Early in Faye, Laurent Bouzereau’s entertaining portrait for HBO of screen legend Faye Dunaway, Bette Davis in a Johnny Carson clip names her without hesitation as the one star with whom she would never work again. Considering this is clearly a very authorized and deeply respectful bio-doc, it’s surprising how candidly it digs into the star’s reputation for being temperamental and demanding. Dunaway even plays into it herself — the first words we hear are her impatiently nudging the director to roll cameras on the present-day interview that binds the many recollections and self-reflections together.
“We need to shoot; I’m here now, come on,” says an exasperated Dunaway. Seated on a comfortable-looking sofa in an airy New York apartment living room, she huffs, “This is the worst seat in the world. I’m not happy with anything here.” But when she then snaps, “I need a glass of water,...
“We need to shoot; I’m here now, come on,” says an exasperated Dunaway. Seated on a comfortable-looking sofa in an airy New York apartment living room, she huffs, “This is the worst seat in the world. I’m not happy with anything here.” But when she then snaps, “I need a glass of water,...
- 5/28/2024
- by David Rooney
- The Hollywood Reporter - Movie News
By Lee Pfeiffer
It may be understandable to think that the vast majority of major films have been released on home video but, in factthere are countless high profile titles that have yet to appear, or perhaps were once available but have gone out of circulation years ago. The unavailability of certain titles is generally due to either the lack of suitable master prints or rights problems. In either scenario, movie fans are deprived from seeing everything from genuine gems to guilty pleasures. Writing on his blog wwwthemagnificent60s.com, Cinema Retro contributing writer Brian Hannan focuses on one such "orphan" title, the 1968 production "A Place for Lovers". The film garnered few positive reviews and was met with a collective yawn by audiences despite the presence of screen legend Marcello Mastroianni and newly-minted star Faye Dunaway, fresh off her triumph in "Bonnie and Clyde". Adding to the prestige, the film...
It may be understandable to think that the vast majority of major films have been released on home video but, in factthere are countless high profile titles that have yet to appear, or perhaps were once available but have gone out of circulation years ago. The unavailability of certain titles is generally due to either the lack of suitable master prints or rights problems. In either scenario, movie fans are deprived from seeing everything from genuine gems to guilty pleasures. Writing on his blog wwwthemagnificent60s.com, Cinema Retro contributing writer Brian Hannan focuses on one such "orphan" title, the 1968 production "A Place for Lovers". The film garnered few positive reviews and was met with a collective yawn by audiences despite the presence of screen legend Marcello Mastroianni and newly-minted star Faye Dunaway, fresh off her triumph in "Bonnie and Clyde". Adding to the prestige, the film...
- 3/7/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Chances are, if you’ve seen many of the late films of Theodoros Angelopoulos, Michelangelo Antonioni (everything since L’avventura), Marco Bellocchio, Vittorio De Sica, Federico Fellini (almost everything since Amarcord), Mario Monicelli, Elio Petri, Francesco Rosi, Andrei Tarkovsky (Nostalghia), the Taviani brothers, and/or Luchino Visconti, and paid much attention to their script credits, you know who Tonino Guerra (1920–2012) was and is—a ubiquitous presence in modernist European cinema, especially its Italian branches. Petri was his first cinematic employer, after Guerra started out as a schoolteacher and poet whose parents were illiterate; later on, he became a visual artist as well as a screenwriter with over a hundred credits.Even after one acknowledges the exceptionally collaborative role played by multiple writers on Italian films, it seems that no one else was considered quite as essential by so many important directors. In Nicola Tranquillino’s documentary about Tonino (visible on YouTube...
- 9/29/2020
- MUBI
Self-taught costume designer who dressed Beatty and Dunaway in Bonnie and Clyde
Theadora Van Runkle was almost 40 and broke, a commercial illustrator drawing fashion ads for the May Department Stores Company to support her children, when she met the movie costume designer Dorothy Jeakins at a party in Los Angeles in 1966. Jeakins had been in the business a long time by then (from Joan of Arc to The Sound of Music), but she was no sketch artist, and she hired Van Runkle on the spot to do that task for the glum epic Hawaii. The engagement lasted barely a month. As payback, Jeakins later called to say: "I've just been asked to do a little western over at Warner Bros" – she couldn't do it because of conflicting schedules – "and I recommended you."
Van Runkle, who has died of lung cancer aged 83, panicked. She had no design training, but she had...
Theadora Van Runkle was almost 40 and broke, a commercial illustrator drawing fashion ads for the May Department Stores Company to support her children, when she met the movie costume designer Dorothy Jeakins at a party in Los Angeles in 1966. Jeakins had been in the business a long time by then (from Joan of Arc to The Sound of Music), but she was no sketch artist, and she hired Van Runkle on the spot to do that task for the glum epic Hawaii. The engagement lasted barely a month. As payback, Jeakins later called to say: "I've just been asked to do a little western over at Warner Bros" – she couldn't do it because of conflicting schedules – "and I recommended you."
Van Runkle, who has died of lung cancer aged 83, panicked. She had no design training, but she had...
- 11/12/2011
- by Veronica Horwell
- The Guardian - Film News
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