmakers who still works within the state’s parameters.
Israel
"The Kind Words" (Ha'milim ha'tovot )
Dir. Shemi Zarhin
Isa: Beta Cinema
U.S. Distribution: None Yet
Israeli Release Date: May 28, 2015
With 12 nominations to Israel’s Ophir Awards, “The Kind Words” including Best Film, Best Director, Best Screenplay, Best Actor, and Best Actress Shem Zarhin’s film is the one to beat. Since the winner of the Ophir Award for Best Film automatically becomes Israel’s Oscar submission, “The Kind Words” has a strong shot at both honors. The film follows a group of siblings as they travel abroad to uncover a secret. By default the other contenders are the rest of the films nominated for Best Film: “Wounded Land,” ”Afterthought,” “Wedding Doll,” and “Baba Joon.” Of this Elad Keidan's “Afterthought,” which premiered at Cannes to positive reviews, and Erez Tadmor's intense drama “Wounded Land” appear to be the strongest alternatives. Despite being nominated several times Israel has never won the Best Foreign Language Film Academy Award.
Italy
"My Mother" (Mia Madre)
Dir. Nanni Moretti
Isa: Films Distribution
U.S. Distribution: Alchemy
Italian Release Date: April 16th, 2015
Nanni Moretti is back with “Mia Madre,” a new family drama that screened in competition at this year’s Cannes Film Festival and won a few awards at the Italian David di Donatello Awards. Since the big winner at the national awards, “Black Souls,” was considered last year, Moretti’s film is the frontrunner. However, there is a wild card that could change things. Veteran filmmaker Marco Bellocchio will release his newest work “Blood of My Blood,” a historical drama about a 17th century woman accused of being a witch, on September 9 - just in time to qualify. It’s likely that Moretti will have enough support to pull it off, but there is still a chance that might not be set in stone. Besides these two films there is Mario Martone’s “Leopardi,” a biopic about poet Giacomo Leopardi, which won several David di Donatello Awards and was also recognized in Venice. With even less possibilities are Sundance’s “Cloro,” “Greenery Will Bloom Again,” and Albanian-language “Sworn Virgin,”
Ivory Coast
"Run"
Dir. Philippe Lacôte
PC: Banshee Films
U.S. Distribution: None Yet
Ivorian Release Date: December 17th, 2014
The first and only time a film represent Ivory Coast at the Oscars was back in 1977. That film, “Black and White in Color,” won the first and only Academy Award attributed to a Sub-Saharan African country. Nevertheless, that landmark work was directed by a Frenchmen, Jean-Jacques Annaud, and had mostly French talent in the leading roles. Now, almost 40 years later, an actual Ivorian film looks presents a fantastic opportunity for the country to return to the race. Philippe Lacote’s political drama “Run” screened in the Un Certain Regard section in Cannes 2014, Tiff, and AFI Fest, and later opened commercially in Abidjan, the Ivorian Capital, and Paris. Ivory Coast has only one eligible film to submit as their Oscar entry, and fortunately it’s a good one.
Japan
"Our Little Sister" (海街 diary)
Dir. Hirokazu Koreeda
Isa: Wild Bunch
U.S. Distribution: Sony Pictures Classics
Japanese Release Date: June 13th, 2015
Japan hasn’t had a successful entry since unexpectedly winning the award in 2009 with “Departures.” Their selections are often baffling because they tend to ignore festival winners and critically acclaimed films to pick obscure titles that rarely connect with voters. In recent years outstanding films such as “Like Father, Like Son” have been overlooked. Having said this, one can only hope that this time around they will chose more wisely. This year another film by Hirokazu Koreeda, “Our Little Sister,” debuted at Cannes and has been picked up for U.S. distribution by Sony Pictures Classic – a powerhouse distributor in the Best Foreign Language Film race. Based on a manga series, the film revolves around a group of young women who decide to adopt their stepsister after their father dies. “Our Little Sister” was also a financial success in its homeland. Even with all these positive qualities on its side, Japan might refuse to submit Koreeda’s film and look elsewhere. Other options from the festival circuit include Naomi Kawase's “An- Sweet Red Bean Paste,” which less positive reviews; “Journey to the Shore,” though it opens on October 1; “Kabukicho Love Hotel,” which screened at Tiff last year, and “Cape Nostalgia.”
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Jordanian Release Date: March 19th, 2015
In 2008 Jordan submitted their first-ever Oscar submission, and the first feature film made in the country in half a century. That film, “Captain Abu Raed,” did very well in festivals like Sundance and Dubai. Since then, Jordanian cinema has been scarce forcing the country to be absent from the race. That could change this year with “Theeb” by UK-born filmmaker Naji Abu Nowar. His period piece about a Bedouin boy during World War I has played at numerous festivals and will have a U.S. theatrical release via Film Movement.
Lithuania
"The Summer of Sangailé" (Sangaile)
Dir. Alanté Kavaïté
Isa: Films Distribution
U.S. Distribution: Strand Releasing
Lithuanian Release Date: August 21st, 2015
The Sundance Film Festival screened its first-ever Lithuanian feature this past January, “The Summer of Sangailé” by Alanté Kavaïté. This Lgbt coming-of-age story showcases captivating cinematography and nuanced performances. “Sangailé” went on to win the Directing Award in the World Cinema Competition at the Park City festival. It will also become one of the very few Lithuanian films to have been distributed in the U.S. when Strand Releasing schedules its theatrical release. Being the most awarded narrative film from the Baltic nation, it should be a shoo-in. "Sangailé" also won three Silver Crane Awards (Lithuanian Oscars): Best Film, Best Actress for Julija Steponaityte and best set design for Ramunas Rastauskas. Its only realistic adversary is the documentary “Master and Tatyana,” which won the Best Documentary, Best Director, and Best Cinematography prizes at the Silver Crane. Lithuania has shown to be fond of submitting documentaries, but one could presume that “Sangaile’s” wider international appeal will help it succeed.
Mexico
"The Thin Yellow Line" (La Delgada Línea Amarilla)
Dir. Celso R. García
Isa: Latido Films
U.S. Distribution: None Yet
Mexican Release Date: Unknown
Among the 14 films that the Mexican Academy announced as candidates to become the official Oscar submission, only a handful of them have a real chance at representing Mexico. It’s really a three-way race between “600 Miles,” “La Tirisia,” and “The Thin Yellow Line.” Each of these has distinctive assets as well as factors that could play against them. Gabriel Ripstein's “600 Miles” stars Tim Roth, which could be beneficial because Academy voters would see a familiar face on screen. At the same time Roth’s participation means that there is a considerable amount of English dialogue that could make the film feel less authentic when considered as a “foreign language film” representing a country. Then there is Jorge Pérez Solano's art house marvel, “La Tirisia,” about the role of women in a very traditional Mexican community. This is a film that truly showcases an unseen aspect of Mexican culture and has garnered international recognition, but it might be too small in scope to be selected.
Lastly, “The Yellow Thin Line,” which was awarded at the Guadalajara Film Festival but hasn’t travel much. It will screen at the Chicago International Film Festival in October. “The Thin Yellow Line” tells the story of a group of men working on a deserted road as they are forced to come to terms with their yearnings and failures. The premise seems unique; the cast includes some of Mexico’s most recognizable talents, and it’s partly produced my Guillermo del Toro. That last fact is what could set the film apart from the rest because the general public and Academy voters will be intrigued to see what was it about this story that interested Del Toro, who hasn’t been involved in a Mexican project in several years. It’s a tough race, but having someone like the “Pan’s Labyrinth’s” director supporting the film could be a deal breaker.
Peru
"The Vanished Elephant" (El Elefante Desaparecido)
Dir. Javier Fuentes-León
Isa: Mundial
U.S. Distribution: Oscilloscope Laboratories
Peruvian Release Date: October 9th, 2015
Javier Fuentes-Leon’s “The Vanished Elephant” premiered at last year’s Tiff and was also part of this year’s Los Angeles Film Festival making it the highest profile Peruvian film of the year. At home, the critical response was very positive and the quality of the film, in comparison to other Peruvian works released in the last 12 months, is undeniable. “The Vanished Elephant” tells the cryptic story of a writer whose girlfriend disappears without a trace. After receiving a series of strange photographs, he delves into deceitful conspiracy that defies the lines between reality and fiction. Fuentes-Leon debut feature “Undertow” was submitted to the Academy back in 2010. Enrica Perez’ “Climas” about three Peruvian women from different walks of life and Héctor Gálvez forensic mystery “Nn” have both screened at several international festivals, and though they are much smaller film’s than “The Vanished Elephant,”either of them could be the next best choice to become Peru’s Oscar entry. Less likely titles include “Videophilia,” “Solos,” and historical drama “Gloria del Pacífico.”
The Philippines
"Trap" (Taklub)
Dir. Brillante Mendoza
Isa: Films Distribution
U.S. Distribution: None Yet
Filipino Release Date: Unknown
Brillante Mendoza is one the Philippines most acclaimed auteurs and yet none of his films have ever been selected to represent the Southeast Asian nation at the Oscars. His latest work, “Trap,” won Special Mention from the Ecumenical Jury at Cannes and it’s the prime contender to travel to L.A. this year. “Trap” follows a group of survivors soon after Typhoon Haiyan devastated a great part of the country. The film stars Filipino actress Nora Aunor, who also the lead in Mendoza’s “Thy Womb,” which was the Filipino entry at the Golden Globes a couple years back. Given that Mendoza’s work has never been selected, there is a chance he might miss out once more. If that happens, the film that could benefit is Paul Soriano's Manny Pacquiao biopic titled “Kid Kulafo,” which would evidently ring a bell with Americans. Other films to be considered include “Justice,” also starring Aunor, “Crocodile,” or even lighthearted comedy “English Only, Please.”
Russia
"Sunstroke"
Dir. Nikita Mikhalkov
Isa: Wild Bunch
U.S. Distribution: None Yet
Russian Release Date: October 4th, 2014
Even after winning the Golden Globe and being nominated for an Academy Awards, Andrey Zvyagintsev “Leviathan” couldn’t get the Best Film award from the Russian Academy. Instead, they decided to bestow that honor on veteran filmmaker Nikita Mikhalkov's period piece "Sunstroke.” This is the type of film that Russia loves to submit: patriotic, historical, and epic. Even though last year the Russian selection committee showed they could overlook their political agenda to ensure the best film represented the country, this year they will go back to their old ways. This is not to say “Sunstroke” is a bad film, as hardly anyone outside of Russia has seen, but it does mean that other more daring offers like Yuriy Bykov's festival darling “The Fool” and Aleksey German's “Under Electric Clouds" have little hope at becoming the country’s entry and getting the exposure that comes with it. Mikhalkov won the Oscar in for “Burnt by the Sun” in 1995 and was nominated again for "12" in 2008, which means he will be hard to beat this year. "The Fool" would be a much more interesting selection but its story about a regular citizen fighting the corrupt system might prove too controversial. There is also another war epic titled "Batalion" by Dmitriy Meskhiev, which could pull off a surprise.
Serbia
"Enclave" (Enklava)
Dir. Goran Radovanovic
PC: Nana Filam
U.S. Distribution: None Yet
Serbian Eelease Date: March 19, 2015
Serbia’s 6-film shortlist includes worlds that deal with a variety of subjects, from the recurrent tales of war and its aftermath, triumphant sports stories, and even the peculiar case of a boy who grew up wild in the woods. Of all these possibilities, the film that seems to have the most gravitas is Goran Radovanovic's “Enclave,” a film about the ethnic divide in Kosovo and the atrocities that perpetuates. This is definitely not the film with the most international exposure, but the story might be enough to warrant its submission. Films that deal with similar issues like, “Circles,” have been previous selected. But the Serbian committee wants to stay away from both war and sports dramas, they might go with Vuk Rsumovic “No One’s Child” which did very well at a few festivals including Venice and Palm Springs. It could either way. Original comedy "Monument to Michael Jackson" could also be a more lighthearted choice. The shortlist is completed by "We Will Be the World Champions"," The Man Who Defended Gavrilo Princip," and "The Disobedient" (Sundance 2014).
Spain
"Ma Ma"
Dir. Julio Medem
Isa: Seville International
U.S. Distribution: None Yet
Spanish Release Date: September 11, 2015
For a long time I had hope that Spain would find a loophole and submit their most honored film at this year’s Goya Awards, “Marshland” (La Isla Minima), but that seems like a farfetched hope now. Luckily, another film that looks like a winner will be released just in time. “Ma Ma” directed by Julio Medem and starring Academy Award-winner Penelope Cruz has Oscar written all over it. Cruz plays a mother diagnosed with cancer and whose ferocious battle with the disease will reinvigorate her love for life. The actress also served as a producer in what has become one of the most anticipated films of the year. The only films that could challenge are coming-of-ager “A Cambio de Nada” and Basque-language drama “Loreak.” The former appears to be feel-good story that might seem slight in comparison to both “Ma Ma” and “Loreak,” which deals with a woman who starts receiving flowers from a mysterious sender. “Magical Girl” is a brilliantly twisty film, but being so edgy it will probably be considered to risky for the Oscar race. Penelope Cruz’ star power will decide this race.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
Swedish Release Date: November 14th, 2014
The two previous chapters sin Andersson’s trilogy about being human were submitted to AMPAS, and even if they didn’t get a nomination, it’s hard to imagine them not submitting “A Pigeon.” The film has been critically acclaimed and it won the Golden Lion at last year’s Venice Film festival. Furthermore, it has already been released in the U.S. by Magnolia, the company that handled last year’s Swedish submission, “Force Majeure.” While I’d love to see Andersson be selected, there are several other films that could prevent that from happening. Kay Pollack, who earned Sweden’s most recent nomination for “As It Is in Heaven,” has a new film opening in early September titled “Heaven on Earth.” Depending on how that film is received the tables may or may not turn. The third strongest option is the romantic costume drama “Gentlemen,” which won several awards from the Swedish Academy and has already been picked up for U.S. distribution by, of course, Magnolia. Smaller, yet worthy candidates, include “My Skinny Sister” and “Flocking,” both of which premiered in Berlin.
Switzerland
"Vanity" (La Vanité)
Dir. Lionel Baier
Isa: Wide
U.S. Distribution: None Yet
Swiss Release Date: September 2, 2015
Out of the 7 films shortlisted by the Swiss, the one that immediately stands out is dark comedy “Vanity.” The film just premiered at Locarno and it stars Spanish actress, and one of Almodovar’s favorites, Carmen Maura, as well as Patrick Lapp. Although the film deals with suicide, the approach seems to be very comedic. In a list of several obscure titles, “Vanity” should come out on top. A second option could be Stina Werenfels' “Dora or the Sexual Neuroses of Our Parents,” which screened in Berlin’s Panorama section and tells the story of a mentally disabled woman discovering her sexuality. “War” by Simon Jaquemet, about a rebellious teenager, had some festival play as well but is less likely to be chosen. The other four titles in the shortlist are: “Pause,” doc “Iraqi Odyssey,” “Chubby,” and “L’oasis des mendiants.”
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Taiwanese Release Date: August 28th, 2015
There is really no race here. “The Assassin” will be Taiwan’s entry almost certainly. Winner of the Best Director Award at the Cannes Film Festival and clearly one of the best reviewed films of the year, this martial arts epic, which is said to showcase marvelous imagery, should be consider a strong contender. I can’t see Taiwan not choosing the film, but there are still other films that could be considered. Of those the most viable, but very distant, second choice could be Tso-chi Chang's “Thanatos, Drunk,” which was awarded in Berlin and received six prizes at the Taipei Film Festival. The film revolves around to brothers in Taipei trying to find jobs.
Thailand
"Cemetery of Splendor" (รักที่ขอนแก่น)
Dir. Apichatpong Weerasethakul
Isa: The Match Factory
U.S. Distribution: Strand Releasing
Thai Release Date: Unknown
It was a great year for Thai art house cinema, which means the country has several prominent titles to choose from. Strangely enough, even when there are films with international recognition, Thailand often decides to submit a quirky romantic comedy or a random horror film. The reasons behind their selections are unknown. Still, assuming that they will pay attention to their most respected filmmakers, the number one choice should be "Cemetery of Splendor." However, Apichatpong Weerasethakul's films are not as well liked in his homeland are they are abroad, but it seems irrational for them not consider the film. It might be too abstract for AMPAS’ taste, but it’s still the most prestigious work. Other possibilities include “How to Win at Checkers (Every Time)," which is partially in English, “The Blue Hours” (Berlin’s Panorama), and Rotterdam’s “Vanishing Point.” Of course, there are scores of more commercial titles from which the committee might pick.
Turkey
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Turkish Release Date: Unknown
Last year Nuri Bilge Ceylan’s Palme d’Or-winning film “Winter Sleep” failed to receive a nomination, perhaps due to it’s length and cerebral screenplay. This year another title out of Cannes shows more promise. “Mustang” tells the story of five sisters living in a small village and subjected to the sexist prejudices of the townspeople. With extensive festival play and in the hands of Cohen Media Group - the company behind this year’s nominee “Timbuktu" - Deniz Gamze Ergüven’s film is the ideal pick. Sundance’s “Ivy” by Tolga Karaçelik, about a group of men trapped aboard a ship could definitely be a top contender. Kutlug Ataman's “Kuzu,” winner of the C.I.C.A.E. Award in Berlin’s Panorama section would be the third most likely film to represent Turkey at the Oscars. Lastly, “The Miracle,” a romantic period piece, is a large local production that could be considered, but lacks the festival exposure of the other three.
Venezuela
"Gone With the River" (Dauna, Lo que lleva el río)
Dir. Mario Crespo
Isa: Centro Nacional Autonomo de Cinematografía
U.S. Distribution: None Yet
Venezuelan Release Date: March 20, 2015
With Alberto Arvelo’s “The Liberator,” the South American nation got as close as it’s ever been to Oscar glory this year. The biopic about Simón Bolívar starring Edgar Ramírez managed to become one of the 9 shortlisted finalists out of 83 submissions. Venezuela has several options to submit for the 88th Academy Awards, but they are much smaller in magnitude on this occasion. Appearing at the NATIVe sidebar of the Berlinale, “Dauna, lo que lleva el río” or “ Gone with the River” is the most important Venezuelan film of the year and gives voice to the country’s indigenous people by telling story that rarely gets seen on screen. On the other hand, the film “3 Beauties,” about another of Venezuelan’s most well-known obsessions, beauty pageants, has received critical praise at home but it seems to be a lighter satirical comedy. Their Oscar entry could be either one of the two, but I think they will go with the more socially relevant story. A smaller film, “Espejos,” could be part of the conversation but is possibilities are very limited.
Trying to predict what a particular nation will enter is a tall order because of the numerous factors that weight in, especially when dealing with countries with a large film industry. In other cases, however, there are usually just a couple standouts that meet the standards to be submitted. Whatever the case, even with the most obvious choices there could be surprises such as Indian choosing not to submitting "The Lunchbox" or Chile choosing another film over Silva's "The Maid."
While there is no sure-fie formula to predict what films will be competing for the Best Foreign Language Film Academy Award, by looking at festivals, release dates, national awards, previous submissions, and with a hefty dose of educated speculation, I've put together a list of 35 titles that, at this point, seem like excellent choices.
Update 08/28: Several countries have announced their official submissions: Croatia ("The High Sun"), Germany ("Labyrinth of Lies"), Guatemala ("Ixcanul"), Switzerland ("Iraqi Odyssey"), and Palestine ("The Wanted 18").
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Argentine Release Date: August 13th, 2015
Coming off the success of this year’s nominee “Wild Tales,” which also did very well at the U.S. box-office for Sony Pictures Classics and became a spectacular hit back home, Argentina seems to have another strong contender this year with Pablo Trapero’s latest work “The Clan” (El Clan). Two of the director’s previous films have been submitted before (“Lion’s Den” and “Carrancho”), and this one about the Puccio family, which was criminal organization that kidnapped and murdered wealthy people, looks more than promising. “The Clan” is also produced by Almodovar’s El Deso, just as Damian Szifron’s “Tales” was. There are several other films that have enough merits to be considered, but might prove insufficient when faced with Trapero’s film. “Refugiado,” “El Patron,” “Two Shots” and, even “Jauaja,” starring Viggo Mortensen, qualify
Brazil
"The Second Mother"
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Brazilian Release Date: August 27, 2015
Undoubtedly the most awarded Brazilian film of the year is also their best bet at the Oscars. Anna Muylaert's “The Second Mother” premiered at Sundance where it won a Special Jury Prize for both of its leading actresses Regina Casé and Camila Márdila. It went on to screen in the Panorama section of the Berlinale and took home the C.I.C.A.E. Award and the Audience Award. The film tells the story of a live-in housekeeper and his daughter as they navigate the class divisions prevalent in Brazilian society. Another factor in its favor is the fact that the film has secured U.S. distribution thanks to Oscilloscope. “The Second Mother” opens in Brazil on August 27 and, in a strange turn of events, on August 28 in the U.S. While there are plenty of other great Brazilian works that qualify to be submitted, it’s unlikely that the selection committee will look elsewhere. Other films that could have a shot at being chosen are “August Winds,” “Casa Grande.” “Blue Blood,” and “White Out, Black In”
Bulgaria
"The Judgement"
Dir. Stephan Komandarev
Isa: Premium Film
U.S. Distribution: None Yet
Bulgarian Release Date: October 16, 2014
Following last year’s scandalous selection of “Bulgarian Rhapsody” over the more deserving “Viktoria,” the Eastern European country has a two-way race in which both candidates have almost equal chances at being chosen. Stephan Komandarev’s drama “The Judgement” is the larger production of the two and revolves around a desperate father trying to amend his relationship with his estrange son. At the same time the protagonist is also trying to make ends meet and decides to take on the dangerous job of smuggling illegal immigrant from Syria through a remote area of the Turkish-Greek-Bulgarian border. The other film is Kristina Grozeva & Petar Valchanov's “The Lesson,” about a devoted teacher who is faced with corrupt bureaucracy after her classroom is burglarized. Winning awards at the Sofia International Film Festival, San Sebastian, Thessaloniki, and screening at Tiff and Rotterdam, “The Lesson” should be the frontrunner. However, “The Judgement” might have the edge not only because it sports a larger budget and wider appeal, but because Komandarev is the filmmaker behind “The World is Big and Salvation Lurks Around the Corner,” which is the one Bulgarian film that has gotten the closest to Oscar glory when it was shortlisted by the Academy in 2010. Less likely to be selected but still viable possibilities are “Adultery,”"Buffer Zone," and "The Petrov File."
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
Canadian Release Date: January 30th, 2015
As of now Canada’s ideal representative would be the small, but touching, “Felix & Meir,” about a married woman from the Orthodox Jewish community who falls in love with a secular man, as way to know life beyond the restrictions of her faith. This tiny gem won the Best Canadian Feature award at last year’s Tiff and received four awards at the Whistler Film Festival including Best Film and Best Director. “Felix & Meira” was acquired by Oscilloscope for U.S. distribution and was released last April. To date it has grossed nearly $500,00, which, for a subtle and niche film like this, is a great feat. Giroux’ film should take this easily, unless the new film by Oscar-nominated director Philippe Falardeau decides to push for the opportunity. Falardeau newest film “Guibord Goes to War” (Guibord s’en va-t-en guerre) is a political dark comedy that premiered at Locarno and is scheduled to open in Canada on October 2- just two days after AMPAS’ deadline. If the distributor decides to have a one-week qualifying run ahead of the release, then it would become the new frontrunner to represent Canada. However, it’s still unknown if that is being considered or if the film will just wait till next year. Falardeau was nominated in the category for “Monsieur Lazhar” in 2012. “Chorus,” which premiered at Sundance, Berlin’s “Corbo,” Tiff’s “In Her Place,” and the “Les Loups” also qualify.
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Chilean Release Date: May 28, 2015
With Pablo Larraín’s Silver Bear-winner film, Chile has an easy choice to make. “The Club,” which was recently picked up for U.S. distribution by Music Box Films, has received universal critical acclaimed and has cemented its director as one of the most important figures in Latin American cinema. Larraín’s latest centers on a group of priests and nuns sent to a beach town to purify their sinful pasts involving everything from pedophilia to kidnapping. The only other film that truly stands a chance is Matias Lira's “El Bosque de Karadima,” which deals with similar themes regarding secrecy and crimes against children within the Catholic Church. But even if this film has been well-received at home, “The Club” has had more much more international visibility and it has the distinction of being the newest work from the director behind “No,” Chile’s only Oscar-nominated film to date. Other notable works that will be part of the conversation include historical drama “Allende en su Laberinto” by veteran director Miguel Littin, Rodrigo Sepúlveda’s touching “Aurora," and indie flick “La Voz en Off.”
China
"Mountains May Depart" (山河故人)
Dir. Zhangke Jia
Isa: MK2
U.S. Distribution: Kino Lorber
Chinese Release Date: Unknown
Censorship has always played a role in China’s decision-making process when it comes to their Oscar submissions. Some of the best Chinese films in recent years are never considered given their controversial topics or because they were made outside of the state-run system. Under this circumstances patriotic epics or lavish period dramas are often selected even when their quality is subpar. The country’s big production this year is “The Lady of the Dynasty,” which was a box-office disappointment and garnered mostly negative reviews locally. With this in mind, the hope is that they will finally look at more compelling films with greater international exposure, such as Jia Zhangke’s “Mountains May Depart.” Premiering at Cannes to mostly positive responses, the film looks at Chinese society from three perspectives scattered over three decades. The film has passed the censors' revisions and will be allowed to screen in mainland Chine, which means it’s possible one of Zhangke’s film might finally represent his homeland. His previous effort, “A Touch of Sin,” was ignored because of its thematic elements. Jean-Jacques Annaud’s stunning “Wolf Totem” is a close second choice, but given the fact that China submitted a film by a French director last, they might want to highlight a homegrown talent this time. There is also “Red Amnesia,” a thriller about a widow that compulsively needs to take careof those around her until strange incidents shake her life. Er Cheng’s “The Wasted Times,” which appears to be a delirious visual treat, but it opens just a few days after the September 30th deadline. A qualifying run prior to that date is possible, but not likely. “Mountains May Depart” is definitely the strongest candidate.
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Colombian Release Date: May 25th, 2015
The Colombian film industry has had an outstanding year and that has produced an impressive lineup of films from which their strongest Oscar entry to date will emerge. Three films that screened at the Cannes Film Festival - two of which earned prizes – are at the top of the list. Winning the Art Cinema Award at the Directors’ Fortnight Ciro Guerra’s black-and-white “Embrace of the Serpent” is the one to beat among these trio of art house wonders. Guerra’s film is a period piece about the clash between the native people of the Amazon and a European explorer, which has received stellar reviews and was picked up for U.S. distribution by Oscilloscope. Two of Guerra’s previous films, “Wandering Shadows” and “The Wind Journey,” also represented Colombia at the Academy Awards. Nevertheless, the other films that screen at the Croisette, Golden Camera-winner “Land and Shade” and war drama “Alias Maria,” shouldn’t be completely counted out of the running. Films like Franco Lolli's “Gente de Bien” (Cannes 2014), Josef Wladyka's “Manos Sucias,” "Todos Se Van," and “Ruido Rosa” qualify and testify of the great moment Colombian filmmaking is experiencing, but they will have a difficult time pulling off an upset.
Croatia
"The High Sun" (Zvizdan)
Dir. Dalibor Matanic
Isa: Cercamon
U.S. Distribution: None Yet
Croatian Release Date: Septemeber 2015
It’s not often that a Croatian feature manage to grab Cannes’ attention and take home a prestigious award like the Un Certain Regard Jury Prize. “The High Sun” achieved such feat and should be almost a lock to become the country’s Oscar entry. This intense drama, that expands over three decades and explores the Balkan region’s turbulent history, also won 7 awards at the Pula Film Festival including Best Film, Director, Leading Actress, Supporting Actor, and Supporting Actress. If there’s another film with a reasonable shot, it would be Ognjen Svilicic's “These Are the Rules” about a family questioning their moral compass after a violent incident, which did well in the festival circuit winning awards in Venice, Warsaw, Stockholm, and Pula. Svilicic’s 2007 feature “Armin” represented the country at the 80th Academy Awards. “The Bridge at the End of the World,” “Ungiven,” “The Reaper,” “Number 55” are other noteworthy Croatian films released during the past year, but Matanic’s highly praised wok should have no trouble becoming the official entry.
Dominican Republic
"Sand Dollar" (Dólares de Arena)
Dir. Israel Cárdenas & Laura Amelia Guzmán
Isa: FIGa Films
U.S. Distribution: Breaking Glass Pictures
Dominican Release Date: November 13th, 2014
Thanks to a growing film industry, Dominican films have participated every year starting in 2011 after being absent from the race since 1995. Their submissions have included romantic comedies and low-budget crime dramas that weren’t successful at getting AMPAS’ attention. Fortunately, this year they might have their strongest candidate yet with “Sand Dollars.” In Israel Cárdenas & Laura Amelia Guzmán's film starring Geraldine Chaplin, a local girl becomes the object of desire for an older French woman visiting the Caribbean country, influenced by her boyfriend the Dominican beauty decides to take advantage of the foreigner’s interest. “Sand Dollars” has screened at countless festivals around the world winning a handful of awards and has secured U.S. distribution. Guillermo Zouain's road-trip comedy “Algún Lugar” has also been well-received at a couple of international festivals, but is less likely to be picked. “Pueto Pa’ Mí,” a drama about urban music, documentary “Tu y Yo," and biopic “Maria Montez,” might be out of luck. It’s unclear if Agliberto Meléndez political film “Del Color de La Noche,” has premiered yet, so that could a contender next year given that the director was behind the country’s first ever Oscar submission.
Ethiopia
"Lamb"
Dir. Yared Zeleke
Isa: Films Distribution
U.S. Distribution: None Yet
Ethiopian Release Date: Unknown
The East African nation has only sent two films for consideration. Last year it was the Angeline Jolie-supported “Difret,” which was part of the World Cinema competition at the 2014 Sundance Film Festival. This year only two films seem to qualify. “Lamb” is the first-ever Ethiopian film to screen at Cannes, which makes it the unquestionable favorite. It’s a rural story about a boy and his beloved sheep moving in with relatives as his mother goes to work in the city. Reviews were positive praising the film’s cinematography and layered storytelling. The other film that could possibly be selected is Hermon Hailay’s “Prince of Love” about a prostitute and a cab driver struggling to get by in the capital city of Addis Ababa. “Prince of Love” represented the country at Fespaco, one of Africa’s most renowned festivals, and will screen at Tiff in September. Ethiopia might choose to send “Lamb” this time around and save Hailay’s feature for next year depending on release date.
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish Release Date: March 13th, 2015
Peculiar teen drama “They Have Escaped” won four Jussi Awards from the Finnish Academy earlier this year including Best Film and Best Director; however, it will probably face an uphill battle to become Finland’s Oscar entry. Instead, Estonian-language period piece, “The Fencer,” looks like a more feasible alternative because of its classic story, elegant cinematography, and the director behind it: Klaus Härö. The film tells the story of a young Estonian fencer who leaves his homeland to become a Pe teacher and escape persecution by the Russian authorities in the 1950s. Some critics have gone as far as to call it “the best Finnish film in a decade.” Three of Härö’s previous films (“Elina: As If I Wasn’t There,””Mother of Mine, “ and Letter to Father Jacob) were selected as Oscar entries. The only obstacle in its path is the fact that this is an Estonian story with mostly Estonian dialogue. If the selection committee can overlook that, this will be their pick. Antti Jokinen's “Wildeye,” a visually arresting war drama that opens in September is another strong option, particularly because Jokinen’s previous film, “Purge,” represent the country in 2013. “Absolution,” “Head First,” ”Homecoming,” and “Tsamo” are proof a strong year in Finnish cinema but won’t make the cut.
France
"Dheepan"
Dir. Jacques Audiard
Isa: Wild Bunch
U.S. Distribution: Sundance Selects
French Release Date: August 26th, 2015
Given the amount of films produced in France each year, this is the most difficult country to narrow down. However, this year there is a heavyweight contender among the scores of worthy productions. Surprise Palme d’Or-winner “Deephan” by the Academy Award-nominated director of “A Prophet," Jacques Audiard, is a clear favorite. Audiard is a legend and it’s hard to think France won’t support the film that took home one of cinema’s most coveted prizes. Following the relevant immigrant story of a Sri Lankan warrior in France, “Dheepan” is almost a safe bet. If for some unimaginable reason Audiard’s latest is not chosen, the most likely alternative would be well-received “My Golden Days” by Arnaud Desplechin, which has been picked up for U.S. distribution by Magnolia Pictures. While there are dozens of films that could be considered, here are some other important French films that qualify based on their release dates: “Girlhood,” “Standing Tall,” “The Measure of Man,” “The New Girlfriend,” “Valley of Love,” “Eden,”"The Connection."
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
German Release Date: November 6th, 2014
After an 8-film shortlist was released, - which sadly doesn’t include “Phoenix” because it opened late last September – things look pretty clear for the German selection committee. It’s really a 3-film race between “13 Minutes,” Labyrinth of Lies,” and “Victoria.” Unfortunately, and despite incredibly positive reviews, Sebastian Schipper's “Victoria” might be considered a risky choice because a big part of it is in English. That leaves Oliver Hirschbiegel’s “13 Minutes,” about a man who tried to assassinate Hitler in 1939. On the surface this looks like the prime title to send to AMPAS since Hirschbiegel’s “Downfall” earned him a nomination and he has worked in Hollywood for several years now. Yet, reception wasn’t as warm for his first German film in a decade. On the other “Labyrinth of Lies,” which deals with Post-World War II Germany and how the government tried to cover up its recent Nazi past, had better luck. Critical reception has been better for this film and it was a financial success in Germany and France, which gives the edge. Both “13 Minutes” and “Labyrinth of Lies” were acquired by Sony Pictures Classics for U.S. distribution. The complete list of shortlisted films can be found Here
Greece
"Xenia" (Ξενία)
Dir. Panos H. Koutras
Isa: Pyramide International
U.S. Distribution: Strand Releasing
Greek Release Date: October 2nd, 2014
Although it’s not an official rule, Greece almost-automatically selects the winner of the Best Film Prize at the Hellenic Film Awards as their Oscar submissions. This year’s winner was the Lgbt dramedy “Xenia,” which follows two Albanian brothers searching for their Greek father after their mother’s death. The film was nominated for 15 Hellenic Film Awards and won a total of six. “Xenia” premiered in the Un Certain Regard section at the Cannes Film Festival and will be released in the U.S. in October by Strand Releasing. I can’t see any other film being selected other than Koutras’ Almodovar-infused film, but if that were the case the other Best Film nominees – that meet AMPAS requirements- would be the ones to look to: “Electra,” “A Blast,” and “Forever.”
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Guatemalan Release Date: August 27th, 2015
This is a no-brainer. Guatemala has only sent a film once back in 1994, but this year director Jayro Bustamante delivered the most awarded Guatemalan film in history. That should be a good enough reason to enter the race once again. “Ixcanul” won the Alfred Bauer Award at the Berlinale and has screened across the world to great success. Bustamante’s film centers on a Mayan girl who wants to escape the arrange marriage that awaits her to see what’s beyond her village. Another Guatemalan film, which also screened in Berlin, Edgar Sajcabún's “La Casa Más Grande del Mundo,” will probably not open theatrically in time and should be considered next year.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
Icelandic Release Date: May 28th, 2015
Two middle-aged brothers in an Icelandic rural town leave their differences behind and come together to save their beloved farm animals in the Un Certain Regard Award-winner “Rams.” With such recognition under its belt and having just been picked for U.S. distribution by Cohen Media Group, Grímur Hákonarson's film is certainly the handsomest choice. Still, “Rams” is not without a strong rival. Crowd-pleaser “Virgin Mountain,” about a lonely man whose life changes when he meets a new friend, had its U.S. premiere at the Tribecca Film Festival where it won three awards: Best Narrative Feature, Best Actor, and Best Screenplay. It could go either way, but the Cannes prestige and having found a U.S. distributor give “Rams” the upper hand. Iceland produced several qualifying features this year including “Brave Men’s Blood,” “East of the Mountain, “ and “The Homecoming.”
Iran
"Muhammad: The Messenger of God"
Dir. Majid Majidi
PC: Nourtaban Film Industry
U.S. Distribution: None Yet
Iranian Release Date: August 26, 2015
Iran will have to make an incredibly difficult decision that unfortunately may have political repercussions. Majid Majidi’s latest film “Muhammad: The Messenger of God” is the most expense Iranian feature ever made. The historical epic brings to life the early years of the prophet's life with impressive locations, costumes, and cinematography courtesy of Three-time Oscar-winner Vittorio Storaro. Majidi himself is no stranger to the Academy having earned Iran’s first-ever Academy Award nomination with “Children of Heaven.” Taking these facts into consideration, “Muhammad” seems to be the obvious selection, but there are many religious and political concerns that could get in its way. Islam prohibits the depiction of the prophet and other sacred figures in any artistic work. Knowing this, Majidi shot the entire film - which is the first part in what’s to become a trilogy – without ever showing the prophet’s face by shooting most scenes from his point of view or showing him with his back to the camera. This was acceptable for Iran’s censors, as the film will open this week in theaters across the Middle Eastern country. However, other Muslim countries, particularly Sunni Muslims, have been outspoken about their discontent with the film. Whether Iran will still choose to submit the film to AMPAS is a mystery, but it will certainly have more to do with outside influences rather than artistic merit. “Muhammad” will have its North American premiere at the Montreal World Film Festival.
“Nahid” by Ida Panahandeh, about a woman’s journey from divorce to remarrying, won the Avenir Prize in the Un Certain Regard section at Cannes, but - although censors have said the film will be allowed the screen in Iran - it might not open theatrically in time. It also deals with a controversial subject and that might limit it chances. A third, and much safer option, is romantic drama “What’s the Time in Your World?” starring Leila Hatami (“A Speration”) and Ali Mosaffa (“The Past”). Directed by Safi Yazdanian, the film looks beautifully done and sports two of the most talented Iranian actors working today. It could definitely be a good alternative. Other films include “Borderless,” “Track 143,” "Tales” and “Confessions of a Dangerous Mind.” Perhaps Iran will ignore the risk and submit their most lavish film to date by one of their most celebrated filmmakers who still works within the state’s parameters.
Israel
"The Kind Words" (Ha'milim ha'tovot )
Dir. Shemi Zarhin
Isa: Beta Cinema
U.S. Distribution: None Yet
Israeli Release Date: May 28, 2015
With 12 nominations to Israel’s Ophir Awards, “The Kind Words” including Best Film, Best Director, Best Screenplay, Best Actor, and Best Actress Shem Zarhin’s film is the one to beat. Since the winner of the Ophir Award for Best Film automatically becomes Israel’s Oscar submission, “The Kind Words” has a strong shot at both honors. The film follows a group of siblings as they travel abroad to uncover a secret. By default the other contenders are the rest of the films nominated for Best Film: “Wounded Land,” ”Afterthought,” “Wedding Doll,” and “Baba Joon.” Of this Elad Keidan's “Afterthought,” which premiered at Cannes to positive reviews, and Erez Tadmor's intense drama “Wounded Land” appear to be the strongest alternatives. Despite being nominated several times Israel has never won the Best Foreign Language Film Academy Award.
Italy
"My Mother" (Mia Madre)
Dir. Nanni Moretti
Isa: Films Distribution
U.S. Distribution: Alchemy
Italian Release Date: April 16th, 2015
Nanni Moretti is back with “Mia Madre,” a new family drama that screened in competition at this year’s Cannes Film Festival and won a few awards at the Italian David di Donatello Awards. Since the big winner at the national awards, “Black Souls,” was considered last year, Moretti’s film is the frontrunner. However, there is a wild card that could change things. Veteran filmmaker Marco Bellocchio will release his newest work “Blood of My Blood,” a historical drama about a 17th century woman accused of being a witch, on September 9 - just in time to qualify. It’s likely that Moretti will have enough support to pull it off, but there is still a chance that might not be set in stone. Besides these two films there is Mario Martone’s “Leopardi,” a biopic about poet Giacomo Leopardi, which won several David di Donatello Awards and was also recognized in Venice. With even less possibilities are Sundance’s “Cloro,” “Greenery Will Bloom Again,” and Albanian-language “Sworn Virgin,”
Ivory Coast
"Run"
Dir. Philippe Lacôte
PC: Banshee Films
U.S. Distribution: None Yet
Ivorian Release Date: December 17th, 2014
The first and only time a film represent Ivory Coast at the Oscars was back in 1977. That film, “Black and White in Color,” won the first and only Academy Award attributed to a Sub-Saharan African country. Nevertheless, that landmark work was directed by a Frenchmen, Jean-Jacques Annaud, and had mostly French talent in the leading roles. Now, almost 40 years later, an actual Ivorian film looks presents a fantastic opportunity for the country to return to the race. Philippe Lacote’s political drama “Run” screened in the Un Certain Regard section in Cannes 2014, Tiff, and AFI Fest, and later opened commercially in Abidjan, the Ivorian Capital, and Paris. Ivory Coast has only one eligible film to submit as their Oscar entry, and fortunately it’s a good one.
Japan
"Our Little Sister" (海街 diary)
Dir. Hirokazu Koreeda
Isa: Wild Bunch
U.S. Distribution: Sony Pictures Classics
Japanese Release Date: June 13th, 2015
Japan hasn’t had a successful entry since unexpectedly winning the award in 2009 with “Departures.” Their selections are often baffling because they tend to ignore festival winners and critically acclaimed films to pick obscure titles that rarely connect with voters. In recent years outstanding films such as “Like Father, Like Son” have been overlooked. Having said this, one can only hope that this time around they will chose more wisely. This year another film by Hirokazu Koreeda, “Our Little Sister,” debuted at Cannes and has been picked up for U.S. distribution by Sony Pictures Classic – a powerhouse distributor in the Best Foreign Language Film race. Based on a manga series, the film revolves around a group of young women who decide to adopt their stepsister after their father dies. “Our Little Sister” was also a financial success in its homeland. Even with all these positive qualities on its side, Japan might refuse to submit Koreeda’s film and look elsewhere. Other options from the festival circuit include Naomi Kawase's “An- Sweet Red Bean Paste,” which less positive reviews; “Journey to the Shore,” though it opens on October 1; “Kabukicho Love Hotel,” which screened at Tiff last year, and “Cape Nostalgia.”
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Jordanian Release Date: March 19th, 2015
In 2008 Jordan submitted their first-ever Oscar submission, and the first feature film made in the country in half a century. That film, “Captain Abu Raed,” did very well in festivals like Sundance and Dubai. Since then, Jordanian cinema has been scarce forcing the country to be absent from the race. That could change this year with “Theeb” by UK-born filmmaker Naji Abu Nowar. His period piece about a Bedouin boy during World War I has played at numerous festivals and will have a U.S. theatrical release via Film Movement.
Lithuania
"The Summer of Sangailé" (Sangaile)
Dir. Alanté Kavaïté
Isa: Films Distribution
U.S. Distribution: Strand Releasing
Lithuanian Release Date: August 21st, 2015
The Sundance Film Festival screened its first-ever Lithuanian feature this past January, “The Summer of Sangailé” by Alanté Kavaïté. This Lgbt coming-of-age story showcases captivating cinematography and nuanced performances. “Sangailé” went on to win the Directing Award in the World Cinema Competition at the Park City festival. It will also become one of the very few Lithuanian films to have been distributed in the U.S. when Strand Releasing schedules its theatrical release. Being the most awarded narrative film from the Baltic nation, it should be a shoo-in. "Sangailé" also won three Silver Crane Awards (Lithuanian Oscars): Best Film, Best Actress for Julija Steponaityte and best set design for Ramunas Rastauskas. Its only realistic adversary is the documentary “Master and Tatyana,” which won the Best Documentary, Best Director, and Best Cinematography prizes at the Silver Crane. Lithuania has shown to be fond of submitting documentaries, but one could presume that “Sangaile’s” wider international appeal will help it succeed.
Mexico
"The Thin Yellow Line" (La Delgada Línea Amarilla)
Dir. Celso R. García
Isa: Latido Films
U.S. Distribution: None Yet
Mexican Release Date: Unknown
Among the 14 films that the Mexican Academy announced as candidates to become the official Oscar submission, only a handful of them have a real chance at representing Mexico. It’s really a three-way race between “600 Miles,” “La Tirisia,” and “The Thin Yellow Line.” Each of these has distinctive assets as well as factors that could play against them. Gabriel Ripstein's “600 Miles” stars Tim Roth, which could be beneficial because Academy voters would see a familiar face on screen. At the same time Roth’s participation means that there is a considerable amount of English dialogue that could make the film feel less authentic when considered as a “foreign language film” representing a country. Then there is Jorge Pérez Solano's art house marvel, “La Tirisia,” about the role of women in a very traditional Mexican community. This is a film that truly showcases an unseen aspect of Mexican culture and has garnered international recognition, but it might be too small in scope to be selected.
Lastly, “The Yellow Thin Line,” which was awarded at the Guadalajara Film Festival but hasn’t travel much. It will screen at the Chicago International Film Festival in October. “The Thin Yellow Line” tells the story of a group of men working on a deserted road as they are forced to come to terms with their yearnings and failures. The premise seems unique; the cast includes some of Mexico’s most recognizable talents, and it’s partly produced my Guillermo del Toro. That last fact is what could set the film apart from the rest because the general public and Academy voters will be intrigued to see what was it about this story that interested Del Toro, who hasn’t been involved in a Mexican project in several years. It’s a tough race, but having someone like the “Pan’s Labyrinth’s” director supporting the film could be a deal breaker.
Peru
"The Vanished Elephant" (El Elefante Desaparecido)
Dir. Javier Fuentes-León
Isa: Mundial
U.S. Distribution: Oscilloscope Laboratories
Peruvian Release Date: October 9th, 2015
Javier Fuentes-Leon’s “The Vanished Elephant” premiered at last year’s Tiff and was also part of this year’s Los Angeles Film Festival making it the highest profile Peruvian film of the year. At home, the critical response was very positive and the quality of the film, in comparison to other Peruvian works released in the last 12 months, is undeniable. “The Vanished Elephant” tells the cryptic story of a writer whose girlfriend disappears without a trace. After receiving a series of strange photographs, he delves into deceitful conspiracy that defies the lines between reality and fiction. Fuentes-Leon debut feature “Undertow” was submitted to the Academy back in 2010. Enrica Perez’ “Climas” about three Peruvian women from different walks of life and Héctor Gálvez forensic mystery “Nn” have both screened at several international festivals, and though they are much smaller film’s than “The Vanished Elephant,”either of them could be the next best choice to become Peru’s Oscar entry. Less likely titles include “Videophilia,” “Solos,” and historical drama “Gloria del Pacífico.”
The Philippines
"Trap" (Taklub)
Dir. Brillante Mendoza
Isa: Films Distribution
U.S. Distribution: None Yet
Filipino Release Date: Unknown
Brillante Mendoza is one the Philippines most acclaimed auteurs and yet none of his films have ever been selected to represent the Southeast Asian nation at the Oscars. His latest work, “Trap,” won Special Mention from the Ecumenical Jury at Cannes and it’s the prime contender to travel to L.A. this year. “Trap” follows a group of survivors soon after Typhoon Haiyan devastated a great part of the country. The film stars Filipino actress Nora Aunor, who also the lead in Mendoza’s “Thy Womb,” which was the Filipino entry at the Golden Globes a couple years back. Given that Mendoza’s work has never been selected, there is a chance he might miss out once more. If that happens, the film that could benefit is Paul Soriano's Manny Pacquiao biopic titled “Kid Kulafo,” which would evidently ring a bell with Americans. Other films to be considered include “Justice,” also starring Aunor, “Crocodile,” or even lighthearted comedy “English Only, Please.”
Russia
"Sunstroke"
Dir. Nikita Mikhalkov
Isa: Wild Bunch
U.S. Distribution: None Yet
Russian Release Date: October 4th, 2014
Even after winning the Golden Globe and being nominated for an Academy Awards, Andrey Zvyagintsev “Leviathan” couldn’t get the Best Film award from the Russian Academy. Instead, they decided to bestow that honor on veteran filmmaker Nikita Mikhalkov's period piece "Sunstroke.” This is the type of film that Russia loves to submit: patriotic, historical, and epic. Even though last year the Russian selection committee showed they could overlook their political agenda to ensure the best film represented the country, this year they will go back to their old ways. This is not to say “Sunstroke” is a bad film, as hardly anyone outside of Russia has seen, but it does mean that other more daring offers like Yuriy Bykov's festival darling “The Fool” and Aleksey German's “Under Electric Clouds" have little hope at becoming the country’s entry and getting the exposure that comes with it. Mikhalkov won the Oscar in for “Burnt by the Sun” in 1995 and was nominated again for "12" in 2008, which means he will be hard to beat this year. "The Fool" would be a much more interesting selection but its story about a regular citizen fighting the corrupt system might prove too controversial. There is also another war epic titled "Batalion" by Dmitriy Meskhiev, which could pull off a surprise.
Serbia
"Enclave" (Enklava)
Dir. Goran Radovanovic
PC: Nana Filam
U.S. Distribution: None Yet
Serbian Eelease Date: March 19, 2015
Serbia’s 6-film shortlist includes worlds that deal with a variety of subjects, from the recurrent tales of war and its aftermath, triumphant sports stories, and even the peculiar case of a boy who grew up wild in the woods. Of all these possibilities, the film that seems to have the most gravitas is Goran Radovanovic's “Enclave,” a film about the ethnic divide in Kosovo and the atrocities that perpetuates. This is definitely not the film with the most international exposure, but the story might be enough to warrant its submission. Films that deal with similar issues like, “Circles,” have been previous selected. But the Serbian committee wants to stay away from both war and sports dramas, they might go with Vuk Rsumovic “No One’s Child” which did very well at a few festivals including Venice and Palm Springs. It could either way. Original comedy "Monument to Michael Jackson" could also be a more lighthearted choice. The shortlist is completed by "We Will Be the World Champions"," The Man Who Defended Gavrilo Princip," and "The Disobedient" (Sundance 2014).
Spain
"Ma Ma"
Dir. Julio Medem
Isa: Seville International
U.S. Distribution: None Yet
Spanish Release Date: September 11, 2015
For a long time I had hope that Spain would find a loophole and submit their most honored film at this year’s Goya Awards, “Marshland” (La Isla Minima), but that seems like a farfetched hope now. Luckily, another film that looks like a winner will be released just in time. “Ma Ma” directed by Julio Medem and starring Academy Award-winner Penelope Cruz has Oscar written all over it. Cruz plays a mother diagnosed with cancer and whose ferocious battle with the disease will reinvigorate her love for life. The actress also served as a producer in what has become one of the most anticipated films of the year. The only films that could challenge are coming-of-ager “A Cambio de Nada” and Basque-language drama “Loreak.” The former appears to be feel-good story that might seem slight in comparison to both “Ma Ma” and “Loreak,” which deals with a woman who starts receiving flowers from a mysterious sender. “Magical Girl” is a brilliantly twisty film, but being so edgy it will probably be considered to risky for the Oscar race. Penelope Cruz’ star power will decide this race.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
Swedish Release Date: November 14th, 2014
The two previous chapters sin Andersson’s trilogy about being human were submitted to AMPAS, and even if they didn’t get a nomination, it’s hard to imagine them not submitting “A Pigeon.” The film has been critically acclaimed and it won the Golden Lion at last year’s Venice Film festival. Furthermore, it has already been released in the U.S. by Magnolia, the company that handled last year’s Swedish submission, “Force Majeure.” While I’d love to see Andersson be selected, there are several other films that could prevent that from happening. Kay Pollack, who earned Sweden’s most recent nomination for “As It Is in Heaven,” has a new film opening in early September titled “Heaven on Earth.” Depending on how that film is received the tables may or may not turn. The third strongest option is the romantic costume drama “Gentlemen,” which won several awards from the Swedish Academy and has already been picked up for U.S. distribution by, of course, Magnolia. Smaller, yet worthy candidates, include “My Skinny Sister” and “Flocking,” both of which premiered in Berlin.
Switzerland
"Vanity" (La Vanité)
Dir. Lionel Baier
Isa: Wide
U.S. Distribution: None Yet
Swiss Release Date: September 2, 2015
Out of the 7 films shortlisted by the Swiss, the one that immediately stands out is dark comedy “Vanity.” The film just premiered at Locarno and it stars Spanish actress, and one of Almodovar’s favorites, Carmen Maura, as well as Patrick Lapp. Although the film deals with suicide, the approach seems to be very comedic. In a list of several obscure titles, “Vanity” should come out on top. A second option could be Stina Werenfels' “Dora or the Sexual Neuroses of Our Parents,” which screened in Berlin’s Panorama section and tells the story of a mentally disabled woman discovering her sexuality. “War” by Simon Jaquemet, about a rebellious teenager, had some festival play as well but is less likely to be chosen. The other four titles in the shortlist are: “Pause,” doc “Iraqi Odyssey,” “Chubby,” and “L’oasis des mendiants.”
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Taiwanese Release Date: August 28th, 2015
There is really no race here. “The Assassin” will be Taiwan’s entry almost certainly. Winner of the Best Director Award at the Cannes Film Festival and clearly one of the best reviewed films of the year, this martial arts epic, which is said to showcase marvelous imagery, should be consider a strong contender. I can’t see Taiwan not choosing the film, but there are still other films that could be considered. Of those the most viable, but very distant, second choice could be Tso-chi Chang's “Thanatos, Drunk,” which was awarded in Berlin and received six prizes at the Taipei Film Festival. The film revolves around to brothers in Taipei trying to find jobs.
Thailand
"Cemetery of Splendor" (รักที่ขอนแก่น)
Dir. Apichatpong Weerasethakul
Isa: The Match Factory
U.S. Distribution: Strand Releasing
Thai Release Date: Unknown
It was a great year for Thai art house cinema, which means the country has several prominent titles to choose from. Strangely enough, even when there are films with international recognition, Thailand often decides to submit a quirky romantic comedy or a random horror film. The reasons behind their selections are unknown. Still, assuming that they will pay attention to their most respected filmmakers, the number one choice should be "Cemetery of Splendor." However, Apichatpong Weerasethakul's films are not as well liked in his homeland are they are abroad, but it seems irrational for them not consider the film. It might be too abstract for AMPAS’ taste, but it’s still the most prestigious work. Other possibilities include “How to Win at Checkers (Every Time)," which is partially in English, “The Blue Hours” (Berlin’s Panorama), and Rotterdam’s “Vanishing Point.” Of course, there are scores of more commercial titles from which the committee might pick.
Turkey
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Turkish Release Date: Unknown
Last year Nuri Bilge Ceylan’s Palme d’Or-winning film “Winter Sleep” failed to receive a nomination, perhaps due to it’s length and cerebral screenplay. This year another title out of Cannes shows more promise. “Mustang” tells the story of five sisters living in a small village and subjected to the sexist prejudices of the townspeople. With extensive festival play and in the hands of Cohen Media Group - the company behind this year’s nominee “Timbuktu" - Deniz Gamze Ergüven’s film is the ideal pick. Sundance’s “Ivy” by Tolga Karaçelik, about a group of men trapped aboard a ship could definitely be a top contender. Kutlug Ataman's “Kuzu,” winner of the C.I.C.A.E. Award in Berlin’s Panorama section would be the third most likely film to represent Turkey at the Oscars. Lastly, “The Miracle,” a romantic period piece, is a large local production that could be considered, but lacks the festival exposure of the other three.
Venezuela
"Gone With the River" (Dauna, Lo que lleva el río)
Dir. Mario Crespo
Isa: Centro Nacional Autonomo de Cinematografía
U.S. Distribution: None Yet
Venezuelan Release Date: March 20, 2015
With Alberto Arvelo’s “The Liberator,” the South American nation got as close as it’s ever been to Oscar glory this year. The biopic about Simón Bolívar starring Edgar Ramírez managed to become one of the 9 shortlisted finalists out of 83 submissions. Venezuela has several options to submit for the 88th Academy Awards, but they are much smaller in magnitude on this occasion. Appearing at the NATIVe sidebar of the Berlinale, “Dauna, lo que lleva el río” or “ Gone with the River” is the most important Venezuelan film of the year and gives voice to the country’s indigenous people by telling story that rarely gets seen on screen. On the other hand, the film “3 Beauties,” about another of Venezuelan’s most well-known obsessions, beauty pageants, has received critical praise at home but it seems to be a lighter satirical comedy. Their Oscar entry could be either one of the two, but I think they will go with the more socially relevant story. A smaller film, “Espejos,” could be part of the conversation but is possibilities are very limited.
- 8/26/2015
- by Carlos Aguilar
- Sydney's Buzz
Steve Aoki’s third studio album, Neon Future II, brings listeners on a cinematic journey with a dark twist. It’s the sequel to his previous release, Neon Future, and features a star-studded list of artists like Linkin Park, Nervo, and Snoop Lion. In contrast to its predecessor, this album’s sound is more emotion-driven and dives deeper into the concept of futurism. Embracing the idea of various genres coming together, Aoki combines electro bangers with country, pop and rock influences. While the jumping across genres can cause a disconnect, all of the tracks here are united by the album’s theme – by means of darker tones, voiceovers and sounds that you might expect to hear in the future.
Much like the beginning of a science fiction flick, a robotic voice briefly introduces the Neon Future concept. As if we were opening a “Time Capsule” as the track’s title suggests,...
Much like the beginning of a science fiction flick, a robotic voice briefly introduces the Neon Future concept. As if we were opening a “Time Capsule” as the track’s title suggests,...
- 5/12/2015
- by Krista De Leon
- We Got This Covered
Fifty Shades of Grey star Dakota Johnson tagged along for a newly single ladies vacation with her mom Melanie Griffith and Kris Jenner.
The gals jetted off to Spring Break capital Cancun, Mexico for a beautiful getaway. While Dakota didn't make mention of the trip (though she was spotted by photographers), her 57-year-old mom Melanie and 59-year-old momager Kris posted vacay pics on Instagram.
Photos: Inside a Kardashian-Jenner Family Vacation
"Heaven on earth," Melanie described the scenery.
Kris added: "Sunset vibes with @melanie_griffith57 #amazing #blessed #beautiful #friendship."
Doting on her friend a bit, Melanie -- who recently separated from her husband Antonio Banderas -- posted a pic of the Keeping Up with the Kardashians matriarch, writing: "My beautiful friend @krisjenner."
News: Dakota Johnson's Tense Fifty Shades of Grey Convo with Mom Melanie Griffith Turns Painful
Dakota, 25, must have insisted on no photos as she's not seen in any of the vacation pics posted.
But before...
The gals jetted off to Spring Break capital Cancun, Mexico for a beautiful getaway. While Dakota didn't make mention of the trip (though she was spotted by photographers), her 57-year-old mom Melanie and 59-year-old momager Kris posted vacay pics on Instagram.
Photos: Inside a Kardashian-Jenner Family Vacation
"Heaven on earth," Melanie described the scenery.
Kris added: "Sunset vibes with @melanie_griffith57 #amazing #blessed #beautiful #friendship."
Doting on her friend a bit, Melanie -- who recently separated from her husband Antonio Banderas -- posted a pic of the Keeping Up with the Kardashians matriarch, writing: "My beautiful friend @krisjenner."
News: Dakota Johnson's Tense Fifty Shades of Grey Convo with Mom Melanie Griffith Turns Painful
Dakota, 25, must have insisted on no photos as she's not seen in any of the vacation pics posted.
But before...
- 3/19/2015
- Entertainment Tonight
Nothing like a little fun in the sun without any distraction from those silly men. Just days after returning from a trip to Paris Fashion Week, where Kendall Jenner rocked a number of runways, Kris Jenner jetted off to Cancun, Mexico, for a ladies' getaway with Melanie Griffith and Dakota Johnson. "Sunset vibes with @melanie_griffith57 #amazing#blessed #beautiful #friendship," Kris captioned a photo of herself and Griffith on the water, the picture-perfect horizon stretched out behind them. "My beautiful friend @krisjenner," Griffith returned the favor, sharing a snapshot of a relaxed-looking Kris. "Heaven on earth," the actress also...
- 3/19/2015
- E! Online
Where the heck has this gal been? Former soap queen and Broadway baby Catherine Hickland hasn't been seen on our TV screens since One Life to Live ended its run on ABC three years ago — and that's fine by her! The much-missed, eternally effervescent beauty is fully busy these days as a cosmetics mogul, life coach, motivational speaker and hypnotherapist. She's now married to producer Todd Fisher, son of Debbie Reynolds and the late Eddie Fisher. (Yep, that makes her Princess Leia's sister-in-law!). And she has joined forces with 99-year-old wunderkind writer Fern Underwood on the just-published Cat and Fern's Excellent God Adventure: Daily Inspirations for 365 Days of Heaven on Earth. Co-written by bestselling author and soap scribe Lindsay Harrison (The Young and the Restless, Venice) and with a forward by Reynolds, the book is available through both Amazon.com and catandfern.com. TV Guide Magazine sat down with Hickland...
- 12/22/2014
- by Michael Logan
- TVGuide - Breaking News
Where the heck has this gal been? Former soap queen and Broadway baby Catherine Hickland hasn't been seen on our TV screens since One Life to Live ended its run on ABC three years ago — and that's fine by her! The much-missed, eternally effervescent beauty is fully busy these days as a cosmetics mogul, life coach, motivational speaker and hypnotherapist. She's now married to producer Todd Fisher, son of Debbie Reynolds and the late Eddie Fisher. (Yep, that makes her Princess Leia's sister-in-law!). And she has joined forces with 99-year-old wunderkind writer Fern Underwood on the just-published Cat and Fern's Excellent God Adventure: Daily Inspirations for 365 Days of Heaven on Earth. Co-written by bestselling author and soap scribe Lindsay Harrison (The Young and the Restless, Venice) and with a forward by Reynolds, the book is available through both Amazon.com and catandfern.com. TV Guide Magazine sat down with Hickland...
- 12/22/2014
- by Michael Logan
- TVGuide - Breaking News
Karina Smirnoff has traveled the world as part of her lengthy dancing career, but the Dancing With the Stars pro tells Us Weekly she'd go back to Phuket, Thailand, in a heartbeat if the trip could echo one of her most memorable vacations to the locale. "I'll never forget my vacation there," Smirnoff told Us Weekly at the May red carpet premiere of Million Dollar Arm in Hollywood. "I still believe it's paradise—Heaven on Earth." Why was the locale perfect for the dance pro? "The water is [...]...
- 5/19/2014
- Us Weekly
Birthday shoutouts go to Henry Cavill (above), who is 31, Adele is 26, and Kyan Douglas is 44.
Demi Lovato To Rock Gay Pride Events in L.A., New York
Michael Alig was released from prison today.
It’s official! The Comeback will return to HBO this fall for a six-episode run. “In the new episodes, HBO said, Valerie will continue her search to attain the spotlight, but this time around it illuminates a whole new series of problems when she achieves the visibility she wants.”
Chris Colfer talks about writing tomorrow’s episode of Glee. “He was only given two guidelines for his script: ‘I couldn’t break up with Blaine and I couldn’t kill anyone.’”
Notre Dame sends a message of support.
In case you missed The Amazing Spider-Man 2 this weekend, here’s the post-credits X-Men teaser, featuring Mystique, Toad, Havoc, that one mutant, and that other mutant.
He’s...
Demi Lovato To Rock Gay Pride Events in L.A., New York
Michael Alig was released from prison today.
It’s official! The Comeback will return to HBO this fall for a six-episode run. “In the new episodes, HBO said, Valerie will continue her search to attain the spotlight, but this time around it illuminates a whole new series of problems when she achieves the visibility she wants.”
Chris Colfer talks about writing tomorrow’s episode of Glee. “He was only given two guidelines for his script: ‘I couldn’t break up with Blaine and I couldn’t kill anyone.’”
Notre Dame sends a message of support.
In case you missed The Amazing Spider-Man 2 this weekend, here’s the post-credits X-Men teaser, featuring Mystique, Toad, Havoc, that one mutant, and that other mutant.
He’s...
- 5/5/2014
- by snicks
- The Backlot
(source)
Birthday shoutouts go to Shiloh Fernandez (above), who is 29, Erykah Badu is 43, and Michael Bolton is 61.
Texas’ ban on gay marriage ruled unconstitutional! However! A stay has been issued, meaning the bans remain in effect for the time being.
Our thoughts are with the family and friends of former NFL linesman Roy Simmons, who died today at the age of 57. In 1992, Roy became the second former NFL player to publicly come out.
In ratings news, Glee was up 10% in its move to Tuesdays, while Christian Slater‘s new series Mind Games, well … this makes how many Christian Slater flops?
Arizona and Uganda: How the Same Groups Spread the Same Hate Around the Globe
Tom Daley’s Naked Bum? Saucy Shower Snap Materialises On Friend’s Instagram… & Is Swiftly Deleted. Hmm … I can’t tell, but whoever it belongs to … it’s very nice.
Jason Collins gets the Taiwanese Animation Treatment.
Birthday shoutouts go to Shiloh Fernandez (above), who is 29, Erykah Badu is 43, and Michael Bolton is 61.
Texas’ ban on gay marriage ruled unconstitutional! However! A stay has been issued, meaning the bans remain in effect for the time being.
Our thoughts are with the family and friends of former NFL linesman Roy Simmons, who died today at the age of 57. In 1992, Roy became the second former NFL player to publicly come out.
In ratings news, Glee was up 10% in its move to Tuesdays, while Christian Slater‘s new series Mind Games, well … this makes how many Christian Slater flops?
Arizona and Uganda: How the Same Groups Spread the Same Hate Around the Globe
Tom Daley’s Naked Bum? Saucy Shower Snap Materialises On Friend’s Instagram… & Is Swiftly Deleted. Hmm … I can’t tell, but whoever it belongs to … it’s very nice.
Jason Collins gets the Taiwanese Animation Treatment.
- 2/26/2014
- by snicks
- The Backlot
Projects from Terence Davies and Peter Greenaway among the titles being pitched at the Netherlands Production Platform (Npp).
The Holland Film Meeting (Sept 26-29), the Utrecht-based event dedicated to funding independent cinema, begins today.
Projects from Terence Davies (A Quiet Passion) and from Peter Greenaway (Eisenstein In Guanajuato) are among the titles being pitched at this year’s 15th anniversary Netherlands Production Platform (Npp).
The coproduction market includes both international and Dutch projects. 23 projects from 15 countries are at the Npp.
Acclaimed British director Davies has now delivered a final draft of the screenplay for A Quiet Passion, his biopic of reclusive New England poet Emily Dickinson.
The €4.6m project is being produced through Hurricane Films, run by Solon Papadopoulos and Roy Boulter. The company also produced Davies’ feature doc Of Time And The City and is working on his new feature Sunset Song, expected to shoot in early 2014. Boulter is due in Utrecht to present A Quiet Passion.
Boulter...
The Holland Film Meeting (Sept 26-29), the Utrecht-based event dedicated to funding independent cinema, begins today.
Projects from Terence Davies (A Quiet Passion) and from Peter Greenaway (Eisenstein In Guanajuato) are among the titles being pitched at this year’s 15th anniversary Netherlands Production Platform (Npp).
The coproduction market includes both international and Dutch projects. 23 projects from 15 countries are at the Npp.
Acclaimed British director Davies has now delivered a final draft of the screenplay for A Quiet Passion, his biopic of reclusive New England poet Emily Dickinson.
The €4.6m project is being produced through Hurricane Films, run by Solon Papadopoulos and Roy Boulter. The company also produced Davies’ feature doc Of Time And The City and is working on his new feature Sunset Song, expected to shoot in early 2014. Boulter is due in Utrecht to present A Quiet Passion.
Boulter...
- 9/26/2013
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
It's Throwback Thursday, and while we have several photos of ourselves eating Honey Combs on Saturday morning while wearing a really cool Garfield shirt from 1989, we won't be posting those self-indulgents... Because Those Are Our Pictures Dammit! Instead, we've got internet throwback! A video from 2006 has aged at least three decades in internet time, and that's just the year of the video we're presenting to you today. The year was 2006! Youtube videos were rated in stars, dreams of 10 hour video loops seemed impossible, and some people only really liked Arcade Fire's first album! But there was a little piece of Heaven on Earth, that...
- 8/1/2013
- E! Online
Derek is compromised, Kyle inspires posthumously and Ivy works her muff
Previously, on Smash
So with golf overruns we open with the show already in progress because that’s how much respect NBC has for this show and its audience. But it’s some bit of business with that shapeless mess of a non-show Hit List so it doesn’t matter.
As the company dashes off for a costume change Daisy Parker, that dancer who accused Derek of sexual harassment and then vanished for months only to return on Bombshell‘s opening night to serve as Derek’s third-choice dick receptacle, tells Ana how wonderful her performance is and how terrified she would be if she ever had to go on in her place. Gosh, I wonder of that offhand comment has any greater significance?
Jimmy’s watching from the wings, dissatisfied with the show since it transferred to Broadway.
Previously, on Smash
So with golf overruns we open with the show already in progress because that’s how much respect NBC has for this show and its audience. But it’s some bit of business with that shapeless mess of a non-show Hit List so it doesn’t matter.
As the company dashes off for a costume change Daisy Parker, that dancer who accused Derek of sexual harassment and then vanished for months only to return on Bombshell‘s opening night to serve as Derek’s third-choice dick receptacle, tells Ana how wonderful her performance is and how terrified she would be if she ever had to go on in her place. Gosh, I wonder of that offhand comment has any greater significance?
Jimmy’s watching from the wings, dissatisfied with the show since it transferred to Broadway.
- 5/12/2013
- by John
- The Backlot
Aloha to you, Jaime King! The Hart of Dixie actress enjoyed a little rest and relaxation Monday on the sandy beaches of Hawaii. "Heaven on Earth," the actress tweeted with a photo of the waves crashing on the shore. As she enjoyed the sunshine with her husband, director Kyle Newman, the 33-year-old beauty was looking fit and fabulous in her black, one-piece bathing suit. King also showed off her signature blonde locks. Hey, we still can't forget her short-lived blue hair phase. The fashionista is maintaining a busy schedule as she has both Sin City: A Dame to Kill For with Joseph Gordon-Levitt and her CW show on her to-do list. Enjoy your vacation, before...
- 4/2/2013
- E! Online
Oscar nominated Indo-Canadian director Deepa Mehta is probably best known worldwide as the director of the seminal Elements Trilogy, the final of which, "Water," earned her a nomination for Best Foreign Film in 2005. It's been more than a few years since we last saw a film from Mehta, with her most recent being 2008's "Heaven on Earth," but now she's back in a big way with "Midnight's Children," which will be released in select theaters starting April 26th, and in La on May 3rd by Paladin and 108 Media. The film is an adaptation of Salman Rushdie's novel of the same name following the lives of two newborns switched at birth in a Bombay hospital as India declares its independence from Great Britain. Not only did Rushdie adapt the film from his novel along with Mehta, he also lends his voice as the film's narrator, which you can hear in the trailer,...
- 4/1/2013
- by Mark Lukenbill
- Indiewire
Previously, on Smash
When last we left our plucky band of Broadway babies, Karen was triumphant as Marilyn Monroe in the Boston tryout of Bombshell while Ivy backstage contemplated a handful of pills. We pick up three weeks later on the tryout's closing night, with Karen-as-Marilyn singing the original “Cut, Print, Moving On”. The number starts in black-and-white which makes Karen's lips look extremely creepy.
It's not doing those under eye lines any favors either
The number becomes a montage of the various characters returning to New York. Having dumped Dev for sleeping with Ivy, Karen's moved in with a friend called Ana, a new character who shares a fondness for eccentric spelling with her portrayer, Krysta Rodriguez. Dev's left Karen a letter that reads in part that he misses her terribly. Karen crumples it.
Also noteworthy: Ivy dumps all of her pill bottles in the garbage. One day at a time,...
When last we left our plucky band of Broadway babies, Karen was triumphant as Marilyn Monroe in the Boston tryout of Bombshell while Ivy backstage contemplated a handful of pills. We pick up three weeks later on the tryout's closing night, with Karen-as-Marilyn singing the original “Cut, Print, Moving On”. The number starts in black-and-white which makes Karen's lips look extremely creepy.
It's not doing those under eye lines any favors either
The number becomes a montage of the various characters returning to New York. Having dumped Dev for sleeping with Ivy, Karen's moved in with a friend called Ana, a new character who shares a fondness for eccentric spelling with her portrayer, Krysta Rodriguez. Dev's left Karen a letter that reads in part that he misses her terribly. Karen crumples it.
Also noteworthy: Ivy dumps all of her pill bottles in the garbage. One day at a time,...
- 2/6/2013
- by fakename
- The Backlot
Season Two of Smash premieres Tuesday night, with the cast and crew of the Marilyn Monroe bio-musical Bombshell returned to New York to continue its drive to Broadway. Need a refresher on who did what to whom in season one? Or did you not watch (or hatewatch) but are thinking about giving season two a shot? Either way, you could catch up by reading the incisive yet hilarious recaps (okay, I'm biased) posted last season. Or you could read this handy primer, covering the characters and events and other assorted highlights.
Ivy & Karen
Much of the first season focuses on the battle between Broadway chorus veteran Ivy Lynn (Megan Hilty) and fresh-faced Iowa ingenue Karen Cartwright (Katharine McPhee) to land, and keep, the role of Marilyn. They are neck and neck through the pilot and not even a duel duet of the signature song “Let Me Be Your Star” settles the question.
Ivy & Karen
Much of the first season focuses on the battle between Broadway chorus veteran Ivy Lynn (Megan Hilty) and fresh-faced Iowa ingenue Karen Cartwright (Katharine McPhee) to land, and keep, the role of Marilyn. They are neck and neck through the pilot and not even a duel duet of the signature song “Let Me Be Your Star” settles the question.
- 2/5/2013
- by fakename
- The Backlot
After two weeks of brief trip to the ‘Heaven On Earth’, Bollywood superstar Shahrukh Khan returns from Kashmir. Shahrukh Khan had a marvelous time shooting in Kashmir and he returned home with some cherished memories of the state which at one point of time was the hot Bollywood shooting spot basically for the Yash Raj banner. After a long period, Yash Chopra again revisited the place and captured the scenic beauty and tranquility of the state in his camera. Yash Chopra returns to film direction seven years post Veer-Zaara release and his desire to recapture the exotic location of Kashmir finally fulfilled. Katrina, ...
- 9/8/2012
- Bollywoodmantra.com
Telluride, Colo. -- The triumph in their voices was palpable Friday night at the Telluride Film Festival as director Deepa Mehta and screenwriter Salman Rushdie introduced the world premiere of Midnight's Children, their adaptation of Rushdie's 1982 Booker Prize-winning novel about children with magic powers born the same night modern India was born in 1947. The film, which next moves on to the Toronto International Film Festival, encountered more than its share of challenges on the way to the screen. The India-born Meha, whose previous films include 2005's Water and 2008's Heaven on Earth, chose to begin production, under
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- 9/1/2012
- by Tim Appelo
- The Hollywood Reporter - Movie News
Mumbai, Aug 19: He is just 30 but it seems that actor Neil Nitin Mukesh, currently busy with Bejoy Nambiar's "David", is already making retirement plans.
"Retirement plan. Just leave and settle in the mountains. What peace," tweeted the 30-year-old who debuted with "Johnny Gaddaar" in 2007 and so far he has done eight films.
Sharing his love for mountains, he shared: "Ooty is one of the most beautiful places in India. Heaven on earth..
"Retirement plan. Just leave and settle in the mountains. What peace," tweeted the 30-year-old who debuted with "Johnny Gaddaar" in 2007 and so far he has done eight films.
Sharing his love for mountains, he shared: "Ooty is one of the most beautiful places in India. Heaven on earth..
- 8/19/2012
- by Leon David
- RealBollywood.com
It's been exactly three years since Michael Jackson's untimely passing. But for R. Kelly, the memory of spending time with the King of Pop will last forever. They met when Kelly wrote "You Are Not Alone" for Jackson, and the late pop star agreed to sing it. Kelly details the thrill of meeting Jackson, their collaboration on the song - and what it was like to hit the mall with the mega-star - in his upcoming memoir, Soulacoaster: The Diary of Me, on sale June 28, reprinted here with permission from SmileyBooks. Photos: Michael Jackson RememberedThe day finally came. I...
- 6/25/2012
- by Rennie Dyball
- PEOPLE.com
"Bombshell" hits the stage with a new leading lady Monday (May 14) on NBC's Season 1 finale of "Smash," but is it Karen (Katharine McPhee) or Ivy (Megan Hilty)?
A strong argument can be made for either of these talented ladies to play the blonde bombshell. Ivy has more stage experience and definitely bears a marked resemblance to Marilyn, but Karen has an innocence and naivety -- not to mention an amazing voice -- that offers a truly authentic performance.
On one hand, Ivy's already proven she can play Marilyn. She rocked the performance during the workshop -- although, the potential funders may not entirely agree. But Karen hasn't really been given the opportunity to prove herself as Marilyn yet. Plus, hasn't Ivy essentially already squandered away her chance to play Marilyn, along with her spot in "Heaven on Earth"? But since she and Derek (Jack Davenport) have a history together --...
A strong argument can be made for either of these talented ladies to play the blonde bombshell. Ivy has more stage experience and definitely bears a marked resemblance to Marilyn, but Karen has an innocence and naivety -- not to mention an amazing voice -- that offers a truly authentic performance.
On one hand, Ivy's already proven she can play Marilyn. She rocked the performance during the workshop -- although, the potential funders may not entirely agree. But Karen hasn't really been given the opportunity to prove herself as Marilyn yet. Plus, hasn't Ivy essentially already squandered away her chance to play Marilyn, along with her spot in "Heaven on Earth"? But since she and Derek (Jack Davenport) have a history together --...
- 5/14/2012
- by editorial@zap2it.com
- Zap2It - From Inside the Box
“The real question is, who’s going to play Marilyn?” With that episode-ending question from chorus boy Bobby, Smash took us right back to the dilemma that’s been on everyone’s minds since the pilot.
I wouldn’t put my money on movie star Rebecca Duvall, who wound up in the hospital after ingesting a smoothie that was laced with peanuts, then revealed to Karen she wasn’t coming back to the show because of her brewing insecurities. (So in the course of a few days leading up to its Boston previews, Bombshell loses its Marilyn and its Dimaggio?...
I wouldn’t put my money on movie star Rebecca Duvall, who wound up in the hospital after ingesting a smoothie that was laced with peanuts, then revealed to Karen she wasn’t coming back to the show because of her brewing insecurities. (So in the course of a few days leading up to its Boston previews, Bombshell loses its Marilyn and its Dimaggio?...
- 5/8/2012
- by Michael Slezak
- TVLine.com
We open this week with a lovely tracking shot up the length of Dev's naked body, glowing in the early morning light as he sleeps off the rest of last night's drunk.
He opens his eyes and, after a moment's confusion at his surroundings, clearly thinks to himself, “What the hell did I get myself into last night?” He rolls over and spots just what the hell he got himself into last night. Mornin' Ivy!
Cut to Karen backstage walking with Jessica, who is incredulous upon learning that Derek had sex with Rebecca. Cut to Derek, who waves good morning. Back to the ladies, where Karen frets about her fight with Dev. She's been texting and texting and he hasn't responded. Oh Karen, what's the worst that could have happened?
Jessica asks to borrow Karen's phone to call Ivy, who isn't yet at rehearsal. She dials and one of two...
He opens his eyes and, after a moment's confusion at his surroundings, clearly thinks to himself, “What the hell did I get myself into last night?” He rolls over and spots just what the hell he got himself into last night. Mornin' Ivy!
Cut to Karen backstage walking with Jessica, who is incredulous upon learning that Derek had sex with Rebecca. Cut to Derek, who waves good morning. Back to the ladies, where Karen frets about her fight with Dev. She's been texting and texting and he hasn't responded. Oh Karen, what's the worst that could have happened?
Jessica asks to borrow Karen's phone to call Ivy, who isn't yet at rehearsal. She dials and one of two...
- 5/8/2012
- by fakename
- The Backlot
NBC
It’s time to head to Boston! Immediately we’re treated to visuals of the ensemble meeting in Grand Central and then heading up to Beantown while “Another Op’nin, Another Show” (from “Kiss Me, Kate”) is sung by Tom (and a little Sam. Interesting pairing there). I’m glad we have a classic Broadway song — there’s too few of those in this show. As the gang sets up there’s an ill-timed black out in the theater.
It’s time to head to Boston! Immediately we’re treated to visuals of the ensemble meeting in Grand Central and then heading up to Beantown while “Another Op’nin, Another Show” (from “Kiss Me, Kate”) is sung by Tom (and a little Sam. Interesting pairing there). I’m glad we have a classic Broadway song — there’s too few of those in this show. As the gang sets up there’s an ill-timed black out in the theater.
- 5/1/2012
- by Josée Rose
- Speakeasy/Wall Street Journal
We open this week, accompanied by Tom (with a brief initial assist from Sam) singing “Another Op'nin, Another Show” from Kiss Me Kate over scenes of the Bombshell cast and crew packing for out of town tryouts in Boston. Notably Ivy packs a photo of her awful mother. Rebecca takes a limo and the chorines meet up in Grand Central Station.
Christian Borle really nails the song and the arrangement incorporates phrases from “Let Me Be Your Star”. The number closes with Karen standing wide-eyed on the stage as tech crew scurry under Derek's direction. With the final notes fading a missed cue results in the theater being plunged into darkness. From out of the dark, we hear Derek: “Oh bloody hell!”
Meanwhile, Julia's at home lying next to Frank in bed, smiling.
Back in Boston Rebecca stands nervously on the bare stage. Derek enters and spots her there; she leaves hurriedly.
Christian Borle really nails the song and the arrangement incorporates phrases from “Let Me Be Your Star”. The number closes with Karen standing wide-eyed on the stage as tech crew scurry under Derek's direction. With the final notes fading a missed cue results in the theater being plunged into darkness. From out of the dark, we hear Derek: “Oh bloody hell!”
Meanwhile, Julia's at home lying next to Frank in bed, smiling.
Back in Boston Rebecca stands nervously on the bare stage. Derek enters and spots her there; she leaves hurriedly.
- 5/1/2012
- by fakename
- The Backlot
Watching many of the major films from Bollywood history, one trend that stands out is the way that the films show a great respect for traditional values while at the same time providing progressive challenges to those values, ultimately earning the support from the keepers of the traditional values. Deepa Mehta, an Indian-Canadian director, takes a much harsher eye to Indian traditions in her most notable films. While she often makes films that, in location or culture, are distinctly Indian, the Western influences are evident. It is likely for this reason that her films have often faced protest and censorship in India.
After a few hard to find films and some work in television, Mehta broke through in 1994 with Camilla, one of the three features directed by Mehta that doesn’t engage with Indian culture. The main focus is on the friendship that develops between a young woman (Bridget Fonda...
After a few hard to find films and some work in television, Mehta broke through in 1994 with Camilla, one of the three features directed by Mehta that doesn’t engage with Indian culture. The main focus is on the friendship that develops between a young woman (Bridget Fonda...
- 4/19/2012
- by Erik Bondurant
- SoundOnSight
The existence of God, the seat-filling power of a Hollywood star on Broadway, and even the health benefits of a kale and flaxseed smoothie (insert a churn of the tum-tum here) were up for debate on this week’s episode of Smash. Yep, Rebecca Duvall (Uma Thurman) — she of Sack Lunch Casual Friday 2 — dove right into rehearsals for Bombshell, and kept getting “inspired” with “ideas” she wanted to share in “pow-wows” with Derek, Eileen, Tom, and Julia. Too bad she didn’t have actual vocal ability to go with all that inspiration!
The good news, though, is that Smash didn...
The good news, though, is that Smash didn...
- 4/17/2012
- by Michael Slezak
- TVLine.com
Smash Sneak Peeks: Will Ivy Return to Bombshell? Plus, Karen and Ivy Bond...But For How Long?
Poor Ivy seems to be lost on Smash. After a poorly received workshop presentation, Ivy lost the role of Marilyn in the musical. Returning to the ensemble in Tom and Julia's show, "Heaven on Earth", Ivy seemed to wallow in her despair. She started imbibing both pills and alcohol, which led to a disastrous performance on stage. Later, she was even fired from her ensemble job and wasn't asked to return to the Marilyn musical when reversals started up again.
But Ivy is nothing if not a survivor. She's still dating Derek, so in the last episode she made a point to stay on his good side and give him advice, hoping to get back into the show. When a new episode of Smash airs on April 16, Derek will go to bat for Ivy,...
Poor Ivy seems to be lost on Smash. After a poorly received workshop presentation, Ivy lost the role of Marilyn in the musical. Returning to the ensemble in Tom and Julia's show, "Heaven on Earth", Ivy seemed to wallow in her despair. She started imbibing both pills and alcohol, which led to a disastrous performance on stage. Later, she was even fired from her ensemble job and wasn't asked to return to the Marilyn musical when reversals started up again.
But Ivy is nothing if not a survivor. She's still dating Derek, so in the last episode she made a point to stay on his good side and give him advice, hoping to get back into the show. When a new episode of Smash airs on April 16, Derek will go to bat for Ivy,...
- 4/14/2012
- by Clarissa
- TVovermind.com
Continuing our coverage of our favorite new show "Smash" the only musical on television that makes any cohesive sense from epiosde to episode and is tangentially about the movies, too.
Karen and Ivy are slowly becoming frenemies. I'll drink to that
In "Hell on Earth" the long form narrative gets back up on its feet after that episode that felt like it didn't happen: Ivy's sour downward mood continues as we see her phoning it in amusingly and then disastrously in the hit musical comedy "Heaven on Earth" (with special guest star, the awesome Norbert Leo Butz... who recently won the Tony for the Tom Hanks role in the musical adaptation of "Catch Me If You Can"); Eileen continues to push when others would have given up; Ellis continues to scheme and even puts out to get an "in" with a movie star; Debra Messing continues to make a case...
Karen and Ivy are slowly becoming frenemies. I'll drink to that
In "Hell on Earth" the long form narrative gets back up on its feet after that episode that felt like it didn't happen: Ivy's sour downward mood continues as we see her phoning it in amusingly and then disastrously in the hit musical comedy "Heaven on Earth" (with special guest star, the awesome Norbert Leo Butz... who recently won the Tony for the Tom Hanks role in the musical adaptation of "Catch Me If You Can"); Eileen continues to push when others would have given up; Ellis continues to scheme and even puts out to get an "in" with a movie star; Debra Messing continues to make a case...
- 4/10/2012
- by NATHANIEL R
- FilmExperience
Smash Sneak Peek: Will Rebecca Duvall Fit In or Alienate Everyone?
Uma Thurman made her entrance in this week's Smash, although it wasn't until the last few moments of the episode.
After Cuba that resulted in Karen being assigned as the Marilyn understudy for a few days, Rebecca Duvall finally sauntered into the rehearsal space. Clearly Karen is upset about being demoted, despite knowing her replacement was coming. Meanwhile, Ivy was fired from Heaven on Earth and spent the episode trying to charm her way back into the Marilyn musical.
Eileen may have secured some new funding through her bartender friend, Nick, but that doesn't mean it's smooth sailing now that the movie star has arrived. As they pointed out in the previous episode, Rebecca has never done musical theater before. In the upcoming April 16 episode of Smash, Rebecca will prove her lack of knowledge when she suggests changes to the script.
Uma Thurman made her entrance in this week's Smash, although it wasn't until the last few moments of the episode.
After Cuba that resulted in Karen being assigned as the Marilyn understudy for a few days, Rebecca Duvall finally sauntered into the rehearsal space. Clearly Karen is upset about being demoted, despite knowing her replacement was coming. Meanwhile, Ivy was fired from Heaven on Earth and spent the episode trying to charm her way back into the Marilyn musical.
Eileen may have secured some new funding through her bartender friend, Nick, but that doesn't mean it's smooth sailing now that the movie star has arrived. As they pointed out in the previous episode, Rebecca has never done musical theater before. In the upcoming April 16 episode of Smash, Rebecca will prove her lack of knowledge when she suggests changes to the script.
- 4/10/2012
- by Clarissa
- TVovermind.com
I’ve said it before (and I can’t promise I won’t say it again): Smash is at its best when the show focuses on the drama of mounting a major Broadway production. And while I don’t expect it to serve us Law & Order-style “all work life, no home life” story arcs, I sometimes wish the pesky peccadilloes of its central characters were a wee bit less unrealistic.
Uma Thurman’s Smash Landing: Will Star Quality Save Bombshell or Detonate It?
I mean, I can suspend my disbelief to an extent, but NBC might as well have...
Uma Thurman’s Smash Landing: Will Star Quality Save Bombshell or Detonate It?
I mean, I can suspend my disbelief to an extent, but NBC might as well have...
- 4/10/2012
- by Michael Slezak
- TVLine.com
Is everyone excited for the big guest starring appearance of movie star Uma Thurman as movie star Rebecca Duval? Well, don't be. She doesn't appear until literally the last minute. In the 59 minutes preceding The Presence:
We open on the rehearsal space, loaded with potential investors. As they natter-grommish Karen leans into Jessica to ask what happens if “she” doesn't show and Jessica's delighted that Karen's still after the role.
Eileen strides in and confabs with the rest of the cabal. Derek rises to announce that the star is delayed and calls for a short break. The room is awash in rhubarb as Julia incredulously says “She's not in New York?” Eileen confirms that she's in Cuba and Julia busts out “Cuba?!” loud enough for the potential investors to overhear.
Eileen walks a couple of potential investors out, who advise her that just because they say they're in it doesn't mean the money's in.
We open on the rehearsal space, loaded with potential investors. As they natter-grommish Karen leans into Jessica to ask what happens if “she” doesn't show and Jessica's delighted that Karen's still after the role.
Eileen strides in and confabs with the rest of the cabal. Derek rises to announce that the star is delayed and calls for a short break. The room is awash in rhubarb as Julia incredulously says “She's not in New York?” Eileen confirms that she's in Cuba and Julia busts out “Cuba?!” loud enough for the potential investors to overhear.
Eileen walks a couple of potential investors out, who advise her that just because they say they're in it doesn't mean the money's in.
- 4/10/2012
- by fakename
- The Backlot
NBC “Smash”
This week we get to meet Uma Thurman! Her entrance isn’t as good as Bernadette Peters’ was…in fact she doesn’t even make an entrance til the last minute of the show; Ms. Duvall is stuck in Cuba. The investors are quite antsy. Meanwhile we get a Tom/Julia storyline that doesn’t really work, a Karen/Dev storyline that does work, oh and some more Dev/Derek interaction. Also, there’s more to bartender Nick than meets the eye.
This week we get to meet Uma Thurman! Her entrance isn’t as good as Bernadette Peters’ was…in fact she doesn’t even make an entrance til the last minute of the show; Ms. Duvall is stuck in Cuba. The investors are quite antsy. Meanwhile we get a Tom/Julia storyline that doesn’t really work, a Karen/Dev storyline that does work, oh and some more Dev/Derek interaction. Also, there’s more to bartender Nick than meets the eye.
- 4/10/2012
- by Josée Rose
- Speakeasy/Wall Street Journal
Here at Dread Central we pride ourselves on our staff. It is comprised of a group of truly talented individuals who do some pretty incredible things. Next on tap from the Dread Central staff canon: author Scott A. Johnson and his new book Droplets.
From the Press Release
Every day we live in the normal world. But when the normal world gives up its secrets, when people get a glimpse of what exists in the periphery, the world can be a frightening place. The monster in the closet becomes real, creatures come out at night in search of blood, and the only thing that can save you is warm daylight.
Contained herein are twenty-three stories from acclaimed horror novelist Scott A. Johnson. Included are his first published works as well as stories never before available to the public.
Chained to the Pel Childhood Fears Closet Boy Death Around the Corner...
From the Press Release
Every day we live in the normal world. But when the normal world gives up its secrets, when people get a glimpse of what exists in the periphery, the world can be a frightening place. The monster in the closet becomes real, creatures come out at night in search of blood, and the only thing that can save you is warm daylight.
Contained herein are twenty-three stories from acclaimed horror novelist Scott A. Johnson. Included are his first published works as well as stories never before available to the public.
Chained to the Pel Childhood Fears Closet Boy Death Around the Corner...
- 4/4/2012
- by Uncle Creepy
- DreadCentral.com
Pretty much everything and everyone got flipped upside down on this week’s Smash: Enemies became frenemies, marriages imploded, and gays fundraised for the Republican party. The one true constant was that little weasel wearing his hideous vests and bowties and continuing to be completely deplorable. But to be fair, even Ellis got himself into a new position by episode’s end. (Ewww. Sorry. I really regret writing that.)
Anyhow, let’s review the key plot developments from “Hell on Earth,” and whether or not they were heavenly or bound for hell:
Smash Preview: Adultery Bombshell Will Be ‘Quite Damaging,...
Anyhow, let’s review the key plot developments from “Hell on Earth,” and whether or not they were heavenly or bound for hell:
Smash Preview: Adultery Bombshell Will Be ‘Quite Damaging,...
- 4/3/2012
- by Michael Slezak
- TVLine.com
I don't know about you, but I for one am still reeling from last week's “Derek's dad did the nasty with other men” revelation. Unfortunately that doesn't get explored further in this week's episode, which opens on various couples starting their days. Karen models sunglasses for Dev in preparation for an audition. Ivy wakes up next to Derek, also needing to prep for an audition. Frank cooks breakfast for the family, none of whom stop to eat it.
Tom does take some time for breakfast, eating a bowl of cereal at John's place. Tom's worried because he can't get ahold of Ivy. But not so worried that he can't pitch a little morning nookie to John. The spirit is willing but the timing is bad as their schedules don't mesh. They work their way to Thursday, when John has a political fundraiser for an old friend. Tom asks to go along,...
Tom does take some time for breakfast, eating a bowl of cereal at John's place. Tom's worried because he can't get ahold of Ivy. But not so worried that he can't pitch a little morning nookie to John. The spirit is willing but the timing is bad as their schedules don't mesh. They work their way to Thursday, when John has a political fundraiser for an old friend. Tom asks to go along,...
- 4/3/2012
- by fakename
- The Backlot
Smash 1.09 Recap: Ivy Spirals and Julia Faces the Consequences
After a rather disappointing episode of Smash last week, I was pleasantly surprised by how much I enjoyed this week's episode, "Hell on Earth". I've said numerous times that Smash is at its best when it's focusing on the musical instead of the B-stories, but this week's episode was full of B-stories and somehow made it work.
Personally, I've thought that Julia's affair made her extremely unsympathetic and I hate that I didn't like her for a few episodes because of it, because I really do love Debra Messing. In this week's Smash, Julia's husband, Frank, found a song Julia had written and deduced she was having an affair. He quickly realized that Michael was the other man and exploded at his wife. The first confrontation between Julia and Frank was terrific, if only because he refused to buy the nonsense...
After a rather disappointing episode of Smash last week, I was pleasantly surprised by how much I enjoyed this week's episode, "Hell on Earth". I've said numerous times that Smash is at its best when it's focusing on the musical instead of the B-stories, but this week's episode was full of B-stories and somehow made it work.
Personally, I've thought that Julia's affair made her extremely unsympathetic and I hate that I didn't like her for a few episodes because of it, because I really do love Debra Messing. In this week's Smash, Julia's husband, Frank, found a song Julia had written and deduced she was having an affair. He quickly realized that Michael was the other man and exploded at his wife. The first confrontation between Julia and Frank was terrific, if only because he refused to buy the nonsense...
- 4/3/2012
- by Clarissa
- TVovermind.com
With the status of the musical in the air, people moved on this week on Smash. Not to a pretty place for most participants, either, but rather to "Hell on Earth."
Ivy and Karen
Now relegated to the chorus, they were in search of other work. Ivy returned to the background in Tom's musical, Heaven on Earth, while struggling with being an almost-Broadway star. The competition between the two hasn't ended, though, as Karen landed a national commercial, while Ivy was late to the audition.
Ivy's use of steroids escalated to her use of a multitude of drugs. That, combined with her depression, led her to an acting out and, ultimately, a face plant on stage during a performance. Her reaction to losing the role of Marilyn may not have been healthy, but it was authentic. Very few people have the opportunity to achieve a dream like becoming a professional athlete,...
Ivy and Karen
Now relegated to the chorus, they were in search of other work. Ivy returned to the background in Tom's musical, Heaven on Earth, while struggling with being an almost-Broadway star. The competition between the two hasn't ended, though, as Karen landed a national commercial, while Ivy was late to the audition.
Ivy's use of steroids escalated to her use of a multitude of drugs. That, combined with her depression, led her to an acting out and, ultimately, a face plant on stage during a performance. Her reaction to losing the role of Marilyn may not have been healthy, but it was authentic. Very few people have the opportunity to achieve a dream like becoming a professional athlete,...
- 4/3/2012
- by carla@tvfanatic.com (Carla Day)
- TVfanatic
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