66
Metascore
20 reviews · Provided by Metacritic.com
- 90Rolling StonePeter TraversRolling StonePeter TraversFerrara’s blend of toughness and lyricism turns this visionary crime film into something stylish, seductive and haunting.
- 90The New York TimesJanet MaslinThe New York TimesJanet MaslinMr. Walken, as Frank, does a memorable job of taking a fanciful projection of corruption, greed and complacency, giving it intelligence, and making it flesh and blood.
- 80Chicago ReaderLisa AlspectorChicago ReaderLisa AlspectorThe imposing performances in this chess game between pointedly black and white criminals (Christopher Walken, Laurence Fishburne) and police detectives (Victor Argo, Wesley Snipes, David Caruso) are as impressive as ever.
- 75The A.V. ClubScott TobiasThe A.V. ClubScott TobiasArgo's earthy features and self-effacing style make him a memorable foil to the flashier Walken. Without him, King Of New York might be written off as exploitative gangsta fare, all sleaze and decadence for its own sake. With him, it has the ballast of common decency.
- 75Entertainment WeeklyEntertainment WeeklyFerrara’s movies have the iridescence of Miami Vice (Ferrara directed some episodes), the rude energy of the B’s, and a sophisticated style that glides above their subjects. King of New York careens along loonily: A gaunt Christopher Walken, his eyes beginning to bulge like Peter Lorre’s, plays an eccentric Robin Hood gangster who coolly murders his rivals but offers millions to a hospital in the South Bronx.
- 50Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertWhat Ferrara needs for his next film is a sound screenplay...He has gone about as far as a director can go on pure style.
- 40EmpireAngie ErrigoEmpireAngie ErrigoThose who found, say, Internal Affairs, a "stylish" affair will be able to say the same of this, only it's more so. The more squeamish will prefer to take Manhattan Woody Allen style.
- 40Washington PostHal HinsonWashington PostHal Hinson[Abel Ferrara's] specialty is a kind of hallucinatory tawdriness, and here, he's made a hepped-up film about drugs that plays as if the filmmakers themselves kept a healthy supply of the stuff at hand.