Even if the personal and political don’t always line up neatly in The Moneychanger, it’s an engaging character study of a man with little character, elevated by Veiroj’s unusual eye.
Federico Veiroj’s love of anti-heroes continues with this fifth feature, an enjoyably offbeat period character study wrapped in a thriller and laced with bone-dry humour that charts the rise of a conscience-free money launderer during the 1970s Uruguayan military dictatorship.
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Slant MagazinePeter Goldberg
Slant MagazinePeter Goldberg
It’s apparent that Veiroj disdains no one so much as Humberto, but the film makes vanishingly little of the man’s undoubtedly twisted psyche.